Theme Of Lady Lazarus

Theme Of Lady Lazarus
Sylvia Plath's disturbing, malevolent poem, 'Lady Lazarus" is one which features a complex
character that has began to abhor life. The poem takes the form of a dramatic monologue and
describes an, obviously, disturbed woman's failed suicide attempts and eventual success and
resurrection. In addition, the poem focuses on Lady Lazarus' suffering under female oppression and
alienation from the rest of the world. The character is presented to be one that suffers from feelings
of oppression, deep depression and mental instability. This aspect of characterisation is significant to
the impact of the poem as it contributes to the dark, disturbing atmosphere made apparent in the first
tercet and makes the reader feel Lazarus' genuine heart felt emotion of anguish.
The sinister characteristic and overall complexity of Lady Lazarus is created through the first four
tercets when she shares her graphic views of life and death and compares her feelings of oppression
and insignificance to that of the Jews during the holocaust, this imagery of her burning in a
crematorium is exploited later on when she rises from the ashes and "eat(s) men like air"; the
holocaust is also a symbol of her own suffering.The poem begins with a sense of ambiguity which
leaves the reader questioning what Lady Lazarus is referring to when she mentions 'it'. Before long
it is revealed that she is referring to death; this gives ... Show more content on Helpwriting.net ...
This contrast between good and evil shows how she is battling a higher power of evil within her.
The repetition of the word 'beware' acts as a brutal threat that warns men ( highlighted by the use of
the German word for man ) of a certain doom that awaits them should they stand in her way or push
her too far. The poem concludes on a jarring note:
"Out of the ash
I rise with my red hair
And i eat men like
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Cyrus Vs. Lazarus
Lazarus states that there are two ways of thinking about minimal cognitive prerequisites. Thus, the
first way of thinking has to do with the content in which occurs cognitively for an emotion to occur.
The second way of thinking has to do with the process in which an experience must occur for the
emotion to be felt (125). Moreover, to experience an emotion, it generally involves environmental
triggers, meaning, an encounter between two people is likely to take place (126). When something
occurs within the individual's environment, that individual must appraise it. This means that the
person should determine if there is harm or a benefit to produce an emotion (126). Also, emotions
require what Lazarus refers to as additional cognitive prerequisites (127) which involves assessing
the type of ego involvement, where to apply blame or credit, how to cope with the emotion and what
will happen in the future given certain actions (127). ... Show more content on Helpwriting.net ...
Adults, for example, experience anger mostly because of their ego and anger which generally occurs
because they are trying to protect or enhance their self–esteem (128). Too, adults generally put the
blame onto somebody whether it be who has seemingly mistreated them or they tend to feel guilt or
shame toward themselves (128). In contrast, Lazarus feels that a baby at three months, cannot
understand the intent of an action, and therefore cannot find a reason to feel angry (129). Therefore,
a baby's anger is much different from that of an adult's anger. It is difficult for babies to understand
the actions of another or to act out in a way that attends to their ego or their self–esteem (129). With
this theory, it suggests that emotions occur in three stages overall: the experience, physiological
arousal and the

Lady Lazarus
The Phoenix Reborn In Sylvia Plath's poem "Lady Lazarus", Plath uses the horrific events of the
Holocaust to symbolize the numerous deaths and rebirths of Lady Lazarus. Each death in the story is
at the fault of a man and at the end of the story, Lady Lazarus rises from the ashes with a new vigor
and devours all men to take back the reins of her life. Resurrection is an important theme throughout
the poem and Plath uses both the name of Lady Lazarus, and more importantly, the nature of the
mythical phoenix to emphasize this. The symbolization of the phoenix being reborn unravels the
idea that Lady Lazarus invited these deaths with the knowledge that after each death comes a self–
empowering metamorphosis. Despite Lady Lazarus' gruesome accounts

Who Is Prufrock A Coward
The Journey of a Coward
Heroes are admired for their achievements and their qualities, which include their courage,
determination and responsibility; but not all heroes portray these characteristics. The poem, "The
Love Song of J. Alfred Prufrock", written by T.S Eliot, demonstrates a lonely middle–aged man's
frustration, regarding his useless and meaningless life, due to his lack of self–esteem. He wishes to
seek answers to his questions, but his fear of rejection prevents him from moving forward. Even
though, Prufrock is the main character in the poem, he does not display the qualities associated with
a hero, rather he expresses a personality of a coward, because he fears rejection, he is inexpressive
and he values others judgement, causing him to lose contact with society since he is incapable to
defend himself.
Throughout the poem, Prufrock's fear of rejection, due to his overly analytical nature and lack of
self–confidence, renders him to think that everything will have a negative outcome, therefore he ...
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As a result, he buries himself under many layers of clothes in order to hide his true identity, making
him a coward. Therefore, Prufrock is a coward, because he judges himself based upon other people's
judgements, thus he concludes that he is an outcast in the society and prefers to live in the shadows.
With this in mind, it can be said that the main character, Prufrock, is a coward as he possesses
qualities that no protagonist should possess, because it opposes the ideal description of a hero. As
seen, the poem "The Love Song of J. Alfred Prufrock" proves that the main character is not always a
hero, but can also be a coward. Prufrock's fear of rejection, his inexpressive character and his ethics
regarding other people's judgement defines him and proves that he is a coward who decided that
isolation is the only solution to his

An Analysis of The Love Song of J. Alfred Prufrock Essay
The editors of anthologies containing T. S. Eliot's "The Love Song of J. Alfred Prufrock" invariably
footnote the reference to Lazarus as John 11:1–44; rarely is the reference footnoted as Luke 16:19–
31. Also, the reference to John the Baptist is invariably footnoted as Matthew 14:3–11; never have I
seen the reference footnoted as an allusion to Oscar Wilde's Salome. The sources that one cites can
profoundly affect interpretations of the poem. I believe that a correct reading of Eliot's "Prufrock"
requires that one cite Wilde, in addition to Matthew, and Luke, in addition to John, as the sources for
the John the Baptist and Lazarus being referenced. Furthermore, the citation of these sources can
help explain Eliot's allusion to ... Show more content on Helpwriting.net ...
But though I have wept and fasted, wept and prayed,
Though I have seen my head (grown slightly bald) brought in
upon a platter,
I am no prophet––and here's no great matter... (81–83)
The reference is not only to Matthew 14:3–11, but also to Oscar Wilde's Salome, the play upon
which Richard Strauss based his opera Salome. In the biblical account, no motivation is ascribed to
Salome for wanting John the Baptist killed. In the versions by Wilde and Strauss, however, Salome
is passionately in love with the imprisoned John the Baptist, who, because he will not let the
temptations of the flesh corrupt his pure love of God, rejects her advances. Wilde's Salome,
determined that if she cannot have John no one will have John, asks Herod for the Baptist's head on
a platter. John the Baptist spurned Salome's affections while he lived; now that he is dead, Salome
lavishes her kisses upon the cold lips of the bloody corpse–head.
Prufrock, too, has had his moments of temptation: he has "known the arms already, known them
all–– / Arms that are braceleted and white and bare / (But in the lamplight, downed with light brown
hair!)" (62–64). And these very sources of temptation, these "arms that lie along a table, or wrap
about a shawl" (67), eventually emasculate Prufrock by rejection:

Lady Lazarus Allusion
In Lady Lazarus by Sylvia Plath, the speaker addresses the subject of death and how others perceive
death different ways. By applying form and symbolism, the speaker explains how some people need
to experience death in order to really live. The poems structure consists of stanzas that have three
lines called tercets. The tercets are made up of short, chopped lines with a mix of end–stopped lines
and enjambment. With the combination, it makes the poem sound forceful and move quickly when
read. There is a mix of perfect rhyme and slant rhyme, "ring, filling, beware, hair and air." Including
anaphoras such as "I do it so it feels real," and "I do it so it feels like hell." With different rhymes
and repetitions, there is no order to them, ... Show more content on Helpwriting.net ...
After cremation, the Nazis would look through the remains of the ashes looking for jewelry
(wedding rings) and other possessions such as gold fillings. They have burned all of the humanity
out of the crematorium, the way Lady Lazarus feels as though she has no humanity left, yet she is
inferior to death. "Like the cat I have nine times to die, This is Number Three." Instead of having
nine times to live, she feels as though she has nine times to die. She talks about rising from the dead,
"Out of the ash, I rise with my red hair, And I eat men like air." Out of the ashes she rises like a
Lady Lazarus, who comes back to life like the mythological phoenix. She believes that the Nazis
can't kill her, that she will come back and "eat men like air." Unlike the Jews slaughtered by the
Nazis, Lady Lazarus will rise again and take

`` Lady Lazarus `` By Sylvia Plath
It is difficult to make me uncomfortable. I feel that most individuals of my generation feel that way.
Desensitized because of the information sensory overload that our symbiotic relationship with
technology has created. The individuals, lack sensitivity. My generation as a whole, that's another
story. Somehow, my generation became the most desensitized at the same time it became the easiest
to offend. This is why I love the poem "Lady Lazarus" by Sylvia Plath so much. In the midst of the
20th century Plath touched on topics of depression and suicide in such a shameless way that, it is
capable of evoking emotion most modern forms of expression fail to reach. To do this Plath
masterfully uses imagery that creates a sense of repulsion and dread that only work to add to the
general tone of the poem. Additionally, the idea of a top 40 artist using holocaustic imagery to
pontificate about how sad they were about the on goings at the club feels quite absurd, not to
mention inevitable outrage of social justice warriors for the use of holocaust imagery in the first
place. "Lady Lazarus" made me uncomfortable. It did so, because out of all of media that my
generation has available to us, this poem is one of the most relatable and accurate depictions of a
personal struggle with depression I've encountered. Nearly 60 years ago, Sylvia Plath, fearlessly
used controversial imagery, and masterful metaphor and allusion to illustrate the personal, and
subtle nuance of depression in a way

Prufrock in the poem The Love Song of J Alfred Prufrock...
Question
Who is Prufrock?
The modern propensity for excessive introspection prevents people from living full, active lives.
Is this true of Prufrock? Refer to examples from the poem to support your opinion.
Answer
It is obvious that the excessive and obsessive reflection of self that Prufrock undergoes in the poem,
"The Love Song of J Alfred Prufrock" written by T.S. Eliot, prevents him from living to his true
potential, and this is shown through the poet?s language and his use of poetic devices.
?The Love Song of J. Alfred Prufrock? has some immaculate imagery. T.S. Eliot uses figurative
diction to create almost cinematic images in the readers mind, almost like a memory of their own.
The imagery creates an incredible mood ... Show more content on Helpwriting.net ...
I suppose Eliot realised the propensity of man is to analyse themselves up against the things that we
value and dream of to acquire. Therefore I deem Eliot to have tried to rid this common perception
and teach us that this view hinders us from living full, active lives. I presume T.S. Eliot replaces his
perception with Prufrock?s, which is ultimately the theme of the poem. However this is unclear,
because T.S. Eliot might have replaced Prufrock with his view on the typical individual that he
despises. It is quite evident that Prufrock has qualities derived from both these two examples. For
example, Prufrock is obsessed with his appearance, age and things which have no lifelong value,
and this ultimately leads Prufrock to individual isolation and a perpetual loathing of mankind, and
this negatively affects him. Although this is the case, Prufrock also has wisdom of the superficiality
of people in the modern world. So it is unclear who Prufrock is, in terms of if he is Eliot?s
perception of the typical man or if he is the typical man that Eliot despises, or both.
Regardless of this, I believe that Eliot is trying to convey an examination of the tortured psyche of
the prototypical modern man, a prototypical man who is overeducated, eloquent and neurotic, like
Prufrock, who is often moody, indecisive, isolated, but yet a sensitive thinker. Prufrock is lacking in
direction and is searching for order and a point to his life. I believe it was a design choice that

Explication of T.S. Eliot's The Love Song of J. Alfred...
Explication of T.S. Eliot's "The Love Song of J. Alfred Prufrock"
In T.S. Eliot's "The Love Song of J. Alfred Prufrock," the author is establishing the trouble the
narrator is having dealing with middle age. Prufrock(the narrator) believes that age is a burden and
is deeply troubled by it.. His love of some women cannot be because he feels the prime of his life is
over. His preoccupation with the passing of time characterizes the fear of aging he has. The poem
deals with the aging and fears associated with it of the narrator. The themes of insecurity and time
are concentrated on. This insecurity is definitely a hindrance for him. It holds him back from doing
the things he wishes to do. This is the sort of characteristic that makes ... Show more content on
Helpwriting.net ...
He feels if he can gain the courage to ask the question, he may at last find value in his life: "would it
have been worth while/ To have bitten off the matter with a smile,? To have squeezed the universe
into a ball."(89) Ultimately, he fails at both tasks. Throughout the poem, the themes of time's
passage and age continue to illustrate the unhappiness of Prufrock's life. Prufrock reveals the
measured out portions of life he has lived: "I have measured out my life in coffee spoons."(51) This
phrase shows Prufrock's inability to seize the day. He also says such things as the of his thinning
hair and his resulting bald spot in order to indicate the passage of age and the importance he feels
now that he is past his prime: "Time to turn back and descend the stair,/ With a bald spot in the
middle of my hair––/ (They will say: 'How his hair is growing thin')"(39) This shows Prufrock's fear
of being laughed at.
When he speaks of time it is in a contradictory fashion. On one hand, he feels a sense of urgency as
he travels to the party, because he must decide if he will ask his question. Yet, while he agonizes
over whether to attempt a change in his life, he tells us time is plentiful, explaining "there will be
time for you and time for me/ And time yet for a hundred indecisions / And for a hundred visions
and revisions/ Before taking of

Analysis of "The Love Song of J. Alfred Prufrock" Essay
Analysis of "The Love Song of J. Alfred Prufrock"
J. Alfred Prufrock constantly lived in fear, in fear of life and death. T. S. Eliot divided his classic
poem into three equally important sections. Each division provided the reader with insight into the
mental structure of J. Alfred Prufrock. In actuality, Prufrock maintained a good heart and a worthy
instinct, but he never seemed to truly exist. A false shadow hung over his existence. Prufrock never
allowed himself to actually live. He had no ambitions that would drive him to succeed. The poem is
a silent cry for help from Prufrock. In each section, T. S. Eliot provided his audience with vague
attempts to understand J. Alfred Prufrock. Each individual reader can only interpret these ... Show
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Prufrock's fear to live never allowed him to accomplish anything. The issue of death emerged again
in lines 26–27. In these lines Eliot said, "There will be time, there will be time to prepare a face to
meet the faces that you meet."(ll. 26–27 Eliot) This statement showed that Prufrock spent the
majority of his time preparing for death. In lines 37–39 Eliot said, "And indeed there will be time to
wonder, 'Do I dare?' and 'Do I dare?' time to turn back and descend the stair."(ll. 37–39 Eliot) This
line showed that Prufrock felt that he was bound to Hell. Prufrock constantly lived in fear of death.
This fear caused him to not be able to live. In the second section Prufrock realized the error of his
ways. He came to the understanding that being afraid to live was no way to live his life. Eliot
summed up the entire reasoning of Prufrock in the following line, "And in short, I was afraid."(l 86
Eliot) Prufrock spent his entire life in a wasteland, because he did not have the courage to live. At
this point he knew that there was no opportunity to regain the years that he lost. In lines 92–98 Eliot
said, "To have squeezed the universe into a ball To roll it towards some overwhelming question, To
say: 'I am Lazarus, come from the dead, Come back to tell you all, I shall tell you all'– If one,
settling pillow by her head, Should say: 'That is not what I meant at all. That is not it, at all.'"(ll. 92–
98 Eliot) These lines showed how

Difference Between Lazarus And Lasan Folkman
According to Richard Lazarus and Susan Folkman (1984) believe that a large number of specific
coping style can be grouped into three subtype which are emotion focused coping, problem focused
coping and avoidance. This first coping style which is emotion focused coping by Lazarus Folkman
1984, which can define as regulating emotional responses to problems. Emotion focused coping can
be divided into two subtypes which are cognitive and behaviour. Cognitive emotion focused coping
is often involved with what Lazarus and Folkman term, defensive and re–appraisals. These are ways
of thinking that attempt to draw attention away from the more painful elements of a situation by
reinterpreting the situation, using positive thinking to block out negative ... Show more content on
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Chris and his son have been chased out by the house owner, then he went to Wayne place and seek
for his help. Unfortunately, Wayne ignored him. Chris bang his gate to vent his anger. By venting
anger he get to cool down himself. The second coping style which is problem focused coping, it
defines as use of realistic strategies that could make a tangibles difference in the situation that cause
the stress. Problem focused coping can be divided into two subtype which are changing situation
and changing self. Changing situation is a person could change the situation mentioned above by
talking the problem out. The changing situation occur when one of the interviewer asked him a
question "what would you say if I told you we once hired a man who came in without a shirt on"? In
this situation, which are nervous and embarrass, Chris answer the interviewer with a funny way
which can bring up the happy ambience "those must have been some nice pants" By answering the
question intelligently, he successfully brings up some happy ambience. These had change the
nervous and embarrass situation to a happy

The Lazarus Files
According to v Obersturmbannführer Horst Brotzman, as he had claimed in his Tree of Knowledge
Papers, with additional corroboration from his older brother, v Hauptsturmführer Arno Brotzman, as
well as some of the original authors behind the Lazarus Files, all of them report on the Bauer family
being heavily involved in some of the city planning that resulted in the beginning of the modern
infrastructure that now exists in and around the city of Philadelphia. Precisely, the underground
sewer system that runs underneath the streets, which carries away human waste to waste treatment
plants, where the wastewater is then purified, before flowing into existing waterways further away
from the city. This was most apparent during the 1910s–1920s, where ... Show more content on
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"The supreme leadership of the RGA has been informed that something else exists somewhere in
sewers, ideally, in the vicinity of this sewer around Underworld. We Nightingales have been given
the task of excavating and recovering what else exists within the sewers. All of you have been
equipped with experimental ACP detectors tweaked to detect objects behind hollowed out walls. In
addition, all of you have been given a small semi–auto handgun with an attached silencer and
flashlight for self–defense purposes. Ladies and gentlemen, since all of you are responsible adults,
allow me to remind each and every one of you that for the duration of our time here, only use your
requisitioned handgun as a last resort; do not, I repeat, do not fire at a target, unless you are
positively sure that it is someone or something that wants to make you its midnight snack. Do I
make myself

Analysis Of The Love Song Of J Alfred Prufrock
"The Love Song of J Alfred Prufrock" by T.S Elliot is a well–written poem that exemplifies the
struggle and life of J Alfred Prufrock. The poem is neither an actual love poem nor is it a love song
in any sense. Even though Elliot does not give the reader great detail on Prufrock as a person, he
does give detail about Prufrock's personality and his own state of mind. Elliot uses many symbols
and themes throughout the short poem that represents the struggles that Prufrock is facing and his
problems in his state of mind. One struggle that Prufrock deals with his himself. He struggles with
self– esteem issues and his self worth. Elliot writes the poem to describe Prufrock and show that he
has insecure issues just like people in today's society. From the beginning of the poem, Elliot
describes a picture for the reader's mind that sets the tone of the poem as dull and vague. Elliot
describes the scene as, "Yellow fog that rubs its back upon the window– panes, the yellow smoke
that rubs its muzzle on the windo–panes." (Lines15–16). The setting with the yellow fog and yellow
smoke, both suggest an idea of haziness and denseness. With the setting describing of vagueness it
represents Prufrock as someone who is in a way lacks confidence in him. He is vague in the way
where he does not believe in himself. Human insecurities in the poem are evident throughout.
During the poem, Prufrock deals with an "overwhelming question" that he struggles to deal with. He
shows the lack of

Lazarus Speech Outline
I. John 12:9–11, "9 Much people of the Jews therefore knew that he was there: and they came not
for Jesus' sake only, but that they might see Lazarus also, whom he had raised from the dead. 10 But
the chief priests consulted that they might put Lazarus also to death; 11 Because that by reason of
him many of the Jews went away, and believed on Jesus." A. Do you think Jesus knew that many of
the Jews would come "not for Jesus' sake only, but that they might see Lazarus also, whom he had
raised from the dead."
1. John 15:8, "Herein is my Father glorified, that ye bear much fruit; so shall ye be my disciples."
2. Jesus' desire is for every one of His disciples to bear much fruit and glorify His Father; this is
truly what it means to be Jesus disciple.
3. The chief priests who were envious of Jesus are now ... Show more content on Helpwriting.net ...
The people thought Jesus was coming to be an earthly King of Israel, but He was coming to be
crowned the Everlasting King of Kings by His Father. II. John 12:14–16, "14 And Jesus, when he
had found a young ass, sat thereon; as it is written, 15 Fear not, daughter of Sion: behold, thy King
cometh, sitting on an ass's colt. 16 † These things understood not his disciples at the first: but when
Jesus was glorified, then remembered they that these things were written of him, and that they had
done these things unto him." A. Mark 11:2–4, "2 And saith unto them, Go your way into the village
over against you: and as soon as ye be entered into it, ye shall find a colt tied, whereon never man
sat; loose him, and bring him. 3 And if any man say unto you, Why do ye this? say ye that the Lord
hath need of him; and straightway he will send him hither. 4 And they went their way, and found the
colt tied by the door without in a place where two ways met; and they loose him."
1. Jesus disciples found the young ass because the follow Jesus instructions to the letter.
2. Whenever the body of Christ does anything in the name of Jesus all the glory goes to

Tone in Sylvia Plath's Lady Lazarus Essay
Tone in Sylvia Plath's "Lady Lazarus"
In "Lady Lazarus" by Sylvia Plath, the speaker's tone is revealed through many different poetic
aspects. Throughout her writing, the speaker's attitude towards death appears to be happy but, when
looking more closely at Plath's use of poetic devices her attitude is bitter. Shown mainly through the
diction, images, sounds and repetition, this depressing tone emphasizes the speaker's feelings about
death. First, diction or word choice used throughout this poem depicts apart the meaning and
stresses the tone. Next, the images used to describe the speaker's experiences with death shows the
emotions and thoughts that go through the speaker's mind concerning death. These events the
speaker ... Show more content on Helpwriting.net ...
"I manage it––" (3), "sort of" (4), "Do I terrify?––" (12), "underestimate" (72) and "Beware" (80)
explain the choice of words by Plath that explains the doubtful tone of the poem and helps to create
the image of death through the shallow voice of this helpless woman.
Also, there are words that describe actions taking place when death attempts occur. For example,
"annihilate" (24), "The peanut–crunching crowd / Shoves in to see" (26–27), "I rocked shut" (39)
and "That knocks me out" (56) shows negative action towards death. First of all, annihilate means to
destroy, which gives a downbeat connotation towards the tone of the poem. Then, the crowd refers
to the others and their discouragement in this woman's life, which leads to disappointment and an
unconstructive tone towards death in the poem. Then the last two examples describe the speaker's
feelings towards a hopeless end to life. This type of diction used to accentuate the tone of the poem
further supports the pessimistic nature.
Lastly, another use of diction in Plath's poem is words associated with death and therefore, internally
affect the tone of the poem. First, in line fourteen they use the word "vanish" which means to go
away and never come back. This word is directly related to what death means and in using this word
suggests that there is death involved in this particular poem, and the attitude towards it is not
positive.

Art At The Blanton Museum Of Art
On September 19, 2015 I visited the Blanton Museum of Art at the University of Texas in Austin,
where I observed The Raising of Lazarus by Joachim Wtewael in the European Old Masters gallery.
The piece recreates the biblical narrative of Lazarus' resurrection and demonstrates the exorbitant
style of Mannerism popular during the 16th century. Wtewael establishes the significance of the
Christ with his application of form through the use of unrealistic contortions of the people, the lines
following the exaggerated limbs of the congregation, and the abundant use of the color red on
almost every article of clothing. In the foreground of the painting, a crowd of people gather around
the recently resurrected Lazarus. There are roughly fifteen individuals in the crowd in a variety of
postures, many of which are contorted and turned away. Furthermore, their forms are painted with
considerable emphasis on the way that their respective limbs are bent and twisted which
consequently creates a peculiar confined space in which much of the content and action is contained.
The outstretched arms and warped bodies of the figures create two diagonal lines which cross over
each other in the center of the painting, leading the eye to the primary subject and the focal point,
Lazarus. To the left of him is a younger woman looking outwards, contrasting with the focused
inward gaze of the crowd. Additionally, the same women mentioned previously also dons a striking
white garment similar to that of

Explication of "The Love Song of J. Alfred Prufrock Essay
Explication of "Love Song of J. Alfred Prufrock"
In T.S. Eliot's "The Love Song of J. Alfred Prufrock," the author is establishing the trouble the
narrator is having dealing with middle age. Prufrock(the narrator) believes that age is a burden and
is deeply troubled by it.. His love of some women cannot be because he feels the prime of his life is
over. His preoccupation with the passing of time characterizes the fear of aging he has. The poem
deals with the aging and fears associated with it of the narrator. The themes of insecurity and time
are concentrated on. This insecurity is definitely a hindrance for him. It holds him back from doing
the things he wishes to do. This is the sort of characteristic that makes Alfred into a tragic, ... Show
more content on Helpwriting.net ...
He also says such things as the of his thinning hair and his resulting bald spot in order to indicate the
passage of age and the importance he feels now that he is past his prime: "Time to turn back and
descend the stair,/ With a bald spot in the middle of my hair––/ (They will say: 'How his hair is
growing thin')"(39) This shows Prufrock's fear of being laughed at.
When he speaks of time it is in a contradictory fashion. On one hand, he feels a sense of urgency as
he travels to the party, because he must decide if he will ask his question. Yet, while he agonizes
over whether to attempt a change in his life, he tells us time is plentiful, explaining "there will be
time for you and time for me/ And time yet for a hundred indecisions / And for a hundred visions
and revisions/ Before taking of the toast and tea"(32) This seems to be Prufrock trying to escape his
conviction of asking the question through rationalization. Ironically, he has catered to the proprieties
of high society for years, and remains unaware of how time has put the same emptiness into his own
nature: "For I have known them all already, known them all/ I know the voices with a dying fall(49)/
And I have known the eyes already, known them all."(55) Prufrock talks compulsively of the party
scene, but actually speaks to no one. Even as the

Resurrection Of Lazarus
THE RESURRECTION OF LAZARUS – JOHN 11:17–46
What does this story say about people? Inevitably, as this story and as life reveal, people die. In
times of death, people usually console the loved ones of the deceased, as they did with Martha and
Mary. Again, people believe in tradition, although it may correct to a degree, instead of focusing on
the immediate and radical power of Jesus, as Martha believed in what tradition taught her about the
resurrection. In addition, because of sorrow, people, though they state that they may believe in the
power, may not understand the power that is at hand. This story also reveals that people would
imagine different past possibilities. Mary and Martha told Jesus that if He was with them earlier,
Lazarus would ... Show more content on Helpwriting.net ...
His power was evident in resurrecting Lazarus from the dead. Additionally, humanity's time may not
be Jesus's time. Humans would expect Jesus to appear sooner, but God has a specific time. Martha
and Mary reasonably desired Jesus to be there sooner, but Jesus in wisdom, in His mysterious ways,
and for glory, arrived in His perfect timing. Although it may be painful and create sorrow, since, for
instance, Jesus wept, He is longsuffering to fulfill His will.
What does this story say about you? Rather than thinking of why Jesus Christ did not come to me at
a sooner time, or why I did not recognize Him at a sooner time, this story reveals that I should trust
Jesus's timing. In His wisdom, He knows exactly what He is doing for His perfect will. Instead, I
should rejoice that the resurrection and life are with me and that He is fulfilling His will in His
ways, which are higher than my ways.
Who needs to hear this story? People who are living hopelessly should hear this since this provides
hope in Jesus Christ. Without Jesus, there is no resurrection and consequently no hope after life.
With Him, there is hope, and He desires people to hear His Good News. People who need to
remember this story should hear it since it reminds them of the love and power of

Analysis Of Lady Lazarus
Within this paper, the art and performance of death, or suicide, will be explored in terms of how
certain elements of the text allow the audience to analyze the intentions and the meaning behind the
poem, "Lady Lazarus." The poet, Sylvia Plath, writes about suicide and resurrection in the text to
express her feelings of despair. In a way, she takes the form of Lazarus, a male biblical figure that is
resurrected by Jesus. But, Plath puts her own twist on the character by changing the gender, which
can be seen in the title itself. She does so in order to create a feminist approach. Additionally, one
can assume that the speaker, Lady Lazarus, is Sylvia Plath herself, as the events of her life, such as
her father's death and her husband leaving her for another woman, seem to correlate with the
emotions that are present within her poem (Sylvia Plath).
"Lady Lazarus" contains a huge amount of figurative language and literary elements to
communicate that the poem is indeed a look into Plath's life, as it reflects her battle with a mental
illness. Furthermore, the speaker's tone varies across the poem, since suicide can be seen as a
powerful performance, or a piece of art, that allows for cleansing and resurrection from a patriarchal
society. Thus, Plath demonstrates her desire for death as a masterpiece by using diction, the circus
metaphor, and the Holocaust imagery to develop the tone of the poem.
Analysis
The tone of "Lady Lazarus" is developed through many different poetic

The Love Song Of J. Alfred Prufrock
Commentary: The Love Song of J. Alfred Prufrock
T.S. Eliot's poem, "The Love Song of J. Alfred Prufrock," illustrates the fear of the fragmentation of
society today. In the poem, Eliot creates the persona of Prufrock. Prufrock is speaking to an
unknown listener. The persona of Prufrock is Eliot's interpretation of Western society and its
impotency. His views on society is seen as a modernistic point of view, which idolizes the ideas to
regress back to a classicist era. Eliot illustrates his contempt for the modern society by illustrating
fragmentation with synecdoche, characterization of Prufrock, and allusions to literary traditions
throughout the narrative. In his poem, Eliot clings to the idea of a classical society in which he is
witnessing fall apart.
Throughout "The Love Song of J. Alfred Prufrock," Eliot illustrates fragmentation by using
synecdoche to illustrate his fear of a societal breakdown. The fragmentation represents Eliot's view
on the broken, chaotic world. Throughout the poem, Eliot uses faces, hands, arms, chins, arms with
light brown hair, fingers, and the head, yet he never describes a whole human. The human in which
Prufrock is imagining is potentially the woman which he hopes to talk to that evening. Eliot writes
of this mystery woman, "Arms that are braceleted and white and bare/ [But in the lamplight, downed
with light brown hair!]/ Is it perfume from a dress/ That makes me digress?" In the end, Prufrock's
thoughts are broken by real life. Eliot

Theme Of Isolation In The Lady Of Shallot
Isolation is omnipresent: in the world and among literature, as it is a component of human nature.
Although, sometimes, societal standards create outcasts, isolation can be of one's own making.
Alfred, Lord Tennyson's "The Lady of Shallot is epitomizes isolation. "Four gray walls, and four
gray towers, / Overlook a space of flowers, / And the silent isle imbowers / The Lady of Shallot"
(line 15–18). The Lady of Shallot is physically isolated in a tower, but upon her own accord for she
fears to interact with the outside world due to a "whisper" (line 39) that said she would be cursed if
she paused her weaving to look outside at Camelot. So, she observes the town indirectly through a
mirror only seeing shadows. Her weaving makes her happy but soon enough, she becomes, "half
sick of shadows," (line 72). Once she hears Sir Lancelot sing, "Tirra lirra," (line 107) she leaves her
art of weaving and breaks her isolation and the curse bestows her. She had isolated herself and
diligently worked on her art: it is once Sir Lancelot comes that she risks the truth of the curse. The
Lady of Shallot can be interpreted as a symbol of artists and their commitment to their work, in this
poem represented by weaving, but also paralleling Tennyson and his poetry. She sacrificed herself to
her passion and ironically Sir Lancelot made her into nothing more than a piece of art, he said, "She
has a lovely face; / God in his mercy lend her grace" (line 169) she can no longer weave "A magic
web with colors gay," (line 38) rather, just be objectified into a dead–pale beauty not able to offer
anymore creativity. The death of her artistic isolation led to the death of her creativity and ultimately
herself. Isolation is seemingly always negative, but The Lady of Shallot offers a silver lining of the
beauty of isolation when it comes to the work of artists, by separating herself from the industrial
society she was able to weave beautifully. The double wedged sword has the down side of a dark
loneliness, which is at the heart of all isolations and caused her demise. J. Alfred Prufrock is another
individual who chooses isolation but rather than be due to a curse he is damned with cognitive
fallacies of self. The fragile insecure

Lazarus Allusion
Sylvia Plath uses a lot of allusions in her poem "Lady Lazarus" to add a deep and ghostly meaning
to the words that she uses. These biblical and historical allusions also add an extremely angry tone
of voice. Ultimately, these biblical and historical allusions show her message that almost dying is an
event she likes to be a part of. For example, Plath uses a historical allusion to the holocaust in the
beginning of the poem. The reference to the holocaust and other things create the main tone of
death. They are at the beginning of the poem and they are meant to cause shock in the reader.
Another allusion in the poem is in the title of the poem. Lazarus was a character from the Bible who
was raised up from the dead, so this is a biblical allusion. This event is like the message of the poem
because Lazarus was very close to ... Show more content on Helpwriting.net ...
This allows the reader to in a way see inside Plath's mind and see the anger and dark thoughts that
she has. The vivid imagery allows the reader to relate to her and to her poem. For example, someone
who has had a near death experience, or if they have failed an attempted suicide, or maybe that they
have similar dark thoughts like Plath does. Even if a reader does not have these kind of thoughts,
they can still enjoy Plath's poem because it is interesting to see into the mind of somebody who has
different thoughts than them. The allusions used are very broad and well known topics like the
holocaust, so even if someone does not have many dark thoughts like Plath, they will still know
about the holocaust. Therefore they can relate to the dark subject matter of the poem because most
everyone is aware of the dark and evil associated with the Holocaust. However, it can still be
interesting to a reader who has never heard of the Holocaust because the poem is about Plath failing
at committing suicide twice. And to humans, death is

Research Paper On Lazarus
We are like Lazarus in this Gospel of John, secured to death in our present life. We are called to life
by our Lord Jesus. Jesus is the life of this world and the light, hear his words and let us walk into the
light with Him. The theme of this Gospel, we are to recognize ourselves in Lazarus and the miracle
of his renewal from physical death to physical life. Our eternal life begins the very moment we
accept Jesus Christ as our liberator. Jesus Christ is the light and life in our life and to all people.
Jesus raises Lazarus from his death, and the people are filled with joy and faith. We are to see
ourselves in Lazarus, as Christ gives us freely, life and light.
Mary and her sister Martha sent a message to Jesus, of their brother Lazarus illness. "Lord, he whom
you love is ill." But when Jesus heard it, he said, "this illness does not lead to death; rather it is for
God's glory, so that the Son of God may be glorified through it" Jesus ministered two days longer in
the place where he was, before the disciples and Jesus headed back to Judea where the Jews tried to
stone Jesus. ... Show more content on Helpwriting.net ...
Jesus asks, "Where have you laid him? Then Jesus cried out with a loud voice, "Lazarus, come out,"
and Lazarus came out, Jesus' shout brings life to Lazarus and to us. Lazarus is us, tied to death in
our current lives, and called to life by Jesus Christ who is the Light and the Life of our world. Jesus
calls to us "Come out!" We are to walk into the light of day, pulling free of our darkness and death.
Lazarus death here meets the Light and the Life of the saving power of God's Son.
Jesus gives life back to Lazarus during Passover where the faithful come to worship God who saved
them from slavery. Therefore through the overcoming of Lazarus death, Passover is fulfilled and
God will save His faithful people from the bondage of sin and death through God's Son

Transactional Theory Of Coping
The Transactional Theory of Stress and Coping was developed by American psychologist Richard S.
Lazarus. It is used to analyze the complex processes individuals undergo in coping with stressful life
experiences. The core assumption of this theory is that coping is a process wherein adaptational
outcomes are determined by how individuals appraise stressful experiences, the coping styles that
are employed by the individual, and how dispositional and situational factors serve as mediating
variables (Lazarus & Folkman, 1984; Lazarus, 1999).
In early traditional approaches, studies have primarily focused on examining the causal relationship
between stress and coping. For example, animal experimentations conceptualized stress as a
physiological drive that is triggered by negative environmental stimuli. As such, coping behaviors
were seen as acts of controlling how we respond to these negative stimuli. On the other hand,
psychoanalytic ... Show more content on Helpwriting.net ...
Originally, the theory conceptualized coping efforts along two dimensions: (1) problem
management; and (2) emotional regulation. Also referred to as problem–focused coping, problem–
management strategies are directed at changing the stressful situation. In contrast, emotion–focused
coping efforts are directed at changing the way one thinks or feels about a stressful situation
(Lazarus & Cohen, 1984). However, later developments to the theory expanded the model where
Lazarus included the role of relational meaning wherein how the individual construes positive or
negative meanings influences the appraisal, coping styles, and consequent adaptational outcomes.
(Lazarus, 1999) Lastly, during periods of distress, it should be noted that numerous factors occur
that may allow for an overlap of negative and positive effects during the same period of

In A Station Of The Metro Poem Analysis
1. Pound's poems "In a Station of the Metro" and "The Bath Tub" are abstract in that they evoke
powerful emotions with unique language. For example, in "In a Station of the Metro," despite the
lack of proper sentence structure, (no verbs in this poem) Pound manages to project the poem's
atmosphere as illusive with the first line (particularly the word "apparition"). In this, he suggests that
human life can be very mysterious or deceiving. Similarly, "The Bath Tub" utilizes provocative
metaphoric connections that seemingly have negative connotations to also suggest that human life is
deceiving, using phrases like "slow cooling" and "but–not–altogether–satisfactory." 2. Due to the
juxtaposition of the key images, I have a better understanding of Pound's methods of employing
simplicity and precision in his poems to project their own images. For "In a Station of the Metro,"
the imagery of the massive crowd drawn from the first line and the apparent delicacy of the second
line (such as the use of the word "petals") allow me to analyze the mysterious but beautiful mood of
the poem. Thanks to Pound's tactic of employing metaphoric relationships in "The Bath Tub", I can
point out the curiousness surrounding the poem that also connects to the atmosphere of the first
poem. Examining these two poems makes me become more aware of the provocative language that
Pound utilizes to create a variety of emotions for readers. 1. I think Eliot's Prufrock is a vivid and
dynamic

J Alfred Prufrock Loneliness
The Pitiful Prufrock of The Love Song of J. Alfred Prufrock
T.S. Elliot's "The Love Song of J. Alfred Prufrock," is a melancholy poem
of one man's frustrated search to find the meaning of his existence. The
speaker's strong use of imagery contributes to the poems theme of communion and
loneliness.
The Poem begins with an invitation from Prufrock to follow him
through his self–examination. The imagery of this invitation begins with a
startling simile, "Let us go then you and I/ When the evening is spread out
against the sky/ Like a patient etherised upon a table." This simile literally
describes the evening sky, but functions on another level. Prufrock's
description of the ... Show more content on Helpwriting.net ...
This city is suspended under the same
anesthesia that spreads the evening like an "etherised patient." Prufrock
moves his attention from the city to his final destination; "the room the women
come and go/ Speaking of Michealangelo." This couplet contrasts with the
previous urban landscape and adds anticipation to the ominous tension
surrounding the event. This line also is about time. The couplet suggests that
Prufrock has been around to see these women "come and go," implying Prufrock has

been situated in the high societal environment for some time. The line also
implies that while others have come and gone from the social circles Prufrock is
a part of; Prufrock has stayed stagnating.
On the way, Prufrock deliberates
on whether he can find value in the cold superficial environment, and ask the
overwhelming question, "Do I dare/ Disturb the universe?". He feels if he can
muster the courage to ask the question, he may at last find value in his life:
"would it have been worth while/ To have bitten off the matter with a smile,? To
have squeezed the universe into a

The Love Song Of J Alfred Prufrock Analysis
T.S. Eliot was born in 1888 and died in 1965. Eliot set new directions in poetry. His criticism
provided new judgements to guide assessments of poetry. In Eliot's critical work on poets and
poetry, he observed that "the modern inclination is to put up with some degree of incoherence. So
long as the verse sounds well and presents striking and melodious imagery. In an age like ours
lacking common standards poets need to remind themselves that it is not sufficient to rely upon
those gifts, which are native to them, and which they exercise with ease. That good poetry must
exhibit several qualities in proportion of which one is good sense." (Eliot) Some other famous
quotes are "Genuine poetry can communicate before it is understood." (Eliot) and finally "Human
kind cannot bear much reality." (Eliot)
Eliot's poem "The love song of J. Alfred Prufrock" is a dramatic monologue. I think the poem's
central themes include Prufrock's inability to act and his feelings of alienation. I think in the
beginning
T.S. Eliot may have chosen to present this epigraph in Italian because he wanted to keep his poem at
a high intellectual level and assumed many of his readers would know Italian. The epigraph should
alert to readers this poems sophistication, and should expect subtle literary devices and scholarly
allusions. The first two lines feelings are of a lovely romantic evening. Then line 3 with the image of
a sick etherized patient, dramatically alters it. The feelings the evening evokes are no longer lovely
and romantic but dark and ominous. The metaphor developed in this stanza is a cat compared to
smoke. Also compared to that of an evening "etherized" in line 3 they are alike because they both
imply slow motion or paralysis. The effect of juxtaposing the actions of "taking of a toast and tea"
and having time for "visions and revisions" is interesting since eating is a mundane activity, while
having visions is a far more elevated one. The intellectual work of visions is trivialized by being
placed on the same level as "taking of a toast and tea." I think the character is fastidiously dressed
and has thinning hair. Skinny arms and legs also. Indecisive and disillusioned. He lacks energy to
pursue his goals and dreams.

Prufrock Drowns in a Sea of Insecurity Essay
In "The Love Song of J. Alfred Prufrock," T. S. Eliot reveals the silent insecurity of a man, for
whom the passing of time indicates the loss of virility and confidence. Throughout the poem,
Prufrock struggles with his fear of inadequacy, which surfaces socially, physically and romantically.
The desire to ask some "overwhelming question," of the one he wants is outweighed by his
diffidence, reinforcing his belief in his shortcomings. Ultimately, this poem is the internal soliloquy
of someone who attempts to know what he wants and how to get it, but whose social paralysis and
lack of self–assuredness prevents either of these possibilities. Eliot begins the poem with an
epigraph from Dante's Inferno. "If I thought that my reply would ... Show more content on
Helpwriting.net ...
He and his yet unidentified company, presumably the love interest later addressed in the poem, go
"through certain half deserted streets...that follow like a tedious argument with insidious intent,"
while recounting "restless nights in one–night cheap hotels and sawdust restaurants with oyster–
shells." The memories of oysters and nights spent together juxtapose the cheap hotels and sawdust
restaurants in a way that sets the tone for the rest of the poem–– a reasonable desire and pursuit of
happiness, with an inevitable realization of inadequacy. This inadequacy is Prufrock's ultimate fear.
The "patient etherized upon a table" represents Prufrock wanting to divulge his secret desires to his
companion, but being prevented from doing so by his own woeful insecurities. Eliot continues first
by introducing a couplet that is repeated later in the poem. The repetitions of "the women [who]
come and go talking of Michelangelo" signify the social life lead by Prufrock. These women are
seen again later in the poem, but are then also representing the seemingly slowed yet continuous
flow of time outside one's own thoughts. "The yellow fog that rubs its back upon the window
panes...and curled about the house and fell asleep" is another repeated image in the poem. The
personification of the fog allows

Societies Effects "the Love Song of J. Alfred...
Society gives us a set of unspoken rules and regulations that must be abided by or else society
becomes ones own worst enemy; thus is Eliot's' message in his poem, "The Love Song of J. Alfred
Prufrock." This poem has been given a cynical voice in which Eliot tries to convey his message of
modern society and its expectations. He is in a position in which he knows what the flaws in society
are but does not have the courage or the ability to convey the message to the rest of the people. He
fears what "they" might say and how "they" will treat him, will ruin him if he exploits society. Eliot
gives evidence of the mockery society exhibits in line 41: "They will say: `How his hair is growing
thin!'"(775) He knows that there are certain things ... Show more content on Helpwriting.net ...
This establishes the theme and thus the tone of the poem. Towards the end of the poem the reader
gains a sense of irony and sarcasm that is expressed within the tone: "Till human voices wake us,
and we drown" (778). "Human voices" is supposed to represent a helping hand in which any person
in trouble can be helped by humanity. However, these human voices only cause the person in need
to "drown" in their words. This is ironic because, as indicated above, humanity is the coexistence of
a fellow human with the help (if necessary and available) of another fellow human when he/she is in
need of it. However, metaphorically speaking, the person in need in the poem (Alfred) only receives
negativity and hostility from society and his fellow men, thus causing him/her to drown in the words
of the human voices. This is the most important set back of society conveyed by Eliot in his poem. It
is the last line in the poem and is the key to the poem. Also, Eliot uses other text such as that, which
is in the lines, "But though I have wept and fasted, wept and prayed, Though I have seen my head
(grown slightly bald) brought in upon a platter, I am no prophet– and here's no great matter" (777);
as an allusion to indicate his inability to convey his message. He explains that even though he has
prayed (perhaps for society) and wept and fasted, he still can not send the true message that has
encompassed himself and his soul.

Analysis Of. Eliot 's Love Song Of J. Alfred Prufrock
In T.S. Eliot's Love song of J. Alfred Prufrock, Prufrock invites the reader on a journey with him
through his story of love, or love that never was. He speaks to the reader as his love lost and asks
her to stick with him on his journey through time, to learn why their love never transpired. He
begins by showing her his decisions as a young adult, optimistic and confident in time, to prepare
for her. Time goes by, he is now middle aged and insecure of his appearance, now in fear of her
rejection and unsure if he has missed his window. Nearing the end of the poem he has grown older
still, having wasted all time, knowing now that his love story will never be, he is ready to show his
lost love, why. Young Adult Prufrock begins as lite hearted and carefree. He invites his love on a
walk at dusk through the sleazy streets of their town. Begging her not to question him just yet of
where they are going, "Oh do not ask 'what is it' let us go and make our visit."(Eliot) Prufrock is
confident in time, comfortable in procrastinating. "There will be time, there will be time, to prepare
a face to meet the faces that you meet; there will be time to murder and create; and time for all the
works and days of hands that lift and drop a question on your plate: time for you and time for me,"
(Eliot) Looking further into the text here, it leaves the impression that he is stringing the love along,
expecting her to wait until he is ready, assuming that she will always be there when he decides

The Love Song of J Alfred Prufrock
T. S. Eliot uses irony and symbolism to capture the reader's attention in The Love Song of J. Alfred
Prufrock. The poem has a dramatic discourse. The percipience of life's emptiness is the main theme
of the poem. Eliot exhorts the spiritual decomposition by exploring a type of life in death. T. S.
Eliot, who in the Clark Lectures notes, "Real Irony is an expression of suffering"(Lobb, 53), uses
irony and symbolism throughout the poem to exemplify the suffering of J. Alfred Prufrock who
believes he is filled with spiritual morbidity and lack of feeling. Eliot utilizes various ironic
interjections from other poets, and he uses ironic satirical rhyming phrases that fashion a sort of
inane contradiction. Eliot uses many symbols to show ... Show more content on Helpwriting.net ...
211). These protuberate his own complicated perspective of inadequacy and weakness, as well as the
spiritual desensitization and idiopathy into the environment of the dark city landscape with the
simile that signifies the living death of Prufrock's existence (Hargrove, 211).
Another way that T. S. Eliot shows personal and social rejection is by the use of insignificant objects
and body parts. "I have measured my life out in coffee spoons"(51), signifies the tediousness of his
life mongermane reveries, as well as, his lack of achievement (Contemporary Literary Criticism, Vol
55 351). Prufrock is fearful he is becoming old, bitter and devoid of happiness. Eliot uses
subordinate objects such as coffee spoons and cigarette butts to "suggest the triviality of his
existence" (Contemporary Literary Criticism, Vol. 55, 350). The repetition of the word "time"
suggests that Prufrock is bored due to an overabundance on his hands (Bloom, 18). Consequently he
dons a necktie and clothing that appear to constrain him as he grooms to attend this tea party in
hopes of one day asking the question. J. Alfred Prufrock is an extremely ill–at–ease man who
worries that the women will not determine him desirable with his spindly arms and balding head
(Contemporary Literary Criticism, Vol 3, 136). His heightened ability of introspection and aggregate
of anguish is the very attribute that effectuates his dissimilarity from his peers. His comprehension
of age and social status cripple

Love Song of J. Alfred Prufrock Essay: The Existential...
The Existential Anguish of J. Alfred Prufrock
Upon reading Eliot's "The Love Song of J. Alfred Prufrock," the first question which sprang to my
mind was the question of how Eliot, a poet who was in his mid–twenties at the time, was able to
write a poem dealing with the problems of aging in such a penetrating manner. Upon closer
examination, however, I realized that Prufrock's aging was only incidental to his central problem.
Prufrock's major problem is a problem of existential anguish. Prufrock's doubts about aging at a
dinner party are merely one example of this anguish, and this party brings his psychology into sharp
focus when the reader examines closely the moment in which the poem's events occur.
It is true that ... Show more content on Helpwriting.net ...
It is not the universe that Prufrock may disturb by making advances toward a woman; it is his
universe. However, in his tightly wound moment of anguish, Prufrock is completely unable to tell
the difference.
Prufrock's inability to reveal his interest to the women of the party comes from his conception of
himself. He is obsessed with his aging process, for one thing, but this is merely one facet of his self–
doubt. His monologue states that he is "no prophet" (line 83) and that he is "not Prince Hamlet, nor
was meant to be"; rather, he has "seen the moment of [his] greatness flicker." (lines 111 and 84)
Furthermore, Prufrock feels that the party's women would reject him even if he were of monumental
importance. He spends twenty–two lines wondering if it would have been worth it
To say: "I am Lazarus, come from the dead,
Come back to tell you all, I shall tell you all" ––
If one, settling a pillow by hear head,
Should say: "That is not what I meant at all [...]"(lines 94–97)
If Lazarus has only a slight chance with these women, Prufrock feels, then he has no chance at all.
After wondering if it would have been worth it, and meditating on two possible rejection outcomes
for a more impressive person, he decides that it would not have been.

Prufrock's attitude toward the women at the party is highly ambivalent. Although he is completely
obsessed by his unfulfilled desire, he also sees little of value in

The Discoveries Of The Lazarus Phenomena
Deaths Kiss Mankind knows more than they ever have in health and modern medicine. Medical
research professionals have left not an inch of the human body unscathed in their hunt for
knowledge and answers. As a result of such thorough investigations, medical researchers understand
and have cured many illnesses, diseases, and disabilities that have plagued mankind for centuries.
Medical advancements have grown to the point where medical professionals are able to bring
someone from the brink of death. How ever far they have progressed with medical research and
testing, there are still many medical marvels and mysteries they have yet to conquer. The Lazarus
Phenomena is a prime example of a medical mystery that could greatly impact modern medicine.
However, what in the world is the Lazarus Phenomena anyway and why is this important? Well, if
there is an occurrence where humans are able to die and come back to life shouldn 't medical
professionals be using this to their advantage? This occurrence has only been documented 38 times
since 1982. However, with some quick research it has claimed to have been occurring for centuries.
The in–depth research and study of the Lazarus Phenomena combined with current technological
advancements should be used to enhance current resuscitation methods and could possibly be used
to bring the deceased back to life. The Lazarus phenomena is, like most things in medicine, a simple
thing labeled with an overly complex phrase coined by a dead man.

Analysis Of Lady Lazarus By Sylvia Plath
What would you do if you were given a chance to come back and haunt the people who did you
wrong in your life? Would you go find the person who made you want to end your life? Or would
you realize that every time you rise, you will take revenge on those who prey on the weak and the
innocent? But neither are what this poem is about. The poem is about our narrator who rises from
the dead to take a stand against our past, and not letting in happen again. In the Poem Lady Lazarus
by Sylvia Plath, there is a sense of pain in the words that Plath uses. The poem is very hard to follow
when we read it for the first time, we must read it multiple times to see what is going on. Every time
we read the poem there are words that stick out that make us feel the pain in the eyes of the haunted
woman narrator. Plath is very effective at using diction to make the reader stop and think about what
is going on in her poem, using images to create the pain that she is experiencing as well as being
able to use symbols to paint a bigger picture for the reader. Diction throughout a poem can either
make or break it, and in the case of Lady Lazarus the diction made the poem super strong. The
meaning of the word dictation refers to the word choice that the poet uses, because there is not a lot
of room in poems to use words that do not convey meaning. An example of this is "/A sort of
walking miracle, my skin / Bright as a Nazi Lampshade, /" (lines 4–5) "/My face a featureless, fine /
Jew linen."

Analysis Of The Love Song Of J. Alfred Prufrock
The Love Song of J. Alfred Prufrock by T.S Elliot and A Rose for Emily by William Faulkner are
both about feeling inadequacies in one's self, in the eyes of loved ones or society. J. Alfred Prufrock,
the speaker in The Love Song of J. Alfred Prufrock, feels inadequate for the woman whom he
intends to propose to due to his age, appearance, and perceived self–worth, as well as inadequate for
an ever–changing society he no longer fits into. J. Alfred Prufrock makes comments to and about
himself throughout the story regarding these attributes in a way that implies he does not think highly
of himself. Emily Grierson, the subject of A Rose for Emily also appears to feel inadequate for the
modern society, as she was stuck in the past, and has self–doubt in herself due to her relationships
with the significant men in her life. J. Alfred Prufrock has internalized all comments others have
made about him – regarding his appearance and age – which in turn influence his thoughts
throughout the poem. J. Alfred Prufrock describes his dislike in himself, in his appearance, such that
he feels he looks too old. J. Alfred Prufrock repeatedly returns to his appearance such as, while
lamenting over his decision, when he describes "a bald spot in the middle of [his] hair" (Eliot 7. 40),
demonstrative of his feelings that he looks too old. He then goes on to say "(They will say: 'How his
hair is growing thin')" (Eliot 7. 41), in reference to others who have made comments about him. J.
Alfred

Richman And Lazarus
The Rich Man and Lazarus The story told in Luke 16:19–31 tells of two men: one wealthy and the
other, poor. While the rich man enjoys his life, the poor man lives in misery. A reversal takes place
upon death, and the rich man has an interesting request. Based on your reading of chapter one of
Lovin's book, how would Aristotle and at least one other school of philosophers from antiquity
(Platonists/Neoplatonist's, Epicureans, and Stoics) compare their ideals to what the Bible describes?
Also, in what way is the biblical world as it is described in Luke 16:19–31 superior or inferior to the
worlds of Aristotle and others? Finally, what would you describe as the ethical dilemma in Luke
16:19–31? See also Matthew 3:7–10 for more information. Aristotle claimed that ... Show more
content on Helpwriting.net ...
Epicureans asserts that if gods at all do exist, they have no influence on the physical life and thus
death is the end of everything. They reject the assertion that there is life after death. Epicureans
claims that the only key to happiness is calm contentment in the face of challenges and losses that
comes along one's life as opposed to heeding to superstitious theories as to why certain things do
happens such as suffering, judgment and rewards after death (Robin). According to Epicureans
theory of happiness, the rich man did live a good life of happiness because he was materialistic. The
rich man was only focused on the current life and never gave heed to superstitious beliefs and
stories of the afterlife and thus lived to enjoy every aspect life. The poor man, Lazarus on the other
hand according to Epicureans did not live a good and happier life because instead of focusing on the
current life and enjoying what is available he was busy occupied with the thoughts of the afterlife.
Thus according to Epicureans, Lazarus was poor as a result of focusing too much on the afterlife
instead of the current

Depression In The Pet Sematary By Stephen King
In the novel The Pet Sematary Stephen King explains how there is a lot of depression. The main
character Louis experiences most of his family dieing plus his best friend. He explains that this story
takes place in a small city called Lowdlow, Maine. He also explains in the story that it took place in
the past by saying that they had to use a telephone operator to direct the people's calls.
The characters in the story are all different, due to their mental,physical, and purpose in the story.
The first character is the main character of the story, Louis Creed. He is a doctor at a university. He
is 6 foot and 2 inches in height. This quote shows how Lewis is very indecisive and conscious "Go
on you chicken, go on and do it "(309),his mind is telling him this because he does not want to do
what his mind wanted him to do. The next character is Rachel, she is Louis's wife. She is shorter
than Louis and has brown hair, and she's very weary and jittery. She does not want to be scared, but
she is and this quote will show the reader that she is a little scared "uttering a nervous little laugh"
(349). This is her reacting to something that she is frightened by. Another character is Jud, which is
Lois's best friend, he is a person who has lived in Lowdlow for a long time. Jud gives off a
concerned and friendly vibe. He is also a sort of father figure to Louis also. The First main event that
happened is that on Louis's first day of work a person comes in with half of his head missing

The New Colossus
The New Colossus by Emma Lazarus is the poem that stands at the base of the Statue of Liberty. Its
beautiful message conveys a warm welcome to immigrants and greets them into the country. It is
often overlooked, however it is the element that makes the piece so meaningful. The New Colossus
by Emma Lazarus' theme consists of America opening its doors to those who need help, and this is
illustrated through its elegant symbolism. The theme of the New Colossus contains snippets of
information that convey a warm welcome to the incoming immigrants. For instance, 'sea–washed,
sunset gates' (Lazarus 3) represent the hospitableness of the mouths of the Hudson and East Rivers,
to the west of Brooklyn. Additionally, the 'air–bridged harbor that twin

Theme Of Lady Lazarus

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