The document discusses social media trends among students at Truckee High School. It notes that Facebook was very popular in 2013 but declined in 2014 as Instagram rose in popularity. Snapchat also became widely used in 2014. While Facebook and Instagram were previously dominant, Snapchat and Vine are now more popular. The document predicts that Twitter and Tumblr will become more widely used among Truckee High students by the end of the year, based on their increasing popularity in other parts of the US. It concludes by suggesting Tumblr and Twitter will be the next big social media platforms for students at the school.
Our school trip to the science museum was a fun learning experience. We saw many interesting exhibits on physics, chemistry and biology. The most fascinating exhibit was on the human body which showed how our organs work together to keep us alive.
The document discusses likes and dislikes in two short points but provides no further details on the specific likes or dislikes. It presents a high-level view of preferences without elaborating on any particular preferences mentioned. The summary is limited due to the brevity of the original document.
Each week the social & PR teams from The Brooklyn Brothers come together to talk about things that are trending. Each week we openly discuss really interesting thoughts from a couple of members of the team about what is coming up in digital, social and of course PR.
This week Alice Dodge and Laura Bell talked through the following presentation.
This document discusses design choices made for various promotional images for a band called Imogen Fall. The images are meant to relate to the band's music, lyrics, and nature themes. Elements like font choices, airbrushing, and inclusion of props help connect the visuals to the band's songs and image. The photos are intended for use on social media, music videos, and other promotional materials.
The questionnaire results showed that the target audience for the music video was females ages 17-18, though many teens to thirties would relate to a romantic plot. Most respondents wanted a narrative, performance-based video with an uplifting ending and romantic synopsis. Popular examples that met these criteria were identified. The majority preferred ballads but many also liked upbeat songs. Intertextual references to popular romance films would be included. Tattoos or unique fashion, like green contacts, could help make the artist stand out. Social media like Facebook, Twitter and a website would be key to connecting with fans.
This document discusses design choices made for various promotional images for a band called Imogen Fall. The images are meant to relate visually to the band's name, songs, and young female audience. Elements like nature themes, fairy tale references, and enhanced or airbrushed features are used to achieve girly, mysterious, or earthy feels that connect the visuals to the band's music and image.
A presentation first presented in Iceland at the iMark conference. It encourages companies to focus on social business strategy rather than social media strategy and figure out what they could do.
The document discusses social media trends among students at Truckee High School. It notes that Facebook was very popular in 2013 but declined in 2014 as Instagram rose in popularity. Snapchat also became widely used in 2014. While Facebook and Instagram were previously dominant, Snapchat and Vine are now more popular. The document predicts that Twitter and Tumblr will become more widely used among Truckee High students by the end of the year, based on their increasing popularity in other parts of the US. It concludes by suggesting Tumblr and Twitter will be the next big social media platforms for students at the school.
Our school trip to the science museum was a fun learning experience. We saw many interesting exhibits on physics, chemistry and biology. The most fascinating exhibit was on the human body which showed how our organs work together to keep us alive.
The document discusses likes and dislikes in two short points but provides no further details on the specific likes or dislikes. It presents a high-level view of preferences without elaborating on any particular preferences mentioned. The summary is limited due to the brevity of the original document.
Each week the social & PR teams from The Brooklyn Brothers come together to talk about things that are trending. Each week we openly discuss really interesting thoughts from a couple of members of the team about what is coming up in digital, social and of course PR.
This week Alice Dodge and Laura Bell talked through the following presentation.
This document discusses design choices made for various promotional images for a band called Imogen Fall. The images are meant to relate to the band's music, lyrics, and nature themes. Elements like font choices, airbrushing, and inclusion of props help connect the visuals to the band's songs and image. The photos are intended for use on social media, music videos, and other promotional materials.
The questionnaire results showed that the target audience for the music video was females ages 17-18, though many teens to thirties would relate to a romantic plot. Most respondents wanted a narrative, performance-based video with an uplifting ending and romantic synopsis. Popular examples that met these criteria were identified. The majority preferred ballads but many also liked upbeat songs. Intertextual references to popular romance films would be included. Tattoos or unique fashion, like green contacts, could help make the artist stand out. Social media like Facebook, Twitter and a website would be key to connecting with fans.
This document discusses design choices made for various promotional images for a band called Imogen Fall. The images are meant to relate visually to the band's name, songs, and young female audience. Elements like nature themes, fairy tale references, and enhanced or airbrushed features are used to achieve girly, mysterious, or earthy feels that connect the visuals to the band's music and image.
A presentation first presented in Iceland at the iMark conference. It encourages companies to focus on social business strategy rather than social media strategy and figure out what they could do.
a4uexpo Using Broadcast and Social Media to Acquire Customers in Affiliate Ma...Russell Goldsmith
Using broadcast and social media can help brands acquire new customers. Social media platforms are now mainstream sources for news and content. Brands can create video and audio content to engage audiences on social media platforms like Facebook, Twitter, YouTube and through podcasts. Interactive features added to video content can increase viewer engagement by allowing people to learn more about and purchase products featured in videos. Tracking links in video content also helps improve search engine optimization and affiliate marketing efforts.
Using Broadcast and Social Media to Acquire Customers and Win Awards - Robert...auexpo Conference
Russell Goldsmith discusses how brands can use broadcast and social media to acquire customers. Social media usage has grown significantly since 1995 with the introduction of platforms like YouTube, Facebook, and Twitter. Brands should get involved in social media to create conversations around engaging content and influence influencers. Video and audio content spread virally online, so brands should provide portable media for audiences to share. Interactive videos in particular can boost engagement and drive affiliate sales when viewers can learn more about products directly in the videos. Overall, social media adds advocacy, engagement, and targeted reach to supplement traditional broadcast campaigns.
Social media platforms are increasingly incorporating video and social viewing features to aggregate content from multiple sources like YouTube, Facebook, and podcasts. This allows users to view videos together from different sites in a synchronized experience. Brands are leveraging these new social capabilities through tactics like webisodes, which expand their audience and integrate products. Measuring the impact of these various social media video platforms is important for selecting the right tactics in an integrated campaign.
Social media has become a major part of how businesses connect with customers and promote their brands. The document discusses the growth and reach of various social media platforms like Facebook, Twitter, YouTube and blogs. It emphasizes that businesses need a social media presence to remain visible to customers and should engage with potential customers on these platforms through regular posting of updates, responses to comments, and relationship building. Finally, the document recommends businesses sign up for accounts on key social media sites and be active on a daily basis to start seeing benefits for their business.
The document discusses the concept of "Broadcaster 3.0" which refers to using social media to enhance content creation, delivery, audience relationships, and reputation for broadcasters. It provides examples from the BBC of how social media is used to increase content creation through audience submissions and comments. Audience relationships are strengthened through social platforms like Twitter and Facebook that allow interaction. Broadcasters must manage user generated content and react quickly to maintain their reputation online. The audience now controls the media experience and is active across multiple platforms requiring broadcasters to have a multi-platform strategy to engage viewers.
Why didn’t we foresee the rise of social TV?
Social TV is the biggest change in television since it was invented.
Audiences are increasingly engaging with television via second screens (laptops, mobiles and tablets) and connected TV systems. This transforms medium and industry and gives social networks key commercial roles in the TV business.
The rise of social TV raises a crucial issue for our understanding of forecasting and innovation:
Why did we not foresee this major development in television?
The Futurescape presentation Social TV, Forecasting and Innovation reveals how 1995 predictions about the future of TV missed social TV and proposes how such blind spots in forecasting can be remedied.
The presentation covers
Social TV: a synthesis of TV and social networking
1. Transforming the medium of TV
2. A radical shift in power for the TV industry
3. How does social TV power manifest itself?
Forecasting and Innovation
4. The future of TV as seen from 1995
5. What we didn’t foresee in 1995 – social TV
6. Why didn’t we anticipate it?
7. Implications for forecasting and innovation
For more insights into the future of social media and television, download our white paper How Connected Television Transforms The Business of TV (adapted from Futurescape’s strategy report, Social TV).
The document discusses the evolution of media from traditional to new digital formats. It notes that internet usage will surpass TV by 2010. Video content is growing rapidly, especially for sharing on platforms like YouTube. Advertising is also shifting to new digital formats like video. The new media ecosystem involves users being "always on" across owned, paid and earned media channels on multiple platforms. It emphasizes the need for brands to have an "always on" online presence across content, channels and platforms to fully engage today's digital users.
The document discusses how social TV was not anticipated in 1995 forecasts of the future of television. It provides reasons why social TV was a blind spot, including that the major innovation came from outside the TV industry through well-funded internet startups that combined people's social needs, money, and new ways of integrating data on the internet. The rise of social networks like Facebook and Twitter has transformed television by giving audiences new ways to engage with TV content and shifting power to technology companies.
Digital video marketing is growing rapidly, with video expected to account for 69% of internet traffic by 2017. Popular video hosting sites include YouTube, Facebook, and Instagram. Video performs well across social media platforms and can increase engagement. Reasons to use digital video include high viewership, ability to convey large amounts of information visually, and potential for viral sharing. Analysis of Mediamark radio station YouTube channels found their videos had millions of views but visit durations varied significantly.
Third year marketing students planned a flash mob in downtown Kingston using chalk to promote the local hockey team, the Kingston Frontenacs. They used various social media channels like Twitter, Facebook, Instagram and YouTube to create buzz and engage the community around the event. Twitter was a key channel where they encouraged people to use the hashtag #chalkaboutit and retweet posts to gain more exposure. The students measured engagement through metrics like tweet volume and photos posted with the hashtag.
The document discusses how social media has changed crisis communication and engagement with customers for Southwest Airlines. It provides examples of how Southwest was able to more quickly and directly respond to incidents in 2009 compared to 2005 by using blogs, Facebook, Twitter and other social media channels. It also summarizes Southwest's presence and strategies across key social media platforms like YouTube, Facebook, Twitter, Flickr and provides engagement metrics for each.
This document discusses trends in digital media and social networks. It provides statistics on the growth of digital technologies like the number of websites, videos on YouTube, photos on Facebook and more. It then discusses how this has led to a shift in brand ownership and marketing, with engagement and social media becoming more important. Brands need to find ways to intervene helpfully in culture to create value through the interaction of brands and social media.
Internet Marketing Now: New Tools and TrendsSusby Digital
The document provides an overview of new internet marketing tools and trends in 2009. It discusses the shift from Web 1.0 to the more social and participatory Web 2.0, and the rise of social media platforms like blogs, social networks, photos and videos sharing sites, Twitter, and more. It emphasizes that internet marketing now is about listening, participating in conversations, building relationships and trust through social interactions online.
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I presented today to a class at the International School of Management about the Web, Social Media and New Marketing and its role in promoting and marketing major events. It includes two YouTube Videos find it also at my blog at http://jeffbullas.com
The document provides an agenda for a social media seminar, including presentations on definitions of social media, why brands use social media, social commerce tools, and monitoring social media. It then discusses various social media strategies and best practices for brands, including examples from Marks & Spencer, H&M, Compare the Meerkat, and Cobra. It emphasizes engaging customers in conversations rather than just broadcasting messages.
Social television allows people to connect with others on social media platforms like Twitter while watching TV shows or live events. It gives viewers a way to discuss what they're watching and feel like they are part of a larger viewing experience. Companies have embraced social TV as it encourages live viewership and engagement. Various websites and apps have been created to integrate social media discussions with television content in real-time.
Social television incorporates social media platforms like Twitter while watching TV shows or live events. It allows viewers to discuss what they are watching with others in real-time and feel less isolated. Many TV networks and apps now integrate social media comments and interactions to enhance viewer engagement. Advertisers are also embracing social TV as it encourages live viewership.
Marshall Manson and James Whatley are back with their latest set of predictions for the social media year ahead.
This document outlines a brief review of the previous year's predictions and ideas as well as a more in-depth look at the thoughts, trends and predictions for 2015.
Enjoy!
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The document discusses the concept of "Broadcaster 3.0" which refers to using social media to enhance content creation, delivery, audience relationships, and reputation for broadcasters. It provides examples from the BBC of how social media is used to increase content creation through audience submissions and comments. Audience relationships are strengthened through social platforms like Twitter and Facebook that allow interaction. Broadcasters must manage user generated content and react quickly to maintain their reputation online. The audience now controls the media experience and is active across multiple platforms requiring broadcasters to have a multi-platform strategy to engage viewers.
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Social TV is the biggest change in television since it was invented.
Audiences are increasingly engaging with television via second screens (laptops, mobiles and tablets) and connected TV systems. This transforms medium and industry and gives social networks key commercial roles in the TV business.
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2. The Challenge Despite an innovative and competitive offering, T-Mobile had fallen behind it’s competitors. MediaCom needed to launch the new brand positioning: ‘Life’s for Sharing’ to a broad target audience, with a specific requirement to drive word-of-mouth, but with a fraction of the budget of our big competitors. People simply didn’t know what the brand stood for.
3. The Idea Additionally, build a community around this content, and make it easy to share using digital and social networks. Stage a unique dance event at Liverpool Street Station that would provide content that embodies ‘Life’s for Sharing’, create such excitement that people would share it; and ultimately, make great advertising.
4. The 6 Month Strategy Maintain Maintain Launch Launch Jan Feb July Mar Apr May June
5. A typical event based approach wouldn’t work… Dead Space for Conversation and Content Jan Feb July Mar Apr May June
6. We needed to provide momentum to each burst by continually seeding “unseen” content Jan Feb July Mar Apr May June
10. CelebrityAll of the above have been proven to drive “viral” uptake of video… Cult: By limiting people at the event had got people talking about what it was, was it real, was it faked? Currency: People wanted to pass it on and share it with their mates Cool: The Dance grabbed people’s attention, made them smile, and want to share it Celebrity: Liverpool Street Station acted as the celebrity – a location everyone knew
12. Limiting our Partners meant we could control content flow… The main hub of Content and Conversation Seeding partner for all video content Video Live 48 hours after TV spot All traffic directed to YT, but bloggers encouraged to rip and share content Video Live at same time as TV spot (Friday 19th) All traffic directed to YT for first two weeks of campaign
13. Content Full 2min 30+ Video Partners Volume of Engagement Jan Feb July Mar Apr May June
14. Content was planned ahead of time, but didn’t react to consumer wants and desires… Making of and Behind the Scenes Launch of shorter edits + How to Dance pt.1 Full Video of Event Brand Led Peter Crouch Edits How to Dance with Emma pt.2 Kelly Brook Edits Actual Event Consumers demanding more info and wanting new events Consumers seekingout edits and new versions Consumer Led Consumer mobile and camera images Consumers record, edit and post footage of TV ad onto blogs and YouTube Shellie launches Facebook group Content Timeline
15. Launch of shorter edits + How to Dance pt.1 Making of and Behind the Scenes Full 2min 30+ Video Alternative Edits Content Partners Potentially reacting to consumer could have driven more interest Volume of Engagement Jan Feb July Mar Apr May June
16. Can we deliver an “epic” marketing campaign…. 20million+ views Yes, we can….T-Mobile Dance remained in the top 5 Viral Video chart for the first 20 weeks of 2009, even beating Obama’s inauguration speech to the top spot
17. And the business effect was “epic” as well… Handset sales went up 22% during launch week Store footfall in January was the highest ever for T-Mobile Retargeting people who’d seen the brand ad online with a sales message improved response by a factor of three Biggest ever UK Bluetooth downloads
18. Launch of shorter edits + How to Dance pt.1 Making of and Behind the Scenes But what about the next event? Alternative Edits Content Full 2min 30+ Video Partners Volume of Engagement Potentially reacting to consumer could have driven more interest Jan Feb July Mar Apr May June
23. Then contacted the list in preparation for more information about the event… Week prior (w/c 20th April) The Day (30th April) Post-Event (48hours) Action Content Contact
24. Identifying Key Roles for Social Channels Direct Discuss Create Allow comments on all create channels and RSS where possible Distribute event content to Flickr photo channel Signpost RSS on YouTube for video content THE EVENT Seed event post-event across key influential blogs through non and paid for placements YouTube as the main content hub Actively discuss activity with followers on Twitter Signpost Video, content and Photo updates through twitter Create Facebook group to house content and release some exclusive non-YT content
25. Through social media & T-Mobile texting London customers 13,000+ people were driven to the event
26. But it didn’t stop at just getting people there to the event… I recorded it all on my mobile, shared with friends and added it to YouTube I blogged live from the event with the T-Mobile Broadband stick T-Mobile contacted me to video at the event and post on my YouTube channel I took photos and uploaded them to T-Mobile Flickr group I got great access because T-Mobile found me on Flickr and asked me to photograph the event
27. An explosion of Consumer Created Content… 312 “Earned” Consumer Video 1,271 “Earned” Photos 17,319 “Earned” Blog posts
28. Live Consumer Created Content Launch of shorter edits + How to Dance pt.1 360degree Yellowbird Content Mobile Footage Making of and Behind the Scenes Alternative Edits Footage from Tour Abi Clancy Video Alternative Edits 30” Trailer of Event Full 2min 30+ Video Content Partners Potentially reacting to consumer could have driven more interest Volume of Engagement Jan Feb July Mar Apr May June
29. The Five Points to Take-Away You can control the content, you can’t control the conversation But.. Consumers are a great ally in producing free content.. use it well Start early to create a groundswell Don’t just pick one social platform, try them all for their different strengths Let everyone you talk to think they are the most important wheel in the cog – Bloggers, Facebook admins, YouTube subscribers
Editor's Notes
HUGE chart
Photo of event
Photo and arrowsFlickr photographers, bloggers encouraged to blog live via T-Mobile Broadband, YouTube subscribers encouraged to video, we twittered and uploaded to facebook live