SlideShare a Scribd company logo
TEXTUAL ANALYSIS 3 
Charli XCX – “Boom Clap”
CINEMATOGRAPHY 
The video opens with a long shot that acts as an establishing shot to establish 
the location of the video. This is a common theme seen in all media texts as 
an audience like to know the location that the text they are watching is taking 
place. The first shot of Charli is a close-up that only lasts for about one 
second on screen. This gives us a quick introduction to the artist but even 
then her face is covered by writing on the screen. This is because it is more 
important what movie the song it is representing than it is who’s singing it. We 
then get close-up shots of both the protagonists from ‘The Fault in Our 
Stars’, which is archive footage taken from the movie. This is to introduce the 
audience to the movie that the song is representing. It also introduces the 
characters of the movie for those who have not been to see it.
CINEMATOGRAPHY 
Throughout the clip, a lot of shots are used to show off the setting of the video. 
Example's include a medium close-up which shows that Charli is on the same boat 
that the two characters go on in the movie. There is then a clip showing off the 
two characters on the boat, establishing a connecting between the performance 
and the narrative of the movie. Through this we can also find that the video is 
being set in Amsterdam, the same location an important portion portion of the 
movie was set. When the music changes style and begins to move slower, there is a 
change in the mood of the cinematography. Charli is shot close-up looking away 
from the camera, as opposed to towards the camera as she was before. Also it is 
harder to make her out because of the effects used. This was all done to reflect 
the change in the song which has become more alternative, meaning the video had 
to too.
CINEMATOGRAPHY 
Before she enters the bus, there is a long shot that establishes Charli sat outside of 
it, effectively establishing the location. However, instead of immediately cutting to 
the scenes inside the bus as it usually does, we don’t return to the bus for a while, 
and even then we don’t know it’s the same location until we later see a portion of 
the inside of the bus while on the outside of it. This breaks the conventions 
found in typical media pieces of having the location established and then 
following with a scene in that location, instead we have the location established 
and then a scene in there later on. There is a close-up shot of her hands clapping 
as she says the word clap. This creates a cohesion between the lyrics of the song 
and the action that is taking place on screen. The final shot is a long shot of 
Charli walking away. This signifies the end of the video.
MISE EN SCENE 
(SETTING/LIGHTING) 
The setting for this video is on the streets of Amsterdam, the same place a 
portion of the movie ‘The Fault in Our Stars’ was set, creating a link between the 
two pieces. One of the settings predominantly featured in both the performance 
of the piece and the archive footage from the movie is on a river boat, which 
again creates a link between the movie and the video as Charli is taking the same 
adventure the two characters from the movie did. 
The lighting throughout the video is relatively light but has a slightly darker tone 
to it because of the theme of the movie it is representing. This sees a change 
when the tone of the music also changes. The lighting during this section of the 
video is darker and features lasers appearing over the screen. This is to represent 
the alternative nature of this portion of the song.
They show off the genre of music Charli makes as they are not very typical 
clothing, being edgier than clothes most girls wear. She wears short and tight 
clothing at points of the video and then is shot in a way to show off the 
curves of her body, specifically when she is shot from behind. This is an 
example of Laura Mulvey’s male gaze theory. There is a contrast between the 
clothing and the lighting in this video. During the scenes when the lighting is 
brighter she is seen in more pop artist like clothes that are in brighter and 
more girly colours and patterns. However, during the scenes when the lighting 
in darker, she is seen wearing more edgy clothes that show off her alternative 
style of music. This done to create cohesion between the two areas of mise-en- 
scene. 
MISE EN SCENE 
(COSTUMES)
EDITING 
The editing in this video fits the pattern found in most other music videos, 
that it is in time with the beat of the song. This creates a cohesion between 
the song and the video as the beat fits to the editing speed. The part of the 
video with the fastest editing is during the chorus when many shots are cut 
together one after the other. This is typical for the chorus of a music video as 
the chorus of the song tends to be the part of the music video when the song 
is at it’s fastest beat. Each of these shots usually change location and costume, 
suggesting the video is more about the performance of Charli than about a 
narrative which would have a few cuts in the same location follow after each 
other. During all this the editing used is jump cuts which is the typical form of 
editing. In the third verse of the song the editing changes to a dissolves as 
opposed to the conventional cut. This is because of the third verse of the 
song being more alternative than the others and the use of dissolve is 
something that is conventional in alternative music videos.
EDITING 
Another type of editing used in the video is text and images appearing on the 
screen. The text that appears looks hand drawn but it will have been added 
through a computer software. By doing this more references to ‘The Fault in 
Our Stars’ has been added because the style and font of the text is the same as 
the text featured in the film. Also some of the text used relates directly to the 
film such as the use of ‘Okay? Okay.’ which is a slogan for the film. Text 
appears in many music videos, usually at the beginning to tell the audience the 
name of the track and the artist. In this case the text appears throughout the 
video as opposed to just at the beginning. Another form of editing featured in 
the video is the use of special effects appearing over the top of the video. A 
colourful spotlight effect appears over the top of the more alternative part of 
the video, again fitting in with the genre by creating a weird atmosphere. This 
is also helped by the lights that appear on Charli’s face during this bit.
SOUND 
Other than the song playing in the video, there is no sound featured in the 
video. The song is used both a diegetic sound and non-diegetic sound. In the 
portions of the video when Charli is lip-syncing the words of the song, it is 
diegetic sound but both when the song is being played and Charli is not lip-syncing 
and when it is played over the archive footage from the movie, it is 
non-diegetic. It can also be said to be synchronous and asynchronous sound as 
at points in the we can see the source of the sound (when she is lip-syncing) 
but at over points we can’t (when she isn’t). Other than this there is little use 
of sound in the video.

More Related Content

What's hot

Evaluation Question 1
Evaluation Question 1Evaluation Question 1
Evaluation Question 1
Rory Giddings
 
Music Video Analysis - Task 1
Music Video Analysis - Task 1Music Video Analysis - Task 1
Music Video Analysis - Task 1
ryancharsvillemedia
 
Evaluation question 1 a2
Evaluation question 1  a2Evaluation question 1  a2
Evaluation question 1 a2sparkly
 
Bastille – send them off
Bastille – send them offBastille – send them off
Bastille – send them off
Dan Topham
 
Textual analysis of demons
Textual analysis of demonsTextual analysis of demons
Textual analysis of demons
alexeglen
 
Goodwin's Theory Analysis
Goodwin's Theory AnalysisGoodwin's Theory Analysis
Goodwin's Theory Analysis
Mystxfy
 
Media Music Video Analysis
Media Music Video AnalysisMedia Music Video Analysis
Media Music Video Analysis
Mystxfy
 
Music Video Ideas
Music Video IdeasMusic Video Ideas
Music Video Ideas
Mystxfy
 
Narrative Structures
Narrative StructuresNarrative Structures
Narrative Structures
Jason Nguyen
 
Evaluation Question 1d) Narratological analysis of your music video
Evaluation Question 1d) Narratological analysis of your music videoEvaluation Question 1d) Narratological analysis of your music video
Evaluation Question 1d) Narratological analysis of your music video
Isaac Winterburn
 
A2 Media Studies Evaluation
A2 Media Studies EvaluationA2 Media Studies Evaluation
A2 Media Studies Evaluationvinaykilaire652
 
Question 1 ahhhhh
Question 1 ahhhhhQuestion 1 ahhhhh
Question 1 ahhhhhNancyTheo
 
Representation
RepresentationRepresentation
Representation
Jason Nguyen
 
Let it go- James Bay
Let it go- James BayLet it go- James Bay
Let it go- James Bay
Laura Greenley
 
A2 Media Task 2 – Conventions Of A Music Video
A2 Media Task 2 – Conventions Of A Music VideoA2 Media Task 2 – Conventions Of A Music Video
A2 Media Task 2 – Conventions Of A Music Video
Parasko
 
Evaluation question 1
Evaluation question 1Evaluation question 1
Evaluation question 1
curtcollis
 
Unit 2 3 2 task 2
Unit 2 3 2 task 2Unit 2 3 2 task 2
Unit 2 3 2 task 2
Ege1072
 
Task 4
Task 4 Task 4
Task 4
Ege1072
 

What's hot (20)

Evaluation Question 1
Evaluation Question 1Evaluation Question 1
Evaluation Question 1
 
Music Video Analysis - Task 1
Music Video Analysis - Task 1Music Video Analysis - Task 1
Music Video Analysis - Task 1
 
Evaluation question 1 a2
Evaluation question 1  a2Evaluation question 1  a2
Evaluation question 1 a2
 
Bastille – send them off
Bastille – send them offBastille – send them off
Bastille – send them off
 
Textual analysis of demons
Textual analysis of demonsTextual analysis of demons
Textual analysis of demons
 
Goodwin's Theory Analysis
Goodwin's Theory AnalysisGoodwin's Theory Analysis
Goodwin's Theory Analysis
 
Media Music Video Analysis
Media Music Video AnalysisMedia Music Video Analysis
Media Music Video Analysis
 
Music Video Ideas
Music Video IdeasMusic Video Ideas
Music Video Ideas
 
Narrative Structures
Narrative StructuresNarrative Structures
Narrative Structures
 
Evaluation Question 1d) Narratological analysis of your music video
Evaluation Question 1d) Narratological analysis of your music videoEvaluation Question 1d) Narratological analysis of your music video
Evaluation Question 1d) Narratological analysis of your music video
 
Evaluation 2
Evaluation 2Evaluation 2
Evaluation 2
 
A2 Media Studies Evaluation
A2 Media Studies EvaluationA2 Media Studies Evaluation
A2 Media Studies Evaluation
 
Question 1 ahhhhh
Question 1 ahhhhhQuestion 1 ahhhhh
Question 1 ahhhhh
 
Representation
RepresentationRepresentation
Representation
 
Let it go- James Bay
Let it go- James BayLet it go- James Bay
Let it go- James Bay
 
A2 Media Task 2 – Conventions Of A Music Video
A2 Media Task 2 – Conventions Of A Music VideoA2 Media Task 2 – Conventions Of A Music Video
A2 Media Task 2 – Conventions Of A Music Video
 
Evaluation question 1
Evaluation question 1Evaluation question 1
Evaluation question 1
 
Unit 2 3 2 task 2
Unit 2 3 2 task 2Unit 2 3 2 task 2
Unit 2 3 2 task 2
 
Task 4
Task 4 Task 4
Task 4
 
Evaluation Question 1
Evaluation Question 1Evaluation Question 1
Evaluation Question 1
 

Similar to Textual Analysis of Boom Clap

Textual Analysis of Best Day of My Life
Textual Analysis of Best Day of My LifeTextual Analysis of Best Day of My Life
Textual Analysis of Best Day of My Life
alexeglen
 
Analysis of real music video
Analysis of real music video   Analysis of real music video
Analysis of real music video
caseyleebennett0805
 
'Nobody' final evaluation
'Nobody' final evaluation'Nobody' final evaluation
'Nobody' final evaluation
alallin
 
Text analysis 2
Text analysis 2Text analysis 2
Text analysis 2
rdunne159
 
Omarion O Evaluation
Omarion O EvaluationOmarion O Evaluation
Omarion O Evaluation3119
 
Music video analysis final 3
Music video analysis final 3Music video analysis final 3
Music video analysis final 3
jackbrooks17
 
The General Conventions of Music Videos
The General Conventions of Music VideosThe General Conventions of Music Videos
The General Conventions of Music Videos
zaramcdermott
 
Shannon media
Shannon mediaShannon media
Shannon media
shannontuft
 
Evaluation 1
Evaluation 1Evaluation 1
Evaluation 1
Victor Chan
 
Task 8/9 - Music Video Analysis Powerpoint Finished
Task 8/9 - Music Video Analysis Powerpoint FinishedTask 8/9 - Music Video Analysis Powerpoint Finished
Task 8/9 - Music Video Analysis Powerpoint Finishedluke kennett
 
Music video evaluation loyle carner ~ sun of jean
Music video evaluation loyle carner ~ sun of jeanMusic video evaluation loyle carner ~ sun of jean
Music video evaluation loyle carner ~ sun of jean
Molly Turner
 
Shannon media
Shannon mediaShannon media
Shannon media
shannon21st
 
Video Analysis
Video AnalysisVideo Analysis
Video Analysisclum97
 
Textual Analysis Of Park Life
Textual Analysis Of Park LifeTextual Analysis Of Park Life
Textual Analysis Of Park LifeNic JM
 
Similar Genre Research
Similar Genre Research Similar Genre Research
Similar Genre Research
Sub099
 
Music Video Analysis
Music Video AnalysisMusic Video Analysis
Music Video Analysis
daniyalsattar123
 

Similar to Textual Analysis of Boom Clap (20)

Textual Analysis of Best Day of My Life
Textual Analysis of Best Day of My LifeTextual Analysis of Best Day of My Life
Textual Analysis of Best Day of My Life
 
Analysis of real music video
Analysis of real music video   Analysis of real music video
Analysis of real music video
 
'Nobody' final evaluation
'Nobody' final evaluation'Nobody' final evaluation
'Nobody' final evaluation
 
Video analysis wake me up
Video analysis wake me upVideo analysis wake me up
Video analysis wake me up
 
Video analysis wake me up
Video analysis wake me upVideo analysis wake me up
Video analysis wake me up
 
Text analysis 2
Text analysis 2Text analysis 2
Text analysis 2
 
Omarion O Evaluation
Omarion O EvaluationOmarion O Evaluation
Omarion O Evaluation
 
Music video analysis final 3
Music video analysis final 3Music video analysis final 3
Music video analysis final 3
 
Tool – the pot
Tool – the potTool – the pot
Tool – the pot
 
The General Conventions of Music Videos
The General Conventions of Music VideosThe General Conventions of Music Videos
The General Conventions of Music Videos
 
Shannon media
Shannon mediaShannon media
Shannon media
 
Evaluation 1
Evaluation 1Evaluation 1
Evaluation 1
 
Task 8/9 - Music Video Analysis Powerpoint Finished
Task 8/9 - Music Video Analysis Powerpoint FinishedTask 8/9 - Music Video Analysis Powerpoint Finished
Task 8/9 - Music Video Analysis Powerpoint Finished
 
Music video evaluation loyle carner ~ sun of jean
Music video evaluation loyle carner ~ sun of jeanMusic video evaluation loyle carner ~ sun of jean
Music video evaluation loyle carner ~ sun of jean
 
Final presntation
Final presntationFinal presntation
Final presntation
 
Shannon media
Shannon mediaShannon media
Shannon media
 
Video Analysis
Video AnalysisVideo Analysis
Video Analysis
 
Textual Analysis Of Park Life
Textual Analysis Of Park LifeTextual Analysis Of Park Life
Textual Analysis Of Park Life
 
Similar Genre Research
Similar Genre Research Similar Genre Research
Similar Genre Research
 
Music Video Analysis
Music Video AnalysisMusic Video Analysis
Music Video Analysis
 

More from alexeglen

Digipak Conventions
Digipak ConventionsDigipak Conventions
Digipak Conventions
alexeglen
 
Creating My Ancillary Texts
Creating My Ancillary TextsCreating My Ancillary Texts
Creating My Ancillary Texts
alexeglen
 
Evaluation Question 2
Evaluation Question 2Evaluation Question 2
Evaluation Question 2
alexeglen
 
Evaluation Question 4
Evaluation Question 4Evaluation Question 4
Evaluation Question 4
alexeglen
 
Cast List
Cast ListCast List
Cast List
alexeglen
 
Costumes
CostumesCostumes
Costumes
alexeglen
 
Video Techniques and Ifluences
Video Techniques and IfluencesVideo Techniques and Ifluences
Video Techniques and Ifluences
alexeglen
 
Audience Research
Audience ResearchAudience Research
Audience Research
alexeglen
 
Storyboard
StoryboardStoryboard
Storyboard
alexeglen
 
Hypodermic Needle Theory
Hypodermic Needle TheoryHypodermic Needle Theory
Hypodermic Needle Theory
alexeglen
 
Stuart Hall’s Reception Theory
Stuart Hall’s Reception TheoryStuart Hall’s Reception Theory
Stuart Hall’s Reception Theory
alexeglen
 
Genre Theory
Genre TheoryGenre Theory
Genre Theory
alexeglen
 
Tessa Perkin's Stereotypes
Tessa Perkin's StereotypesTessa Perkin's Stereotypes
Tessa Perkin's Stereotypes
alexeglen
 
Initial Ideas
Initial IdeasInitial Ideas
Initial Ideas
alexeglen
 
Richard Dyer's Star Theory
Richard Dyer's Star TheoryRichard Dyer's Star Theory
Richard Dyer's Star Theory
alexeglen
 

More from alexeglen (18)

Digipak Conventions
Digipak ConventionsDigipak Conventions
Digipak Conventions
 
Shots
ShotsShots
Shots
 
Theories
TheoriesTheories
Theories
 
Creating My Ancillary Texts
Creating My Ancillary TextsCreating My Ancillary Texts
Creating My Ancillary Texts
 
Evaluation Question 2
Evaluation Question 2Evaluation Question 2
Evaluation Question 2
 
Evaluation Question 4
Evaluation Question 4Evaluation Question 4
Evaluation Question 4
 
Cast List
Cast ListCast List
Cast List
 
Costumes
CostumesCostumes
Costumes
 
Video Techniques and Ifluences
Video Techniques and IfluencesVideo Techniques and Ifluences
Video Techniques and Ifluences
 
Audience Research
Audience ResearchAudience Research
Audience Research
 
Storyboard
StoryboardStoryboard
Storyboard
 
Hypodermic Needle Theory
Hypodermic Needle TheoryHypodermic Needle Theory
Hypodermic Needle Theory
 
Stuart Hall’s Reception Theory
Stuart Hall’s Reception TheoryStuart Hall’s Reception Theory
Stuart Hall’s Reception Theory
 
Genre Theory
Genre TheoryGenre Theory
Genre Theory
 
Tessa Perkin's Stereotypes
Tessa Perkin's StereotypesTessa Perkin's Stereotypes
Tessa Perkin's Stereotypes
 
Initial Ideas
Initial IdeasInitial Ideas
Initial Ideas
 
Richard Dyer's Star Theory
Richard Dyer's Star TheoryRichard Dyer's Star Theory
Richard Dyer's Star Theory
 
Cast list
Cast listCast list
Cast list
 

Recently uploaded

Template Jadual Bertugas Kelas (Boleh Edit)
Template Jadual Bertugas Kelas (Boleh Edit)Template Jadual Bertugas Kelas (Boleh Edit)
Template Jadual Bertugas Kelas (Boleh Edit)
rosedainty
 
Language Across the Curriculm LAC B.Ed.
Language Across the  Curriculm LAC B.Ed.Language Across the  Curriculm LAC B.Ed.
Language Across the Curriculm LAC B.Ed.
Atul Kumar Singh
 
TESDA TM1 REVIEWER FOR NATIONAL ASSESSMENT WRITTEN AND ORAL QUESTIONS WITH A...
TESDA TM1 REVIEWER  FOR NATIONAL ASSESSMENT WRITTEN AND ORAL QUESTIONS WITH A...TESDA TM1 REVIEWER  FOR NATIONAL ASSESSMENT WRITTEN AND ORAL QUESTIONS WITH A...
TESDA TM1 REVIEWER FOR NATIONAL ASSESSMENT WRITTEN AND ORAL QUESTIONS WITH A...
EugeneSaldivar
 
Additional Benefits for Employee Website.pdf
Additional Benefits for Employee Website.pdfAdditional Benefits for Employee Website.pdf
Additional Benefits for Employee Website.pdf
joachimlavalley1
 
Polish students' mobility in the Czech Republic
Polish students' mobility in the Czech RepublicPolish students' mobility in the Czech Republic
Polish students' mobility in the Czech Republic
Anna Sz.
 
Introduction to Quality Improvement Essentials
Introduction to Quality Improvement EssentialsIntroduction to Quality Improvement Essentials
Introduction to Quality Improvement Essentials
Excellence Foundation for South Sudan
 
Sha'Carri Richardson Presentation 202345
Sha'Carri Richardson Presentation 202345Sha'Carri Richardson Presentation 202345
Sha'Carri Richardson Presentation 202345
beazzy04
 
PART A. Introduction to Costumer Service
PART A. Introduction to Costumer ServicePART A. Introduction to Costumer Service
PART A. Introduction to Costumer Service
PedroFerreira53928
 
Chapter 3 - Islamic Banking Products and Services.pptx
Chapter 3 - Islamic Banking Products and Services.pptxChapter 3 - Islamic Banking Products and Services.pptx
Chapter 3 - Islamic Banking Products and Services.pptx
Mohd Adib Abd Muin, Senior Lecturer at Universiti Utara Malaysia
 
Cambridge International AS A Level Biology Coursebook - EBook (MaryFosbery J...
Cambridge International AS  A Level Biology Coursebook - EBook (MaryFosbery J...Cambridge International AS  A Level Biology Coursebook - EBook (MaryFosbery J...
Cambridge International AS A Level Biology Coursebook - EBook (MaryFosbery J...
AzmatAli747758
 
Home assignment II on Spectroscopy 2024 Answers.pdf
Home assignment II on Spectroscopy 2024 Answers.pdfHome assignment II on Spectroscopy 2024 Answers.pdf
Home assignment II on Spectroscopy 2024 Answers.pdf
Tamralipta Mahavidyalaya
 
How to Create Map Views in the Odoo 17 ERP
How to Create Map Views in the Odoo 17 ERPHow to Create Map Views in the Odoo 17 ERP
How to Create Map Views in the Odoo 17 ERP
Celine George
 
ESC Beyond Borders _From EU to You_ InfoPack general.pdf
ESC Beyond Borders _From EU to You_ InfoPack general.pdfESC Beyond Borders _From EU to You_ InfoPack general.pdf
ESC Beyond Borders _From EU to You_ InfoPack general.pdf
Fundacja Rozwoju Społeczeństwa Przedsiębiorczego
 
Digital Tools and AI for Teaching Learning and Research
Digital Tools and AI for Teaching Learning and ResearchDigital Tools and AI for Teaching Learning and Research
Digital Tools and AI for Teaching Learning and Research
Vikramjit Singh
 
Phrasal Verbs.XXXXXXXXXXXXXXXXXXXXXXXXXX
Phrasal Verbs.XXXXXXXXXXXXXXXXXXXXXXXXXXPhrasal Verbs.XXXXXXXXXXXXXXXXXXXXXXXXXX
Phrasal Verbs.XXXXXXXXXXXXXXXXXXXXXXXXXX
MIRIAMSALINAS13
 
Unit 8 - Information and Communication Technology (Paper I).pdf
Unit 8 - Information and Communication Technology (Paper I).pdfUnit 8 - Information and Communication Technology (Paper I).pdf
Unit 8 - Information and Communication Technology (Paper I).pdf
Thiyagu K
 
Students, digital devices and success - Andreas Schleicher - 27 May 2024..pptx
Students, digital devices and success - Andreas Schleicher - 27 May 2024..pptxStudents, digital devices and success - Andreas Schleicher - 27 May 2024..pptx
Students, digital devices and success - Andreas Schleicher - 27 May 2024..pptx
EduSkills OECD
 
GIÁO ÁN DẠY THÊM (KẾ HOẠCH BÀI BUỔI 2) - TIẾNG ANH 8 GLOBAL SUCCESS (2 CỘT) N...
GIÁO ÁN DẠY THÊM (KẾ HOẠCH BÀI BUỔI 2) - TIẾNG ANH 8 GLOBAL SUCCESS (2 CỘT) N...GIÁO ÁN DẠY THÊM (KẾ HOẠCH BÀI BUỔI 2) - TIẾNG ANH 8 GLOBAL SUCCESS (2 CỘT) N...
GIÁO ÁN DẠY THÊM (KẾ HOẠCH BÀI BUỔI 2) - TIẾNG ANH 8 GLOBAL SUCCESS (2 CỘT) N...
Nguyen Thanh Tu Collection
 
How to Break the cycle of negative Thoughts
How to Break the cycle of negative ThoughtsHow to Break the cycle of negative Thoughts
How to Break the cycle of negative Thoughts
Col Mukteshwar Prasad
 
2024.06.01 Introducing a competency framework for languag learning materials ...
2024.06.01 Introducing a competency framework for languag learning materials ...2024.06.01 Introducing a competency framework for languag learning materials ...
2024.06.01 Introducing a competency framework for languag learning materials ...
Sandy Millin
 

Recently uploaded (20)

Template Jadual Bertugas Kelas (Boleh Edit)
Template Jadual Bertugas Kelas (Boleh Edit)Template Jadual Bertugas Kelas (Boleh Edit)
Template Jadual Bertugas Kelas (Boleh Edit)
 
Language Across the Curriculm LAC B.Ed.
Language Across the  Curriculm LAC B.Ed.Language Across the  Curriculm LAC B.Ed.
Language Across the Curriculm LAC B.Ed.
 
TESDA TM1 REVIEWER FOR NATIONAL ASSESSMENT WRITTEN AND ORAL QUESTIONS WITH A...
TESDA TM1 REVIEWER  FOR NATIONAL ASSESSMENT WRITTEN AND ORAL QUESTIONS WITH A...TESDA TM1 REVIEWER  FOR NATIONAL ASSESSMENT WRITTEN AND ORAL QUESTIONS WITH A...
TESDA TM1 REVIEWER FOR NATIONAL ASSESSMENT WRITTEN AND ORAL QUESTIONS WITH A...
 
Additional Benefits for Employee Website.pdf
Additional Benefits for Employee Website.pdfAdditional Benefits for Employee Website.pdf
Additional Benefits for Employee Website.pdf
 
Polish students' mobility in the Czech Republic
Polish students' mobility in the Czech RepublicPolish students' mobility in the Czech Republic
Polish students' mobility in the Czech Republic
 
Introduction to Quality Improvement Essentials
Introduction to Quality Improvement EssentialsIntroduction to Quality Improvement Essentials
Introduction to Quality Improvement Essentials
 
Sha'Carri Richardson Presentation 202345
Sha'Carri Richardson Presentation 202345Sha'Carri Richardson Presentation 202345
Sha'Carri Richardson Presentation 202345
 
PART A. Introduction to Costumer Service
PART A. Introduction to Costumer ServicePART A. Introduction to Costumer Service
PART A. Introduction to Costumer Service
 
Chapter 3 - Islamic Banking Products and Services.pptx
Chapter 3 - Islamic Banking Products and Services.pptxChapter 3 - Islamic Banking Products and Services.pptx
Chapter 3 - Islamic Banking Products and Services.pptx
 
Cambridge International AS A Level Biology Coursebook - EBook (MaryFosbery J...
Cambridge International AS  A Level Biology Coursebook - EBook (MaryFosbery J...Cambridge International AS  A Level Biology Coursebook - EBook (MaryFosbery J...
Cambridge International AS A Level Biology Coursebook - EBook (MaryFosbery J...
 
Home assignment II on Spectroscopy 2024 Answers.pdf
Home assignment II on Spectroscopy 2024 Answers.pdfHome assignment II on Spectroscopy 2024 Answers.pdf
Home assignment II on Spectroscopy 2024 Answers.pdf
 
How to Create Map Views in the Odoo 17 ERP
How to Create Map Views in the Odoo 17 ERPHow to Create Map Views in the Odoo 17 ERP
How to Create Map Views in the Odoo 17 ERP
 
ESC Beyond Borders _From EU to You_ InfoPack general.pdf
ESC Beyond Borders _From EU to You_ InfoPack general.pdfESC Beyond Borders _From EU to You_ InfoPack general.pdf
ESC Beyond Borders _From EU to You_ InfoPack general.pdf
 
Digital Tools and AI for Teaching Learning and Research
Digital Tools and AI for Teaching Learning and ResearchDigital Tools and AI for Teaching Learning and Research
Digital Tools and AI for Teaching Learning and Research
 
Phrasal Verbs.XXXXXXXXXXXXXXXXXXXXXXXXXX
Phrasal Verbs.XXXXXXXXXXXXXXXXXXXXXXXXXXPhrasal Verbs.XXXXXXXXXXXXXXXXXXXXXXXXXX
Phrasal Verbs.XXXXXXXXXXXXXXXXXXXXXXXXXX
 
Unit 8 - Information and Communication Technology (Paper I).pdf
Unit 8 - Information and Communication Technology (Paper I).pdfUnit 8 - Information and Communication Technology (Paper I).pdf
Unit 8 - Information and Communication Technology (Paper I).pdf
 
Students, digital devices and success - Andreas Schleicher - 27 May 2024..pptx
Students, digital devices and success - Andreas Schleicher - 27 May 2024..pptxStudents, digital devices and success - Andreas Schleicher - 27 May 2024..pptx
Students, digital devices and success - Andreas Schleicher - 27 May 2024..pptx
 
GIÁO ÁN DẠY THÊM (KẾ HOẠCH BÀI BUỔI 2) - TIẾNG ANH 8 GLOBAL SUCCESS (2 CỘT) N...
GIÁO ÁN DẠY THÊM (KẾ HOẠCH BÀI BUỔI 2) - TIẾNG ANH 8 GLOBAL SUCCESS (2 CỘT) N...GIÁO ÁN DẠY THÊM (KẾ HOẠCH BÀI BUỔI 2) - TIẾNG ANH 8 GLOBAL SUCCESS (2 CỘT) N...
GIÁO ÁN DẠY THÊM (KẾ HOẠCH BÀI BUỔI 2) - TIẾNG ANH 8 GLOBAL SUCCESS (2 CỘT) N...
 
How to Break the cycle of negative Thoughts
How to Break the cycle of negative ThoughtsHow to Break the cycle of negative Thoughts
How to Break the cycle of negative Thoughts
 
2024.06.01 Introducing a competency framework for languag learning materials ...
2024.06.01 Introducing a competency framework for languag learning materials ...2024.06.01 Introducing a competency framework for languag learning materials ...
2024.06.01 Introducing a competency framework for languag learning materials ...
 

Textual Analysis of Boom Clap

  • 1. TEXTUAL ANALYSIS 3 Charli XCX – “Boom Clap”
  • 2. CINEMATOGRAPHY The video opens with a long shot that acts as an establishing shot to establish the location of the video. This is a common theme seen in all media texts as an audience like to know the location that the text they are watching is taking place. The first shot of Charli is a close-up that only lasts for about one second on screen. This gives us a quick introduction to the artist but even then her face is covered by writing on the screen. This is because it is more important what movie the song it is representing than it is who’s singing it. We then get close-up shots of both the protagonists from ‘The Fault in Our Stars’, which is archive footage taken from the movie. This is to introduce the audience to the movie that the song is representing. It also introduces the characters of the movie for those who have not been to see it.
  • 3. CINEMATOGRAPHY Throughout the clip, a lot of shots are used to show off the setting of the video. Example's include a medium close-up which shows that Charli is on the same boat that the two characters go on in the movie. There is then a clip showing off the two characters on the boat, establishing a connecting between the performance and the narrative of the movie. Through this we can also find that the video is being set in Amsterdam, the same location an important portion portion of the movie was set. When the music changes style and begins to move slower, there is a change in the mood of the cinematography. Charli is shot close-up looking away from the camera, as opposed to towards the camera as she was before. Also it is harder to make her out because of the effects used. This was all done to reflect the change in the song which has become more alternative, meaning the video had to too.
  • 4. CINEMATOGRAPHY Before she enters the bus, there is a long shot that establishes Charli sat outside of it, effectively establishing the location. However, instead of immediately cutting to the scenes inside the bus as it usually does, we don’t return to the bus for a while, and even then we don’t know it’s the same location until we later see a portion of the inside of the bus while on the outside of it. This breaks the conventions found in typical media pieces of having the location established and then following with a scene in that location, instead we have the location established and then a scene in there later on. There is a close-up shot of her hands clapping as she says the word clap. This creates a cohesion between the lyrics of the song and the action that is taking place on screen. The final shot is a long shot of Charli walking away. This signifies the end of the video.
  • 5. MISE EN SCENE (SETTING/LIGHTING) The setting for this video is on the streets of Amsterdam, the same place a portion of the movie ‘The Fault in Our Stars’ was set, creating a link between the two pieces. One of the settings predominantly featured in both the performance of the piece and the archive footage from the movie is on a river boat, which again creates a link between the movie and the video as Charli is taking the same adventure the two characters from the movie did. The lighting throughout the video is relatively light but has a slightly darker tone to it because of the theme of the movie it is representing. This sees a change when the tone of the music also changes. The lighting during this section of the video is darker and features lasers appearing over the screen. This is to represent the alternative nature of this portion of the song.
  • 6. They show off the genre of music Charli makes as they are not very typical clothing, being edgier than clothes most girls wear. She wears short and tight clothing at points of the video and then is shot in a way to show off the curves of her body, specifically when she is shot from behind. This is an example of Laura Mulvey’s male gaze theory. There is a contrast between the clothing and the lighting in this video. During the scenes when the lighting is brighter she is seen in more pop artist like clothes that are in brighter and more girly colours and patterns. However, during the scenes when the lighting in darker, she is seen wearing more edgy clothes that show off her alternative style of music. This done to create cohesion between the two areas of mise-en- scene. MISE EN SCENE (COSTUMES)
  • 7. EDITING The editing in this video fits the pattern found in most other music videos, that it is in time with the beat of the song. This creates a cohesion between the song and the video as the beat fits to the editing speed. The part of the video with the fastest editing is during the chorus when many shots are cut together one after the other. This is typical for the chorus of a music video as the chorus of the song tends to be the part of the music video when the song is at it’s fastest beat. Each of these shots usually change location and costume, suggesting the video is more about the performance of Charli than about a narrative which would have a few cuts in the same location follow after each other. During all this the editing used is jump cuts which is the typical form of editing. In the third verse of the song the editing changes to a dissolves as opposed to the conventional cut. This is because of the third verse of the song being more alternative than the others and the use of dissolve is something that is conventional in alternative music videos.
  • 8. EDITING Another type of editing used in the video is text and images appearing on the screen. The text that appears looks hand drawn but it will have been added through a computer software. By doing this more references to ‘The Fault in Our Stars’ has been added because the style and font of the text is the same as the text featured in the film. Also some of the text used relates directly to the film such as the use of ‘Okay? Okay.’ which is a slogan for the film. Text appears in many music videos, usually at the beginning to tell the audience the name of the track and the artist. In this case the text appears throughout the video as opposed to just at the beginning. Another form of editing featured in the video is the use of special effects appearing over the top of the video. A colourful spotlight effect appears over the top of the more alternative part of the video, again fitting in with the genre by creating a weird atmosphere. This is also helped by the lights that appear on Charli’s face during this bit.
  • 9. SOUND Other than the song playing in the video, there is no sound featured in the video. The song is used both a diegetic sound and non-diegetic sound. In the portions of the video when Charli is lip-syncing the words of the song, it is diegetic sound but both when the song is being played and Charli is not lip-syncing and when it is played over the archive footage from the movie, it is non-diegetic. It can also be said to be synchronous and asynchronous sound as at points in the we can see the source of the sound (when she is lip-syncing) but at over points we can’t (when she isn’t). Other than this there is little use of sound in the video.