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Teaching
Listening
Juan Cuevas
ELT & ICT Consultant
SOME OF THE MOST COMMON LISTENING SITUATIONS?
• listening to live conversations
• listening to announcements (at airports, railway stations, bus
stations, etc.)
• listening to/watching the news, the weather forecast on the
radio/TV
• listening to the radio, watching TV for entertainment, watching
a play/movie
• listening to records (songs, etc.)
• following a lesson (at school)
• attending a lecture
• listening on the telephone
• following instructions
 listening to someone giving a speech/a public address
TYPICAL MATERIALS USED FOR LISTENING
Authentic:
radio broadcasts, recordings (e.g. of movie times, airport
announcements), videos of TV shows or movies, lectures,
phone conversations
Semi-authentic:
unrehearsed tapes; role plays with native speakers who speak
at normal speed
Prepared:
commercially prepared tapes and videos
TOP-DOWN PROCESSING
 Listener gets a “general understanding” or “overall view” of
the listening text.
 This is greatly helped if the listener’s schema allows them
to have appropriate expectations of what they might hear.
 For example, if I am listening to a doctor talk to a patient, I
expect to hear about a medical problem. I expect that the
doctor will give some advice, maybe a prescription for some
medicine. I also know many of the vocabulary they will use.
BOTTOM-UP PROCESSING
 The listener focuses on individual words or phrases and
gains an understanding of the whole passage by linking
these together.
LISTENING SKILLS
 Identifying the topic
 Predicting and guessing
 Listening for general understanding
 Listening for specific or detailed information
 Interpreting a text/making inferences
EXTENSIVE AND INTENSIVE LISTENING
Extensive  listening for pleasure (listening on your own;
because you want to)
Intensive  listening for a purpose (often done with the
teacher’s help; because you have to)
WHAT SHOULD TEACHER’S OBJECTIVES
INCLUDE IN A LISTENING LESSON?
 exposing students to a range of listening experiences
 making listening purposeful for the students (provide students
with a REASON to listen)
 building up students’ confidence in their own listening ability
THE “PDP” FRAMEWORK
What is “PDP”?
PDP is a framework that can be used to teach the receptive
skills (reading and listening) and to help develop learners’
comprehension.
Activities in the PDP framework are sequenced and scaffolded
in such a manner that learners are provided with the support
they need to fully understand a given text.
P = Pre-listening
D = During listening
P = Post listening
TYPICAL PRE LISTENING ACTIVITIES
• pictures to activate background knowledge
• brainstorming what students know about the topic with a
word map
• showing realia related to the topic (ex: a menu or a movie
schedule)
• pre-teaching vocabulary (with pictures, realia, examples in
context…)
TYPICAL DURING LISTENING ACTIVITIES
• listening for gist
• listen to background noise to establish setting and topic
• identify specific words
• figure out relationship by listening to tone of voice
• listen for specific intonation (statement or question)
• raise hand when hearing certain words
• true/false questions
• marking stress or intonation
• matching
 multiple choice questions
 ordering/numbering items (sequencing activity)
 detecting mistakes
 writing short answers
 doing a task such as filling out a form, following a map
or taking an order
 making a decision based on the information
 note-taking from a lecture
TYPICAL DURING LISTENING ACTIVITIES (cont'd.)
TYPICAL POST LISTENING ACTIVITIES
 interviewing native speakers
 calling for information (e.g. travel agency, movie theatre, car
rental agency, restaurant)
 perform a role play
 reading and/or writing about the topic
 discussing the topic
 listening to another example
 making a poster
WHAT DO YOU THINK THE GOALS OF EACH STAGE ARE?
PRE:
 To prepare students for listening by contextualizing and/or
personalizing to make it more accessible and more realistic.
 Pre-teach key vocabulary
 To involve students in the specific topic.
 To activate prior knowledge.
 To provide a purpose for listening.
DURING:
 To comprehend the listening text through multiple exposures (from
general to specific, easy to difficult and concrete to abstract)
POST:
 To personalize, make practical use of, or expand on the listening text
and/or lexis and grammar introduced in the text.
 To develop language by integrating listening with other skills.
 To reinforce students’ understanding of the text by personalizing the topic by
integrating other language skills areas (ex: speaking, writing)
 Allows SS to reinforce the new vocabulary and/or language structures from the
lesson by using other skills.
 Helps SS to be creative and expand on or personalize the topic.
ACTIVITY STAGING IN PDP
 Activities in the DURING listening stage should be staged
from:
 EASY  DIFFICULT activities
 GENERAL understanding (ex: main idea)  SPECIFIC and
detailed understanding of the text
 CONCRETE ABSTRACT
HOW CAN WE SET OUR STUDENTS UP TO BE
SUCCESSFUL AT LISTENING?
• Make sure instructions are clear; students have to
understand very clearly what they are expected to do.
• Make sure that each time a listening text is heard, even for
the second or third time, the students have a specific
purpose for listening; give them a task.
• Do plenty of pre-listening work.
• Encourage students not to worry if they don’t understand
every word; a task can be completed even when they miss
some of the words

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Teaching listening 2020 1 ubo

  • 2. SOME OF THE MOST COMMON LISTENING SITUATIONS? • listening to live conversations • listening to announcements (at airports, railway stations, bus stations, etc.) • listening to/watching the news, the weather forecast on the radio/TV • listening to the radio, watching TV for entertainment, watching a play/movie • listening to records (songs, etc.) • following a lesson (at school) • attending a lecture • listening on the telephone • following instructions  listening to someone giving a speech/a public address
  • 3. TYPICAL MATERIALS USED FOR LISTENING Authentic: radio broadcasts, recordings (e.g. of movie times, airport announcements), videos of TV shows or movies, lectures, phone conversations Semi-authentic: unrehearsed tapes; role plays with native speakers who speak at normal speed Prepared: commercially prepared tapes and videos
  • 4. TOP-DOWN PROCESSING  Listener gets a “general understanding” or “overall view” of the listening text.  This is greatly helped if the listener’s schema allows them to have appropriate expectations of what they might hear.  For example, if I am listening to a doctor talk to a patient, I expect to hear about a medical problem. I expect that the doctor will give some advice, maybe a prescription for some medicine. I also know many of the vocabulary they will use. BOTTOM-UP PROCESSING  The listener focuses on individual words or phrases and gains an understanding of the whole passage by linking these together.
  • 5. LISTENING SKILLS  Identifying the topic  Predicting and guessing  Listening for general understanding  Listening for specific or detailed information  Interpreting a text/making inferences
  • 6. EXTENSIVE AND INTENSIVE LISTENING Extensive  listening for pleasure (listening on your own; because you want to) Intensive  listening for a purpose (often done with the teacher’s help; because you have to)
  • 7. WHAT SHOULD TEACHER’S OBJECTIVES INCLUDE IN A LISTENING LESSON?  exposing students to a range of listening experiences  making listening purposeful for the students (provide students with a REASON to listen)  building up students’ confidence in their own listening ability
  • 8. THE “PDP” FRAMEWORK What is “PDP”? PDP is a framework that can be used to teach the receptive skills (reading and listening) and to help develop learners’ comprehension. Activities in the PDP framework are sequenced and scaffolded in such a manner that learners are provided with the support they need to fully understand a given text. P = Pre-listening D = During listening P = Post listening
  • 9. TYPICAL PRE LISTENING ACTIVITIES • pictures to activate background knowledge • brainstorming what students know about the topic with a word map • showing realia related to the topic (ex: a menu or a movie schedule) • pre-teaching vocabulary (with pictures, realia, examples in context…)
  • 10. TYPICAL DURING LISTENING ACTIVITIES • listening for gist • listen to background noise to establish setting and topic • identify specific words • figure out relationship by listening to tone of voice • listen for specific intonation (statement or question) • raise hand when hearing certain words • true/false questions • marking stress or intonation • matching
  • 11.  multiple choice questions  ordering/numbering items (sequencing activity)  detecting mistakes  writing short answers  doing a task such as filling out a form, following a map or taking an order  making a decision based on the information  note-taking from a lecture TYPICAL DURING LISTENING ACTIVITIES (cont'd.)
  • 12. TYPICAL POST LISTENING ACTIVITIES  interviewing native speakers  calling for information (e.g. travel agency, movie theatre, car rental agency, restaurant)  perform a role play  reading and/or writing about the topic  discussing the topic  listening to another example  making a poster
  • 13. WHAT DO YOU THINK THE GOALS OF EACH STAGE ARE? PRE:  To prepare students for listening by contextualizing and/or personalizing to make it more accessible and more realistic.  Pre-teach key vocabulary  To involve students in the specific topic.  To activate prior knowledge.  To provide a purpose for listening.
  • 14. DURING:  To comprehend the listening text through multiple exposures (from general to specific, easy to difficult and concrete to abstract) POST:  To personalize, make practical use of, or expand on the listening text and/or lexis and grammar introduced in the text.  To develop language by integrating listening with other skills.  To reinforce students’ understanding of the text by personalizing the topic by integrating other language skills areas (ex: speaking, writing)  Allows SS to reinforce the new vocabulary and/or language structures from the lesson by using other skills.  Helps SS to be creative and expand on or personalize the topic.
  • 15. ACTIVITY STAGING IN PDP  Activities in the DURING listening stage should be staged from:  EASY  DIFFICULT activities  GENERAL understanding (ex: main idea)  SPECIFIC and detailed understanding of the text  CONCRETE ABSTRACT
  • 16. HOW CAN WE SET OUR STUDENTS UP TO BE SUCCESSFUL AT LISTENING? • Make sure instructions are clear; students have to understand very clearly what they are expected to do. • Make sure that each time a listening text is heard, even for the second or third time, the students have a specific purpose for listening; give them a task. • Do plenty of pre-listening work. • Encourage students not to worry if they don’t understand every word; a task can be completed even when they miss some of the words