The Film Industry Introduction
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The document discusses the key aspects of the film industry: 1) Production refers to the development process of making a film, from developing the idea to filming and editing. 2) Distribution is the process by which the studio licenses the film to distribution companies who market and distribute the film to cinemas and other exhibitors. 3) Exhibition is how the completed film reaches the public through cinemas, DVDs, online platforms, and television.
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Film production stages
The document outlines the key stages of film production as development, pre-production, production, and post-production. Development includes securing financing, script development, and hiring key crew. Pre-production consists of finalizing scripts, scheduling, budgeting, casting, and location scouting. Production is the principal photography and filming of the movie.
Film development pre production production
Film production involves discrete stages including development, pre-production, production, and post-production. In development, an idea is developed into a screenplay. Pre-production involves preparations like hiring crew, selecting locations, and building sets. Production is where filming takes place, involving the cast, crew, and equipment to record scenes. Post-production includes editing, adding visual/sound effects, and completing the film.
History of hollywood cinema
This document provides an overview of Hollywood from 1910-2009 in decade increments. Some of the key events and developments highlighted include:
- DW Griffith directing early masterpieces like The Birth of a Nation in the 1910s that helped establish Hollywood.
- The 1920s saw the rise of the studio system and the transition to sound films with The Jazz Singer.
- The 1930s was Hollywood's golden age of studio dominance producing iconic films.
- World War 2 patriotic films dominated the 1940s but blacklisting impacted the industry in the 1950s.
- Independent films rose in popularity in the 1960s-70s challenging the studio system.
- Blockbuster franchises like Star Wars renewed cinema in the 1970
Basics of tv production
The document discusses the basics of TV production, including crew positions, pre-production checklists, and types of video equipment used in production. It provides details on setup responsibilities for different crew roles and an overview of studio camera operation, focusing on camera parts, types of camera movement, and best practices for camera operators before and during a shoot.
Television production module 1 a
1. Thousands of students are now taking television production courses to further serious personal and professional goals like careers in broadcast television, webcasting, videography, and film production.
2. The key roles in a television production include the producer, who oversees the project; the director, who implements the producer's vision; talent such as actors, reporters, and hosts; and technical roles like the technical director, lighting director, and production assistants.
3. The production process begins with developing the concept, hiring a writer, assembling talent and crew, and culminates with the final produced content under the supervision of the producer and director.
ppt on film finance
Film finance involves determining the commercial viability of a film project during development prior to production. It is a subset of project finance that relies on the film's revenue rather than external sources to repay investors. Producers assemble a package including the script, budget, and director/cast details to pitch to potential financial backers. If research suggests sufficient audience interest, the film receives funding to proceed to production. Distribution then markets and circulates the completed film to theaters and home viewers to generate returns for the studio, producers, and investors.
Evolution of televisions, a5
John Logie Baird invented the first television system in 1926. Televisions evolved from large cathode ray tube models to include rear projection, plasma, LCD, and LED screens of increasing size. Color transmission was introduced in 1954 and 3D televisions became available in 2010. Televisions have had a major social and cultural impact through entertainment and influencing public opinions while also creating environmental concerns over electronic waste disposal.
Film History Part 1 - REVISED
This presentation was created in 2009 for a high school film production class and updated in 2020. It provides a visual accompaniment to a classroom lecture on Film History. This module covers the period from the beginnings of photography through the early days of exhibition including projectors and projection techniques.
In 2020 as a result of the Coronavirus Pandemic, I recorded a video of this presentation. Here is the link:https://youtu.be/GQuJJ8QkHQE Please feel free to use it in your classrooms.
Recommended
Film production stages
The document outlines the key stages of film production as development, pre-production, production, and post-production. Development includes securing financing, script development, and hiring key crew. Pre-production consists of finalizing scripts, scheduling, budgeting, casting, and location scouting. Production is the principal photography and filming of the movie.
Film development pre production production
Film production involves discrete stages including development, pre-production, production, and post-production. In development, an idea is developed into a screenplay. Pre-production involves preparations like hiring crew, selecting locations, and building sets. Production is where filming takes place, involving the cast, crew, and equipment to record scenes. Post-production includes editing, adding visual/sound effects, and completing the film.
History of hollywood cinema
This document provides an overview of Hollywood from 1910-2009 in decade increments. Some of the key events and developments highlighted include:
- DW Griffith directing early masterpieces like The Birth of a Nation in the 1910s that helped establish Hollywood.
- The 1920s saw the rise of the studio system and the transition to sound films with The Jazz Singer.
- The 1930s was Hollywood's golden age of studio dominance producing iconic films.
- World War 2 patriotic films dominated the 1940s but blacklisting impacted the industry in the 1950s.
- Independent films rose in popularity in the 1960s-70s challenging the studio system.
- Blockbuster franchises like Star Wars renewed cinema in the 1970
Basics of tv production
The document discusses the basics of TV production, including crew positions, pre-production checklists, and types of video equipment used in production. It provides details on setup responsibilities for different crew roles and an overview of studio camera operation, focusing on camera parts, types of camera movement, and best practices for camera operators before and during a shoot.
Television production module 1 a
1. Thousands of students are now taking television production courses to further serious personal and professional goals like careers in broadcast television, webcasting, videography, and film production.
2. The key roles in a television production include the producer, who oversees the project; the director, who implements the producer's vision; talent such as actors, reporters, and hosts; and technical roles like the technical director, lighting director, and production assistants.
3. The production process begins with developing the concept, hiring a writer, assembling talent and crew, and culminates with the final produced content under the supervision of the producer and director.
ppt on film finance
Film finance involves determining the commercial viability of a film project during development prior to production. It is a subset of project finance that relies on the film's revenue rather than external sources to repay investors. Producers assemble a package including the script, budget, and director/cast details to pitch to potential financial backers. If research suggests sufficient audience interest, the film receives funding to proceed to production. Distribution then markets and circulates the completed film to theaters and home viewers to generate returns for the studio, producers, and investors.
Evolution of televisions, a5
John Logie Baird invented the first television system in 1926. Televisions evolved from large cathode ray tube models to include rear projection, plasma, LCD, and LED screens of increasing size. Color transmission was introduced in 1954 and 3D televisions became available in 2010. Televisions have had a major social and cultural impact through entertainment and influencing public opinions while also creating environmental concerns over electronic waste disposal.
Film History Part 1 - REVISED
This presentation was created in 2009 for a high school film production class and updated in 2020. It provides a visual accompaniment to a classroom lecture on Film History. This module covers the period from the beginnings of photography through the early days of exhibition including projectors and projection techniques.
In 2020 as a result of the Coronavirus Pandemic, I recorded a video of this presentation. Here is the link:https://youtu.be/GQuJJ8QkHQE Please feel free to use it in your classrooms.
Understanding Film Through Context
This document discusses how understanding films through their contexts is important. It provides examples of how societal attitudes, politics, censorship, artistic conventions, financial constraints, and technological developments have influenced filmmaking. Understanding these contextual factors helps viewers more accurately comprehend and judge the films.
The development in film history
The document outlines key developments in film history from the late 1800s to present day, including:
1) The invention of movie cameras in the late 1800s which allowed the capture of sequences of photographs onto filmstrip, paving the way for the film industry.
2) The addition of synchronous sound to films in the 1920s with the film The Jazz Singer, which broke limitations and opened new possibilities.
3) The introduction of color film and Technicolor in the 1930s and 1940s, exemplified by The Wizard of Oz.
4) The development of techniques like green screen compositing in the 1940s which allowed actors to be placed into artificial backgrounds.
Hollywood Studio System (DAPS 6 and 7)
The Hollywood Studio System dominated the film industry from the 1920s to the 1950s. The major studios - MGM, Paramount, Fox, Warner Bros. - vertically integrated production, distribution, and exhibition. They signed actors to long-term contracts and tightly controlled their public images. Each studio developed niche styles, like MGM's prestige productions and Warner Bros.' gritty dramas. This factory system cranked out hundreds of films per year until its decline in the late 1940s due to antitrust action and the rise of television.
Making a documentary
The document outlines the four main stages of making a documentary: development, pre-production, production, and post-production. It provides details on the key steps and considerations within each stage, such as developing the story idea, planning logistics, shooting interviews and footage, and editing the film together. The post-production stage is described in the most detail, covering transcription, paper editing, script writing, card assembly, editing workflows and collaboration with the director.
Entertainment updated
The document discusses the entertainment industry in India. It provides an overview of what entertainment is and its various forms. It discusses the evolution of entertainment from traditional live events to modern forms like TV, movies, and publications. It profiles two major players in the Indian entertainment industry - PVR Cinemas and Sony Pictures. For each, it outlines their business segmentation, targeting, positioning, and marketing strategies. Finally, it discusses the growth prospects and future trends of the overall entertainment sector in India, including emerging technologies and customization of content.
Film Production
The key stages of film production are development, pre-production, production, post-production, and distribution. During development, financing is secured through investors attracted by the script, stars attached, and the director. Pre-production involves finalizing the script, scheduling, budgeting, casting, and location scouting. Production encompasses filming all scenes and recording audio. Post-production consists of editing, sound mixing, visual effects, and scoring music. Distribution gets the finished film in front of audiences through various release windows.
Film Marketing Plan
In the course Entertainment and Marketing Promotion, each student was assigned to a student film to create a marketing plan for. This project taught me how to create a marketing plan for a film both as a major Hollywood film and a student film.
Stages of film production
The document outlines the process of developing a film from an initial idea through financing, production, post-production, and sales. It begins with a writer developing an idea and treatment, which the producer then pitches to financiers to fund script development. Once the script is complete, the producer packages it and pitches it to investors to finance production. The film is then shot, edited, has visual and sound effects added, and is finalized for distribution and sales to audiences.
Piku Digital Marketing Strategy Review
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MOVIE MARKETING
Movie marketing is critical to the success of a film. It involves pre-release marketing to build audience interest and awareness as well as post-release marketing to extend the life of the film. Pre-release marketing strategies include releasing theatrical trailers, conducting press junkets, and publicity stunts to generate buzz and create perceptions of the film's quality. Effective movie marketing pushes audiences to theaters for opening weekend.
Marketing Strategies for Film Promotion - Film Marketing Services
Efficient marketing strategies help you in a right film marketing approach. As marketing is taking over the film industry so it is very important to plan a proper film marketing strategy for the success of your film. This presentation will help you to know a proper layout for film promotion & distribution.
Film industry
The document discusses the Indian film industry, with a focus on Bollywood. It notes that India is the largest producer of films globally in terms of tickets and films produced. Bollywood refers specifically to the Hindi-language film industry based in Mumbai. The industry has grown significantly over the years and was valued at $2.5 billion in 2008. However, it still faces challenges like piracy, inconsistent entertainment taxes across states, and increasing talent costs. Its future prospects include greater collaborations with Hollywood and a shift toward better content and breaking conventions.
Movie Business Plan
CROWNING Ceremony for the winner of the Pageant titled: MISS senZasianalUSA 2009 will go through to our FINAL heat for Miss senZasianal2009 in Mumbai event to gain further work in Bollywoodas well as standing a chance to win a lead role in a Bollywoodfeature film.
Film finance
There are several ways that films can be financed. Major studios like Working Title Films primarily use pre-sales, where distribution rights are sold to studios before filming. This provides upfront funding and guarantees success by including star names and commercially viable elements. Small independent companies like Warp Films have difficulty securing large investments due to lack of star power. They often rely on government grants from sources like the UK Film Council or National Lottery to fund lower budget films focused on genres like social realism.
Sources of funding
This document discusses different sources of finance for media production. It provides examples and explanations for corporate finance, public funding, independent funding, crowdfunding, sponsorship/product placement, and franchising/merchandising. For corporate finance, it describes the Hollywood studio model and uses Marvel films and 28 Days Later as examples. For public funding, it outlines sources in the UK like the BBC, BFI, and National Lottery. For independent funding, it highlights Kevin Smith's Clerks and Monty Python's Life of Brian. For crowdfunding, it notes the Veronica Mars film project on Kickstarter. For sponsorship/product placement, it analyzes TV shows and films that feature branded products. And
Media ownership film industry
The document discusses media ownership in the film industry. It notes that a small number of large media conglomerates own most film studios, TV stations, record labels, and other media outlets. These conglomerates have significant financial resources to invest in film production and can market films across their various subsidiary companies using synergy. However, some independent films are still produced outside the major studios in Britain, often partnering with organizations like Film 4 or the BBC for funding and distribution. The concentration of media ownership in only a few large Western conglomerates is increasingly dominating the global media market.
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Film Budgets Presentation
This document outlines a proposed budget for a new Die Hard film, estimating costs for various elements:
- Hiring a reasonably well-known director to increase chances of success, costing around £40 million total budget.
- Casting a lesser-known C-list actor instead of Bruce Willis to save money, paying extras around £500,000.
- Filming on location in Europe to change the storyline, costing an estimated £5 million.
- Spending up to £500,000 on equipment like cameras and £2 million on props and sets.
- Hiring a good screenwriter for around £200,000 to improve commercial success.
- Advertising on TV channels for £
American cinema
This document provides an overview of the history and development of American cinema. It discusses how the United States became the leading film producing country in the 1920s. It outlines the major stages in the evolution of the film industry in America, from the early films of Thomas Edison to the rise of Hollywood and major studios. It also profiles some of the most famous American actors, directors, and blockbuster films that came to dominate global box offices. The document concludes by noting America's continued dominance in worldwide film production and distribution.
The history of cinema
The history of cinema can be broken down into seven ages:
1) The Pioneering Age from 1896-1912 saw the development of early motion picture technology and short films without narratives.
2) The Silent Age from 1913-1927 featured the emergence of Hollywood and use of techniques like camera movement to develop stories.
3) The Transition Age from 1928-1932 was when films moved from silent to adding synchronized sound.
4) The Hollywood Studio Age from 1932-1946 was dominated by major studios producing genre films.
5) The Internationalist Age from 1947-1959 saw the decline of studios and rise of challenges from foreign films and television.
6) The New Wave Age from 1960-1980 was defined
05 g322 section b production 2014
The film production process involves many steps and people from development through distribution. It is both a creative and commercial endeavor. Producers play a key role by developing ideas, securing financing, overseeing production, and ensuring investor expectations are met. Raising financing is challenging and involves creating packages with scripts, budgets, and details to attract investors who hope to achieve returns. The process from initial idea to final film can take many months or years and involve hundreds of people. Success is never guaranteed as public tastes are unpredictable.
05 g322 section b production 2012
The document discusses various aspects of film production, including the roles of producers, financiers, and audiences. It notes that film is both a creative and commercial endeavor, requiring significant financing to fund production, distribution, and marketing. Producers are responsible for securing financing, overseeing budgets, and ensuring films appeal to audiences to be profitable. Securing name actors and directors can help "bankability" but success is never guaranteed. Films require complex financing deals involving multiple investors like studios, distributors, and broadcasters. The goal is for films to earn 2.5 times their production budgets to become profitable after accounting for all costs.
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Understanding Film Through Context
This document discusses how understanding films through their contexts is important. It provides examples of how societal attitudes, politics, censorship, artistic conventions, financial constraints, and technological developments have influenced filmmaking. Understanding these contextual factors helps viewers more accurately comprehend and judge the films.
The development in film history
The document outlines key developments in film history from the late 1800s to present day, including:
1) The invention of movie cameras in the late 1800s which allowed the capture of sequences of photographs onto filmstrip, paving the way for the film industry.
2) The addition of synchronous sound to films in the 1920s with the film The Jazz Singer, which broke limitations and opened new possibilities.
3) The introduction of color film and Technicolor in the 1930s and 1940s, exemplified by The Wizard of Oz.
4) The development of techniques like green screen compositing in the 1940s which allowed actors to be placed into artificial backgrounds.
Hollywood Studio System (DAPS 6 and 7)
The Hollywood Studio System dominated the film industry from the 1920s to the 1950s. The major studios - MGM, Paramount, Fox, Warner Bros. - vertically integrated production, distribution, and exhibition. They signed actors to long-term contracts and tightly controlled their public images. Each studio developed niche styles, like MGM's prestige productions and Warner Bros.' gritty dramas. This factory system cranked out hundreds of films per year until its decline in the late 1940s due to antitrust action and the rise of television.
Making a documentary
The document outlines the four main stages of making a documentary: development, pre-production, production, and post-production. It provides details on the key steps and considerations within each stage, such as developing the story idea, planning logistics, shooting interviews and footage, and editing the film together. The post-production stage is described in the most detail, covering transcription, paper editing, script writing, card assembly, editing workflows and collaboration with the director.
Entertainment updated
The document discusses the entertainment industry in India. It provides an overview of what entertainment is and its various forms. It discusses the evolution of entertainment from traditional live events to modern forms like TV, movies, and publications. It profiles two major players in the Indian entertainment industry - PVR Cinemas and Sony Pictures. For each, it outlines their business segmentation, targeting, positioning, and marketing strategies. Finally, it discusses the growth prospects and future trends of the overall entertainment sector in India, including emerging technologies and customization of content.
Film Production
The key stages of film production are development, pre-production, production, post-production, and distribution. During development, financing is secured through investors attracted by the script, stars attached, and the director. Pre-production involves finalizing the script, scheduling, budgeting, casting, and location scouting. Production encompasses filming all scenes and recording audio. Post-production consists of editing, sound mixing, visual effects, and scoring music. Distribution gets the finished film in front of audiences through various release windows.
Film Marketing Plan
In the course Entertainment and Marketing Promotion, each student was assigned to a student film to create a marketing plan for. This project taught me how to create a marketing plan for a film both as a major Hollywood film and a student film.
Stages of film production
The document outlines the process of developing a film from an initial idea through financing, production, post-production, and sales. It begins with a writer developing an idea and treatment, which the producer then pitches to financiers to fund script development. Once the script is complete, the producer packages it and pitches it to investors to finance production. The film is then shot, edited, has visual and sound effects added, and is finalized for distribution and sales to audiences.
Piku Digital Marketing Strategy Review
Here's our #DigitalMarketing #strategy #review of upcoming #movie #Piku. An insightful study of how the movie used various social media channels to promote and engage with the audience.
MOVIE MARKETING
Movie marketing is critical to the success of a film. It involves pre-release marketing to build audience interest and awareness as well as post-release marketing to extend the life of the film. Pre-release marketing strategies include releasing theatrical trailers, conducting press junkets, and publicity stunts to generate buzz and create perceptions of the film's quality. Effective movie marketing pushes audiences to theaters for opening weekend.
Marketing Strategies for Film Promotion - Film Marketing Services
Efficient marketing strategies help you in a right film marketing approach. As marketing is taking over the film industry so it is very important to plan a proper film marketing strategy for the success of your film. This presentation will help you to know a proper layout for film promotion & distribution.
Film industry
The document discusses the Indian film industry, with a focus on Bollywood. It notes that India is the largest producer of films globally in terms of tickets and films produced. Bollywood refers specifically to the Hindi-language film industry based in Mumbai. The industry has grown significantly over the years and was valued at $2.5 billion in 2008. However, it still faces challenges like piracy, inconsistent entertainment taxes across states, and increasing talent costs. Its future prospects include greater collaborations with Hollywood and a shift toward better content and breaking conventions.
Movie Business Plan
CROWNING Ceremony for the winner of the Pageant titled: MISS senZasianalUSA 2009 will go through to our FINAL heat for Miss senZasianal2009 in Mumbai event to gain further work in Bollywoodas well as standing a chance to win a lead role in a Bollywoodfeature film.
Film finance
There are several ways that films can be financed. Major studios like Working Title Films primarily use pre-sales, where distribution rights are sold to studios before filming. This provides upfront funding and guarantees success by including star names and commercially viable elements. Small independent companies like Warp Films have difficulty securing large investments due to lack of star power. They often rely on government grants from sources like the UK Film Council or National Lottery to fund lower budget films focused on genres like social realism.
Sources of funding
This document discusses different sources of finance for media production. It provides examples and explanations for corporate finance, public funding, independent funding, crowdfunding, sponsorship/product placement, and franchising/merchandising. For corporate finance, it describes the Hollywood studio model and uses Marvel films and 28 Days Later as examples. For public funding, it outlines sources in the UK like the BBC, BFI, and National Lottery. For independent funding, it highlights Kevin Smith's Clerks and Monty Python's Life of Brian. For crowdfunding, it notes the Veronica Mars film project on Kickstarter. For sponsorship/product placement, it analyzes TV shows and films that feature branded products. And
Media ownership film industry
The document discusses media ownership in the film industry. It notes that a small number of large media conglomerates own most film studios, TV stations, record labels, and other media outlets. These conglomerates have significant financial resources to invest in film production and can market films across their various subsidiary companies using synergy. However, some independent films are still produced outside the major studios in Britain, often partnering with organizations like Film 4 or the BBC for funding and distribution. The concentration of media ownership in only a few large Western conglomerates is increasingly dominating the global media market.
Television genres
Hello Friend Here I have Given Television genres. And In this Presentaion i Have given T.V. serial Example and How Other T.V. Genres we found in this presentation...
Film Budgets Presentation
This document outlines a proposed budget for a new Die Hard film, estimating costs for various elements:
- Hiring a reasonably well-known director to increase chances of success, costing around £40 million total budget.
- Casting a lesser-known C-list actor instead of Bruce Willis to save money, paying extras around £500,000.
- Filming on location in Europe to change the storyline, costing an estimated £5 million.
- Spending up to £500,000 on equipment like cameras and £2 million on props and sets.
- Hiring a good screenwriter for around £200,000 to improve commercial success.
- Advertising on TV channels for £
American cinema
This document provides an overview of the history and development of American cinema. It discusses how the United States became the leading film producing country in the 1920s. It outlines the major stages in the evolution of the film industry in America, from the early films of Thomas Edison to the rise of Hollywood and major studios. It also profiles some of the most famous American actors, directors, and blockbuster films that came to dominate global box offices. The document concludes by noting America's continued dominance in worldwide film production and distribution.
The history of cinema
The history of cinema can be broken down into seven ages:
1) The Pioneering Age from 1896-1912 saw the development of early motion picture technology and short films without narratives.
2) The Silent Age from 1913-1927 featured the emergence of Hollywood and use of techniques like camera movement to develop stories.
3) The Transition Age from 1928-1932 was when films moved from silent to adding synchronized sound.
4) The Hollywood Studio Age from 1932-1946 was dominated by major studios producing genre films.
5) The Internationalist Age from 1947-1959 saw the decline of studios and rise of challenges from foreign films and television.
6) The New Wave Age from 1960-1980 was defined
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05 g322 section b production 2014
The film production process involves many steps and people from development through distribution. It is both a creative and commercial endeavor. Producers play a key role by developing ideas, securing financing, overseeing production, and ensuring investor expectations are met. Raising financing is challenging and involves creating packages with scripts, budgets, and details to attract investors who hope to achieve returns. The process from initial idea to final film can take many months or years and involve hundreds of people. Success is never guaranteed as public tastes are unpredictable.
05 g322 section b production 2012
The document discusses various aspects of film production, including the roles of producers, financiers, and audiences. It notes that film is both a creative and commercial endeavor, requiring significant financing to fund production, distribution, and marketing. Producers are responsible for securing financing, overseeing budgets, and ensuring films appeal to audiences to be profitable. Securing name actors and directors can help "bankability" but success is never guaranteed. Films require complex financing deals involving multiple investors like studios, distributors, and broadcasters. The goal is for films to earn 2.5 times their production budgets to become profitable after accounting for all costs.
Production
The document discusses the film production process from development through distribution. It notes that film is both a creative and commercial endeavor, requiring financing at each stage. Producers play a key role in raising funds, overseeing the project, and ensuring investor expectations are met. While success is never guaranteed, producers must package films in a way that convinces investors and maximizes profit potential based on audience appeal and ancillary revenue streams. Financial backing comes from various sources like studios, broadcasters, and independent investors seeking returns.
Film production guide
1) Film production involves many stages from development to distribution. It is a commercial venture that requires significant financing to be successful.
2) The producer oversees the entire filmmaking process from developing the initial idea through distribution. This includes securing financing, hiring key crew, and ensuring the film meets investor expectations.
3) Making a film is an uncertain process. Many ideas do not make it past development due to creative or financial challenges. Successful producers must have a good sense of public taste and the ability to convince skeptical investors to take on financial risks.
The film industry today jtw key terms
The major studios dominate film production, distribution, and exhibition through vertical and horizontal integration within large media conglomerates. They produce and distribute big-budget blockbusters to mass audiences. Independent studios produce and distribute smaller, art house films but many are being acquired by the majors. The majors exploit multiple distribution windows and use cross-promotional synergies to maximize profits from successful films. They widely release films through multiplex theaters and spend heavily on marketing. Independents struggle to access distribution and exhibition and rely on film festivals and word-of-mouth for success.
Film distribution
Film distribution is the process of making movies available to audiences by delivering films to cinemas. Distribution companies play a huge role in the film economy by bringing finished movies to life and connecting them with audiences. They spend about £300 million annually on advertising and distributing new releases in the UK. The path a film takes to reach cinemas involves the studio buying rights and producing the film, then making a deal with a distribution company who screens the film for cinema buyers and negotiates showings. Distributors must consider the target audience and season when deciding when is best to release a film.
Exhibition and Trends
The document discusses various aspects of film exhibition and distribution. It describes how films progress from theatrical release in cinemas to subsequent releases on home video formats, pay TV, and free to air television. Originally theatrical windows were 6 months but have since shrunk to 4 months, which studios prefer but cinema chains oppose. The document also discusses simultaneous and straight-to-video releases, as well as new strategies like premiering films on video-on-demand before a limited cinema run.
Distribution in the film industry
The document discusses key aspects of film distribution, including the roles and types of distributors, distribution plans, budgets, costs, and release dates. A distributor is responsible for marketing, releasing, and exhibiting a film. They determine the release date and method of exhibition. There are theatrical distributors, non-theatrical distributors, and home distributors. An important distribution plan outlines how a film will be distributed to intermediaries and consumers. Distribution requires large budgets and costs for prints, advertising, marketing, and exhibiting the film. The release date is crucial as it determines the potential audience and success of a film.
Film institutions and audiences
The document discusses the film industry process from development through distribution. It begins with the four main stages of a film: production, distribution, marketing, and exhibition. Production includes developing the script, pre-production, shooting, and post-production. Distribution gets the film to audiences through deals with cinemas. Marketing promotes the film. Exhibition is how audiences view the film. The six major Hollywood studios that dominate the industry through ownership are Disney, Warner Bros., Fox, Universal, Sony, and Paramount. Ownership occurs through horizontal integration of acquiring similar companies, and vertical integration of owning all aspects of filmmaking under one parent company.
Film Production Guide
The document discusses the process of film production from development to distribution. It notes that film production requires significant financing to fund all stages of development, production and distribution. The key roles of producer and financier are discussed. Producers are responsible for securing financing, overseeing the project and ensuring it meets the expectations of financiers. Securing financing is a lengthy process that can take years and involves creating packages to convince multiple investors to fund production costs in the hopes of generating profits.
Understanding film making
There are 12 key stages to making a film:
1) Developing the idea, 2) Securing development funding and financing, 3) Script development, 4) Packaging the project with a director, cast, and crew, 5) Obtaining full production financing, 6) Pre-production planning and preparation, 7) Principal photography or shooting the film, 8) Post-production editing and effects, 9) Sales and distribution deals, 10) Marketing and promotion, 11) Cinema exhibition in theaters, and 12) Additional distribution through other channels like DVD, television, and streaming. Successfully completing all 12 stages requires years of work from hundreds of people.
08yearsleyc evaluation question 3
DNA Films would be a suitable distributor for the filmmakers' low-budget action/thriller project. As an independent studio that distributes similar low-budget and genre films, DNA Films could reach the target audience for a reasonable cost. Their process would involve licensing the film, determining print quantities, screening it for theater buyers, distributing prints to theaters, and arranging payment after the film's engagement. Choosing this established indie distributor could help the low-budget film find success by capitalizing on DNA Film's reputation and access to action/thriller fans.
Film distribution
A film distributor is responsible for marketing and distributing a film. They work to secure contracts with exhibitors like movie theaters to show the film. Distributors must ensure there are enough film prints, deliver the film to theaters on opening day, and collect it after closing. They handle tasks like dubbing for foreign films. Getting a film into theaters during its first weekend is important for its overall success. Distributors consider factors like the target audience, competition from other releases, and star power when planning their marketing strategy and release.
Film making powerpoint
There are 12 stages to the filmmaking process: development, script development, packaging, financing, pre-production, production, post-production, sales, marketing, exhibition, and other distribution windows. The document then provides details on each stage, from coming up with an idea, writing the script, securing financing, filming, post-production, marketing, theatrical release, and subsequent distribution windows.
Version 2
This document provides information and guidance for answering a media studies exam question on the film industry. It discusses the key aspects of film production, distribution, and exhibition. For production, it notes that investors are needed to fund films and will try to minimize risk by influencing decisions. It suggests that case studies on the American and British film industries could be used to discuss the implications of ownership. The document provides sample questions investors may ask about a film's commercial potential and popularity. It also lists some potential risks in film production like an unpopular director or genre.
Publicists and Cross Media Convergence
A publicist's main job is to promote and manage the public image of actors, directors, and other film talent. During a highly controlled press junket, publicists arrange interviews to generate positive press coverage. They ensure questions stay on approved topics and sometimes attend interviews themselves. The goal is favorable coverage in newspapers, magazines, TV shows and more to promote the upcoming film.
What kind of Institution might distribute your media project and why ?
This document discusses choosing a distributor for a film project. The author researched both large and small distributors, and ultimately decided on Universal Studios for several reasons. Universal distributes many genres, including thriller/horror which is the genre of the author's film. They also distribute both high and low budget films, which the author's film falls under. Universal also distributes to diverse markets, which could help attract audiences. The author's film also fits into a niche market that is not oversaturated. The document discusses logo use and considerations for production and distribution given the low budget.
Task 3 presentation
A film distribution company that might distribute our crime thriller film is Kaleidoscope Film Distribution (KFD). KFD focuses on thriller genres and has released similar films to ours. As an independent company based in London, KFD is likely to be reasonably priced and help appeal our British film to a UK audience. Self-distributing through a program like 4-Wall Select could also allow us to retain full control and profits, showing the film in their New York theater for a guaranteed week.
Task 3
A film distribution company like Screen Gems would be well suited to distribute our thriller/horror film because they have experience with similar subgenres. Screen Gems has previously distributed films like "When a Stranger Calls" that found success both in the US and UK markets. Our film would likely appeal to wide international audiences given the popularity of the genre worldwide. Releasing around Halloween and screening for 5 weeks in UK cinemas before a DVD/Blu-Ray release in 3-4 months would be an effective release strategy. While self-distribution offers some advantages, hiring an experienced distributor could enhance our film's box office potential.
what kind of media institution might distribute your media product and why?
This document discusses different types of media institutions that could distribute an independent film product. It describes production companies, distributors, and limited distributors. Production companies are responsible for fundraising, budgeting, organizing production, and distributing the completed film. Distributors market and release films in theaters or on DVD/Blu-Ray. They work with exhibitors to show films in theaters and receive a percentage of ticket sales. The document also mentions the BFI film fund as a source of funding for independent UK films.
Similar to The Film Industry Introduction (20)
What kind of Institution might distribute your media project and why ?
What kind of Institution might distribute your media project and why ?
what kind of media institution might distribute your media product and why?
what kind of media institution might distribute your media product and why?
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Foundation year plan
This document outlines the curriculum for a Year 9 media studies foundation year. The goals are to build students' media literacy skills, vocabulary, and practical skills in a low-stakes environment. It will also help students explore different media career paths and industries. The curriculum covers topics like media language, genres, representation, audiences, industries, and includes a production challenge. It aims to address weaknesses in terminology, analyzing unseen texts, industry knowledge, and practical skills to better prepare students for exams in later years.
Distribution and Marketing
The document discusses film distribution and marketing. It explains that film distributors must identify a film's unique selling point to position it in the marketplace. They consider elements like stars, special effects, and the director to decide what to emphasize in the marketing campaign through posters, trailers, and other media. Marketing is crucial and can cost up to half the production budget. The goal is to generate buzz and excitement to maximize ticket sales in the crucial first weekend. Distributors must design tailored campaigns for each film based on research into the target audience.
Socialism and Capitalism
Socialism calls for public rather than private ownership of property and resources. It is based on the idea that people cooperate in production and should share in what is produced. Society should own or control property for the benefit of all. There are many variations of socialism but common elements include criticism of private capital causing issues like poverty, and a view that collective control of production/distribution can create a more just society.
Revision Sheet
The document provides a revision sheet on the plot and characters of An Inspector Calls. It summarizes the plot in 12 points and describes the 7 main characters. It also analyzes key themes of the play such as responsibility, class, attitudes, and age. The themes section compares the attitudes and reactions of the older and younger generations to the inspector's message about their responsibility for Eva Smith's death.
Character Links to Context
The character of Sheila Birling is used to highlight aspects of British society in the early 20th century according to a 5-paragraph plan for an essay on An Inspector Calls. Sheila progresses from representing the expectations of upper class women at the start of the play to embracing more independent views that reflect societal changes occurring in 1912. The plan analyzes 5 key moments for Sheila that demonstrate the class divisions, gender roles, and hypocrisy within the upper class as well as how she begins to challenge these social norms over the course of the play.
Eric Key Quotes
The document is a series of dialogue excerpts from a play that discuss a woman who was fired from her job and later died. Characters debate whether she should have been let go and if they were responsible for her death. One character angrily states that the dead girl still matters more than any money and nothing can undo what happened to her.
Gerald Key Quotes
The document contains dialogue excerpts from Act 1-3 of J.B. Priestley's play An Inspector Calls. The characters discuss a girl who recently died, with some admitting to knowing her in different contexts. One character insists on being considered family now, while others grow annoyed with the inspector's questioning or want to be left alone due to feeling upset.
Mr Birling Key Quotes
Birling expresses his belief that businesses will eventually work together for mutual benefit. He dismisses concerns about social issues as "silly pessimistic talk". He is confident about the chances of receiving a knighthood so long as his family avoids scandals. Birling does not accept responsibility for the impacts of his actions on others in society. He fired Eva Smith for speaking out too much at his factory.
Mrs Birling Key Quotes
This document contains excerpts of dialogue from an unknown play. The excerpts include characters making plans, expressing opinions, and reacting to surprising information. Overall, the document provides snippets of conversation between multiple characters discussing various topics, but does not provide enough context to determine the overall plot or theme.
Sheila Key Quotes
The document appears to be dialogue from a play discussing an inspector who questioned a group of people about the suicide of a girl. They express regret for their actions, but also try to deny or downplay their culpability. As the inspector's questioning continues, faults and poor behaviors toward the girl are revealed among the group. In the end, one character insists they cannot continue pretending nothing significant happened and that through their combined actions, they drove the girl to suicide.
The Inspector Key Quotes
An inspector visits the Birling family to discuss the recent death of a young woman named Eva Smith. He reveals that each family member had a negative interaction with Eva earlier that day that contributed to her suicide. The inspector stresses that as members of society, the Birlings are responsible for each other and must acknowledge their role in Eva's death. He warns that if people do not start treating each other with more compassion, there will be dire consequences.
Responsibility Quotes and Notes
Mr. Birling expresses optimism about the future of business and advises Gerald that as long as a man looks after himself and his family, he will not come to harm. However, Eric argues that it is not truly free if workers cannot freely change jobs. Later, Mr. Birling refuses a union's demand for higher wages, saying he must keep costs low. In the end, the Inspector reveals that each family member's individual actions collectively contributed to Eva Smith's suicide, and that society cannot ignore its responsibility to care for one another.
AIC Key Notes and Quotations
This document provides context and key quotations from An Inspector Calls relating to the roles and treatment of women, characters such as Sheila Birling and Gerald Croft, and the setting in pre-World War 1 Britain. It describes how women had few rights and opportunities at the time, and how characters like Eva Smith and Daisy Renton were used and discarded by the wealthy upper classes represented by the Birlings and Gerald. Quotations show Sheila maturing and realizing her role in Eva's death, while Gerald hides his feelings but felt genuine sorrow for Daisy. The document also establishes the play's 1912 setting before the wars through quotes like Mr. Birling mentioning the Titanic.
AIC Theme Notes
This document summarizes key themes and passages from the play An Inspector Calls by J.B. Priestley. It explores themes of social responsibility, age, gender, and class through examples of how different characters demonstrate varying levels of responsibility and hold stereotypical views according to their age, gender and social class. Younger characters Eric and Sheila feel more responsible compared to the older Birlings. Mr. Birling and Gerald have patronizing views of women, while Mrs. Birling fails to empathize with another woman. The document also examines attitudes towards the working class, with Mr. Birling feeling he must come down "sharply" on working people.
AIC Character Notes
Mr. Birling, the patriarch of the family, is dismissive of the inspector and believes himself to be untouchable. As the inspector reveals more, Mr. Birling's language becomes more fragmented and panicked as his authority breaks down. Mrs. Birling epitomizes the social snobbery and hypocrisy of the upper classes, showing no remorse for her treatment of Eva Smith. Sheila initially acts selfishly but grows increasingly sympathetic towards Eva, recognizing her own role in Eva's tragedy and understanding the message of collective responsibility. Eric admits to an altercation with Eva that drove her to suicide, reflecting his immaturity and lack of regard for others.
AIC Chain of Events
Eva Smith was an orphaned country girl who worked hard at Birling's factory. She was dismissed by Birling for her role in a strike. Unable to find work, she fell into poverty and eventually committed suicide. The key events in her life were:
1) Birling dismissed her from the factory in 1909 for organizing a strike.
2) Unable to find work, she became destitute and resorted to prostitution.
3) She became pregnant and committed suicide in despair in 1912, after her life had unraveled from the consequences of each negative event.
Women's Rights
At the start of the 20th century, women in British society had very limited roles and opportunities. They were largely expected to marry and raise children or work in domestic service jobs. While some women worked as teachers or nurses, few professions were open to them. The suffragette movement campaigned for women's right to vote through civil disobedience tactics. World War I proved a turning point as women took on important industrial roles while men fought. By 1918, married women over 30 gained the right to vote, though full equality was not achieved for another decade.
Life in 1912
The document discusses advancements in technology in the early 1900s, specifically the Titanic. It describes the Titanic as a newly built ship touted as unsinkable that could cross the Atlantic in only 5 days due to new engines and luxury features like swimming pools and gyms. However, it lacked enough lifeboats for all passengers due to outdated safety laws. On its maiden voyage in 1912, it struck an iceberg and sank within hours, resulting in over 1,000 deaths and highlighting regulatory failures. The sinking shocked the world and raised questions about claims of unsinkability.
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The Film Industry Introduction
- 1. THE FILM INDUSTRY CRASH COURSE
- 4. THE FILM INDUSTRY PRODUCTION inception; optioning; writing the script; pitching to a studio; setting a budget; crewing up; casting; filming; editing. EXHIBITION how the film reaches the public; cinemas; DVDs; online; TV. DISTRIBUTION the studio buys the rights; the studio makes a licensing agreement with a distribution company; they decide how many copies of the film are made; they negotiate deals to sell the lease to buyers.
- 5. THE FILM INDUSTRY ▸ Someone has an idea for a film. ▸ They create an outline and use it to promote interest in the idea. ▸ A studio or independent investor decides to purchase rights to the film. ▸ People are brought together to make the film (screenwriter, producer, director, cast, crew). ▸ The film is completed and sent to the studio. ▸ The studio makes a licensing agreement with a distribution company. ▸ If the film has been filmed in celluloid, the distribution company determines how many copies (prints) of the film to make. ▸ The distribution company shows the film (screening) to prospective buyers representing the cinemas (sometimes Film Festivals). ▸ The buyers negotiate with the distribution company on which films they wish to lease and the terms of the lease agreement. HOW IT’S MADE: FILM
- 6. THE FILM INDUSTRY ▸ The Film Distributors are responsible for marketing and publicity. ▸ The better the publicity the more people see the film and the more money that is made. ▸ The prints / digital downloads are sent to the cinemas a few days before the opening day. ▸ The cinema shows the film for a specified number of weeks (engagement). ▸ You buy a ticket and watch the movie. ▸ At the end of the engagement, the theatre sends the print back to the distribution company and makes payment on the lease agreement. HOW IT’S MADE: FILM
- 7. TEXT PRODUCTION ▸ Refers to the making of the film: ▸ • Finding the idea • Writing the script • Pitching it to a studio • Setting a budget • Casting stars and employing a crew • Filming • Editing
- 8. THE FILM INDUSTRY PRODUCTION: INVESTORS ▸ For a film to go into production it needs investors to provide the necessary funding. ▸ However, Box office success is never certain and so investors try to reduce the risk of losing their money by becoming involved in important decisions.
- 9. THE FILM INDUSTRY KEY QUESTIONS THAT INVESTORS WILL ASK ARE: ▸ Is the film’s storyline similar to other films that have made money recently? ▸ Does it offer easy selling points? ▸ Are there obvious marketing spin offs to give added publicity? ▸ Is the star popular? ▸ Has the director had previous successes?
- 10. THE FILM INDUSTRY FILM INVESTMENT: POTENTIAL RISKS ▸ If the answer to any of theses questions is no then changes will be made to the “package” (the details of the film) to make sure all the answers are yes! Otherwise, the investors will take their money elsewhere.
- 11. THE FILM INDUSTRY INVESTIGATE THE LEVEL OF RISK FOR THE SET TEXTS. CONSIDER THE FOLLOWING: ▸ Director ▸ Writer ▸ Producer ▸ Cast ▸ Genre ▸ Sequel potential ▸ Location ▸ SFX ▸ Rating ▸ USP
- 12. THE FILM INDUSTRY DISTRIBUTION ▸http://www.launchingfilms.tv/distribution.php ▸ Individual distributors may release any number of films, sometimes just one or two, or as many as 25-30 a year. ▸A typical week sees around ten new films opening in UK cinemas. Inevitably, with more than 500 releases a year all competing for screen time, media space and audience interest, the market place is highly competitive, churning, chopping and changing all too quickly.
- 13. THE FILM INDUSTRY DISTRIBUTION COMPANIES