Theatre Essays

Theater Observation Essay
All my life I have enjoyed the art of theater, so when my assignment was to watch a show I was
excited. My friend Sigrid was doing a production in the theater of the Florida International
University that was a mixed medium show. Not only was it a play but it was also a dance and
concert all at the same time. Not technically a musical but it did have each element one at a time.
The show was called A Sea Challenge, A Response to Global Threat. The show dealt with real life
events happening to our planet as we speak. It started with a demonstration of how the earth was
hundreds of years ago, with all of the animals happy and living their lives. It progressed and they
showed the time fast forwarding to when cars were invented and then airplanes,...show more
content...
I felt so bad, she must have been so nervous. I can honestly say this play made me feel helpless as a
human being, as they transitioned into showing what us humans have done to our planet and how
it not only effects us but our animals, nature and future children, it hit close to home. I've always
loved our planet and all of its animals, I was vegetarian for six years and proud and always
spreading the word of recycling and love for our home. I know how some people are and they really
do not care about any of it and it's so sad. The play really made me feel for our planet and
encouraged me to really make a change and spread the word. One scene mentioned a careless
human saying "The planet still has years before it really diminishes, why should I care if I'm not
going to be alive by then?" After every scene there would be a dance number between two girls
and above us in the actual theater would be actual singers making harmonies acapella and that's
what the dancers would dance to. To be honest I thought I was listening to a track, I only realized
that they were singing when I turned around! They were amazing and I was so
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Modern Day Theatre
The modern day theatre can vary in many different architectural designs, including size and shape.
For example, the Scottish Royal Concert Hall, which is a larger rectangular room with low tiered
seating, has a vastly different structure compared to the Royal Albert Hall with it 's circular structure
and towering audience section. Yet both have exceptional acoustics thanks to the structural integrity
of each building and the aid of modern day technology such as; microphones, acoustically treated
walls, specific materials for staging structure, etc. All of these attributes help mould and treat the
different many theatres to enhance and attain the optimum amplification for the on–stage talent.
However, many of these modern day theatres also rely heavily on the natural acoustic and
amplifications created by the architectural structures. For many reasons, the acoustically designed
theatres are considered as some of the greatest theatres around the globe due to their natural reverb
and amplification, providing incredible sound for any audience member. Because of the help of
modern day technology, newly designed theatres can obtain just about any shape, and still obtain
wonderful acoustics. Yet, with the desire for natural sound, it is common for modern theatres to take
their influence from the original theatres, to secure the unbelievable results created within the
ancient days. Overview of the Original Theatre. Credit for the original theatre structure is given first
and

Essay on Epic Theater
Social change is defined as an 'alteration in the basic structures of a social group or society'. Social
change occurs when a group of people change their minds and beliefs on what is socially
acceptable, this is usually due to an event or change in public opinion. Brecht's epic theatre can be
used as a vehicle for social change as it is used to convey a message to the audience.
Bertolt Brecht was born on the 10th of February 1898 in Augsburg, Germany. As a child he was
unpopular, with outspoken views, which were thought to be beyond his years of knowledge. In
order to avoid the war he enrolled himself in Ludwig Maximilian University of Munich; however, in
1918 he was inevitably recruited and forced to work as a medical orderly. In...show more content...
There are many conventions within the Alienation technique, these include; one actor playing
several parts within the given play, spontaneous outbreak into song and dance, playing a serious
scene in a comical way or vice versa, breaking the fourth wall and scene and costume changes being
visible to the audience.
Gestus is the main building block of epic theatre. Gestus is the term Brecht used for the expression
of basic human attitudes. Brecht's theatre is always disordered; he breaks up stories into episodes
that do not run on a linear pattern, this further reinforces the fictitious nature of the story. The aim of
a Brechtian actor is to present, in a stylized way, social attitudes towards the particular topic.
Dehumanisation is used within Brechtian plays to assist with the alienation technique by showing
the audience the two dimensionality of the characters (roles). Dehumanisation is used to reinforce
the fact that the story is fictional and reminds the viewer to avoid becoming tangled in any emotional
ties with the characters.
The main purpose of writing plays in the style of epic theatre is to educate the audience through the
use of a didactic statement. Didacticism means 'to teach', this is done through the actors dialogue
and actions; the dialogue is strategically placed in order to provoke the audience. There is no
illusion of theatre within didactic plays. Brecht's play 'The Caucasian Chalk Circle' focuses itself

Elizabethan Theatre Essay
Elizabethan Theatre
"In roughly built playhouses and cobblestone inn yards, an extraordinary development took place in
England in the 1500s." (Yancey, 8). At that time, an opportunity combined to produce literature
achievement never before witnessed in the history of drama and theater. The renaissance, helped
spark this movement by inspiring scientific and artistic creativity throughout the land. Models began
writing dramas that portrayed life in both realistic and imaginative ways. This created work later
captured the attention of the world that changed the English drama. The many aspects of Elizabethan
theater helped to shape the acting and theater world forever.
The Elizabethan theater grew tremendously by the moving force...show more content...
It cost a penny to attend the performance and two pennies for the wealthier seating.
Due to crowdedness, diseases passed rampantly through the streets of Europe, as well as in the
theaters. "Small pox, scarlet fever, and tuberculosis were just one of the few of the diseases that
regularly killed thousands of people." (Yancey, 35). The theaters closed with every serious outbreak.
Which caused the players to make a choice to move with the thousand other citizens to continue their
career. Acting companies usually went on tour. Not only to escape the diseases but to earn extra
money.
"Women's roles in the plays were acted by men or, more commonly by boys." (Bommarito, 267).
Boys were used for women's roles because of their small figures and higher pitched voices. The
boys began acting at the age of ten, learning the correct way to walk and talk on the stage. In
addition they were also taught the art of applying make–up moving gracefully in the many layers of
clothing that the Elizabethan women wore at that time.
English women were considered weaker and less intelligent, therefore, their opinions in life was
limited. In judging behavior, the Elizabethans condemned the presence of women in some theaters.
Despite the mens disapproval, a significant number of them did attend public plays.
Becoming a good actor was not easy. Since there were no microphones during this era, actors had to

Theatre Definition Essay
I truly did not know what theatre is or the meaning of theatre for that matter until I came to the
United States. It was something that was not important in my family's eye as well as mine. Even
now I don't think I can confidently say that I know the definition and what it stands for. All that
comes to mind for the definition is that theatre is a form of art that is expressed either by acting
or singing on stage and that it is more interactive with the audience than television ever is. Theatre
brings your fantasies and creativity's to life and shares it with everyone that is willing to express
it. I can't say that I have been involved in a theatre production before or that I have went to see a
show simply because I wanted to but last year

Reflection Paper On Theatre
Meta–Thinking
Why do you do theatre? I remember somebody asked me this question last year when I first
declared my theatre minor. I gave them the same sentiment that I repeated during the beginning of
the semester, "Performing scares me, but there is no other place where I can get that same
feeling...". Throughout the semester, my answer has grown in multiple ways. I feel like I can better
define that feeling in theatrical terms, especially why the process of creating theatre feels fun.
Throughout the semester i've grown to understand how to make my theatre feel more authentic, and
hopefully how to make good theatre. When we began focusing on different theatrical terms ( tempo,
duration, authenticity, point, unity, harmony, and etc) it felt like we were wasting our time by
focusing on understanding these terms. The class seemed to understand what each term meant
already, and there was no need to use them. At the beginning of the semester it felt that we didn't
need to spend so much time on defining a vocabulary but I remember during the critiques each
person had a chance to mention what they liked about each piece and I knew exactly what each
person liked, hated, and thought should be changed. They mentioned certain key terms and I
understood exactly what dimensions they were referring to. I had completely understood them and
without them mentioning those terms their input could've been misinterpreted. While working on
the scenery project, I went for a practical approach

Theatre Reflective Essay
In theatre a director has to take on responsibilities such as choosing a script, the spine of the play,
the style of the production, and the director concept. One year in my high school theatre class, for
our 50th anniversary of our school, our director selected a minimum of five plays and five
students could volunteer to assist in directing selected scenes from the five plays to produce for
our semester production. Our main director had the job of choosing the script and the spine of the
play but responsibility of the style of the production and the directorial concept was all on the
students. The remainder of the class was placed with one of the five students to help with that
production. People fail to realize how much responsibility of the production is put on a director until
they are put in charge....show more content...
A director also has to work with the performers from casting, rehearsals, moment, pace and
rhythm, technical rehearsal, and dress rehearsals. I had to work closely with the tech rehearsals.
Tech rehearsals are making sure all of the technical aspects such as scenery, lighting, sound,
costumes, and props are working and coordinated in proper order. In the week of tech rehearsal, I
had to play closely attention to the rehearsals because I had to make sure the performers were
blocking in the correct position on stage where there was a specific lighting. I also had to cue the
other technical crew when to turn on the spotlight or to cue the sound effects. For a director, the first
run–through for technical rehearsals or dress rehearsals is the first time seeing really seeing how the
performance is going to play out which makes the rehearsal even more

Importance Of Theatre Arts
Mrs.Tickle–Rupe and a hypothetical person who does not believe that theatre arts is important will
be reading my essay. I'm here to try and convince this hypothetical person that theatre arts is
important. Our class definition is that theatre is a narrative performed by actors in a gathering of
people to put on a performance and/or communicate ideas to an audience, a skill that is tough.
Theatre has helped people be less shy in front of people because they get the practice they need.
Plus i feel like it will help them present themselves more instead of being shy in a crowd. Being in
theater classes can help with the student's way of thought. Theater also lets people feel more
comfortable talking to others. Theatre also makes all the people share their ideas and their
thoughts in whatever way they can. Most of the time it was observed that people who were not
expected to be apart of creativity, actually surprised everyone by their presence when they spoke
up. Maybe people can be more creative than they think. I haven't really had any experiences with
theatre that changed my life. But I do remember my teacher telling me one day, that i was pretty
good at projecting after awhile of the class. Which means a lot because if you don't have good
projection how can people hear you out. When we are in class we get out our notebooks a answer
some questions about how we personally feel about what the group needs to work on. Which is very
good because it gets everyones thought out

Theatre Reflection Paper
Entry One: In order for you to understand my current situation and life, it is imperative you know
the backstory. Though far from glamorous, my past has greatly shaped the woman and leader I am
today. Born to a peasant mother and bear–trainer father in Constantinople, my opportunities were
limited. Advancing in social class was not an option in this "human jungle" and my family's main
goal was survival. Once my father died, it became my older sister's and my responsibility to
provide for our family. Comito travelled through local theater's performing but I lacked the talent
to dance or sing so my roles were only as minor characters. Eventually, I gained popularity from
my wit and charisma on the stage and began performing on my own, though my shows were
notoriously "daring [and] immodest." My success in the theater became success as a courtesan as
those roles often went hand in hand. I was highly paid for my "supper parties."3 I did not enjoy
this humiliating job, but my lifestyle was not unique. As a family of women, work was highly
limited and often times prostitution was the only option. Eventually I met Hecebolus and left my
work as a courtesan and followed him to Tyre. I assumed I had escaped my previous life of selling
my body and performing on stage when I moved in with Hecebolus but the liberation was
short–lived. Following an argument, I was on the street and once again on my own forced to
support myself in the only way I knew how. Alone in a foreign

Political Theatre Essay
'Dismantling the traditional naturalistic theatre, with its illusion of reality, Brecht produced a new
kind of drama based on a critique of the ideological assumptions of bourgeois theatre'. (Terry
Eagleton, Marxism and Literary Criticism)
Referring to ONE play from the earlier part of the 'Theatre & Politics' section of the unit, and to
ONE play from the 'New Perspectives' section, explain how the relationship between theatre and
politics has evolved. In your response you should refer to specific examples from within the plays,
and to at least TWO critical/theoretical readings from within the anthology.
The drama of revolution is a political text through and through, but it cannot separate the political
from the theatre; the drama of...show more content...
Bertolt Brecht (1898–1956) offered a challenge to Aristotle's ancient approach to theatre as a
spectator activity. He sought to stimulate the minds of his audience, integrating economics and
politics into his plays, in hopes that those watching would respond with intellect, not emotion.
As Eyre and Wright describe him, "He was a brilliant man of the theatre, highly receptive to the
avant–garde of his day, quick to improve it and somewhat too precipitate to turn it into theory. He
was a communist: not a left–winger, not a liberal, nor a humanitarian. From his twenties onwards, he
thought and worked in terms of Marxist dialectic and he really wasn't kidding." (Bicknell 2012)
Over the course of his career, Brecht developed his so–called epic theatre, in which narrative,
montage, self–contained scenes, and rational argument were used to create a shock of realization in
the spectator. To create a distancing effect, Brecht promoted acting and staging that would merely
demonstrate what was being portrayed, which gave the audience a more objective perspective on
the action. In Brecht's plays, say Eyre and Wright, "lucidity reigns: nothing is worse than a jumble of
confused impressions." (Bicknell 2012)
In terms of construction, Brecht explains that epic drama does not lead to an inevitable

Theatre Observation Essay
An excited chatter hummed through Central Michigan University Theatre–on–the–Side as the sold
out house waited for the lights to go down and for "Vanya and Sonia and Masha and Spike" to
begin. The show did not have an empty seat from opening night Oct. 8 to the closing matinee Oct.
18. "Every time the lights faded I just kept hoping it wasn't over. I wanted more," Joel Caballero,
CMU musical theater freshman, said. "The writing of the show was so relatable about the older
characters. I felt I could be looking at myself it 40 years, which honestly, was a big wakeup call."
"It was really funny, but also made you think. The actors did a great job of digging into their
characters and not only making us laugh, but showing us something deeper," Caballero said. "It felt
very intimate, like the characters were speaking to me and with me instead of at me. That can be
kind of daunting for some shows, but I...show more content...
A crew of people built the set along with some new faces, the students of Daugherty's stagecraft and
lighting class, helped to build, paint, and put some finishing touches on the set in their lab.
"It's great to have the students work on the sets because they get real hands on experience and learn
things you can't from a book," Daugherty said.
The show was directed by Keeley Stanley–Bohn a CMU professor and no stranger to the directing
chair. Along with her, there was an artistic team of seven and a technical team of 12 behind the
show's success.
To foster the educational side of the production, Stanley–Bohn and the cast sat down with Crestwood
High theatre students after a performance. The Crestwood High kids were able to ask questions
about the show, acting in general, and get some tips and suggestions for their upcoming show.
"We are always looking to educate before anything else. We want to prepare students for what may
come in the professional world, that's what makes the program work," Daugherty

Theatre Role In Society
Theatre in Society With the rise of television, many people believed that theatre and live
performances would be deserted. However, theatre today continues to be a source of entertainment
and a way for artists to express themselves. Not only does it encourage self expression, but theatre
also allows society to learn about history and culture. Many playwrights often try to create plays
that involve higher thinking and strong human emotions. By their writing we are also able to
understand more how the world around them worked since most plays and their characters reflect
the current society. This is to create catharsis and a sense of community within the audience and
the performers. They may also use problems shown in tragedies or dramas to teach a lesson to
society often showing how they can learn from the mistakes of the characters. Theatre is also very
diverse, and anyone can use live performances to communicate to others. Every community has a
culture, and theatre helps to express that culture to others. By studying and experiencing theatre in
other countries and communities, we get a better insight to the way their society works and we
may have a better understanding of people who live differently from what we are used to. The most
important contribution theatre makes to society is the ability to be creative. Without an inventive
voice, a general public may turn out to be everything except dead inside, and a social gathering with
no creativity is probably going to be

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