The International Standard Name Identifier, or ISNI, was created to identify the millions of contributors to creative works and those active in their distribution, including researchers, inventors, writers, artists, visual creators, performers, producers, publishers, aggregators, and more in order to resolve the problem of name ambiguity in search and discovery. Now, Laura Dawson, Product Manager of Identifier Services at Bowker, will show us how ISNI has developed since the standard was first published in 2012. How is it managed? Who receives numbers? What impact has it had on publishing? And how can it be incorporated into current metadata management and distribution?
ISNI and VIAF have a partially overlapping scope but ISNI's database and system allow online corrections and enhancements and end user input. Manual corrections in ISNI are flagged such that they will take effect on VIAF clusters.
Academic libraries often define their administrative structure according to services they offer, including research services, acquisitions, cataloging and metadata, and so on. Scholarly Communications is something of a moving target, though. How are Scholarly Communications positions defined, what duties do they often include, and how do they fit within the library’s administrative structure? Some of the first positions devoted to Scholarly Communications required JD’s and focused on Author’s Rights, copyright and fair use. Yet other positions recently advertised group Scholarly Communications librarians within Digital Scholarship units, which not only create and maintain institutional repositories, they also publish electronic journals and offer services related to data curation. This presentation will quickly review the findings recently published in a SPEC Kit, findings which focus on ARL Libraries. The main portion of the presentation, though, will move beyond the SPEC Kit by concentrating on non-ARL Libraries, reviewing their relevant position descriptions and library organization charts, among other resources, to uncover common duties for Scholarly Communications librarian positions and the variety of administrative structures in which they work.
4.16.15 Slides, “Enhancing Early Career Researcher Profiles: VIVO & ORCID Int...DuraSpace
Hot Topics: The DuraSpace Community Webinar Series
Series 11: Integrating ORCID Persistent Identifiers with DSpace, Fedora and VIVO
Webinar 3: “Enhancing Early Career Researcher Profiles: VIVO & ORCID Integration”
April 16, 2015
Curated by Josh Brown, ORCID
Presented by: Simeon Warner, Library Information Systems, Cornell University, Jon Corson-Rikert, Head of Information Technology Services, Cornell University and Kristi Holmes, Director, Galter Health Sciences Library, Northwestern University
A presentation by Susanne Thorbord, Bibliographic Consultant at the Danish Bibliographic Centre (DBC).
Delivered at the Cataloguing and Indexing Group Scotland (CIGS) Linked Open Data (LOD) Conference which took place Fri 21 September 2012 at the Edinburgh Centre for Carbon Innovation.
ISNI and VIAF have a partially overlapping scope but ISNI's database and system allow online corrections and enhancements and end user input. Manual corrections in ISNI are flagged such that they will take effect on VIAF clusters.
Academic libraries often define their administrative structure according to services they offer, including research services, acquisitions, cataloging and metadata, and so on. Scholarly Communications is something of a moving target, though. How are Scholarly Communications positions defined, what duties do they often include, and how do they fit within the library’s administrative structure? Some of the first positions devoted to Scholarly Communications required JD’s and focused on Author’s Rights, copyright and fair use. Yet other positions recently advertised group Scholarly Communications librarians within Digital Scholarship units, which not only create and maintain institutional repositories, they also publish electronic journals and offer services related to data curation. This presentation will quickly review the findings recently published in a SPEC Kit, findings which focus on ARL Libraries. The main portion of the presentation, though, will move beyond the SPEC Kit by concentrating on non-ARL Libraries, reviewing their relevant position descriptions and library organization charts, among other resources, to uncover common duties for Scholarly Communications librarian positions and the variety of administrative structures in which they work.
4.16.15 Slides, “Enhancing Early Career Researcher Profiles: VIVO & ORCID Int...DuraSpace
Hot Topics: The DuraSpace Community Webinar Series
Series 11: Integrating ORCID Persistent Identifiers with DSpace, Fedora and VIVO
Webinar 3: “Enhancing Early Career Researcher Profiles: VIVO & ORCID Integration”
April 16, 2015
Curated by Josh Brown, ORCID
Presented by: Simeon Warner, Library Information Systems, Cornell University, Jon Corson-Rikert, Head of Information Technology Services, Cornell University and Kristi Holmes, Director, Galter Health Sciences Library, Northwestern University
A presentation by Susanne Thorbord, Bibliographic Consultant at the Danish Bibliographic Centre (DBC).
Delivered at the Cataloguing and Indexing Group Scotland (CIGS) Linked Open Data (LOD) Conference which took place Fri 21 September 2012 at the Edinburgh Centre for Carbon Innovation.
2013 CrossRef Annual Meeting, How CrossRef has Accelerated Science and Its Pr...Crossref
This presenation provides a brief oral history highlighting how literature review has been revolutionized by CrossRef. It will also cover FundRef and why it is so important to Federal agencies. Finally, it mentiones the status of the public access as encouraged by OSTP and how FundRef potentially enables CHORUS to play a major role.
Isni where are we now gatenby harvard 2014 11Janifer Gatenby
International standard name identifier ISNI. Presentation given at Harvard University Library 2014-11-18. Covers ISNI database and system, VIAF interoperability, Quality Control and selected usages. Status at November 2015. 8.69 million identifiers assigned.
Isni behind the scenes gatenby nadav manes harvard 201411Janifer Gatenby
ISNI behind the scenes. Presentation at Harvard University Library 2014-11-18. Covers International Standard Name Identifier, ISO 20779. CBS software features, searching the database, how the database is updated and database utilities
Open Access, Journal, Institutional Repository and BeyondLeslie Chan
Presentation at the Scholarly Communication Retreat, St. Michael's College, University of Toronto. Oct.6, 2015. This talk is a personal perspective on Open Access and what I see as the key impetus for engaging in open access practices. I highlight some recent innovations, both in terms of tools and modes of collaborative research enabled by OA. I also highlight recent developments in financial models in support of OA journal and monograph publishing.
Todd Carpenter's presentation at the 3:AM conference in Bucharest, Romania on September 29, 2016 describing the NISO Alternative Assessment Project final output and next steps.
Paper held at the Roundtable:
Gender, the Popular Press and the Digital Humanities: The Development of a Database of Republican Chinese Women’s Magazines and Entertainment Newspapers
Organizer: Liying Sun (University of Heidelberg)
Chair: Joan Judge (York University)
Discussants:
Matthias Arnold (University of Heidelberg);
Joan Judge (York University);
Ling-ling Lien (Academia Sinica, Taiwan);
Liying Sun (University of Heidelberg);
Doris Sung (York University).
This roundtable is part of a multi-year, interdisciplinary, international project on gender and the popular press in Republican China. The project combines new methodological approaches to the periodical press with the creation of a sophisticated database. This database, ECPO (Early Chinese Periodicals Online), facilitates research on these rich, complex, and voluminous materials by making several databases of women’s magazines and entertainment newspapers held in the libraries of Heidelberg University and Academia Sinica in Taipei accessible within one structure, and by seeking to create comprehensive linked metadata on these various materials.
Matthias Arnold introduces the conceptualization, structure, supporting system and functionality of these databases, while other project researchers discuss specific ways the databases have enhanced their research on the periodical press. Joan Judge argues that a close examination of multi-registered and multi-vocal general interest and women’s journals facilitated by a well-constructed database, makes it possible to reassesses early Republican publications and the early Republican era itself. The commitment to democratizing and popularizing knowledge in these materials represents an important and heretofore little understood chapter in the interrelated histories of knowledge, politics, and social change in China’s twentieth century history. Doris Sung examines the strategies for representing women’s art in two women’s magazines featured in the database, Funü shibao and Funü zazhi, and argues that these journals provided a public space for foregrounding women artists’ achievements. Utilizing the database’s capability to cross-reference images, texts and biographical information, she reconstructs the discourse of “women’s art” in the Republican period. Ling-ling Lien focuses on the value and research possibilities of the entertainment newspapers included in the newly designed database. She argues that these newspapers both highlight the historical possibilities inherent in urban print culture and provide a plethora of detailed information about everyday life in modern Shanghai. Liying Sun reveals that many connections between women’s journals and entertainment newspapers emerge through the use of the new database. Focusing on a well-known women’s journal, Linglong, and a well-known entertainment newspaper, Diansheng ribao, she argues that despite their different themes and materiality, the two categories o
Valentine Charles, Hugo Manguinhas, Vladimir Alexiev. Glam-Wiki 2015, 11 Apr 2015, The Hague
For Europeana, the platform for Europe’s digital cultural heritage from libraries, museums and archives, getting richer (semantic and multilingual) metadata is a priority. It improves access to the 40 million cultural heritage objects, notably enabling the multilingual retrieval of documents and creates relations between objects. To enhance data and enable retrieval across languages, Europeana performs automatic enrichment by selecting source metadata field(s) in the Europeana data and creating links to a selected target vocabulary or dataset representing contextual resources such as places, concepts, agents and time periods. Wikidata is since a while on Europeana’s radar as a potential new target for enrichment but how can it be integrated with cultural heritage data?
https://nl.wikimedia.org/wiki/GLAM-WIKI_2015/Programme/Discussions/Strategy#Presentation:_Wikidata.2C_a_target_for_Europeana.E2.80.99s_semantic_strategy.3F
Libraries and their Role in Open Access: Challenges and OpportunitiesFrançois Renaville
The open access movement gains momentum with an increasing number of institutions and funders adopting open access mandates for their funded research. Consequently, an increasing amount of material becomes freely available, either from institutional repositories or from traditional or newly established journals. Libraries can play a dual role in supporting this movement: Firstly, they can provide services supporting the deposit of research output in their institutional repositories, including support for making it widely discoverable via indexes such as Google Scholar and library discovery systems. Secondly, libraries can make open access materials discoverable by their patrons through such indexes, thus expanding their collection to include materials that they would not necessarily license.
This session will describe the experience of the University Libraries of Liège in Belgium and Harvard. University of Liège chose a top-down approach and made it compulsory for researchers to deposit their output in the institutional repository—ORBi. To support this mandate, the library offers services that help researchers deposit and disseminate their publications. Both libraries—Liège and Harvard—enable their students and faculty to discover open access content beyond their library’s acquired collection via their library discovery system.
The session will also address challenges that arise from indexing open access publications and how index providers and libraries can deal with such publications, especially with articles that are deposited in different institutional repositories or published in so-called hybrid journals that contain a mix of open access and subscription articles.
Finally, we will discuss with the audience how they see libraries’ role evolving in this area, what challenges they are currently facing, and the solutions and opportunities they have found.
"Standards for Metadata: Who is developing What, where and why" Presented by Todd Carpenter at American Association of University Presses (AAUP) Annual Conference in New Orleans, LA on June 22, 2014
BEA2014 - Understanding New Developments in MetadataBookExpoAmerica
You may have heard about ONIX 3.0, THEMA, or ISNI, but are unsure how these terms relate to you or your publishing program. Do you have to convert your ONIX 2.1 to 3.0 now? If you do not have ONIX should you start with 3.0? Is ISNI mandatory to sell to major retailers? If I assign BISAC codes do I also need to assign THEMA codes? This panel of experts on these new metadata developments, moderated by Laura Dawson of Bowker, will share the key points. Attendees will learn about implementation dates and where they can gain assistance in learning more about these new metadata standards. Moderator: Richard Stark, Director of Product Data, Barnes & Noble
Speakers: Laura Dawson, Product Manager, Identifier Services, Bowker; Chris Saynor, Metadata Manager and Project Manager, GiantChair; Kempton Mooney, Senior Analyst of Market Research and Business Development, Hachette Book Group
2013 CrossRef Annual Meeting, How CrossRef has Accelerated Science and Its Pr...Crossref
This presenation provides a brief oral history highlighting how literature review has been revolutionized by CrossRef. It will also cover FundRef and why it is so important to Federal agencies. Finally, it mentiones the status of the public access as encouraged by OSTP and how FundRef potentially enables CHORUS to play a major role.
Isni where are we now gatenby harvard 2014 11Janifer Gatenby
International standard name identifier ISNI. Presentation given at Harvard University Library 2014-11-18. Covers ISNI database and system, VIAF interoperability, Quality Control and selected usages. Status at November 2015. 8.69 million identifiers assigned.
Isni behind the scenes gatenby nadav manes harvard 201411Janifer Gatenby
ISNI behind the scenes. Presentation at Harvard University Library 2014-11-18. Covers International Standard Name Identifier, ISO 20779. CBS software features, searching the database, how the database is updated and database utilities
Open Access, Journal, Institutional Repository and BeyondLeslie Chan
Presentation at the Scholarly Communication Retreat, St. Michael's College, University of Toronto. Oct.6, 2015. This talk is a personal perspective on Open Access and what I see as the key impetus for engaging in open access practices. I highlight some recent innovations, both in terms of tools and modes of collaborative research enabled by OA. I also highlight recent developments in financial models in support of OA journal and monograph publishing.
Todd Carpenter's presentation at the 3:AM conference in Bucharest, Romania on September 29, 2016 describing the NISO Alternative Assessment Project final output and next steps.
Paper held at the Roundtable:
Gender, the Popular Press and the Digital Humanities: The Development of a Database of Republican Chinese Women’s Magazines and Entertainment Newspapers
Organizer: Liying Sun (University of Heidelberg)
Chair: Joan Judge (York University)
Discussants:
Matthias Arnold (University of Heidelberg);
Joan Judge (York University);
Ling-ling Lien (Academia Sinica, Taiwan);
Liying Sun (University of Heidelberg);
Doris Sung (York University).
This roundtable is part of a multi-year, interdisciplinary, international project on gender and the popular press in Republican China. The project combines new methodological approaches to the periodical press with the creation of a sophisticated database. This database, ECPO (Early Chinese Periodicals Online), facilitates research on these rich, complex, and voluminous materials by making several databases of women’s magazines and entertainment newspapers held in the libraries of Heidelberg University and Academia Sinica in Taipei accessible within one structure, and by seeking to create comprehensive linked metadata on these various materials.
Matthias Arnold introduces the conceptualization, structure, supporting system and functionality of these databases, while other project researchers discuss specific ways the databases have enhanced their research on the periodical press. Joan Judge argues that a close examination of multi-registered and multi-vocal general interest and women’s journals facilitated by a well-constructed database, makes it possible to reassesses early Republican publications and the early Republican era itself. The commitment to democratizing and popularizing knowledge in these materials represents an important and heretofore little understood chapter in the interrelated histories of knowledge, politics, and social change in China’s twentieth century history. Doris Sung examines the strategies for representing women’s art in two women’s magazines featured in the database, Funü shibao and Funü zazhi, and argues that these journals provided a public space for foregrounding women artists’ achievements. Utilizing the database’s capability to cross-reference images, texts and biographical information, she reconstructs the discourse of “women’s art” in the Republican period. Ling-ling Lien focuses on the value and research possibilities of the entertainment newspapers included in the newly designed database. She argues that these newspapers both highlight the historical possibilities inherent in urban print culture and provide a plethora of detailed information about everyday life in modern Shanghai. Liying Sun reveals that many connections between women’s journals and entertainment newspapers emerge through the use of the new database. Focusing on a well-known women’s journal, Linglong, and a well-known entertainment newspaper, Diansheng ribao, she argues that despite their different themes and materiality, the two categories o
Valentine Charles, Hugo Manguinhas, Vladimir Alexiev. Glam-Wiki 2015, 11 Apr 2015, The Hague
For Europeana, the platform for Europe’s digital cultural heritage from libraries, museums and archives, getting richer (semantic and multilingual) metadata is a priority. It improves access to the 40 million cultural heritage objects, notably enabling the multilingual retrieval of documents and creates relations between objects. To enhance data and enable retrieval across languages, Europeana performs automatic enrichment by selecting source metadata field(s) in the Europeana data and creating links to a selected target vocabulary or dataset representing contextual resources such as places, concepts, agents and time periods. Wikidata is since a while on Europeana’s radar as a potential new target for enrichment but how can it be integrated with cultural heritage data?
https://nl.wikimedia.org/wiki/GLAM-WIKI_2015/Programme/Discussions/Strategy#Presentation:_Wikidata.2C_a_target_for_Europeana.E2.80.99s_semantic_strategy.3F
Libraries and their Role in Open Access: Challenges and OpportunitiesFrançois Renaville
The open access movement gains momentum with an increasing number of institutions and funders adopting open access mandates for their funded research. Consequently, an increasing amount of material becomes freely available, either from institutional repositories or from traditional or newly established journals. Libraries can play a dual role in supporting this movement: Firstly, they can provide services supporting the deposit of research output in their institutional repositories, including support for making it widely discoverable via indexes such as Google Scholar and library discovery systems. Secondly, libraries can make open access materials discoverable by their patrons through such indexes, thus expanding their collection to include materials that they would not necessarily license.
This session will describe the experience of the University Libraries of Liège in Belgium and Harvard. University of Liège chose a top-down approach and made it compulsory for researchers to deposit their output in the institutional repository—ORBi. To support this mandate, the library offers services that help researchers deposit and disseminate their publications. Both libraries—Liège and Harvard—enable their students and faculty to discover open access content beyond their library’s acquired collection via their library discovery system.
The session will also address challenges that arise from indexing open access publications and how index providers and libraries can deal with such publications, especially with articles that are deposited in different institutional repositories or published in so-called hybrid journals that contain a mix of open access and subscription articles.
Finally, we will discuss with the audience how they see libraries’ role evolving in this area, what challenges they are currently facing, and the solutions and opportunities they have found.
"Standards for Metadata: Who is developing What, where and why" Presented by Todd Carpenter at American Association of University Presses (AAUP) Annual Conference in New Orleans, LA on June 22, 2014
BEA2014 - Understanding New Developments in MetadataBookExpoAmerica
You may have heard about ONIX 3.0, THEMA, or ISNI, but are unsure how these terms relate to you or your publishing program. Do you have to convert your ONIX 2.1 to 3.0 now? If you do not have ONIX should you start with 3.0? Is ISNI mandatory to sell to major retailers? If I assign BISAC codes do I also need to assign THEMA codes? This panel of experts on these new metadata developments, moderated by Laura Dawson of Bowker, will share the key points. Attendees will learn about implementation dates and where they can gain assistance in learning more about these new metadata standards. Moderator: Richard Stark, Director of Product Data, Barnes & Noble
Speakers: Laura Dawson, Product Manager, Identifier Services, Bowker; Chris Saynor, Metadata Manager and Project Manager, GiantChair; Kempton Mooney, Senior Analyst of Market Research and Business Development, Hachette Book Group
Revising the ISSN: involving stakeholders to adapt a bibliographic standard t...ISSN International Centre
Presentation by Clément Oury (ISSN International Centre) for the open conference of the IFLA “Serials and Other Continuing Resources” section, IFLA WLIC, Columbus (Ohio), August 15th, 2016.
The International Standard Serial Number is one of the oldest identifiers in the bibliographic domain, and also one of the most widely used and known. It was first established as an ISO standard in 1975, as ISO 3297. Originally intended for printed serials, the ISSN standard has been able over time to evolve in order to meet the needs of its users. It has known four revisions since its first release, the latest being in 2007. ISSN are now applicable to serials and to other continuing resources, whether past, present or to be published or produced in the foreseeable future, whatever the medium of publication or production.
Each ISO standard regularly undergoes systematic revisions. In April 2016, a vote on the opportunity of a systematic revision was issued by TC46/SC9 to all ISO member bodies. From April to September 2016, they will vote to support or not a complete review of the ISSN standard. Evolution of publishing models, forms and formats; emergence of new concepts and description standards in the library and publishing domains; apparition of new identifiers; and the development of linked data are the most important factors that justify why a revision of the ISSN standard should happen.
Just about everyone is familiar with the ISBN for books and the ISSN for serials. But new identifiers and new identifier standards have been developed for resources—such as the International Standard Text Code (ISTC)— and for people and organizations—such as the International Standard Name Identifier (ISNI). NISO's January 2012 webinar, Identify This! Identify That! New Identifiers and New Uses—to be held on January 11 from 1:00 to 2:30 p.m. EST—will discuss several new identifiers as well as new uses for older identifiers.
NISO Webinar: 21st Century Resource Sharing: Which Inter-Library Loan Standard Should I Use?
October 15, 2014
1:00 p.m. - 2:30 p.m. (Eastern Time)
Has “Rethinking Resource Sharing” Succeeded? – A Survey of Resource Sharing Protocols Ten Years Later
Ted Koppel, Product Manager, VERSO® ILS – Auto-Graphics, Inc.
Invisible Alphabet Soup: How Libraries Use a Variety of ILL Standards Everyday and Don't Necessarily Know It
Margaret Ellingson, Head of Interlibrary Loan and Course Reserves, Robert W. Woodruff Library, Emory University
Occams Reader and the Interlibrary Loan of E-books
Kenny Ketner, Software Development Manager, Texas Tech University Libraries
Ryan Litsey, Document Delivery/Interlibrary Loan Assistant Librarian, Texas Tech University Library
ISNI : a persistent identifier for creatives and associated organizations / T...CILIP MDG
Recent interest in persistent identifiers (PIDs) within the research and library sectors is bringing discussions about the adoption of standards – such as ISNI and DOI, and other ID schemes such as ORCID, Ringgold, ROR, CrossRef, etc. – to the fore, casting a spotlight on the PIDs already in use and their relationships to one another. In its capacity as a bridging identifier and a critical component in Linked Data applications, clearly ISNI has a major part to play in these discussions.
With a view to explaining the benefits of ISNIs for researchers, academic and scholarly publishers, institutions, funders, and other stakeholders – including information about ISNI’s centrally-managed database and the curation functions carried out by its direct data contributors – ISNI-IA continues to promulgate the ISNI standard within the research and library sectors, showing not only the importance of using ISNIs, but also the strength and quality of data that can be achieved when research identifiers operate collaboratively.
This presentation will be an opportunity for those in the library and research community to learn about progress with the ISNI standard to date, within the library, research, and publishing sectors and beyond!
Attendees will learn about:
• What the ISNI standard is.
• How the ISNI standard interacts with other identifiers.
• The benefits of ISNIs for the research sector.
• The level of adoption across the sectors that ISNI represents (including the library, music, publishing, research, and entertainment sectors).
• Upcoming ISNI projects (including the National Library of Finland’s ongoing project in collaboration with 5 prominent Copyright Management Organizations).
Paper presented at the Metadata & Discovery Group Conference & RDA Day (6th - 8th Sept 2023 at IET Austin Court, Birmingham)
'Let a Thousand ORCIDs Bloom': ORCID iDs and the ORCID Project at Imperial Co...Sarah Anna Stewart
Provides an overview of ORCID iDs, a persistent identifier for researchers, and how it has been used at Imperial College London, both for the ORCID Project (part of Jisc-ARMA-ORCID Project from 2014-2016) and post-project.
EDItEUR’s Chris Saynor and Tim Devenport, the Executive Director of the International ISNI agency, give an introduction to the International Standard Name Identifier. Do you know how to distinguish between Victor Hugo the writer and Victor Hugo the salsa musician? How does Margaret Attwood the Human resources specialist and author distinguish herself from Margaret Atwood?
They explain what the ISNI is, how it works, and look at some of its uses.
techforum.booknetcanada.ca
#TechForum
Who's the Author? Identifier soup - ORCID, ISNI, LC NACO and VIAFSimeon Warner
Identifiers, including ORCID, ISNI, LC NACO and VIAF, are playing an increasing role in library authority work. Well describe changes to cataloging practices to leverage identifiers. We'll then tell a short story of the how and why of ORCID identifiers for researchers, and relationships with other person identifiers. Finally, we'll discuss the use of identifiers as part of moves toward linked data cataloging being explored in Linked Data for Libraries work (in the LD4L Labs and LD4P projects).
This presentation was provided by Elizabeth Winter of Georgia Tech Library, Adam Chandler of Cornell University, Andreas Biedenbach of Springer Science+Business Media, Sarah Pearson of The University of Birmingham, and Maria Stanton of Serials Solutions, during the NISO webinar "It’s Only as Good as the Metadata: Improving OpenURL and Knowledge Base Quality" which was held on October 13, 2010.
Similar to The International Standard Name Identifier (ISNI): A Close Look, with Laura Dawson, Product Manager of Identifiers at Bowker (20)
Digital Content in Public Libraries: What do Patrons Think? bisg
From the NISO/BISG ALA 10th annual summit which took place in Orlando in June of 2016, this presentation by Publishers Weekly's Andrew Albanese covers the results of a survey conducted by Nielsen of public library patrons' attitudes towards digital and print content in libraries.
What Your Metadata Does When You're Not Looking with Joshua Tallentbisg
Metadata expert Joshua Tallent will rip back the curtain and show you how different trading partners are using your metadata, with real life examples and suggestions for getting better results. He will also provide you with an overview of some industry best practices for the most important metadata elements, and discuss the pros and cons of common metadata workflows and management strategies. Learn what keywords to use in book metadata feeds, which fields to populate, which retailers and libraries are using which fields, and how to optimize your book's metadata for discoverability.
Student Attitudes Toward content in Higher Education: Nadine Vassallo, Projec...bisg
New insights based on over 1,600 student responses to the latest survey in BISG's ongoing study tracking the content and tools students say they actually use, points to the increasing role of technology in shaping the future of higher education
The Inclusive Access Model, presented by Jason Lorgan, Stores Director, Unive...bisg
Jason Lorgan's presentation, given at BISG's Higher Ed Conference 2015: Adapt, Learn, Innovate, outlines an innovative new business model pioneered at the campus store at The University of California Davis that addresses student reluctance to embrace digital course material. The program's remarkably promising results for content providers and distributors include improved sell through for stores and publishers and significantly reduced student costs.
Navigating the Transition from ONIX 2.1 to 3.0 bisg
Graham Bell, Executive Director of EDItEUR, focuses on the migration from ONIX 2.1 to ONIX 3.0, detailing the key differences between the two message standards, and the benefits and extra functionality offered by the new format. This presentation will outline the areas of the message where the changes are simple to deal with, and offer advice on those areas of the message where more significant modifications will be required.
ONIX: Migrating from 2.1 to 3.0, presented by Graham Bell, Executive Director...bisg
This presentation was originally give as part of a BISG webcast on October 14, 2014, and then again on November 12, 2014. The webcast focused on the migration from ONIX 2.1 to ONIX 3.0, detailing the key differences between the two message standards, and the benefits and extra functionality offered by the new format. EDItEUR's Graham Bell outlined the areas of the message where the changes are simple to deal with and offered advice on those areas of the message where more significant modifications will be required. This presentation is particularly timely because of the impending sunset of ONIX 2.1 support at the end of 2014.
Product Development for Common Core Standards, presented by Emma Williams, Co...bisg
The second of two presentations given during BISG's webcast "Product Development for Common Core Standards," co-hosted by Patricia Payton (Senior Manager of Publisher Relations and Content Development for Bowker), featuring Ashley Andersen Zantop (Group Publisher and General Manager at Capstone) and Emma Williams (Collection Development Manager at Booksource).
The implementation of Common Core State Standards is changing how teachers and librarians select classroom material, with significant consequences for publishers' product development and marketing programs. The series of three webcasts will help you understand educator needs, provide guidance for developing and marketing content that teachers and librarians will look for, and optimize its discoverability by showing you how to include details of a title's conformance with common core state standards in its metadata.
Emma Williams is the Collection Development Manager at Booksource. She helped develop Booksource's Common Core State Standards book collections and is well-versed in the Language Arts Reading Standards. In addition to her buying and collection duties, Emma edits Booksource's blog, "Booksource Banter," and is part of the social media strategy team. Emma has a B.A. in English from Truman State University and has worked in the book industry for the past eight years.
XBITS 101, a presentation for BISG by Diane Degener, IT Business Analyst & Pr...bisg
XBITS (XML Book Industry Transaction Standards) is a Working Group of IDEAlliance and a BISG committee that is designing and maintaining the standard XML (Extensible Markup Language) eDocuments to facilitate bi-directional electronic data exchanges between a diverse trading partners comprised of book publishers, manufacturers, paper mills, and component suppliers. The XBITS electronic transaction standard is based upon the papiNet Standard which is open, free and easy to adopt, providing common benefits to supply chain partners supporting both traditional and digital print manufacturing.
In this webcast, Diane Degener, Co-Chair of the XBITS Committee, will explain how to best implement the XBITS standard in your business and answer any questions you may have about XBITS best practices.
This 45-minute presentation will be followed by a 15-minute Q&A session.
Thema: The new, global subject classification system- Julie Morris- BISG/NISO...bisg
Presentation at the 8th Annual BISG/NISO Changing Standards Landscape Forum at the American Library Association (ALA) Annual Conference on June 27, 2014 in Las Vegas, NV. Julie Morris (BISG) presenting on Thema: The new, global subject classification scheme for books. Event info (and other event slides) here: http://www.niso.org/news/events/2014/alaannual/2014nisobisgforum/
Best Practices for Keywords in Metadata, with Jenny Bullough, Manager of Digi...bisg
What are keywords, and how can they help you sell more books? As book purchasing and discovery increasingly moves online, judicious use of keywords can help make your book more visible to readers. Learn how to choose and use keywords for your book product metadata – join us for an online webinar where we’ll review the just-published BISG Best Practices for Keywords in Metadata. Join Jenny Bullough, Manager of Digital Assets at Harlequin Press and Chair of BISG's Keywords Working Group, and Julie Morris, BISG's Project Manager of Standards and Best Practices, as they explain why keywords should be used, how to choose the best keywords for your content, what to avoid when making that choice, and some best practices for structuring and updating keywords in ONIX, and more.
BISG Rights Summit June 11, 2014 (Michael Healy, Copyright Clearance Center)bisg
Presentation from Michael Healy, Copyright Clearance Center, at the BISG June 11, 2014 Rights Summit, looking at issues affecting the publishing industry in the management and transmission of rights and rights data.
Diversification, Discovery, and Data: 13 Insights from 13 Years of Safari, pr...bisg
Diversification, Discovery, and Data: 13 Insights from 13 Years of Safari, presented by Andrew Savikas, CEO of Safari Books Online, at Making Information Pay 2014, a track of IDPF's Digital Book 2014, at Book Expo America, on May 29, 2014
Subscription Services in the Context of Market Trends, presented by Jonathan ...bisg
Subscription Services in the Context of Market Trends, presented by Jonathan Stolper, SVP Nielsen Book Americas, at Making Information Pay 2014, a track of IDPF's Digital Book 2014 at Book Expo America, on May 29, 2014
Digital Books and the New Subscription Economy: Preliminary Results from the ...bisg
Digital Books and the New Subscription Economy: Preliminary Results from the BISG Research Study, presented by Ted Hill, President, THA Consulting at Making Information 2014, a track of IDPF's Digital Book 2014 at Book Expo America, May 29, 2014
Metadata: Standards Basics for the Independent Publishing Community, with Gra...bisg
The better your metadata, the better your sales: that's the simple truth. Books with complete metadata sell almost three times better than a book with incomplete metadata, so there's a very good reason to learn about how to format and transmit this information to your industry partners. But where to begin?
In this session, Graham Bell, Chief Data Architect at EDItEUR, will offer practical guidance on writing, formatting, and transmitting metadata in accordance with industry standards and best practices, and help to make your metadata work for you.
This is the third in a three-part series, co-produced by IBPA and hosted by BISG, aimed at demystifying several of the core book industry standards through "101"-style sessions presented by experts in the field.
ISBNs and Identifiers: Standards Basics for the Independent Publishing Commun...bisg
What are identifiers? What purpose do they serve in the book industry?
According to BISG's Best Practices for Identifying Digital Products, an identifier is generally a sequence of alpha-numeric characters that unambiguosly differentiates one thing from another in a particular context.
But while that answer may seem straightforward enough, the fact is there's a lot more to identifiers than one might think.
The book industry employs numerous identifiers for different reasons in its day-to-day operations. This webcast will cover identifiers basics—what they are, how they are developed, and how and why they are used. Special focus will be given to the venerable ISBN and its use in today's digital marketplace, and the difference between the ISBN and proprietary product identifiers.
In this session, Phil Madans, Executive Director Digital Publishing Technology for Hachette Book Group, will discuss how to correctly use identifiers to ensure your books reach the hands of happy readers.
This is the second in a three-part series, co-produced by IBPA and hosted by BISG, aimed at demystifying several of the core book industry standards through "101"-style sessions presented by experts in the field.
Student Attitudes Toward Content in Higher Education, with Nadine Vassallo, P...bisg
The way students learn and instructors teach is undergoing a radical shift, and the role of the traditional print "textbook" as the foundational tool for instruction is changing along with the traditional publishing model. To help shed light on these changes, BISG's Student Attitudes Toward Content in Higher Education survey continues to provide a baseline for tracking the rapid evolution underway in the higher education market. Join Nadine Vassallo, BISG's Project Manager of Research and Information, as she shares data from the most recent volume of Student Attitudes, providing an up-to-the-moment analysis of the current behavioral trends that will inform the development of the higher education industry, and learn more about how Student Attitudes can offer your practical guidance for refining your business strategies in an ever-shifting marketplace.
BISAC Subject Headings: Standards Basics for the Independent Publishing Commu...bisg
What are BISAC Subject Headings, and how can they help people find your book?
IBPA presents, in association with BISG, the first in a three-part series of webinars aimed at educating members of the independent publishing community about the core fundamentals of industry standards featuring experts in the field. In this installment, Connie Harbison, Director Quality Control at Baker & Taylor, will give a presentation about the 2013 BISAC Subject Headings — how they developed, who sets the standard, who uses them (and why!), and how they help to make your book more marketable and more discoverable.
3.0 Project 2_ Developing My Brand Identity Kit.pptxtanyjahb
A personal brand exploration presentation summarizes an individual's unique qualities and goals, covering strengths, values, passions, and target audience. It helps individuals understand what makes them stand out, their desired image, and how they aim to achieve it.
LA HUG - Video Testimonials with Chynna Morgan - June 2024Lital Barkan
Have you ever heard that user-generated content or video testimonials can take your brand to the next level? We will explore how you can effectively use video testimonials to leverage and boost your sales, content strategy, and increase your CRM data.🤯
We will dig deeper into:
1. How to capture video testimonials that convert from your audience 🎥
2. How to leverage your testimonials to boost your sales 💲
3. How you can capture more CRM data to understand your audience better through video testimonials. 📊
Discover the innovative and creative projects that highlight my journey throu...dylandmeas
Discover the innovative and creative projects that highlight my journey through Full Sail University. Below, you’ll find a collection of my work showcasing my skills and expertise in digital marketing, event planning, and media production.
Memorandum Of Association Constitution of Company.pptseri bangash
www.seribangash.com
A Memorandum of Association (MOA) is a legal document that outlines the fundamental principles and objectives upon which a company operates. It serves as the company's charter or constitution and defines the scope of its activities. Here's a detailed note on the MOA:
Contents of Memorandum of Association:
Name Clause: This clause states the name of the company, which should end with words like "Limited" or "Ltd." for a public limited company and "Private Limited" or "Pvt. Ltd." for a private limited company.
https://seribangash.com/article-of-association-is-legal-doc-of-company/
Registered Office Clause: It specifies the location where the company's registered office is situated. This office is where all official communications and notices are sent.
Objective Clause: This clause delineates the main objectives for which the company is formed. It's important to define these objectives clearly, as the company cannot undertake activities beyond those mentioned in this clause.
www.seribangash.com
Liability Clause: It outlines the extent of liability of the company's members. In the case of companies limited by shares, the liability of members is limited to the amount unpaid on their shares. For companies limited by guarantee, members' liability is limited to the amount they undertake to contribute if the company is wound up.
https://seribangash.com/promotors-is-person-conceived-formation-company/
Capital Clause: This clause specifies the authorized capital of the company, i.e., the maximum amount of share capital the company is authorized to issue. It also mentions the division of this capital into shares and their respective nominal value.
Association Clause: It simply states that the subscribers wish to form a company and agree to become members of it, in accordance with the terms of the MOA.
Importance of Memorandum of Association:
Legal Requirement: The MOA is a legal requirement for the formation of a company. It must be filed with the Registrar of Companies during the incorporation process.
Constitutional Document: It serves as the company's constitutional document, defining its scope, powers, and limitations.
Protection of Members: It protects the interests of the company's members by clearly defining the objectives and limiting their liability.
External Communication: It provides clarity to external parties, such as investors, creditors, and regulatory authorities, regarding the company's objectives and powers.
https://seribangash.com/difference-public-and-private-company-law/
Binding Authority: The company and its members are bound by the provisions of the MOA. Any action taken beyond its scope may be considered ultra vires (beyond the powers) of the company and therefore void.
Amendment of MOA:
While the MOA lays down the company's fundamental principles, it is not entirely immutable. It can be amended, but only under specific circumstances and in compliance with legal procedures. Amendments typically require shareholder
[Note: This is a partial preview. To download this presentation, visit:
https://www.oeconsulting.com.sg/training-presentations]
Sustainability has become an increasingly critical topic as the world recognizes the need to protect our planet and its resources for future generations. Sustainability means meeting our current needs without compromising the ability of future generations to meet theirs. It involves long-term planning and consideration of the consequences of our actions. The goal is to create strategies that ensure the long-term viability of People, Planet, and Profit.
Leading companies such as Nike, Toyota, and Siemens are prioritizing sustainable innovation in their business models, setting an example for others to follow. In this Sustainability training presentation, you will learn key concepts, principles, and practices of sustainability applicable across industries. This training aims to create awareness and educate employees, senior executives, consultants, and other key stakeholders, including investors, policymakers, and supply chain partners, on the importance and implementation of sustainability.
LEARNING OBJECTIVES
1. Develop a comprehensive understanding of the fundamental principles and concepts that form the foundation of sustainability within corporate environments.
2. Explore the sustainability implementation model, focusing on effective measures and reporting strategies to track and communicate sustainability efforts.
3. Identify and define best practices and critical success factors essential for achieving sustainability goals within organizations.
CONTENTS
1. Introduction and Key Concepts of Sustainability
2. Principles and Practices of Sustainability
3. Measures and Reporting in Sustainability
4. Sustainability Implementation & Best Practices
To download the complete presentation, visit: https://www.oeconsulting.com.sg/training-presentations
Cracking the Workplace Discipline Code Main.pptxWorkforce Group
Cultivating and maintaining discipline within teams is a critical differentiator for successful organisations.
Forward-thinking leaders and business managers understand the impact that discipline has on organisational success. A disciplined workforce operates with clarity, focus, and a shared understanding of expectations, ultimately driving better results, optimising productivity, and facilitating seamless collaboration.
Although discipline is not a one-size-fits-all approach, it can help create a work environment that encourages personal growth and accountability rather than solely relying on punitive measures.
In this deck, you will learn the significance of workplace discipline for organisational success. You’ll also learn
• Four (4) workplace discipline methods you should consider
• The best and most practical approach to implementing workplace discipline.
• Three (3) key tips to maintain a disciplined workplace.
Personal Brand Statement:
As an Army veteran dedicated to lifelong learning, I bring a disciplined, strategic mindset to my pursuits. I am constantly expanding my knowledge to innovate and lead effectively. My journey is driven by a commitment to excellence, and to make a meaningful impact in the world.
RMD24 | Debunking the non-endemic revenue myth Marvin Vacquier Droop | First ...BBPMedia1
Marvin neemt je in deze presentatie mee in de voordelen van non-endemic advertising op retail media netwerken. Hij brengt ook de uitdagingen in beeld die de markt op dit moment heeft op het gebied van retail media voor niet-leveranciers.
Retail media wordt gezien als het nieuwe advertising-medium en ook mediabureaus richten massaal retail media-afdelingen op. Merken die niet in de betreffende winkel liggen staan ook nog niet in de rij om op de retail media netwerken te adverteren. Marvin belicht de uitdagingen die er zijn om echt aansluiting te vinden op die markt van non-endemic advertising.
What is the TDS Return Filing Due Date for FY 2024-25.pdfseoforlegalpillers
It is crucial for the taxpayers to understand about the TDS Return Filing Due Date, so that they can fulfill your TDS obligations efficiently. Taxpayers can avoid penalties by sticking to the deadlines and by accurate filing of TDS. Timely filing of TDS will make sure about the availability of tax credits. You can also seek the professional guidance of experts like Legal Pillers for timely filing of the TDS Return.
The world of search engine optimization (SEO) is buzzing with discussions after Google confirmed that around 2,500 leaked internal documents related to its Search feature are indeed authentic. The revelation has sparked significant concerns within the SEO community. The leaked documents were initially reported by SEO experts Rand Fishkin and Mike King, igniting widespread analysis and discourse. For More Info:- https://news.arihantwebtech.com/search-disrupted-googles-leaked-documents-rock-the-seo-world/
2. What Is ISNI
• ISO Standard, published in 2012
• International Standard Name Identifier
• Numerical representation of a name
– 16 digits
– Assigned to public figures, contributors of content –
researchers, authors, musicians, actors, publishers,
research institutions – and subjects of that content (if
they are people or institutions).
– Example: 0000 0004 1029 5439
3. Who is ISNI
• Founding members
– IFRRO (International Federation of Reproduction
Rights Organizations)
– CISAC (International Confederation of Authors and
Composers Societies)
– SCAPR (Societies’ Council for the Collective
Management of Performers’ Rights)
– OCLC
– CENL (Conference of European National Librarians),
represented by the British Library and the National
Library of France
– ProQuest, represented by Bowker
4. Members
Quality Team
Board of Directors
ISNI Organizational Structure
Registration Agencies
Ongoing
assignments/
general public
5. How Does ISNI Registration Work
• Publisher submits names for assignment through a Registration
Agency
• RA works with the publisher to ensure the data feed is well-
formatted, and sends that feed to the Assignment Agency
• AA assigns as many ISNIs to the names in the feed as it can, using
complex algorithms and business rules that evolve with each feed
• AA returns a file of names with ISNIs attached to them
– This may not be the full file of names
– Ambiguous names are held for review by Quality Team
– QT assignments and other exceptions (assignments as a result
of improvements to the algorithm) are returned to RA quarterly
– Process is not instant. Assignment may be immediate if the
name and other information is unique, but frequently
assignments take a week or two.
6. Stage One
Customer
submits data to
Registration
Agency
Registration
Agency sends
file to
Assignment
Agency
Assignment
Agency assigns
as many ISNIs
to the names as
it can
9. Display
• Only minimal metadata is displayed
• Not meant as a comprehensive profile
• ISNI is a tool for linking data sets, collocation, and
disambiguation
• Enhancements to the record can be made but not
required
14. How many names in the ISNI database?
• Over 8,300,000 assigned
• 10,112,931 provisional (awaiting a match from another
data set for corroboration)
• Your author names may well already have ISNIs.
http://www.isni.org/search.
• Bowker’s Books in Print contains 2.33 million ISNIs –
33% coverage of all contributors, with more coming in
monthly.
20. Data Quality
• Based on matching names to existing records in
database (over 18 million names)
• Strict criteria for assigning ISNIs to names
• Quality team oversight (manual edits)
– British Library
– National Library of France
– OCLC
19
21. Assignment Criteria
• If on the common surname list:
– Birth date
– Death date
– ISBN(s)
– Title(s)
– Co-authors or institutional affiliation
• If not on the common surname list
– Title(s)
– Birth date
– Death date
– Any other distinguishing factors (“is not”)
• If unique
– Immediate assignment
20
22. ISNI and ORCID
• ORCID numbers are a subset of ISNI’s database
• Working towards alignment, with ultimate goal of single
assignment
• There is ISNI representation on the ORCID Technical
Steering Group, and ORCID representation on the ISNI
Technical Committee
• A researcher may have both an ORCID and an ISNI
21
23. If I have an ORCID, do I need an ISNI?
• Identifier across all types of works – particularly relevant
to faculty members in the Arts and Humanities
• Assigned by organizations, such as publishers and
universities, on behalf of contributor
• Link your ORCID and ISNI and be done – no need to
create yet another profile
22
25. Online Registration Coming in Q4 2014
• Bowker is building functionality to register individual
ISNIs online
• First for authors who already have ISBNs assigned to
them
• Phase II includes all contributors
• Contributors without ISBNs can continue to register by
emailing isni@bowker.com
24
16 digits – final one is a check digit so it is sometimes an X
In machine-to-machine communication, the ISNI is rendered without the spaces. We break it up into four sections just so it’s more human-readable on the web.
As you can see, these are representatives from a wide variety of domains. IFRRO is primarily text and image-based. CISAC is concerned with music. SCAPR’s domain is film and video. OCLC, which is also the assignment agency, as well as CENL, are concerned with library usage of ISNI. ProQuest’s domain is around book publishing, web usage, scholarly research, and inclusion in semantic web ontologies.
ISNI Board of Directors is made up of representatives from each founding organization, as well as a representative from the collection of registration agencies.
The Assignment Agency – the part of ISNI that does the actual assigning of numbers to names – is OCLC. The Assignment Agency runs out of OCLC’s Leiden office in the Netherlands.
The Quality Team – comprised of librarians from the British Library and the French National Library – works with the Assignment Agency to ensure that ISNI information is accurate and that disambiguations and collocations are correct. Basically, the Quality Team handles errors in the data, and continuously works on refining the assignment algorithms.
Members of ISNI include the founding members, of course, as well as Macmillan (ISNIs are in use at Digital Science), MusicBrainz, VIAF, and numerous other organizations. These members send data through a Registration Agency, to the Assignment Agency, and ISNIs are assigned to the name records in that data.
Currently, there are two Registration Agencies – Ringgold, for institutions, and Bowker, for everything else.
VIAF served as the initial data set for ISNI.
Just to give a run-through of the methodology behind ISNI assignment – ISNI is not a self-claiming system. Individuals can apply for ISNIs through a Registration Agency, but ISNIs are also assigned on behalf of authors and other contributors by their publisher or another organization that’s distributing content. ISNI profiles are not meant to be comprehensive. The ISNI website displays the minimal amount of information required to disambiguate one contributor name from another. Behind the scenes, in the ISNI database, there may be more information – which is used for disambiguation and collocation. But ISNI takes privacy very seriously and does not display more than is absolutely necessary, unless a person would like to make more information available on their ISNI page.
Run through slide.
To recap – a publisher submits a data file to a registration agency. The RA packages up that file, working with the publisher and the assignment agency to ensure the file is in an easily-process-able format. The assignment agency then assigns ISNIs to as many names as it can.
Once those assignments are made, a file is sent to the registration agency. The registration agency shares the file with the publisher, who QA’s it and then uses it as they wish. Dealing with a registration agent – as opposed to many individual publishers or other institutions – simplifies the process for the assignment agency.
Given that not all names in any given file will receive an ISNI, how do updates work? The AA sends updates quarterly. The RA parses through these updates, and disperses the appropriate files to the publishers, who then each ingest their update.
As previously noted, and unlike ORCID, ISNI does not display a comprehensive profile. The number is a tool – it determines whether the Bryan May who plays guitar for Queen is also Brian May the astrophysicist (he is), or Brian May the editor of an obscure photography book (he is). The number – the tool – determines that Fyodor Dostoevsky is the author of Crime and Punishment no matter how you spell his name or what character set you’re using.
And ISNI is a tool for linking data sets together. If two disparate databases – such as Books in Print and Musicbrainz – use ISNIs, then cross-domain linking is possible. This allows for a music professor, for example, to be unambiguously identified in his capacity as a session musician for Wynton Marsalis as well as in his capacity as the author of monographs on the evolution of jazz keyboard styles. An organization using both of these data sets would be able to link all the work produced by that professor regardless of whether it is audio or text.
If a contributor wishes to enhance his or her ISNI record, that is of course possible. If an individual wishes more information to be displayed, or to correct information in the database, he or she can work with a registration agency and the ISNI Quality Team to ensure this happens.
So here’s an example of an ISNI record. You’ll notice a couple of things – the paucity of information, and the yellow box. Clicking on the yellow box leads a user to a basic online form where they can submit additional information or corrections for the record. That information is evaluated by the Quality Team, and implemented if it’s determined to be accurate. Submissions by the actual contributor are enormously welcome – because, of course, the contributor is the best possible source!
This is just an example of the data sets that are already using ISNI. You’ll note that ORCID is using ISNIs – this is to identify research institutions, which are regarded as contributors to research being done there. Wikipedia is using ISNIs as well, as is Scholar Universe and other ProQuest products. ISNI allows any one of these organizations to transmit contributor data to any other one of these organizations. It also allows a third party to combine data sets and link them through the common ISNI. In this way, ISNI serves as a bridge identifier amongst disparate data sets.
Just a rundown of some organizations already using ISNIs. We are currently piloting with Booknet Canada and the Authors Guild.
And an example of ISNI use in Wikipedia. Clicking on the ISNI takes you to the VIAF entry for that contributor – that’s how Wikipedia decided to use ISNI.
We have over 8.3 million ISNIs assigned to names in the ISNI database, with an additional 10 million awaiting a corroboratory match. Because the primary application of ISNI is in Linked Data, large data sets have served as the basis for the ISNI database. Recruiting one contributor at a time – given the large number of domains that exist for contributors – is not feasible for ISNI implementation; it would take far too long. So assignment is fairly automated, as we’ve discussed, and geared towards large data sets.
These are two different theologians. But Random House is publishing both of them. They must make sure that they are getting the appropriate royalties to the correct author. The subject matter is not enough to distinguish the two, and middle names are not always consistently listed – how do we know for certain that these are two different individuals? The ISNI helps the publisher definitively disambiguate the two, and pay correctly.
This is a directory of researchers at Xerox PARC. How can they be sure that research published under “Y. Wang” is credited to the right person? Even “Yu Wang” might lead to some mistakes. Using ISNIs definitively separates the research of Yu Wang from Yunda Wang.
At Arizona State, there are two faculty members named Michael White who both work in the legal area. Again, area of research is not necessarily an effective disambiguator – but a numerical distinction provides clarity.
Here we have the ISNI record for Brian May. As you can see, he’s done a few things – as an author, a creator, and a performer.
As you can see, the ISNI links together disparate types of data. Brian May, noted guitarist for the band Queen, is also an astrophysicist who has published his dissertation “A survey of radial velocities in the zodiacal dust cloud”. He has ALSO annotated a seminal collection of stereoscopic photographs. A true Renaissance man – and the ISNI allows for these works to be linked together under his unique, persistent identifier. So that if someone sees his dissertation or his photograph collection, and questions whether or not this is the same Brian May that played “Bohemian Rhapsody”, they can confirm that yes, this is the same (rather unusual) person.
Data quality is paramount for ISNI. The quality team work through over 17 million records. And, as I mentioned, the data quality team also solicits individual feedback – crowdsourcing, if you will, but with editorial oversight. With a data set this large, accuracy is an enormous challenge, so the role of the data quality team is critical.
This is just a list of criteria for how the assignments get made. ISNI has compiled a list of common surnames which dictates how much other data is necessary for assignment.
ORCID is the Open Researcher Contributor ID – in use primarily in STM publishing.
ISNI designated a set of a million numbers for ORCID’s use. This is so there won’t be any data integrity issues – particularly among data sets using both identifiers.
We are, in fact, working extremely closely with ORCID. Our mechanisms for assignment are different, but we do have the ultimate goal of having a single number serve both the ORCID and ISNI communities – similar to how an ISBN is also an EAN. There’s a lot of work we have to do to get there (issues around deprecation, redirection, and critieria for assignment – as ORCID only requires an email address), but we are on one another’s technical committees, and are in talks at the board level to create an alignment plan. We’ll have more information after an ORCID-ISNI joint board meeting later this month. In the meantime, a researcher may have both an ORCID and an ISNI.
Because ISNIs are assigned through library organizations, large databases, and other sources, it’s quite possible you might already have one. You can go to http://www.isni.org/search to check and see.