Connecting the story - THE FIRST GLOBAL STUDY OF NEWS CONSUMPTION ACROSS MULT...Merlien Institute
Presented by Joe Hall, Senior Business Insights Manager, BBC
at Market Research in the Mobile World Europe
8 - 11 October 2013, London, Europe
This event is proudly organised by Merlien Institute
Check out our upcoming events by visiting http://www.mrmw.net
Pesquisa Accenture Multi-tasking and Taking Control. O estudo realizado com 3,5 mil pessoas, em seis países, apontou que conquistar a atenção exclusiva dos telespectadores está mais difícil. O consumidor moderno concilia a TV com outras atividades.
YouTube Global User Study - Resultados para PortugalPedro Simões 007
Um excelente estudo realizado pela Ipsos MediaCT sobre o YouTube e a geração C em Portugal.
Sabiam que...
✔ 2.4X de utilizadores estão mais dispostos a criarem conteúdo online semanalmente.
✔ 2.2X de utilizadores estão dispostos a criarem ou partilharem conteúdo online para se expressarem.
✔ Youtube é uma local onde fãs e criadores se conectam.
✔ Youtube é uma rede social para seguirem os seus interesses.
✔ Youtube disponibiliza um espaço para celebrar a criatividade.
✔ 9 em 10 pessoas têm uma atividade de criação de conteúdos mensal.
✔ 2 em 5 afirmam que a 1ª coisa que fazem quando se levantam é ver o smartphone ou o tablet.
✔ 3 em 4 criadores de conteúdo constroem uma comunidade.
✔ 84% dos utilizadores do Youtube acedem semanalmente.
✔ 72% fala ou partilha o que vê no Youtube.
✔ 89% está ligado a criadores de conteúdo.
✔ 63% procura ou vê mais videos depois de fazer a sua pesquisa.
✔ 66% da geração C acede com smartphones ao Youtube e 70% acede com tablets ao Youtube.
✔ 61% entra no Youtube fora de casa.
✔ 74% fala frequentemente o que vê com amigos e familia.
✔ 129% dos utilizadores querem visitar o Youtube todos os dias.
✔ 2 em 5 pessoas da geração C dispende +/= tempo a ver o youtube do que TV na média semanal (44%).
✔ 56% Youtube complementa a TV e 54% presta menos atenção.
✔ 58% dos utilizadores estão ligados com a marca.
✔ 7% das pessoas pararam com serviços pagos por cabo.
✔ 4% vê os anúncios até ao fim , 53% vê parte do anúncio para saber do que se trata e decidir se avança e 3% desligam o som mas não fecham o anúncio e 41% avança a publicidade o mais rápidamente possível.
É caso para dizer, "Negócios com vida... Digital!" by L4D Web Agency - Live4digital :))
✚ Nota: Divulgação autorizada pela equipa Google/Google Portugal
»» LIKE & SHARE ««
Consumer Connected Study 2014 - Results for Portugal - GooglePedro Simões 007
Um estudo da Google e da TNS sobre o consumidor conectado para Portugal.
Sabiam que...
✔ 68% dos portugueses está online.
✔ 19% dos portugueses compra online através do seu smartphone.
✔46% tem pelo menos 2 dispositivos.
✔ 62% a penetração de smartphones entre os 25-34 anos.
✔ 64% dos portugueses prefere fazer coisas de forma digital.
✔ 96% dos compradores online portugueses utilizam o YouTube e 78% tem um smartphone.
✔ 41% dos utilizadores de serviços bancários online faz compras online, 40% tem um elevado rendimento e 89% utiliza o YouTube.
É caso para dizer, "Negócios com vida... Digital!" by L4D Web Agency - Live4Digital (Parceiros Google Partners)
Nota: Divulgação autorizada pela equipa Google/Google Portugal
Connecting the story - THE FIRST GLOBAL STUDY OF NEWS CONSUMPTION ACROSS MULT...Merlien Institute
Presented by Joe Hall, Senior Business Insights Manager, BBC
at Market Research in the Mobile World Europe
8 - 11 October 2013, London, Europe
This event is proudly organised by Merlien Institute
Check out our upcoming events by visiting http://www.mrmw.net
Pesquisa Accenture Multi-tasking and Taking Control. O estudo realizado com 3,5 mil pessoas, em seis países, apontou que conquistar a atenção exclusiva dos telespectadores está mais difícil. O consumidor moderno concilia a TV com outras atividades.
YouTube Global User Study - Resultados para PortugalPedro Simões 007
Um excelente estudo realizado pela Ipsos MediaCT sobre o YouTube e a geração C em Portugal.
Sabiam que...
✔ 2.4X de utilizadores estão mais dispostos a criarem conteúdo online semanalmente.
✔ 2.2X de utilizadores estão dispostos a criarem ou partilharem conteúdo online para se expressarem.
✔ Youtube é uma local onde fãs e criadores se conectam.
✔ Youtube é uma rede social para seguirem os seus interesses.
✔ Youtube disponibiliza um espaço para celebrar a criatividade.
✔ 9 em 10 pessoas têm uma atividade de criação de conteúdos mensal.
✔ 2 em 5 afirmam que a 1ª coisa que fazem quando se levantam é ver o smartphone ou o tablet.
✔ 3 em 4 criadores de conteúdo constroem uma comunidade.
✔ 84% dos utilizadores do Youtube acedem semanalmente.
✔ 72% fala ou partilha o que vê no Youtube.
✔ 89% está ligado a criadores de conteúdo.
✔ 63% procura ou vê mais videos depois de fazer a sua pesquisa.
✔ 66% da geração C acede com smartphones ao Youtube e 70% acede com tablets ao Youtube.
✔ 61% entra no Youtube fora de casa.
✔ 74% fala frequentemente o que vê com amigos e familia.
✔ 129% dos utilizadores querem visitar o Youtube todos os dias.
✔ 2 em 5 pessoas da geração C dispende +/= tempo a ver o youtube do que TV na média semanal (44%).
✔ 56% Youtube complementa a TV e 54% presta menos atenção.
✔ 58% dos utilizadores estão ligados com a marca.
✔ 7% das pessoas pararam com serviços pagos por cabo.
✔ 4% vê os anúncios até ao fim , 53% vê parte do anúncio para saber do que se trata e decidir se avança e 3% desligam o som mas não fecham o anúncio e 41% avança a publicidade o mais rápidamente possível.
É caso para dizer, "Negócios com vida... Digital!" by L4D Web Agency - Live4digital :))
✚ Nota: Divulgação autorizada pela equipa Google/Google Portugal
»» LIKE & SHARE ««
Consumer Connected Study 2014 - Results for Portugal - GooglePedro Simões 007
Um estudo da Google e da TNS sobre o consumidor conectado para Portugal.
Sabiam que...
✔ 68% dos portugueses está online.
✔ 19% dos portugueses compra online através do seu smartphone.
✔46% tem pelo menos 2 dispositivos.
✔ 62% a penetração de smartphones entre os 25-34 anos.
✔ 64% dos portugueses prefere fazer coisas de forma digital.
✔ 96% dos compradores online portugueses utilizam o YouTube e 78% tem um smartphone.
✔ 41% dos utilizadores de serviços bancários online faz compras online, 40% tem um elevado rendimento e 89% utiliza o YouTube.
É caso para dizer, "Negócios com vida... Digital!" by L4D Web Agency - Live4Digital (Parceiros Google Partners)
Nota: Divulgação autorizada pela equipa Google/Google Portugal
When we look across the swath of digital consumers in the U.S., Hispanics are now the most avid smartphone users around. In fact, according to the most recent Total Audience Report, they’re on their phones for more than 14 hours a month for app, audio, video and web purposes. And when it comes to the other things we do with our phones—including talking—the same trend seems to hold true.
For example, Nielsen Mobile Insights has found that the average Hispanic mobile user uses 658 minutes per month on their mobile plan, which is significantly more than the average of 510 minutes per month for all consumers. When broken down by Hispanic subgroups, bilingual Hispanics dominate in terms of minutes used, as they spend more than 762 minutes per month talking on their mobile devices.
Courtesy of: Nielsen
This report contains the Turkey overview of IAB digitalSCOPE 2014 Research Study. The digitalSCOPE 2014 Report enlightens media consumption and online habits in digital society. The report has been prepared with contribution of IAB Poland, IAB Bulgaria, IAB Macedonia, IAB Romania, IAB Serbia, IAB Slovakia, IAB Slovenia and IAB Turkey.
AdReaction : Insights on perceptions of advertising, particularly digital for...Philippe KHATTOU
AdReaction delivers insights on perceptions of advertising, particularly digital formats. AdReaction 2014 explores multiscreen advertising and consumer receptivity to ads on TV, smartphones, laptops and tablets.
Digital trends in Vietnam 2013, Strategy for businessBui Hang
Bài thuyết trình của Mr. Tom Simpson - Trưởng bộ phận truyền thông số (Head of Digital) thuộc Mindshareworld, công ty thuộc GroupM tại Hội nghị Định hướng tiếp thị trực tuyến 2013 tổ chức ngày 29/11/2012 tại HCM. Chi tiết Hội nghị xem tại http://hoinghi.marketingonline.vn
Dados da comScore sobre o comportamento digital no Brasil.
Original em: http://www.comscore.com/por/Insights/Presentations_and_Whitepapers/2014/2014_Brazil_Digital_Future_in_Focus_Webinar?ns_campaign=SA_LATAM_BR_MAY2014_WBNR_BRAZIL%20DIGITAL%20FUTURE%20IN%20FOCUS%202014%20PORTUGUESE%20SESSION&ns_mchannel=email&ns_source=comscore_elq_SA_LATAM_BR_MAY2014_WBNR_BRAZIL%20DIGITAL%20FUTURE%20IN%20FOCUS%202014%20PORTUGUESE%20SESSION_SO&ns_linkname=text_general&ns_fee=0&elq=8ce897e5e4794df2877179d781b91025&elqCampaignId=331
The Vietnam cross-Platform Report 2014 delivers a comprehensive view of current media behaviour among digitally-engaged consumers. This report will inform your strategy and practice for today; and provide a sign post to help you look and think ahead to plan for tomorrrow.
KPCB’s Mary Meeker presents the 2015 Internet Trends report, 20 years after the inaugural “The Internet Report” was first published in 1995. Since then, the number of Internet users has risen from 35 million in 1995 to more than 2.8 billion today. The 2015 report looks at key Internet trends globally – while still healthy Internet user and smartphone subscription growth continue to slow, Internet engagement continues to rise led by consumers spending more time on their mobile devices, where they can be connected 24/7. Mobile advertising still has headroom to expand and new innovations around ad formats and buy buttons should prove compelling for consumers and businesses.
#FutureinFocus examines how the latest trends in PC online usage, display advertising, online video, mobile usage that are shaping the Canadian digital marketplace and what it means for the year ahead... (via comScore)
Global trends in social media - Latest insights from TGI Global Quick View Co...Kantar
82% of connected consumers in the world’s 22 largest markets today claim to use social media, according to TGI Global Quick View consumer data. Three quarters use social media at least once a day, highlighting how big a part of our lives social media has become.
In this report we will explore:
- What are the most used social networks globally?
- Which countries are particular hotspots for social media engagement?
- How are social networks used across different markets?
2020 global trends in social media - Latest insights from TGI Global Quick Vi...Kantar
More than 7 out of 10 connected adults use social media at least once a day, highlighting how big a part of our lives social media has become.
In this report we explore:
- What are the most used social networks globally?
- Which countries are particular hotspots for social media engagement?
- Who are the heavy social media users? What are their habits and interests?
You gov global-media-consumption-report-2021Avida Virya
The COVID-19 pandemic has upended the global media industry. Among other things it has shut down cinemas – causing entertainment giants to invest more heavily in streaming content; caused mass layoffs in media and advertising agencies; and accelerated the year-on-year decline in traditional newspapers and magazines.
El estudio ha buscado conocer y entender cómo se comporta el televidente español actual, cuáles son las tendencias y cuáles serán los comportamientos a futuro del mismo, respecto al consumo de contenido audiovisual en diferentes dispositivos (TV, SmartTV, Smartphone, Tablet,…) y plataformas (Televisión de pago tradicional, OTTs, descargas y streaming,…).
De todo lo que aprendimos en The Cocktail Analysis a lo largo de 2016, mediante la realización de más de 150 proyectos de investigación, hemos tratado de sintetizar los aprendizajes clave: no se trata de las tendencias que marcarán 2017, se trata más bien de comprender en detalle que ocurrió durante el pasado año. Es desde ahí, desde una profunda comprensión del pasado más reciente, desde donde creemos que es más pertinente y viable interpretar que será del futuro próximo.
The Cocktail Analysis ha realizado un estudio con la colaboración de CCCE (Cámara Colombiana de Comercio Electrónico) referente a la compra online en Colombia, basada en encuestas realizadas online a aproximadamente 1.019 internautas de entre 18 y 55 años en septiembre de 2013.
El 54% de los usuarios de Smartphone utilizan este dispositivo para ver conte...The Cocktail Analysis
Publicamos los resultados de la 8ª oleada del estudio Televidente, correspondiente al 2014, que analiza la evolución del ocio y el consumo audiovisuales en el hogar y en movilidad entre los internautas españoles, en los diferentes soportes y pantallas disponibles.
Presentamos un estudio realizado sobre población internauta española, que contempla una novedosa metodología, la cual logra integrar información declarada (mediante encuesta) e información real de navegación (trackeando la navegación de la población encuestada).
When we look across the swath of digital consumers in the U.S., Hispanics are now the most avid smartphone users around. In fact, according to the most recent Total Audience Report, they’re on their phones for more than 14 hours a month for app, audio, video and web purposes. And when it comes to the other things we do with our phones—including talking—the same trend seems to hold true.
For example, Nielsen Mobile Insights has found that the average Hispanic mobile user uses 658 minutes per month on their mobile plan, which is significantly more than the average of 510 minutes per month for all consumers. When broken down by Hispanic subgroups, bilingual Hispanics dominate in terms of minutes used, as they spend more than 762 minutes per month talking on their mobile devices.
Courtesy of: Nielsen
This report contains the Turkey overview of IAB digitalSCOPE 2014 Research Study. The digitalSCOPE 2014 Report enlightens media consumption and online habits in digital society. The report has been prepared with contribution of IAB Poland, IAB Bulgaria, IAB Macedonia, IAB Romania, IAB Serbia, IAB Slovakia, IAB Slovenia and IAB Turkey.
AdReaction : Insights on perceptions of advertising, particularly digital for...Philippe KHATTOU
AdReaction delivers insights on perceptions of advertising, particularly digital formats. AdReaction 2014 explores multiscreen advertising and consumer receptivity to ads on TV, smartphones, laptops and tablets.
Digital trends in Vietnam 2013, Strategy for businessBui Hang
Bài thuyết trình của Mr. Tom Simpson - Trưởng bộ phận truyền thông số (Head of Digital) thuộc Mindshareworld, công ty thuộc GroupM tại Hội nghị Định hướng tiếp thị trực tuyến 2013 tổ chức ngày 29/11/2012 tại HCM. Chi tiết Hội nghị xem tại http://hoinghi.marketingonline.vn
Dados da comScore sobre o comportamento digital no Brasil.
Original em: http://www.comscore.com/por/Insights/Presentations_and_Whitepapers/2014/2014_Brazil_Digital_Future_in_Focus_Webinar?ns_campaign=SA_LATAM_BR_MAY2014_WBNR_BRAZIL%20DIGITAL%20FUTURE%20IN%20FOCUS%202014%20PORTUGUESE%20SESSION&ns_mchannel=email&ns_source=comscore_elq_SA_LATAM_BR_MAY2014_WBNR_BRAZIL%20DIGITAL%20FUTURE%20IN%20FOCUS%202014%20PORTUGUESE%20SESSION_SO&ns_linkname=text_general&ns_fee=0&elq=8ce897e5e4794df2877179d781b91025&elqCampaignId=331
The Vietnam cross-Platform Report 2014 delivers a comprehensive view of current media behaviour among digitally-engaged consumers. This report will inform your strategy and practice for today; and provide a sign post to help you look and think ahead to plan for tomorrrow.
KPCB’s Mary Meeker presents the 2015 Internet Trends report, 20 years after the inaugural “The Internet Report” was first published in 1995. Since then, the number of Internet users has risen from 35 million in 1995 to more than 2.8 billion today. The 2015 report looks at key Internet trends globally – while still healthy Internet user and smartphone subscription growth continue to slow, Internet engagement continues to rise led by consumers spending more time on their mobile devices, where they can be connected 24/7. Mobile advertising still has headroom to expand and new innovations around ad formats and buy buttons should prove compelling for consumers and businesses.
#FutureinFocus examines how the latest trends in PC online usage, display advertising, online video, mobile usage that are shaping the Canadian digital marketplace and what it means for the year ahead... (via comScore)
Global trends in social media - Latest insights from TGI Global Quick View Co...Kantar
82% of connected consumers in the world’s 22 largest markets today claim to use social media, according to TGI Global Quick View consumer data. Three quarters use social media at least once a day, highlighting how big a part of our lives social media has become.
In this report we will explore:
- What are the most used social networks globally?
- Which countries are particular hotspots for social media engagement?
- How are social networks used across different markets?
2020 global trends in social media - Latest insights from TGI Global Quick Vi...Kantar
More than 7 out of 10 connected adults use social media at least once a day, highlighting how big a part of our lives social media has become.
In this report we explore:
- What are the most used social networks globally?
- Which countries are particular hotspots for social media engagement?
- Who are the heavy social media users? What are their habits and interests?
You gov global-media-consumption-report-2021Avida Virya
The COVID-19 pandemic has upended the global media industry. Among other things it has shut down cinemas – causing entertainment giants to invest more heavily in streaming content; caused mass layoffs in media and advertising agencies; and accelerated the year-on-year decline in traditional newspapers and magazines.
El estudio ha buscado conocer y entender cómo se comporta el televidente español actual, cuáles son las tendencias y cuáles serán los comportamientos a futuro del mismo, respecto al consumo de contenido audiovisual en diferentes dispositivos (TV, SmartTV, Smartphone, Tablet,…) y plataformas (Televisión de pago tradicional, OTTs, descargas y streaming,…).
De todo lo que aprendimos en The Cocktail Analysis a lo largo de 2016, mediante la realización de más de 150 proyectos de investigación, hemos tratado de sintetizar los aprendizajes clave: no se trata de las tendencias que marcarán 2017, se trata más bien de comprender en detalle que ocurrió durante el pasado año. Es desde ahí, desde una profunda comprensión del pasado más reciente, desde donde creemos que es más pertinente y viable interpretar que será del futuro próximo.
The Cocktail Analysis ha realizado un estudio con la colaboración de CCCE (Cámara Colombiana de Comercio Electrónico) referente a la compra online en Colombia, basada en encuestas realizadas online a aproximadamente 1.019 internautas de entre 18 y 55 años en septiembre de 2013.
El 54% de los usuarios de Smartphone utilizan este dispositivo para ver conte...The Cocktail Analysis
Publicamos los resultados de la 8ª oleada del estudio Televidente, correspondiente al 2014, que analiza la evolución del ocio y el consumo audiovisuales en el hogar y en movilidad entre los internautas españoles, en los diferentes soportes y pantallas disponibles.
Presentamos un estudio realizado sobre población internauta española, que contempla una novedosa metodología, la cual logra integrar información declarada (mediante encuesta) e información real de navegación (trackeando la navegación de la población encuestada).
En el informe profundizamos sobre dos elementos clave: por un lado, cómo el comprador vive el proceso de adquisición de una vivienda y las diferentes fases por las que va atravesando; y por otro, identificar el rol e importancia que tienen los diferentes actores, portales, agencias inmobiliarias y bancos, en todo el funnel de compra, centrado en el comprador español.
El Análisis Conjoint es una técnica de análisis de preferencias: se presentan situaciones en las cuales un decisor tiene que ocuparse de opciones que simultáneamente varían a través de diferentes atributos.
Coincidiendo con la celebración de sus 10 años de en México, Google se planteó llevar a cabo una completa radiografía digital del país: retrospectiva y panorámica a futuro de México y los mexicanos en su relación con cuestiones digitales
En The Cocktail Analysis nos lanzamos a la calle para entender el impacto que ha tenido lo digital en los segmentos de NSE más bajos del país, haciendo foco en los usos digitales que hacen las generaciones más jóvenes.
Desde The Cocktail Analysis hemos realizado para Coches.net un estudio destinado a analizar el proceso de compra de coche en España. Para ello, se han llevado a cabo 2000 encuestas online: 1000 a compradores recientes de coche y 1000 a próximos compradores.
Un 76% de los internautas intensivos colombianos han comprado al menos un pro...The Cocktail Analysis
Tras la primera ola que realizamos en 2013, The Cocktail Analysis vuelve a desarrollar para la Cámara Colombiana de Comercio Electrónico el Segundo Observatorio de Ecommerce en Colombia.
En términos metodológicos el proyecto se llevó a cabo en dos fases:
- Fase cualitativa: cuatro mini-grupos de discusión en Bogotá, con compradores y no compradores online segmentados a su vez en estratos 2-3 y 5
- Fase cuantitativa: 1.000 encuestas online aplicadas a internautas entre 18 y 55 años, en Bogotá, Medellín, Cali, Barranquilla, Cartagena, Bucaramanga y Cúcuta
7ª oleada del estudio Televidente 2.0, que analiza la evolución del ocio y el consumo audiovisuales en el hogar y en movilidad entre los internautas españoles, en los diferentes soportes y pantallas disponibles.
In The Cocktail Analysis, we went to the streets to understand the impact that digital has had on the lowest SEL in the country, focusing on the digital uses the youngest generations do.
Es ya un lugar común decir que no hay transformación de las organizaciones sin cambio cultural. Si esto es así, es necesario entender qué nuevo modelo de relación quieren los empleados con sus compañías, para desde ahí poder diseñar procesos y prácticas de transformación de la cultura organizativa que respondan a sus demandas e intereses.
Compartimos los resultados de un informe publicado por Yahoo! España, en el que hemos colaborado con una encuesta online entre internautas compradores recientes de vehículos y compradores potenciales (en el próximo año) para entender cómo funciona la toma de decisión sobre el coche y el papel de internet en el mismo.
Un año más, y ya van 8 años, vuelve una nueva Ola de nuestro Observatorio de Redes Sociales.
Un Observatorio que como en los últimos años hemos llevado a cabo gracias a la colaboración con Arena Media.
En este estudio se aborda el momentum de las RRSS, profundizando en el posicionamiento y valor de cada una de ellos. También abordamos la relación con las marcas en estos contextos, y el potencial que estas plataformas tienen para aportar valor a los clientes.
Twenergy y The Cocktail Analysis presentan el estudio “Conociendo al internau...The Cocktail Analysis
Trucos, consejos e ideas para el ahorro energético y una vida sostenible son los contenidos más atractivos, incluso entre los internautas no afines a las temáticas de Medio Ambiente, Desarrollo Sostenible y Eficiencia Energética
Desde The Cocktail Analysis, junto con AFI (Analistas Financieros Internacionales), hemos realizado la nueva oleada del informe sobre Medios de Pago para Tecnocom (consultora tecnológica con amplia experiencia en medios de pago bancarios y sistemas de automatización).
TV & Video: An Analysis of Consumer Habit Ericsson
From the Ericsson ConsumerLab: http://www.ericsson.com/thinkingahead/consumerlab
We have entered a new era in television. On-demand packages delivered via
Over The Top (OTT), cable or IPTV are being embraced by people around the world.
These new technologies
and services not only improve
people’s viewing experience –
they also change the fundamental ways in which we approach entertainment.
Every year for the past few years seems to have been heralded as “The Year of the Connected TV”. Few doubt that the big screen in the living room will be an important channel for everything the web has to offer, but there are question marks over the extent to which Connected or Smart TV, as it stands, has captured the imagination and viewing hours of consumers today.
Is it the year of connected TV already, or is it still to be realised?
In this report we find out the views of the GB general public. We find out who has them, do they actually connect, what their experience is and what services do they really want.
The mobile video experience: A viewer’s journey from discovery to advocacyData N Charts
This report looks into the factors driving mobile video growth and maps the consumer journey from mobile discovery to advocacy uncovering consumer attitudes towards paid video and the kind of mobile ads they prefer to see.
Watching online video is growing massively and is changing how video content is viewed, when and by whom.
Mediabrands Marketing Sciences initiated a research study to report a full overview of trends in online video and TV consumption in The Netherlands, based on the data gathered by SKO, GfK Media Efficiency Panel and other sources.
TV and the Second Screen: A Red Bee Media and Decipher white paperMIP Markets
Descriptif du whitepaper
Over the last decade, television has changed beyond recognition. Significant technological advancements have helped to achieve milestone developments such as multichannel TV and digital broadcast, high definition, 3D, on demand, and most recently, new ways for consumers to watch television content through a multitude of connected devices and screens. The consequences of these changes have impacted how and where audiences can access television content – things which have remained largely static until recently.
The most recent evolutionary shift in television, however, has been different: a shift not in where audiences access content, but a shift in what audiences do while they are watching television, brought about by the arrival and proliferation of connected, ‘second screen’ devices.
Decipher and Red Bee Media investigated this change through a research study conducted among both consumers and media industry experts across the UK. We explored the definitions and dynamics of the second screen landscape, assessed audience demand for synchronised, companion experiences, and revealed the opportunities and challenges afforded by the second screen for content creators, broadcasters, platforms and advertisers.
Live Streaming becomes Mainstream by Sohag SarkarSohag Sarkar
This article analyzes the growing uptake of Video streaming over smart devices and the limitless use cases of Live streaming. It further explores the key drivers have made live streaming truly mainstream.
Vorhaus digital and gaming research study 2021Michael Vorhaus
A 2,000 person study conducted across the U.S. with adults, 18 and older regarding their media, entertainment, digital, technology, and gaming interests.
Let Them Watch More TV: How to Easily Overcome the Login ProblemMatt Wolfrom
TV subscribers want to watch more TV, and they try to – on their tablets, computers, connected TVs and other devices. But all too often they get stuck at the login screen and give up. No player in the industry will be able to afford TV Everywhere abandonment. Synacor today released a white paper, entitled Let Them Watch More TV: How to Easily Overcome the Login Problem, which outlines key challenges facing the pay TV industry and the many benefits of today’s best-in-class simplified sign-on solutions.
Learn how the simplified sign-on solutions available today empower TV providers to prioritize ease of use for themselves and— most importantly—to champion it for their customers.
Presentación del CEO de Optiva Media, Valia Merino, en el Desayuno Europeo sobre el nuevo cliente digital organizado por Madrid Network el pasado 11 de diciembre en la sede de la Comisión Europea en Madrid. La presentación enfoca la reflexión en el nuevo rol del televidente digital móvil y cómo la industria se está adaptando al mismo.
Size does matter—at least when it comes to TV Everywhere (TVE) viewing, according to a new report from Adobe Digital Insights (ADI), which looked at TVE consumption trends from January 2015 to January 2017.
La circularidad y la desmaterialización tienen profundas implicaciones económicas, sociales y técnicas. Solo a través de la comprensión de estos desafíos seremos capaces de trazar estrategias adecuadas para su despliegue, considerando sus impactos de forma integral.
Desde hace más de una década, venimos analizando el consumo audiovisual en España
identificando de manera evolutiva los principales cambios experimentados por
dispositivos, plataformas y consumidor.
En la edición previa, pre-pandémica, se evidenciaba como:
• La Smart TV crecía como referencia en el hogar a la hora de ver contenidos, y la
conectividad del televisor, una realidad en expansión.
• El pago por ver contenidos ganaba peso.
Para entender el camino que estamos andando hay saber
de donde venimos. El Observatorio de Sostenibilidad que
arrancamos en 2019 desde The Cocktail, nos da una
valiosa visión de los cambios en la percepción,
comportamiento y vivencias hacia la sostenibilidad.
¿Qué cambios se han dado en estos tres años tan
marcados por la experiencia pandémica? ¿Hay una
disposición real al cambio y a asumir un coste extra?
Éste informe trata, de manera sintética, de dar contexto a
los cambios en la percepción y comportamiento ante este
fenómeno, y entender como se declina en 4 sectores
principales: energético, financiero, e-commerce y
movilidad.
Este estudio nos permite identificar los aspectos más relevantes en la transformación del mercado bancario tras el periodo de pandemia y revisar su impacto en el modelo de relación que tienen los clientes con su o sus bancos.
The Cocktail Analysis presenta el estudio “Retos de la
banca”, ahora en su tercera edición podemos observar de manera evolutiva el
comportamiento y desarrollo de esta importante industria en los últimos años a través de
la “visión-cliente”.
El objetivo general de este estudio es identificar los aspectos más relevantes en la
transformación del mercado bancario tras el periodo de pandemia y revisar su impacto y
relación que tienen los clientes con su o sus bancos.
Tras dos años de pandemia, el estudio muestra una perspectiva de los efectos que se han
dado en la gestión financiera de los particulares en su interacción con la oferta de
productos y servicios de los principales jugadores, así como con los nuevos players: las
Fintechs y los Neobancos.
Desde Google y The Cocktail Analysis venimos tratando de entender el impacto del COVID en las actitudes y comportamientos del consumidor de manera recurrente desde los primeros momentos de la pandemia, bajo el supuesto de que en este contexto donde la vida es cambiante, los hábitos y emociones de la población también lo son, y por tanto, su relación con las marcas y el consumo, también.
Cuando parece finalizar la crisis sanitaria creemos necesario estudiar al consumidor con una doble mirada: su vivencia en este momento y el impacto a medio plazo que ha tenido en su comportamiento de consumo la experiencia pandémica.
IJ&TCA presentación de los perfiles actitudinales de los trabajadores en espa...The Cocktail Analysis
Desde principios de este 2021 venimos colaborando The Cocktail Analysis e InfoJobs en un proyecto donde buscamos capturar una imagen profunda de la situación laboral actual, bajo la mirada de población activa y empresas. En la última ola del proyecto quisimos focalizarnos en los ocupados desde una perspectiva actitudinal, de donde hemos extraído 4 perfiles cuyo comportamiento iremos siguiendo en los próximos meses.
La crisis del Covid 19 y la situación de confinamiento, han marcado un antes y un después para los consumidores...
Inestabilidad emocional, compra física vs compra online y Cambios en el entorno online...
La crisis del Covid 19 y la situación de confinamiento, han marcado un antes y un después para los consumidores...
Inestabilidad emocional, compra física vs compra online y Cambios en el entorno online...
Desde Google y The Cocktail Analysis venimos tratando de
entender el impacto del COVID en las actitudes y
comportamientos del consumidor de manera recurrente
desde los primeros momentos de la pandemia, bajo el
supuesto de que en este contexto donde la vida es
cambiante, los hábitos y emociones de la población
también lo son, y por tanto, su relación con las marcas y el
consumo, también.
La ambición de este momento trabaja con dos horizontes:
entender al consumidor a corto, en función de la remisión de
la pandemia, pero también a medio, entendiendo qué
cambios estructurales ha generado
Un año de pandemia en el mercado de la vivienda: impacto y evolución.
El último año, marcado por la pandemia, ha supuesto cambiar hábitos, costumbres e, incluso, planes de futuro de muchas personas. El mercado de la vivienda, como prácticamente cualquier ámbito, también se ha visto afectado por esta situación.
¿Cómo complementa Twitter la experiencia televisiva?
Aquí te traemos los principales insights para entender el complemento entre Twitter y la televisión y cómo las marcas
pueden amplificar sus mensajes en la plataforma vinculándose al mejor contenido deportivo de los más de 200 partners premium de contenido.
Desde Google y The Cocktail Analysis venimos tratando de
entender el impacto del COVID en las actitudes y
comportamientos del consumidor de manera recurrente
desde los primeros momentos de la pandemia, bajo el
supuesto de que en este contexto donde la vida es
cambiante, los hábitos y emociones de la población
también lo son, y por tanto, su relación con las marcas y el
consumo, también
Este breve documento analiza la penetración entre la población española de Facebook, Instagram, Twitter, TikTok, Twitch, Pinterest, LinkedIn, Whatsapp y Telegram.
Trends Review, a document which tries to synthesise and abstract all that we have learnt in our consumer projects to identify trends with continuity over time.
Our consumer projects to identify trends with continuity over time. For obvious reasons, none has been as complex as this one.
Within a context of generalised change, in the case of this document there are some elements of continuity in the philosophy with which we approach it.
Trends Review, un documento que trata de sintetizar y abstraer todo lo aprendido en
nuestros proyectos con consumidor para identificar tendencias con continuidad a lo largo del tiempo. Por motivos obvios,
ninguno ha resultado tan complejo como este.
Dentro de un contexto de cambio generalizada, en el caso de este documento sí hay algunos elementos de continuidad en
la filosofía con la que lo abordamos
Desde The Cocktail Analysis venimos tratando de entender el
impacto del COVID en las actitudes y comportamientos del
consumidor de manera recurrente desde los primeros
momentos de la pandemia, bajo el supuesto de que en este
contexto donde la vida es cambiante, los hábitos y
emociones de la población también lo son. El consumidor
se encuentra en pleno momento de reconfiguración de
hábitos, complejización de las microdecisiones, cambios en
los criterios de valoración de las marcas… pero además,
cambiando su mood emocional en cuestión de días y su
cotidianeidad en intervalos semanales
Levelwise PageRank with Loop-Based Dead End Handling Strategy : SHORT REPORT ...Subhajit Sahu
Abstract — Levelwise PageRank is an alternative method of PageRank computation which decomposes the input graph into a directed acyclic block-graph of strongly connected components, and processes them in topological order, one level at a time. This enables calculation for ranks in a distributed fashion without per-iteration communication, unlike the standard method where all vertices are processed in each iteration. It however comes with a precondition of the absence of dead ends in the input graph. Here, the native non-distributed performance of Levelwise PageRank was compared against Monolithic PageRank on a CPU as well as a GPU. To ensure a fair comparison, Monolithic PageRank was also performed on a graph where vertices were split by components. Results indicate that Levelwise PageRank is about as fast as Monolithic PageRank on the CPU, but quite a bit slower on the GPU. Slowdown on the GPU is likely caused by a large submission of small workloads, and expected to be non-issue when the computation is performed on massive graphs.
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Empowering the Data Analytics Ecosystem: A Laser Focus on Value
The data analytics ecosystem thrives when every component functions at its peak, unlocking the true potential of data. Here's a laser focus on key areas for an empowered ecosystem:
1. Democratize Access, Not Data:
Granular Access Controls: Provide users with self-service tools tailored to their specific needs, preventing data overload and misuse.
Data Catalogs: Implement robust data catalogs for easy discovery and understanding of available data sources.
2. Foster Collaboration with Clear Roles:
Data Mesh Architecture: Break down data silos by creating a distributed data ownership model with clear ownership and responsibilities.
Collaborative Workspaces: Utilize interactive platforms where data scientists, analysts, and domain experts can work seamlessly together.
3. Leverage Advanced Analytics Strategically:
AI-powered Automation: Automate repetitive tasks like data cleaning and feature engineering, freeing up data talent for higher-level analysis.
Right-Tool Selection: Strategically choose the most effective advanced analytics techniques (e.g., AI, ML) based on specific business problems.
4. Prioritize Data Quality with Automation:
Automated Data Validation: Implement automated data quality checks to identify and rectify errors at the source, minimizing downstream issues.
Data Lineage Tracking: Track the flow of data throughout the ecosystem, ensuring transparency and facilitating root cause analysis for errors.
5. Cultivate a Data-Driven Mindset:
Metrics-Driven Performance Management: Align KPIs and performance metrics with data-driven insights to ensure actionable decision making.
Data Storytelling Workshops: Equip stakeholders with the skills to translate complex data findings into compelling narratives that drive action.
Benefits of a Precise Ecosystem:
Sharpened Focus: Precise access and clear roles ensure everyone works with the most relevant data, maximizing efficiency.
Actionable Insights: Strategic analytics and automated quality checks lead to more reliable and actionable data insights.
Continuous Improvement: Data-driven performance management fosters a culture of learning and continuous improvement.
Sustainable Growth: Empowered by data, organizations can make informed decisions to drive sustainable growth and innovation.
By focusing on these precise actions, organizations can create an empowered data analytics ecosystem that delivers real value by driving data-driven decisions and maximizing the return on their data investment.
06-04-2024 - NYC Tech Week - Discussion on Vector Databases, Unstructured Data and AI
Discussion on Vector Databases, Unstructured Data and AI
https://www.meetup.com/unstructured-data-meetup-new-york/
This meetup is for people working in unstructured data. Speakers will come present about related topics such as vector databases, LLMs, and managing data at scale. The intended audience of this group includes roles like machine learning engineers, data scientists, data engineers, software engineers, and PMs.This meetup was formerly Milvus Meetup, and is sponsored by Zilliz maintainers of Milvus.
2. The Televidente 2.0 report
Introduction for new readers
2
The Cocktail Analysis has been carrying out Televidente 2.0 (“TV Viewer 2.0”) for
the last 8 years. This research project tries to give a full review in how the
audiovisual consumption is evolving in Spain as consequence of the impact of
technologies.
Since we started, the goal has been to be able of define what new consumption
patterns are emerging as well which are stablished or declining.
That’s why besides working on devices, internet and services, there is a
comparison with previous years in order to understand the changes.
This project has the sponsorship of:
Televidente 2.0 – 8º Wave
3. Televidente 2.0 Goals
3
Main groups of objetives:
To track the main indicators of consumption: equipment,
downloads and streaming
The key topics of this year: mobile consumption, Smart tv,
pay tv (& OTTs), Youtube
Further topics of interest:
Concurrent use and Social tv, VOD
1
2
3
Televidente 2.0 – 8º Wave
4. 4
Methodology
Qualitative research
5 Focus groups in Madrid (2 hours
long) with internet users.
Technique
- 2 FGs Smart Tv: Smart Tv owners,
everyone purchased it within the last 2
years.
- 1 FG Mobile content users (series, movies,
TV shows, sports), at least, once a week.
- 1 FG Intensive Youtube users.18-24 years
old segment.
- 1 FG Advanced Pay tv services users
(Yomvi and Movistar tv Go). Frequent users
of contents in these platforms.
- Sample: 1.400 interviews on
Opinadores.com, online panel owned by The
Cocktail Analysis.
- Sample standard deviation: for a 1.400
individuals sample size it is assumed, under
the worst sampling conditions, a sample
standard deviation of 2,6%, with a
confidence level of 95%.
A 25 minutes long survey to Internet
users (last day users) from 18 up to
55 years old.
Technique
Quantitative research
Field work carried out in October-November
2014
Field work carried out in June 2014
Televidente 2.0 – 8º Wave
6. 6
25% 37% 25% 10% 4%
1 2 3 4 More than 5
Base:
total n= (1384)
19%
1%
14%
30%
81%
None
4K
3D
Smart TV
HD / Full HD
Number of televisions at home
Main television features
2013 21% 39% 25% 10% 5%
2014
2013
76%
23%
11%
22%
-
Base: those who have TV n= (1379)
For the first time ever, the total amount of televisions at home falls slightly but, at the
same time, their features improve.
One out of 3 Internet users already own a Smart Tv, it is shown an increase of HD and even 3D televisions.
Main television brand
32%
26%
15%
9%
5%
3%
10%Other brand
Statistically significant positive difference vs 2013 (95%)
Statistically significant negative difference vs 2013 (95%)Televidente 2.0 – 8º Wave
7. 7
1%
1%
20%
29%
68%
None at home
ADSL without Wi-Fi
Mobile connection
Optical fiber
ADSL with Wi-Fi
2013
75%
20%
18%
2%
1%
Base: total (n=1384)
(Optical fiber connection 100MB or more 15%)
Internet connection
The optical fiber grows firmly: one out of 3 last day Internet users homes have it
installed already. This fact poses a new audiovisual content consumption situation.
The optical fiber (specially the fastest one) expands significantly amongst Internet users homes. This type of
connection is slowly replacing the ADSL.
Statistically significant positive difference vs 2013 (95%)
Statistically significant negative difference vs 2013 (95%)Televidente 2.0 – 8º Wave
8. 8
2%
2%
4%
15%
23%
45%
47%
20%
36%
60%
74%
86%
Apple Tv
Projector
Chromecast
Net-book
Multimedia hard drive
Tablet
Portable hard drive
Handheld video game console
Home video game console
Desktop computer
Laptop
Smartphone
2013
74%
85%
2%
42%
31%
63%
16%
23%
43%*
generic
2%
Technological equipment
Base: total n=(1384)
-
40%
generic
Nearly a half of Internet users have a tablet, while the Smartphone is almost at the
highest possible position.
However, the tablet is the device that grows the most. A certain degree of portable hard drives recovery can be
observed along with content downloads, as we will see later on.
Statistically significant positive difference vs 2013 (95%)
Statistically significant negative difference vs 2013 (95%)Televidente 2.0 – 8º Wave
9. 9
36%
26%
24%
22%
14%
13%
11%
24%
Laptop
Home video game console
Portable hard drive
Multimedia hard drive
Smartphone
Desktop computer
Tablet
I connect none of these to the TV
Base: n=(1384)
Devices connected to the TV to watch multimedia contents
For the total sample, the laptop and the home video game console are the devices
preferred to connect to the Tv and watch audiovisual content.
Up to 76% of Internet users connect a device to the television: It is still the best screen for watching.
Total They have each
device
46%
55%
42%
80%
15%
19%
22%
Base: users of each device
n=(1024)
n=(494)
n=(655)
n=(321)
n=(1192)
n=(829)
n=(627)
20%
Smartphone
+
Tablet
Televidente 2.0 – 8º Wave
11. 81%
19%
Yes
No
12% 47% 21% 13% 8%
2 gb per month or more From 1 to 2 gb per month From 500 to 999 mb per month Up to 499 mb per month DK/NO
11
Do you have a data plan contracted?
Base: those who have
Smartphone n=(1.192)
Base: those who have Smartphone with a data plan n=(964)
What sort of internet connection do you have in the Smartphone?
3%
68%
22%
7%
2G
3G
4G
DK/NO
How many monthly megas do you have contracted?
59%
Smartphone internet connection has become stronger and faster, giving way to
outdoors audiovisual consumption.
8 out of 10 Smarthpone owners has a data plan contracted, being a 59% of these rates of, at least, 1 GB per month.
Though, the 4G is breaking in: a 22% of the data plans include 4G. .
Base: those who have Smartphone with a data plan n=(964)
Televidente 2.0 – 8º Wave
12. 12
6%
6%
8%
10%
10%
11%
34%
Other sports
Spanish series
Movies
TV shows
Foreign series
Football
News
What kind of audiovisual contents have you seen?
28%
How often do you see audiovisual contents from
the Smartphone?
A least once a day
At least once a week
At least once a month
44%
17%
Less frequently 12%
Base: those who have Smartphone n=(646)
46%
Do not watch audiovisual contents
from the Smartphone
54%
Watch audiovisual content in the
Smartphone
Base: those who have Smartphone n=(1.192)
Relevant consumption of tv contents in the Smartphone:
More than a half of the Smartphone users watch professional audiovisual content in it.
Also, a 72% of those who watch contents from the Smarphone, do this, at least, in a weekly basis.
72%
Weekly +
Televidente 2.0 – 8º Wave
13. Base: those who watch audiovisual contents using the Smartphone n=(646)
13
What are the motives to watch audiovisuals contents in the Smartphone?
12%
21%
28%
51%
71%
Because the image and sound quality are good
It allows me to watch videos alone, without having
to share it
It allows me to do other things at a time
It is quicker to check than any other device, it is
always reachable
It allows me to watch videos wherever I want
The Smartphone finds its own space in the audiovisual consumption sphere.
We identify two main advantages for the Smartphone to grow as screen of
audiovisual consumption:
These motives point out to an on-the-go comsupmtion, quick, flexible, fully adapted to the user, which allows to overcome
the disadvantages over screens with better performance.
Televidente 2.0 – 8º Wave
14. 48%
37%
15%
Using the
webpage
Using the app
Downloads
Base: those who watch contents in the Smartphone n=(646)
8%
18%
39%
28%
7%
Always
Frequently
Sometimes
Rarely
Never
Base: those who watch contents and have data plan
n=(529)
14
To what extent do you use 3G/4G internet connection
to watch these contents?
When you are watching contents in the
Smartphone; in which proportion do you use each
of the following options?
The web is the most used way of access to the contents, being preferred to apps or
downloads instead.
The 3G or 4G connection is not dominant yet due to the use of data plans, nevertheless the former are becoming more
relevant for one out of four users who watch contents.
Televidente 2.0 – 8º Wave
15. 15
Which of the following apps do you use?
96%YouTube
Rtve a la carta 40%
Atresplayer 39%
Mitele 35%
Base: those who watch contents in the Smartphone n=(646)
Vimeo 28%
Clan 28%
Canal Cocina 19%
Disney Channel replay 14%
UseRegular use
64%
12%
16%
14%
10%
10%
9%
5%
YouTube is hegemonic in the Smartphone, setting a significant gap from the tv
channels position (more than 50 points of difference).
Televidente 2.0 – 8º Wave
16. 16
51%
When and where do you use the Smartphone to
access to the content?
Out of the house; in the
transportation, lunch/dinner, …
In the house when I can not use the
television (at bed, at the kitchen, …)
On holidays or on the weekends
out of the house
41%
41%
At home when the television is
being used 36%
Base: those who watch contents in the Smartphone n=(646)
At home, even if the television is
not being used 33%
In someone else's house 26%
In which time of the year do you watch more content in the
Smartphone?
I tend to watch more videos in
the Smartphone when there are
tv shows, series that appeal to
me
I tend to watch more videos in
the Smartphone on holidays
At any time of the year, I always
watch videos in the Smartphone
18%
33%
49%
Base: those who watch contents in the Smartphone n=(646)
The Smartphone is like water: it strains and fills all the available moments and gaps
that were previously not occupied by any other device.
Thanks to its nature of permanent user´s companion, the Smartphone stays strong outdoors (barely with no other
competitors) and, indoors, in the spaces that were not covered by other devices.
Half of the Smartphone video consumers do not
declare any seasonal pattern. 2 out of 10 users
watch tv shows or series when these appeal to
them.
Televidente 2.0 – 8º Wave
17. 17
How frequently do you watch contents in your Smartphone with the following durations?
Base: those who watch contents in the Smartphone n=(646)
11%
13%
19%
61%
25%
37%
53%
37%
65%
50%
28%
2%
More than 60
minutes
From 30 to 60
minutes
From 10 to 30
minutes
From 0 to 10
minutes
Habitually Sometimes Never
The Smartphone gets strong in the micro-consumptions (short videos), and it
achieves a remarkable presence in the medium duration videos.
6 out of 10 users who watch contents in the Smartphone the consumption is usually less than 10
minutes long. The users who habitually consume long-duration contents (over 30 minutes) are still
minority: just 14%.
Televidente 2.0 – 8º Wave
18. 18
How does the profile of those who watch long-duration contents from the Smartphone look like?
Base: those who watch long-duration content in the
Smartphone n=(89)
Data plan
Monthly
download
capacity
≈
≈
4G 34%
Through web ≈
Through app ≈
Through
downloads
19%
At home, when the tv
is not available 48%
Consumption
moments of the year ≈
Gender ≈
Age ≈
SmartTV 46%
3D 29%
Plan features Access Consumptions moments
Sociodemographics Equipment
Those who watch long-duration
content from the Smartphone
They usually watch longer than 30 minutes contents from the Smartphone14%
The long-duration videos consumer (over 30 minutes) is, in comparison to those who
are not, a well-equipped profile: 34% of them already have 4G, although they also
consume in greater degree at home and downloads.
The role of the Smartphone as a tool to watch news fades away while increases its use linked to tv shows and series.
Foreign series
Type of contents
49%
Tv shows 38%
Spanish series 35%
News 50%
Atresplayer
Rtve
Apps of contents
68%
50%
Mitele 59%
Vimeo 49%
Statistically significant positive difference vs segments (95%)
Statistically significant negative difference vs segments (95%)
Televidente 2.0 – 8º Wave
19. 19
4G connection user vs 3G connection user
Plan features
More than 1GB of
monthly download
capacity
56%
3G 4G
72%
Type of content
Entertainment shows
3G 4G
9% 17%
Spanish series 5% 11%
Foreign series 10% 16%
Movies 7% 14%
News 34% 41%
Frequency of the use of
internet connection to
watch contents in the
Smartphone
Frequently +
Always
24% 33%
3G 4G
Frequency of audiovisual
content visualization in
the Smartphone
3G 4G
Daily 25% 38%
Use of players
TV channels
Mitele 32% 48%
Atresplayer 38% 45%
RTVE a la carta 40% 39%
3G 4G
Base: those who have 3G connection n=(815)
Base: those who have 4G connection n=(259)
Age
18-25
3G 4G
19% 25%
As the user with 4G connection have more megabytes and speed in his Smartphone,
they consume more audiovisual content.
They are a younger profile.
Statistically significant positive difference vs segments (95%)
Statistically significant negative difference vs segments (95%)
Televidente 2.0 – 8º Wave
21. 18%
82% Yes
No, I solely connect by
Wi-Fi
21
Do you have a data plan contracted?
Base: those who have Tablet n=(627)
Just an 18% of Tablet devices have a data plan associated.
Therefore, 8 out of 10 Tablets depend on Wi-Fi hotspots.
Among the Tablet owners, those who have a data plan attached are more senior than those who connect by WiFi.
Data plan in the tablet.
18-35 36-55
36% 64%
Base: those who have a
data plan in the tablet
n=(112)
They have data
plan
Televidente 2.0 – 8º Wave
22. 22
8%
18%
20%
23%
27%
32%
33%
Other sports
Football
Entertainment shows
Spanish series
Movies
News
Foreign series
Which audiovisual contents have you watched?
20%
How often do you watch audiovisual content in the
tablet?
At least once a day
At least once a week
At least once a month
45%
23%
Less frequently 12%
Base: those who watch contents in the Tablet n=(463)
26%
DO not watch contents in
the tablet
74%
Watch content in the tablet
Base: those who haveTablet n=(627)
Tablet as a tool for audiovisual consumption rises: a 74% of Tablet users consume
video.
Keeping the comparison with the Smartphone, in the Tablet the sort of contents changes widely: being the foreign series
the most consumed content. .
Televidente 2.0 – 8º Wave
23. Base: those who watch contents in the Tablet n=(463)
23
What are the motives to watch audiovisuals contents in the Smartphone?
24%
26%
36%
38%
68%
It allows me to watch videos alone, without having
to share it
Because the image and sound quality are good
It allows me to do other things at a time
It is quicker to check than any other device, it is
always reachable
It allows me to watch videos wherever I want
The benefits that the Tablet provides to the video consumption are similar to the
Smartphone ones, but reduced to the home context: independence and, in lesser
degree, immediacy or the combination with other tasks.
“I use it as if it was a laptop in order to watch series”
Televidente 2.0 – 8º Wave
24. 50%
34%
16%
Using the
webpage
Using the app
Downloads
Base: those who watch contents in the Tablet n=(463)
24%
18%
33%
19%
6%
Always
Frequently
Sometimes
Rarely
Never
Base : those who watch contents and have data plan
n=(86)
24
To what extent do you use 3G internet connection
to watch these contents?
When you are watching contents in the
Smartphone; in which proportion do you use each
of the following options?
The ways of access are similar to the ones used in the Smartphone; in both there is a
predominance of the web versus apps or downloads.
Among the minority that have data plan, just 4 out of 10 use it habitually to access to the contents.
Televidente 2.0 – 8º Wave
25. 25
Which of the following apps have you used/use?
96%YouTube
Atresplayer 49%
Rtve a la carta 44%
Mitele 41%
Clan 34%
Vimeo 30%
Canal Cocina 20%
Disney Channel replay 16%
YouTube is also “the king” in the tablet, however the tv channels apps are more used
than in the Smartphone.
+ 10 pts.
+ 4 pts.
+ 6 pts.
Vs. Smartphone
Vs. Smartphone
Vs. Smartphone
Base: those who watch contents in the Tablet n=(463)
Total useRegular use
66%
22%
20%
20%
15%
11%
10%
8%
Televidente 2.0 – 8º Wave
26. 26
50%
When and where do you use the Tablet to access
to the content?
In the house when I can not use the
television (at bed, at the kitchen, …)
At home when the television is being
used
At home, even if the television is
not being used
44%
44%
On holidays or on the weekends
out of the house 32%
Base : those who watch contents in the Tablet n=(463)
Out of the house; in the
transportation, at the meals, … 20%
In someone else's house 11%
In which time of the year do you watch more content in the
Tablet?
I tend to watch more videos in
the Tablet when there are tv
shows, series that appeal to me
I tend to watch more videos in
the Tablet on holidays
At any time of the year, I always
watch videos in the Tablet
18%
27%
55%
Base: those who watch contents in the Tablet n=(463)
The role of the Tablet is different to the Smartphone: its use is based on its character
as an alternative when the main television is not available, either because it is being
used or because there is no television at the lounge
More than a half of the Tablet video consumers
do not declare any seasonal pattern.
Televidente 2.0 – 8º Wave
27. 27
How frequently do you watch contents in your Tablet with the following durations?
Base: those who watch contents in the Tablet n=(462)
The long-duration content consumption is a more rooted habit in the Tablet (vs.
Smartphone): up to 28% watch frequently long contents (over 30 minutes) from the
Tablet.
18%
25%
28%
42%
46%
52%
61%
52%
36%
23%
11%
6%
More than 60 minutes
From 30 to 60
minutes
From 10 to 30
minutes
From 0 to 10 minutes
Habitually Sometimes Never
Televidente 2.0 – 8º Wave
28. 28
How does the profile of those who watch long-duration contents from the Tablet look like?
Base: those who watch long-duration content in the Tablet n=(131)
through downloads 22%
At home, when
the tv is not
available
60%
Holidays
Age
Access Consumptions moments
Sociodemographics
Those who watch long-duration
content from the Tablet
They usually watch longer than 30 minutes contents from the Tablet
40%
28%
Atresplayer
Rtve
Apps of contents
57%
57%
Mitele 45%
59%Foreign series
Type of contents
69%
Movies 56%
Spanish series 50%
The long-duration videos consumer (over 30 minutes), versus those who are not,
basically watches series and movies, as well as they strengthen the Tv channels
apps roles.
Atresplayer and Rtve are rated as the most used apps.
18-35
Statistically significant positive difference vs segments (95%)
Statistically significant negative difference vs segments (95%)
Televidente 2.0 – 8º Wave
30. 30
21
22
17
11
19
-7
-29
-19
-23
1
-35
11
11
17
-19
-13
-13
-11
-9
-13
5
28
17
24
-2
13
-10
-7
-12
4
-6
-4
-4
-4
-3
-5
0
0
1
2
16
5
-1
-6
10
1
-2
2
2
-1
8
0
2
-5
-1
2
-5
-4
1
0
-3
-3
-3
0
-2
-1
0
0
3
1
5
-1
1
-1
5
TDT Pay tv Internet through
downloads/streaming
Apps/TV channels
webs
Yomvi/
Movistar multiscreen/
Wuaki/…
Profiles of off/online platforms contents consumed
Football
Formula 1
Motorcycle
racing
Tennis
NBA
Other sports
Movies
Mini series
Foreign series
National series
Talent Show
Realities
Magazines
Debates shows
News
Sports Movies/ Series Shows
Base: total n=(1384)
Each platform shows a differentiated profile regarding content consumption.
In this analysis, built by the deviations around all platforms mean, can be observed how regular TV (public TV and
pay TV) is limited to live consumption (sports and shows), while foreign series and movies are strong in
downloads/streaming.
The online TV channels stand out in national series.
Televidente 2.0 – 8º Wave
31. 31
Contents consumed in regular TV (users of each platform)
Public TV Traditional Pay TV
Football
Formula 1
Motorcycle
racing
Tennis
NBA
Other sports
Movies
Mini series
Foreign series
National series
Talent Show
Realities
86%
86%
83%
78%
81%
75%
54%
67%
68%
75%
42%
82%
82%
85%
68%
Magazines
Debates shows
News
Base: total n=(1384)
Sports Movies/ Series Shows
The public TV stands out in almost all sort of contents but, above all, in the
consumptions of most sports apart from football as well as in national series and
magazine shows, debates and news. Meanwhile, the Pay TV dominates in both: football
and NBA.
28%
29%
35%
30%
30%
38%
52%
52%
57%
46%
63%
43%
36%
26%
62%
Base: those who have traditional pay TV contracted
n=(547)
Televidente 2.0 – 8º Wave
32. 32
Internet through
downloads/streaming
Apps/TV channels
webs
Yomvi/Movistar multiscreen/
Wuaki/…
Football
Formula 1
Motorcycle
racing
Tennis
NBA
Other sports
Movies
Mini series
Foreign series
National series
Talent Show
Realities
Magazines
Debates shows
News 8%
8%
11%
14%
7%
36%
64%
48%
62%
24%
38%
13%
17%
10%
37%
30%
23%
29%
26%
21%
44%
36%
31%
28%
29%
25%
19%
19%
31%
34%
3%
3%
4%
7%
4%
10%
13%
11%
16%
11%
15%
7%
10%
8%
19%
Sports Movies/ Series Shows
Base: those who watch content through
downloads/streaming n=(1059)
Base: those who watch TV channels though
internet n=(724)
Base: those who use/have contracted
Yomvi/Movistar Multiscreen/Wuaki…
n=(778)
Contents consumed in online platforms (do have platform sample)
Movies and foreign series are consumed through downloads/streaming. In online TV
channels, whether these are by web or app, prevail national series. Regarding the
online audiovisual content services, these have their greatest asset in football, NBA
and movies.
Televidente 2.0 – 8º Wave
33. 33
74
31
41
85
10
26
85
13
24
78
20
35
84
17
25
Football 50%
% that watch the content
Formula 1 37%
% that watch the content
Motorcycling 27%
% ve el contenido
18-35 36-55 18-35 36-55 18-35 36-55
Recursos de consumo audiovisual deportivo usados (por edad)
n=(318) n=(367) n=(205) n=(305) n=(152) n=(223)
Public TV Pay TV Online audiovisual services
(Yomvi/MovistarMultiscreen,
downloads-streaming, webs-TV
channels apps)
The online content consumption becomes strong among young users.
Furthermore, the consumption of football and motorcycling through online audiovisual services acquires high
relevance among “milenials”.
61
34
57
Statistically significant positive difference vs segments (95%)
Televidente 2.0 – 8º Wave
34. 34
65
23
76
71
26
55
47
21
78
62
23
55
71
13
60
78
19
41
Movies 92%
% that watch the content
Foreign series 76% National series 56%
18-35 36-55 18-35 36-55 18-35 36-55
n=(621) n=(646) n=(542) n=(509) n=(384) n=(394)
Movies/series audiovisual consumption resources used (by age)
Public TV Pay TV Online audiovisual services
(Yomvi/MovistarMultiscreen,
downloads-streaming, TV channels
webs-apps)
This trend is even more pronounced for movies and foreign series.
Among the youth, both movies and foreign series are watched online in a greater extent than in the Public TV.
Statistically significant positive difference vs segments (95%)
% that watch the content % that watch the content
Televidente 2.0 – 8º Wave
37. 37
Frequency of posts in Social Networks
About videos seen online 19% 38% 24% 19%
Frequently Sometimes Rarely Never or Hardly ever
About tv shows, series, movies, etc, that are being
broadcasted at that time
16% 33% 26% 25%
Frequently Sometimes Rarely Never or Hardly ever
About advertisements that I am watching at that time
7% 18% 29% 46%
Frequently Sometimes Rarely Never or Hardly ever
Base: They
have an
account in
Social Network
n= 1347)
WhatsApp Facebook
60%
Ongoing broadcasted content…
59%
Google+
6%
Twitter
35%
Base: those who sometimes post comments in the Social Networks
about ongoing content n= (661)
The social network posts about TV shows grow firmly, both in online and offline
broadcasts.
WhatsApp pushes this rise thanks to its immediacy and the fact of being an app where the messages received tend
to come from friends/relatives, this growth is at expense of Facebook.
About tv shows, series, movies, etc, despite of not
being broadcasted at that time
17% 33% 25% 25%
Frequently Sometimes Rarely Never or Hardly ever
Statistically significant positive difference vs 2013 (95%)
Statistically significant negative difference vs 2013 (95%)Televidente 2.0 – 8º Wave
38. 35%
36%
57%
41%
30%
31%
18%
21%
9%
7%
12%
4%
Habitually Sometimes Rarely Never
38
(n=1347)
(n= 1197)
(n=626)
Smartphone
Desktop
computer or
Laptop
Tablet
62%
Uses habitually other
devices while watching
TV
2013
> 60%
Uses habitually other
devices while watching
TV
2014
Use of other devices while watching television
The concurrent consumption versus the TV displays certain stability in general, with
some slight variances.
(59% in 2013)
(42% in 2013)
(39% in 2013)
Statistically significant positive difference vs 2013 (95%)
Statistically significant negative difference vs 2013 (95%)Televidente 2.0 – 8º Wave
40. The bundle that includes optical fiber offered by Movistar has made of this company
the leader in the Market.
40%
60%
Yes
No
Base: total n=(1384)
They have Pay TV contracted Which one has contracted?
11%
91%
11%
29%
80%
21%
8%
6%
89%
9%
89%
71%
20%
79%
92%
94%
I have
contracted
it
separately
Was
included in
a services
package
TOTAL
contracted
Movistar TV (imagenio)
Canal +
Ono
Telecable
GolT
Orange
R
Euskaltel
36%
31%
23%
10%
5%
4%(*)
5%(*)
4%(*)
Base: Pay TV client n=(551)
(*) small sample.
Vs. 40% in
2013
40
Pay TV
20%
34%
24%
9%
7%
3%
5%
3%
Total
contracted
2013
43%
They have
optical fiber
contracted.
Statistically significant positive difference vs 2013 (95%)
Statistically significant negative difference vs 2013 (95%)Televidente 2.0 – 8º Wave
41. 58%
42%
Type of Yomvi users
17%
83%
Yes
No
Yomvi users
Base: total n=(1384)
Yomvi user, do you have Canal + contracted?
Has not C+ contracted
Has C+ contracted
Base: They use Yomvi n=(234)
17% of Internet users use Yomvi currently. However, just 4 out of 10 of these users have
Canal+ or Yomvi contracted, at the same time, most of them do not possess any sort of
subscription.
Up to date, Yomvi has not achieved to have a key booking on its own (as we will see, likewise to the other online
competitors).
7%Yomvi Users with C+ subscription
Total internet
users
1%Yomvi Users with Yomvi subscription
10%Yomvi Users without subscription
41
(those who access to Yomvi with someone else's password)
Televidente 2.0 – 8º Wave
42. I do not
know it
43
39% 53% 7%
35% 56% 8%
80% 17% 3%
77% 19% 4%
81% 16% 3%
85% 13% 3%
85% 13% 3%
I know it
but I have
not used it
I use it/
have used
it
I pay for
the
services
85% 13% 2%
Magine
Nubeox
Apple TV/ Itunes (películas)
Cineclick
Filmin
Totalchannel.com
Dorna VideoPass (Moto GP)
Filmotech
1%
1%
1%
0%
0%
0%
0%
0%
Base: total n=(1384)
7%
93%I have no contract with
any online tv services
Other online tv services
Base: total n=(1384)
Low rates of online television services payment.
The brand top awareness and the highest use is for YouTube and Google Play, although the payment is very low.
Wuaki.tv y Nubeox are coming after. Those who pay this contents are, principally, clients of the traditional pay tv.
Pay for any online tv services
59%
Of users who pay for online tv services also have some
traditional pay TV service.
4% 18% 76%
20% 44% 34%
31% 57% 9%
YouTube
Google Play
Wuaki.tv
3%
3%
2%
Televidente 2.0 – 8º Wave
44. 30%
70%
Yes
No
11% 38% 38% 14%
Within the last 3 months Within the last 3 months and last year 1 or 2 years ago More than 2 years ago
45
Is your television a Smart TV?
Base: those who have TV
n=(1379)
Base: they have Smart TV n=(412)
Smart TV (new ones vs old ones)
Have you ever gone online in your Smart TV?
73%
27%
Yes
No
Base: those who have Smart TV n=(412)
76%
24%
Yes
No
Base: those who have a Smart TV
bought less than a year ago n=(201)
49%Bought less than a year ago
Total Smart TV Smart TV bought less than a year ago
6%
7%
9%
19%
25%
82%
Movement recognition camera
Voice recognition
Keyboard
App for the smartphone/ tablet
Remote control with joystick or…
Regular TV remote control
8%
11%
13%
27%
34%
77%
What kind of remote control does your Smart TV have?
Vs. 23% in
2013
The Smart TV is getting strong at home: a third of internet users already have one. Half
of these Smart TVs have less than 1 year old, which implies an improvement of the
features, among these, the remote control.
Statistically significant positive difference vs 2013 (95%)
Statistically significant negative difference vs 2013 (95%)Televidente 2.0 – 8º Wave
45. By using apps
By using web browser
47%
46
13% 34% 20% 19% 14%
Daily At least weekly At least monthly Lesser frequency Seldomly
Base: they go online in the Smart TV n=(302)
By using the web browser and
apps By using apps
By using web browser
26% 24%
50%
Internet connection frequency Internet access method
18% 41% 18% 10% 12%
Daily At least weekly At least monthly Lesser frequency Seldomly
Base: they go online in the Smart TV bought less than 1 year ago
n=(152)
15% 29%
56%
Weekly +
52%Weekly +
Total Smart TV
Smart TV bought less than a year ago
2013 41% 29% 30%
In the new Smart TV is more frequent to use Internet. Are in the latest models where the
access to Interner, both through the web browser or app, is higher.
By using the web browser and
apps
Televidente 2.0 – 8º Wave
46. 16%
16%
15%
4%
4%
Audiovisual content apps used
73%
44%
37%
35%
19%
19%
19%
18%
15%
15%
11%
11%
10%
7%
6%
3%
2%
15%
56%
23%
15%
22%
15%
5%
13%
4%
8%
4%
4%
6%
4%
4%
3%
1%
1%
10%
47
Type of apps used
Audiovidual
contents
79%
º
To listen
to music
Online
press
Social
Networks
Games
Email
Communication
Photography
Karaoke
Other
44%
35%
37%
27%
YouTube
Rtve a la carta
Apps of the brand
Atresplayer
Yomvi
Wuaki
Disney Channel
History
Other apps
Cooking channel
Eurosport
Nubeox
Sol Música
Vimeo
TED
Decasa
Bio
Filmin
Have used
Use frequently
Base: they
get
connected
to internet
in the Smart
TV and use
apps
n=(225)
Base: they get connected to
Internet in the Smart TV and
use audiovisual contents
apps n=(179)
º
2013
81%
42%
39%
37%
28%
2013
26%
16%
22%
5%
2%
The audiovisual content apps are the most used ones in order to access the Internet,
above all of them, YouTube highlights.
RTVE a la carta and Atresplayer are the most commonly used apps along with the apps that belong to the brand. .
Televidente 2.0 – 8º Wave
47. 60%
33%
17%
16%
10%
48
Drivers and content to Smart TV audiovisual apps
Base: they get connected to internet in the Smart TV and use
audiovisual content apps n=(179)
Why do you watch videos through these apps?
Apps are more comfortable to use than the
web in the Smart tv
It offers on demand contents
The video/sound quality is better in the apps
than in the web
There are more contents in the apps than in
the web in the Smart tv
The apps allow me to interact with them from
other devices
5%
15%
15%
16%
17%
24%
26%
30%
34%
38%
41%
41%
46%
48%
Others
News
Gamers/gameplay videos
Entertainment/Contests shows
Homemade/non professional videos
Tutorials/how to videos
Hobbies videos
Sports
Humour videos
Documentaries
Foreign series
Spanish series
Music videos
Movies
Which contents do you watch through the apps?
The content seen is:
Pay content
Both (free and pay)
Free content
2%
20%
78%
2013
79% 19% 3%
The audiovisual content apps are understood as comfortable to use. Contents such as
movies, videoclips and series (normally, free content) monopolizes this consumption.
Televidente 2.0 – 8º Wave
48. 9%
11%
12%
17%
26%
28%
30%
43%
44%
56%
Others
Homemade/non professional videos
News
Entertainment/Contests shows
Documentaries
Music videos
Sports
Spanish series
Foreign series
Movies
47%
40%
18%
17%
65%
38%
29%
17%
49
Type of audiovisual content webs used
Webpages related to Tv channels
Webpages to watch movies/series in streaming
Webpages to watch football or other sports in streaming
Others
What content do you watch through these webs?Why do you watch videos through these webs?
There is more content in the web than in the
apps
The web is easier to use than the apps
The web allows me to have several videos
opened at a time
The video/sound quality is better in the web
than in the apps
Base: they get connnected to internet through the Smart TV and use the web
browser n=(229)
Being able to access to a better catalogue is the principal driver to use the Smart tv
web browser.
The most visited webs are those related to TV channels. Movies (considering also streaming watching webs) and
series stand out.
Televidente 2.0 – 8º Wave
49. 44% 32% 16% 6% 2%
10 - 9 8 - 7 6 - 5 4 - 3 2 - 0
50
35% 37% 18% 9% 2%
10 - 9 8 - 7 6 - 5 4 - 3 2 - 0
Smart TV satisfaction level
71%Top 4 76%Top 4
Total Smart TV Smart TV bought less than 1 year ago
10%
13%
14%
15%
15%
21%
23%
Difficult to use
Easy to use
Good apps
It meets my expectations
It works bad
I like it
It works ok
11%
8%
12%
14%
13%
19%
20%
Difficult to use
Easy to use
Good apps
It meets my expectations
It works bad
I like it
It works ok
Motives of satisfaction level about Smart TV
Base: they access internet in the Smart TV n=(302)
Base: they access internet in the Smart TV bought less than 1 year
ago n=(152)
Positives Negatives
2013
63%
The satisfaction level regarding the Smart TV goes up compared to 2013, partially
thanks to the newer tvs.
The latest Smart TVs are seen as easier to use.
Televidente 2.0 – 8º Wave
50. 51
26% 30% 30% 8% 7%
9% 19% 25% 13% 34%
9% 25% 29% 15% 22%
6% 16% 25% 16% 37%
10 - 9 8 - 7 6 - 5 4 - 3 2 - 0
The apps and contents offer of my interest for the Smart TV is
still poor
I would be willing to pay a reasonable price for contents that
give added value to my Smart TV
I see more and more contents in the Smart TV, whether
these are through the apps or the web browser
I would be willing to pay for contents in my Smart TV if it
was through subscription
Base: they access internet in the Smart TV n=(302)
Attitudes towards the Smart TV
56%Top 4
28%Top 4
36%Top 4
22%Top 4
Although the apps and contents offer is still poor, the willingness to pay for contents
reaches to almost 1 of each 3 users.
Televidente 2.0 – 8º Wave
52. 60%
40%
Yes
No
70%30%
Yes
No
53
Downloads/Streaming
77%
23%
Yes
No
Base: total n=(1384)
Do you watch contents (such as series, movies, shows,
sports, cartoons,…) through downloads/streaming
webs?
Vs. 82% in
2013
Decrease in the consumption of contents through streaming and/or downloads in favor
of an increase of the Pay TV among those who neither do streaming nor downloads.
Nonetheless, when analysing separately, we can observe a growth in either one, this is, there is more users with
both options than in 2013.
32%
Had Pay TV
contracted
2013
> 38%
Have Pay TV
contracted
2014
Pay TV penetration in those who do not consume
downloads/ streaming
Base: total n=(1384)
Do you watch contents (such as series, movies, shows, sports,
cartoons,…) through downloads?
Vs. 54% in
2013
Base: total n=(1384)
Do you watch contents (such as series, movies, shows, sports,
cartoons,…) through streaming?
Vs. 61% en
el 2013
Statistically significant positive difference vs 2013 (95%)
Statistically significant negative difference vs 2013 (95%)Televidente 2.0 – 8º Wave
53. 54
Contents and the access mode
Documentaries
Humour
Foreign
Series
National
Series
Movies
Adults
Tv shows
Sports
n=(158)
n=(140)
n=(558)
n=(228)
n=(648)
n=(246)
n=(951)
n=(270)
15%33% 22% 17% 14%
13%44% 21% 16% 6%
16%24% 18% 20% 22%
14%28% 18% 21% 19%
19%19% 16% 17% 29%
12%40% 19% 16% 13%
10%52% 15% 14% 9%
9%56% 16% 12% 6%
Just
through
streaming
Mainly
through
streaming
I use
streaming
and
downloads
equally
Mainly
through
download
Just
through
download
The type of content that is immediate because of their nature; such as sports or tv
shows are, in greater degree, watched in streaming. However, both foreign series and
movies are the only contents in which the downloads are as high as the streaming.
Televidente 2.0 – 8º Wave
54. 60%
40%
Yes
No
55
How many hours do you spend watching
downloaded content weekly?
7 hours & 48 minutes
66%
64%
Peer to peer file sharing program
(torrents, emule, P2P)
Online file hosting webs such as Mega or
Rapidshare
Resources used for downloading
Base: total n=(1384)
Do you watch contents (such as series, movies,
shows, sports, cartoons,…) through downloads?
Base: those who watch content through downloads n=(834)
7 hours & 41 minutes2013
Audiovisual content through download
Vs. 54% in
2013
The number of internet users that watch contents through downloads grows as well as
the time spent on it.
This figure has to do with the rise of the optical fiber in this segment. The P2P and the downloads webs are used
almost indistinctly.
17%
Had optical fiber at
home
2013
> 31%
Have optical fiber at
home
2014
Own optical fiber…
Statistically significant positive difference vs 2013 (95%)
Statistically significant negative difference vs 2013 (95%)Televidente 2.0 – 8º Wave
55. 56
How many hours do you spend watching
streaming content weekly?
6 hours & 27 minutes
Devices used for streaming
70%30%
Yes
No
Base: total n=(1384)
Do you watch contents (such as series, movies,
shows, sports, cartoons,…) through streaming?
Base: those who watch contents through streaming n=(971)
89% 22%25% 12%
PC/ Laptop SmartphoneTablet Smart TV
69%
66%
Online file hosting webs to watch
series/movies in streaming
YouTube
36%Online file hosting webs to watch football and
other sports in streaming
14%Vimeo
13%Others
Resources used to watch contents in streaming
Base: those who watch contents through streaming n=(971)
2013 5 hours & 41 minutes
Audiovisual content through streaming
Vs. 61% in
2013
The increment can be also seen in the visualization of audiovisual content through
streaming.
Important climb of the hours spent on consumption. The PC/Laptop prevails, although the tablet and smartphone
have relevant positions. The online file hosting webs are the most used, followed by YouTube.
They have optical fiber
2013
17%
2014
30%
Statistically significant positive difference vs 2013 (95%)
Statistically significant negative difference vs 2013 (95%)Televidente 2.0 – 8º Wave
56. 57
Behaviours in the consumption of download/streaming content
58%
62%
65%
I "binge-watch": I watch a lot of downloaded or in
streaming content one after another
I do not plan too much what I am going to watch: I
search for something that I am interested in at that time
I follow the series that I like when they release them and
I watch the corresponding episode of the week as soon
as it has been broadcasted
Base: those who watch content through streaming and
downloads n=(684)
The huge amount of content available lead to diverse consumption patterns living
together for downloads and streaming users: planning, improvisation and binging.
Those who use streaming as well as downloads follow the series weekly as it goes on television. However, when
the content is available, more than a half of the internet users who either download or watch in streaming, binge-
watch. (they watch several episodes or even full seasons in a row).
Televidente 2.0 – 8º Wave
58. 59
Profile of user in function of its type of connection
3 out of 10 internet users have optical fiber at home, and 6 out of 10 optical fiber users
have Pay TV.
As we saw earlier on, the optical fiber is gaining ground to the ADSL.
Statistically significant positive difference among segments (95%)
29%
69%
2%
Fiber ADSL Other connections
Base: total (n=1384)
50% 50% 57% 43%
Gender
Base: those who have
ADSL (n=955)
Base: those who
have Fiber (n=406)
ADSL User Fiber User
Those who have
Pay tv
35% 58%
Televidente 2.0 – 8º Wave
59. 60
Users equipment depending its type of connection
59%
85%
45%
34%
Desktop computer
Smartphone
65%
90%
53%
43%
ADSL User Fiber User
Mobile hard drive
Home video game console
Statistically significant positive difference among segments (95%)
30% 13% 37% 34% 19% 51%
Smart TV 3D Full HD Smart TV 3D Full HD
Base: those who have
ADSL (n=955)
Base: those who
have Fiber (n=406)
The user that has optical fiber has more and better technological equipment than those
who have ADSL.
TV set TV set
Televidente 2.0 – 8º Wave
60. 71
32
49
61
59
39
53
86
10
24
80
19
30
83
18
25
71
26
42
Football
48%
% watch the content Formula 1
35%
Motorcycing
27%
Resources of audiovisual sportive consumption used
n=(459) n=(215)
Public TV Pay TV Online audiovisual services
(Yomvi/MovistarMultiscreen,
downloads-streaming, webs-TV
channels apps)
n=(361) n=(140) n=(270) n=(111)
53% 38% 28%
Statistically significant positive difference among segments (95%)
ADSL users and Optical fiber ones consume the same sportive contents but in a
different way: the Optical fiber users stay away from public tv, expanding their
consumption to the Pay tv or audiovisuals online services.
ADSL
User
Fiber
User
ADSL
User
Fiber
User
ADSL
User
Fiber
User
% watch the content % watch the content
Televidente 2.0 – 8º Wave
61. 62
69
23
64 63
33
68
56
20
66
49
31
70
76
13
51
66
26
53
Movies
92%
Foreign series
78%
National series
56%
Public TV Pay TV Online audiovisual services
(Yomvi/MovistarMultiscreen,
downloads-streaming, webs-TV
channels apps)
n=(875) n=(375) n=(718) n=(318) n=(531) n=(227)
Resources of audiovisual movies/series consumption used
92% 75% 56%
Statistically significant positive difference among segments (95%)
There is a similarity in the consumption of movies and series, since the Optical fiber
user prefers to watch contents in Pay tv and streaming more than the ADSL user.
% watch the content % watch the content % watch the content
ADSL
User
ADSL
User
ADSL
User
Fiber
User
Fiber
User
Fiber
User
Televidente 2.0 – 8º Wave
63. º
64
86%
14%
Yes
No
Have you ever accessed to YouTube over the last
month to watch videos?
Base: total n=(1384)
85%
Which resource have you used to access YouTube?
Base: have ever accessed to YouTube in the last month
n=(1191)
Access to YouTube
50%
Both 35%
Through its app
Through its web
YouTube is overwhelmingly prevailing: almost nine out of ten internet users have
accessed this platform in the last month. Even though the access is predominantly
through the web, the apps have reached a normalized use.
Internet users with
an account on
Youtube
54%
Televidente 2.0 – 8º Wave
64. 65
85% 57% 29% 10%
PC/ Laptop Smartphone Tablet Smart TV
Devices from which they access to YouTube
Places from where they access to YouTube
73% 62% 29% 26% 20% 19%
At the house Out of the house 51%96%
Living room
Otras
Estancias
Outdoors In a friend or
relative house
At the work
place
Public
transport
Base: those who have accessed to YouTube in the last
month n=(1191)
Base: those who have accessed to YouTube in the last month n=(1191)
º º º º º
YouTube has a wide range of multi device access and an ubiquitous consumption:
although the PC and indoors dominate over all, the smartphones and outdoors reach to
a 50% of users. The profile of the users who access outdoors is more masculine and
younger.
56% 44%
18-35 36-55
59% 41%
Base: those who have
accessed to YouTube in
the last month from each
place
n=(609)
Statistically significant positive difference vs segments (95%)
“Now the
Smartphone is
slightly bigger and it
is closer at hand to
watch Youtube
wherever you want”
Televidente 2.0 – 8º Wave
65. 85% 57% 29% 10%
66
PC/ Laptop Smartphone Tablet Smart TV
Profile of users who access to YouTube by device
When we analyze the profile of users who access to YouTube by device of access, we
observe that the access through the Smart TV is way more masculine and the access
through the Smartphone is more usual in those ranging from 18 to 35 years old.
Gender
Age
54% 46% 52% 48% 53% 47% 66% 34%
18-35 36-55 18-35 36-55 18-35 36-55 18-35 36-55
52% 48% 59% 41% 47% 53% 52% 48%
Base: those who have accessed to
YouTube in the last month from
each device
n=(1015) n=(676) n=(344) n=(123)
Base: those who have
accessed to YouTube in
the last month
n=(1191)
Statistically significant positive difference vs segments (95%)
Televidente 2.0 – 8º Wave
66. 6% 19% 18% 22% 35%
7% 26% 23% 22% 23%
11% 25% 16% 20% 27%
16% 38% 26% 12% 8%
67
8% 21% 18% 22% 31%
4% 14% 17% 27% 39%
4% 12% 16% 25% 42%
Daily At least once a week At least once a month Lesser frequency Never or hardly ever
Frequency of visualization by content
Watching music videos
Watching television channels contents
Watching hobbies videos (DIY, cars, etc…)
Watching YouTubers videos
Watching sport videos
Watching videos that brands put online
Watching videos of celebrities
54%Weekly +
36%Weekly +
33%Weekly +
29%Weekly +
25%Weekly +
18%Weekly +
16%Weekly +
Base: those who have accessed to YouTube in the last
month n=(1191)
YouTube is mainly a music player: music videos are the most consumed content. At a
certain distance, the television channels and hobbies contents.
“Most of the time on Youtube, I am listening to music”
Televidente 2.0 – 8º Wave
67. 85%
75%
62%
46%
40%
40%
37%
35%
34%
68
I use the YouTube searcher to find content
of my interest.
When I access YouTube, I usually watch the
videos I was looking for and also some other
recommended ones.
In YouTube I just watch the specific videos I
was looking for.
It is my main source of consumption of
entertainment videos .
I am subscribed to specific channels
created by tv channels or people about
concrete themes.
I access to consume videos without any fixed
aim, out of boredom, to see what I find.
To watch videos of series and shows that
are broadcasted on TV.
I use someone else´s playlist or my own
playlist to watch contents (such as music,
humour, et.).
I use general YouTube channels to watch
contents (popular, music cannel, Sport cannel,
Movies cannel…).
Consumption patterns and attitudes towards YouTube
Base: those who have accessed to YouTube in the last
month n=(1191)
Several consumption patterns in Youtube: Use of the web browser to search for
content of interest as well as the consumption of recommended content, playlist,
theme channels…
Televidente 2.0 – 8º Wave
68. Madrid México D.F. Bogotá
info@tcanalysis.com
tcanalysis.com
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