Task4 mood board irn bru
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The document discusses potential designs for an Irn Bru can, including font and color options. It considers using traditional Irn Bru orange and blue colors to maintain brand recognition. The font "Husky Stash" is selected as it is attractive and helps text stand out on the can. Further testing shows Husky Stash working well alongside numbers. Additional fonts like "Rosewoodstd regular" and "Gill Sans Ultra Bold" are tested but deemed less readable from a distance. Potential magazine advertisements are discussed, aiming for fun fonts that retain readability and a sense of informality. Slogan ideas for the ads are also proposed.
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Task4 mood board irn bru
The document discusses potential designs for an Irn Bru can, including:
1) Possible colors like blue and orange that continue traditional branding. Maintaining tradition brings recognition.
2) Potential fonts like Husky Stash that could attract consumers with its stretched, attractive design allowing for more creative cans.
3) Testing shows Husky Stash enhances readability when words are by numbers, important for identifying the can. Other fonts hurt readability or attractiveness.
4) Mood board concepts include simple can outlines in color schemes, with the Scottish design advised to pursue.
Task4 mood board irn bru
The document discusses potential designs for an Irn Bru can, including:
- Traditional Irn Bru colors of blue and orange will be used to maintain brand recognition.
- Five fonts are considered, with Husky Stash selected as it is attractive and works well in designs unlike other fonts.
- Testing shows Husky Stash has extended letters that make words stand out and the title more readable, important for consumers to spot the can.
- Rosewoodstdregular was also tested but poses readability issues unless close up so would hinder sales.
Application q4
The passage provides context clues that help determine the significance of the "Carpenter Gothic" housing structure to Grant Wood's famous work of art "American Gothic":
- It notes that Wood's painting depicts "a plain Midwestern couple standing stiffly in front of their Carpenter Gothic farmhouse."
- Carpenter Gothic was a style of architecture popular in the rural Midwest during the late 19th century, which is when the painting is set.
- By depicting the couple in front of a Carpenter Gothic farmhouse, Wood establishes the time period and rural Midwestern setting or context for the painting and characters. The specific architectural style helps anchor the work in a particular historical period and region.
Therefore, the "Carpenter Gothic
Task 5
The document discusses different font options for an Irn Bru can. It analyzes three fonts: one that is very bold and would stand out against the blue background, one that is clear but not as bold, and one that is thin in some places and may not stand out as much against the bold colors. The bold font is selected as the best option because it is professional looking and matches the bold orange and blue colors of Irn Bru.
T shirt mood board
The document outlines a proposal for a t-shirt design featuring an image and quote from the television show Garth Marenghi's Darkplace. It specifies the dimensions, format, and intended audience for the design. A schedule is also included, detailing plans to complete mood boards, a proposal, designs, and upload the finished designs to a blog by Wednesday at 16:20.
Font, copy and production development
The document discusses font and packaging design options for a new Irn-Bru energy drink product. It evaluates several fonts for clarity, boldness and suitability for packaging versus advertisements. For the can packaging, it recommends a 500ml tall size consistent with energy drinks. The suggested design has a blue background with the product name and details in a small grey box in the center, and splatter paint effects on the can. It also provides example slogans that could be used in advertisements for the new product.
Font, Copy and Production development
The document discusses font and packaging design options for a new Irn-Bru energy drink product. It evaluates several fonts for suitability for packaging labels and advertisements. The "Hand of Sean" font is identified as the best option for labels because it is bold, clear, and catches attention. For advertisements, the same font works well in green on a white background. A 500ml tall can size is selected to be consistent with competitors. The final can design concept features a blue background with a small central gray box and splattered paint effect to distinguish it from traditional Irn-Bru cans.
Font, copy and production development
The document discusses font testing for branding Irn-Bru soft drink. It evaluates several fonts - American Purpose, Rockwell Extra Bold, American Typewriter, and others described as 'Hand of Sean', 'Dani's Handwriting', and 'Throw my hands up in the air'. The fonts are tested at different sizes on colored backgrounds to see which are clearest, boldest and most suitable for packaging versus advertisements. American Purpose is selected as best for packaging due to its clarity and professional appearance. Hand of Sean is deemed most eye-catching and exciting by peers and chosen for packaging. Background colors of black, blue and white work best across fonts and mediums.
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Task4 mood board irn bru
The document discusses potential designs for an Irn Bru can, including:
1) Possible colors like blue and orange that continue traditional branding. Maintaining tradition brings recognition.
2) Potential fonts like Husky Stash that could attract consumers with its stretched, attractive design allowing for more creative cans.
3) Testing shows Husky Stash enhances readability when words are by numbers, important for identifying the can. Other fonts hurt readability or attractiveness.
4) Mood board concepts include simple can outlines in color schemes, with the Scottish design advised to pursue.
Task4 mood board irn bru
The document discusses potential designs for an Irn Bru can, including:
- Traditional Irn Bru colors of blue and orange will be used to maintain brand recognition.
- Five fonts are considered, with Husky Stash selected as it is attractive and works well in designs unlike other fonts.
- Testing shows Husky Stash has extended letters that make words stand out and the title more readable, important for consumers to spot the can.
- Rosewoodstdregular was also tested but poses readability issues unless close up so would hinder sales.
Application q4
The passage provides context clues that help determine the significance of the "Carpenter Gothic" housing structure to Grant Wood's famous work of art "American Gothic":
- It notes that Wood's painting depicts "a plain Midwestern couple standing stiffly in front of their Carpenter Gothic farmhouse."
- Carpenter Gothic was a style of architecture popular in the rural Midwest during the late 19th century, which is when the painting is set.
- By depicting the couple in front of a Carpenter Gothic farmhouse, Wood establishes the time period and rural Midwestern setting or context for the painting and characters. The specific architectural style helps anchor the work in a particular historical period and region.
Therefore, the "Carpenter Gothic
Task 5
The document discusses different font options for an Irn Bru can. It analyzes three fonts: one that is very bold and would stand out against the blue background, one that is clear but not as bold, and one that is thin in some places and may not stand out as much against the bold colors. The bold font is selected as the best option because it is professional looking and matches the bold orange and blue colors of Irn Bru.
T shirt mood board
The document outlines a proposal for a t-shirt design featuring an image and quote from the television show Garth Marenghi's Darkplace. It specifies the dimensions, format, and intended audience for the design. A schedule is also included, detailing plans to complete mood boards, a proposal, designs, and upload the finished designs to a blog by Wednesday at 16:20.
Font, copy and production development
The document discusses font and packaging design options for a new Irn-Bru energy drink product. It evaluates several fonts for clarity, boldness and suitability for packaging versus advertisements. For the can packaging, it recommends a 500ml tall size consistent with energy drinks. The suggested design has a blue background with the product name and details in a small grey box in the center, and splatter paint effects on the can. It also provides example slogans that could be used in advertisements for the new product.
Font, Copy and Production development
The document discusses font and packaging design options for a new Irn-Bru energy drink product. It evaluates several fonts for suitability for packaging labels and advertisements. The "Hand of Sean" font is identified as the best option for labels because it is bold, clear, and catches attention. For advertisements, the same font works well in green on a white background. A 500ml tall can size is selected to be consistent with competitors. The final can design concept features a blue background with a small central gray box and splattered paint effect to distinguish it from traditional Irn-Bru cans.
Font, copy and production development
The document discusses font testing for branding Irn-Bru soft drink. It evaluates several fonts - American Purpose, Rockwell Extra Bold, American Typewriter, and others described as 'Hand of Sean', 'Dani's Handwriting', and 'Throw my hands up in the air'. The fonts are tested at different sizes on colored backgrounds to see which are clearest, boldest and most suitable for packaging versus advertisements. American Purpose is selected as best for packaging due to its clarity and professional appearance. Hand of Sean is deemed most eye-catching and exciting by peers and chosen for packaging. Background colors of black, blue and white work best across fonts and mediums.
Fonts
This document provides reasoning for slogans and font choices for potential Irn-Bru packaging designs. It discusses using pun-based slogans to appeal to teenagers. It considers several font styles and colors, including Impact, Tall Dark and Handsome, and Cooper Black, settling on Impact and Tall Dark and Handsome for boldness. Four can packaging designs are proposed: 1) uses Impact font around the can, 2) features one line of text on a blue can, 3) uses rounded text similar to Dr Pepper, 4) reverses Irn-Bru colors with blue text on orange background. The designs aim to stand out and attract teenage customers through bold colors and fonts.
Mood board for initial ideas
The document discusses mood boards and design ideas for an IRN-BRU energy drink can. It considers using shades of blue to stick with the brand's color scheme while making the design more mature. Various fonts like Bebas Neue and their suitability are tested out, with the goal of making the "32" stand out to indicate a different product than regular IRN-BRU. Readability tests of different layouts are done before finalizing a design with a stylized "32" number. Additional ideas explored include fonts for a magazine advert to convey intensity and pictures to complement the copy.
Task 5
The document provides details on the development of copy and packaging design ideas for a new energy drink called Irn-Bru 32. It includes potential slogans, ingredients, and descriptions of the drink. The author experiments with different fonts and font sizes to see which pairings work best for the packaging design. Color combinations are also tested to determine which allow for clear readability. Two potential packaging design ideas are presented with four variations each to showcase different layouts, colors, and fonts. The author analyzes which designs are most successful based on themes, fonts, and ability to catch attention.
Task 5 developing
The document discusses font and copy testing for an IRN BRU 32 marketing campaign. It tests different fonts like Arial Black, Rockwell, and Gill Sans at various point sizes to evaluate readability. It finds that simpler fonts like Arial Black are clearest at smaller sizes. It also tests different font colors against backgrounds and finds that black and orange text have good legibility. The testing aims to identify the best fonts and color combinations for uses like packaging labels and magazine advertisements to market IRN BRU 32.
Task 5
The document discusses different font options for an Irn Bru can. It analyzes three fonts: one that is very bold and clear, one that is also clear but less bold, and one that is thinner. The bold font is deemed most suitable as it will be readable from a distance and match the bold orange and blue colors of Irn Bru. The thinner font is deemed less suitable as parts may not stand out against the bold colors.
Devlopment
The document describes the development and refinement of packaging design ideas for an energy drink called Irn-Bru 32. In the first design, the designer changes the font and color and adds 3D effects to make the packaging more interesting. In the second design, the designer explores using different can sizes and color schemes for the regular and diet versions. Additional changes are made to the font selection, effects, and use of color to improve readability, professional appearance, and brand recognition. The designer continues tweaking elements like opacity and added graphics to emphasize key information and draw more attention to the product.
Task 5 initial ideas finer details
This document contains Bekki Asquith's work on developing copy and branding ideas for a new Irn-Bru 32 energy drink product. It includes:
- Slogan ideas that involve asking rhetorical questions to engage customers or use of Scottish slang.
- Experiments testing font readability at different sizes and colors for various branding elements like web banners and packaging.
- Considerations for the can design, wanting to use a long thin style associated with energy drinks to differentiate it from original Irn-Bru.
- Potential fonts reviewed for the product packaging and labeling, wanting something bold and uppercase to stand out.
Task 5
The document discusses potential fonts and color schemes for rebranding Irn-Bru. It analyzes several font options, considering factors like boldness, appeal to different audiences, and suitability for packaging versus advertising. It suggests a "chunky" font called "Chum" would work best. It also discusses using complementary color schemes like orange/blue traditionally, or exploring lighter blues, grays and whites to appeal more broadly. Brighter neon tones are recommended to catch attention over more pastel shades.
Task 5- Idea Development
The document discusses potential fonts and color schemes for rebranding Irn-Bru. It analyzes several font options, considering factors like boldness, appeal to different audiences, and suitability for packaging versus advertising. It suggests a "chunky" font called "Chum" would work best. It also discusses using complementary orange and blue colors initially to maintain brand recognition, but exploring lighter/darker shades or alternative blue/grey/white schemes to appeal more broadly. Brighter neon tones are said to better catch attention compared to softer pastels. The document considers different messaging from different color connotations.
Devlopment
This document outlines several packaging design ideas for an energy drink called Irn-Bru 32. The first design changes the font and makes it bolder and 3D. The second design uses a blue base color instead of orange and includes designing a diet version similarly. The third design uses blue and green diagonal colors with an orange splash effect and 3D text. Across the designs, colors, fonts, and added elements like symbols are tweaked to make the packaging more eye-catching and appropriate for marketing an energy drink to younger audiences.
TASK 5- FINER IDEAS
This document contains summaries and experiments from a branding project for Irn-Bru soda. It includes:
- Six proposed slogans for Irn-Bru with analysis, with the favorite being "Keep Calm and Have a Bru" as it is short, catchy, and references British culture ironically for a Scottish product.
- Experiments with three different fonts to find one that is bold, attention-grabbing, and appropriate for advertisements.
- Layouts of the Irn-Bru logo in different color combinations and fonts to establish branding themes.
- An initial mock-up product design for an Irn-Bru can applying lessons on allowing freedom in layout beyond strict frames
Irn bru final evaluation
This document evaluates two can designs and two posters created to advertise Irn Bru 32, a relaunched energy drink.
For the first can design, technical qualities like adding an ellipse shape to the head and drop shadows to bubbles are discussed. Aesthetic qualities like using Irn Bru's traditional color scheme of orange and blue and making nutritional information readable are also highlighted.
The second can design focuses on aesthetics like incorporating the Scottish flag colors and a "twist design" slogan. Time constraints limited technical development.
The first poster adds Irn Bru liquid to James Bond's glass using layer opacity. A more informal font and sticker-like "32" improve readability and advertise the product as new.
Continuing of my evaluation
This document contains the work of a student who designed packaging for an Irn-Bru 32 drink. It includes 4 can designs and evaluations of each design.
The student aimed to create simple yet professional designs. They got feedback on early designs from others and made changes based on that. For the final design, they incorporated images to appeal to their target audience of teenagers and changed the opacity to make elements look like they were part of the can. They also created a back design with required nutritional information.
Irnbruboards
This document provides observations and details for Idea 1 from a mood board. It discusses using the traditional Irn Bru colors of blue and orange for brand recognition. Images in the mood board show different crowd types to provide variety of ideas for the final concept. One image shows an Irn Bru can to represent the product. The key idea is a large group of people looking towards an Irn Bru can, though the execution is unclear. Font choices are discussed that could mimic the original Irn Bru design or take a more modern or futuristic approach.
Presentation1
This document discusses font and packaging design ideas for an energy drink called Irn-Bru 32. It evaluates several font styles for readability at different sizes and for use on packaging. It also discusses testing font colors and developing packaging designs, including keeping the standard tall thin can shape but changing colors and graphics for seasonal promotions or regular packaging. Many ideas are tested but ultimately disliked by the author.
Tests
This document summarizes Jessica Hedley's tests of fonts and color schemes for a horror-themed marketing campaign. It discusses her selection of the "Bates Shower" font due to its rough, uneven lettering and spiral-shaped O character, which will complement the spiral eyes in her imagery. Color tests showed white text had best readability against impactful orange and blue backgrounds over alternative color combinations. The document evaluates different fonts and colors before concluding on designs best suited to her themes of horror and driving consumers crazy.
Evaluations
This document contains two draft evaluations of a product design for an Irn Bru tin:
In the first draft, the evaluator likes that the colors match Irn Bru's scheme but have a unique layout, and that the bold "Irn Bru 32" font matches their style. They suggest making the "wakey wakey!" text smaller and shadows more defined.
In the second draft, the evaluator fills more space by adding the logo in the corner. They improve readability by changing the tagline font. Further suggestions are making the top text bigger and curved to the tin shape, and filling background space with faint Irn Bru designs.
Task 5 final ideas
The document discusses a proposed design for a new energy drink product from Barr. It will use some colors associated with Irn Bru but in a more colorful, bright, and eye-catching way to distinguish it from the original. A catchy slogan will also be chosen to promote brand recognition. While drawing inspiration from traditional Irn Bru packaging colors, the design will move in a different direction given that this is a new product type. Font and layout ideas are presented, with the goal of making the product stand out on shelves through bold colors, fonts, and separate highlighting of elements like "32" to distinguish it from the standard drink. This initial draft captures the direction envisioned while further refinement is still needed.
Task 5 font re done
Jess Britton conducted two font tests to select a suitable font for a new product line. In the first test, Jess evaluated five fonts for resemblance to the original brand font and ease of reading at small sizes, ultimately selecting the last font. The other four fonts were ruled out for difficulty to read when small or lack of brand resemblance. In the second test, Jess used a simple font over different colored backgrounds and found brighter colors too distracting, with dark colors like greens, reds and blacks best highlighting the text. Jess concluded that emphasizing the brand over brightness would make the products more useful.
Further development
The document discusses font and color choices for a redesign of the Irn-Bru soda can. It evaluates several fonts for suitability for the slogan, logo, and background text. An orange color similar to the existing Irn-Bru color will be used as the main background. A blue color will complement the orange. Words related to power will be placed subtly in the background using a font that conveys power. The chosen font will be used for the slogan in large text to ensure readability.
Sash
The document summarizes the questions asked in a survey on homelessness and the responses received. It asked questions about respondent demographics, their views on government efforts to address homelessness, whether there are positives to homelessness, and what they would do if they became homeless. The majority of respondents were ages 18-20, male, felt the government should do more, saw no positives to homelessness, and would stay with family or friends if they became homeless themselves. The survey responses provided insight into public attitudes towards homelessness and perceptions of current support systems.
Opportunities handout(1)
This project provides opportunities for creative and technical challenges. Creatively, the student can challenge themselves by incorporating a can of Irn Bru into famous Scottish historical moments. Technically, the student aims to learn new Photoshop techniques like filters. The skills developed, such as problem solving and time management, translate well to professional roles like graphic design. The project allows design for different media, and designing the can is most interesting as it requires accounting for curvature.
More Related Content
Similar to Task4 mood board irn bru
Fonts
This document provides reasoning for slogans and font choices for potential Irn-Bru packaging designs. It discusses using pun-based slogans to appeal to teenagers. It considers several font styles and colors, including Impact, Tall Dark and Handsome, and Cooper Black, settling on Impact and Tall Dark and Handsome for boldness. Four can packaging designs are proposed: 1) uses Impact font around the can, 2) features one line of text on a blue can, 3) uses rounded text similar to Dr Pepper, 4) reverses Irn-Bru colors with blue text on orange background. The designs aim to stand out and attract teenage customers through bold colors and fonts.
Mood board for initial ideas
The document discusses mood boards and design ideas for an IRN-BRU energy drink can. It considers using shades of blue to stick with the brand's color scheme while making the design more mature. Various fonts like Bebas Neue and their suitability are tested out, with the goal of making the "32" stand out to indicate a different product than regular IRN-BRU. Readability tests of different layouts are done before finalizing a design with a stylized "32" number. Additional ideas explored include fonts for a magazine advert to convey intensity and pictures to complement the copy.
Task 5
The document provides details on the development of copy and packaging design ideas for a new energy drink called Irn-Bru 32. It includes potential slogans, ingredients, and descriptions of the drink. The author experiments with different fonts and font sizes to see which pairings work best for the packaging design. Color combinations are also tested to determine which allow for clear readability. Two potential packaging design ideas are presented with four variations each to showcase different layouts, colors, and fonts. The author analyzes which designs are most successful based on themes, fonts, and ability to catch attention.
Task 5 developing
The document discusses font and copy testing for an IRN BRU 32 marketing campaign. It tests different fonts like Arial Black, Rockwell, and Gill Sans at various point sizes to evaluate readability. It finds that simpler fonts like Arial Black are clearest at smaller sizes. It also tests different font colors against backgrounds and finds that black and orange text have good legibility. The testing aims to identify the best fonts and color combinations for uses like packaging labels and magazine advertisements to market IRN BRU 32.
Task 5
The document discusses different font options for an Irn Bru can. It analyzes three fonts: one that is very bold and clear, one that is also clear but less bold, and one that is thinner. The bold font is deemed most suitable as it will be readable from a distance and match the bold orange and blue colors of Irn Bru. The thinner font is deemed less suitable as parts may not stand out against the bold colors.
Devlopment
The document describes the development and refinement of packaging design ideas for an energy drink called Irn-Bru 32. In the first design, the designer changes the font and color and adds 3D effects to make the packaging more interesting. In the second design, the designer explores using different can sizes and color schemes for the regular and diet versions. Additional changes are made to the font selection, effects, and use of color to improve readability, professional appearance, and brand recognition. The designer continues tweaking elements like opacity and added graphics to emphasize key information and draw more attention to the product.
Task 5 initial ideas finer details
This document contains Bekki Asquith's work on developing copy and branding ideas for a new Irn-Bru 32 energy drink product. It includes:
- Slogan ideas that involve asking rhetorical questions to engage customers or use of Scottish slang.
- Experiments testing font readability at different sizes and colors for various branding elements like web banners and packaging.
- Considerations for the can design, wanting to use a long thin style associated with energy drinks to differentiate it from original Irn-Bru.
- Potential fonts reviewed for the product packaging and labeling, wanting something bold and uppercase to stand out.
Task 5
The document discusses potential fonts and color schemes for rebranding Irn-Bru. It analyzes several font options, considering factors like boldness, appeal to different audiences, and suitability for packaging versus advertising. It suggests a "chunky" font called "Chum" would work best. It also discusses using complementary color schemes like orange/blue traditionally, or exploring lighter blues, grays and whites to appeal more broadly. Brighter neon tones are recommended to catch attention over more pastel shades.
Task 5- Idea Development
The document discusses potential fonts and color schemes for rebranding Irn-Bru. It analyzes several font options, considering factors like boldness, appeal to different audiences, and suitability for packaging versus advertising. It suggests a "chunky" font called "Chum" would work best. It also discusses using complementary orange and blue colors initially to maintain brand recognition, but exploring lighter/darker shades or alternative blue/grey/white schemes to appeal more broadly. Brighter neon tones are said to better catch attention compared to softer pastels. The document considers different messaging from different color connotations.
Devlopment
This document outlines several packaging design ideas for an energy drink called Irn-Bru 32. The first design changes the font and makes it bolder and 3D. The second design uses a blue base color instead of orange and includes designing a diet version similarly. The third design uses blue and green diagonal colors with an orange splash effect and 3D text. Across the designs, colors, fonts, and added elements like symbols are tweaked to make the packaging more eye-catching and appropriate for marketing an energy drink to younger audiences.
TASK 5- FINER IDEAS
This document contains summaries and experiments from a branding project for Irn-Bru soda. It includes:
- Six proposed slogans for Irn-Bru with analysis, with the favorite being "Keep Calm and Have a Bru" as it is short, catchy, and references British culture ironically for a Scottish product.
- Experiments with three different fonts to find one that is bold, attention-grabbing, and appropriate for advertisements.
- Layouts of the Irn-Bru logo in different color combinations and fonts to establish branding themes.
- An initial mock-up product design for an Irn-Bru can applying lessons on allowing freedom in layout beyond strict frames
Irn bru final evaluation
This document evaluates two can designs and two posters created to advertise Irn Bru 32, a relaunched energy drink.
For the first can design, technical qualities like adding an ellipse shape to the head and drop shadows to bubbles are discussed. Aesthetic qualities like using Irn Bru's traditional color scheme of orange and blue and making nutritional information readable are also highlighted.
The second can design focuses on aesthetics like incorporating the Scottish flag colors and a "twist design" slogan. Time constraints limited technical development.
The first poster adds Irn Bru liquid to James Bond's glass using layer opacity. A more informal font and sticker-like "32" improve readability and advertise the product as new.
Continuing of my evaluation
This document contains the work of a student who designed packaging for an Irn-Bru 32 drink. It includes 4 can designs and evaluations of each design.
The student aimed to create simple yet professional designs. They got feedback on early designs from others and made changes based on that. For the final design, they incorporated images to appeal to their target audience of teenagers and changed the opacity to make elements look like they were part of the can. They also created a back design with required nutritional information.
Irnbruboards
This document provides observations and details for Idea 1 from a mood board. It discusses using the traditional Irn Bru colors of blue and orange for brand recognition. Images in the mood board show different crowd types to provide variety of ideas for the final concept. One image shows an Irn Bru can to represent the product. The key idea is a large group of people looking towards an Irn Bru can, though the execution is unclear. Font choices are discussed that could mimic the original Irn Bru design or take a more modern or futuristic approach.
Presentation1
This document discusses font and packaging design ideas for an energy drink called Irn-Bru 32. It evaluates several font styles for readability at different sizes and for use on packaging. It also discusses testing font colors and developing packaging designs, including keeping the standard tall thin can shape but changing colors and graphics for seasonal promotions or regular packaging. Many ideas are tested but ultimately disliked by the author.
Tests
This document summarizes Jessica Hedley's tests of fonts and color schemes for a horror-themed marketing campaign. It discusses her selection of the "Bates Shower" font due to its rough, uneven lettering and spiral-shaped O character, which will complement the spiral eyes in her imagery. Color tests showed white text had best readability against impactful orange and blue backgrounds over alternative color combinations. The document evaluates different fonts and colors before concluding on designs best suited to her themes of horror and driving consumers crazy.
Evaluations
This document contains two draft evaluations of a product design for an Irn Bru tin:
In the first draft, the evaluator likes that the colors match Irn Bru's scheme but have a unique layout, and that the bold "Irn Bru 32" font matches their style. They suggest making the "wakey wakey!" text smaller and shadows more defined.
In the second draft, the evaluator fills more space by adding the logo in the corner. They improve readability by changing the tagline font. Further suggestions are making the top text bigger and curved to the tin shape, and filling background space with faint Irn Bru designs.
Task 5 final ideas
The document discusses a proposed design for a new energy drink product from Barr. It will use some colors associated with Irn Bru but in a more colorful, bright, and eye-catching way to distinguish it from the original. A catchy slogan will also be chosen to promote brand recognition. While drawing inspiration from traditional Irn Bru packaging colors, the design will move in a different direction given that this is a new product type. Font and layout ideas are presented, with the goal of making the product stand out on shelves through bold colors, fonts, and separate highlighting of elements like "32" to distinguish it from the standard drink. This initial draft captures the direction envisioned while further refinement is still needed.
Task 5 font re done
Jess Britton conducted two font tests to select a suitable font for a new product line. In the first test, Jess evaluated five fonts for resemblance to the original brand font and ease of reading at small sizes, ultimately selecting the last font. The other four fonts were ruled out for difficulty to read when small or lack of brand resemblance. In the second test, Jess used a simple font over different colored backgrounds and found brighter colors too distracting, with dark colors like greens, reds and blacks best highlighting the text. Jess concluded that emphasizing the brand over brightness would make the products more useful.
Further development
The document discusses font and color choices for a redesign of the Irn-Bru soda can. It evaluates several fonts for suitability for the slogan, logo, and background text. An orange color similar to the existing Irn-Bru color will be used as the main background. A blue color will complement the orange. Words related to power will be placed subtly in the background using a font that conveys power. The chosen font will be used for the slogan in large text to ensure readability.
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This project provides opportunities for creative and technical challenges. Creatively, the student can challenge themselves by incorporating a can of Irn Bru into famous Scottish historical moments. Technically, the student aims to learn new Photoshop techniques like filters. The skills developed, such as problem solving and time management, translate well to professional roles like graphic design. The project allows design for different media, and designing the can is most interesting as it requires accounting for curvature.
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The document summarizes the student's factual page layout evaluation project. It discusses various aspects of the project including time management, reviewing work in progress, technical competencies used, creative abilities, intentions realized, appropriateness for audience, content and skills, and areas for improvement. The student found their fanzine creation went quicker than expected due to planning. Their tabloid took longer due to a lack of clear vision. The student took many screenshots and sought feedback, which benefited their work. They used InDesign for the first time and improved skills like resizing images. Overall intentions were realized for the fanzine but not fully for other pieces. The works were tailored to their audiences. The student's skills developed over the course but
Task 1
The document discusses several campaign posters and their purposes. One poster aimed to raise awareness of dog safety by showing a dog in an oven to represent the heat dogs face in cars. Its goal was to change attitudes about leaving dogs in vehicles. Another poster for the "End Poverty 2015" campaign wanted to publicize development goals and end poverty by 2015. A third poster promoted awareness of chest pain dangers by depicting a man's chest morphing into a belt to represent pressure. Its goal was to challenge stereotypes about men not complaining of pain.
Task 3 irn bru
The document outlines several advertising ideas for Irn-Bru across different mediums:
1. A magazine ad featuring a daredevil stunt with an edited-in can of Irn-Bru and the slogan "What would you do for a can of Irn-Bru?"
2. A magazine ad of Olympic champion Chris Hoy holding an oversized can of Irn-Bru after winning with the slogan "Irn Bru, the drink of champions."
3. A web banner of wrestler Booker T holding a can of Irn-Bru instead of a championship belt with the slogan "Irn Bru, can you dig it sucker?"
4. A vertical web banner with "
Irn bru
This document contains summaries of several advertisements for energy drinks and other beverages:
1) An Irn-Bru advertisement plays on Scottish stereotypes and traditions to appeal to loyal Scottish customers.
2) A Red Bull advertisement humorously edits a famous equation by Albert Einstein to associate their brand with intelligence.
3) A Lucozade advertisement features popular musicians to encourage fans to see the drink as "cool" and includes collectible bottles to appeal to teenagers.
Irn bru constraints handout(1)
This document discusses the constraints that will impact a marketing project for Irn-Bru 32. It notes that the author has 42 days to complete the project, which should provide enough time. Access to necessary programs and equipment like Photoshop and a camera will be provided. However, restrictions from the Advertising Standards Authority on what can be included in ads may hinder using humor and make it difficult to create a memorable slogan within their guidelines regarding issues like harm and offense. Following the rules of the ASA and CAP is necessary.
Writing copy 7 research 1
The document defines and explains several key terms related to press regulation and ethics:
The Press Complaints Commission was the former self-regulatory body for the British press that is being replaced in the wake of the phone hacking scandal due to criticism of its handling of the matter.
The Leveson Inquiry was a public inquiry established to examine press ethics in the aftermath of the scandal. It made recommendations including that the press remain self-regulated under a new independent regulatory body.
Other terms defined include defamation, contempt of court, copyright, the Children & Young Persons Act 1933, confidentiality agreements, and the importance of social and cultural awareness for journalists.
Writing copy 7 research 1
The document defines and explains several key terms related to press regulation and ethics:
The Press Complaints Commission was the former self-regulatory body for the British press that is being replaced in the wake of the phone hacking scandal due to criticism of its handling of the matter.
The Leveson Inquiry was a public inquiry established to examine press ethics in the aftermath of the scandal. It made recommendations including that the press remain self-regulated under a new independent regulatory body.
Other terms defined include defamation, contempt of court, copyright, the Children & Young Persons Act 1933 regarding identifying minors, confidentiality agreements, and the importance of social and cultural awareness for journalists.
Evaluation of final photographs 2.2
1) The photographer experimented with slow shutter speeds to create blur and reflection effects in their images. They used volunteers as subjects and changed their plans during production.
2) They are pleased with the results, which changed from the initial plans but allowed them to discover new techniques.
3) The photographer evaluates the aesthetic and technical qualities of each image, and explains how they could further develop the ideas, composition, and techniques in additional experiments. They aimed to fulfill the brief of experimental photography.
Peer feedback factual layout
The student received feedback on three newspaper layout designs. For the broadsheet design, feedback noted that the columns were clear but suggested making the masthead bigger and adding more color. For the tabloid design, feedback liked the use of images and colors but suggested improving the text layout and font. For the fanzine design, feedback said the black and white theme worked well but found the inner article text too small and hard to read. The student agreed with broadsheet feedback but disagreed that the fanzine inner text was illegible, noting it was intentionally amateurish in design.
Peer feedback factual layout
The peer feedback provided comments on three different newspaper layout designs. For the first design, the feedback praised the clear columns and traditional masthead, but suggested making the masthead larger and adding more color. For the second design, the feedback liked the banner, fonts, and images but said the text layout could be cleaner and fonts bolder. For the third design, the feedback liked the black and white theme but said the inside article font was too small and hard to read, and could benefit from some color. The designer agreed with criticisms of mistakes in their broadsheet layout but disagreed that the inside page of their fanzine design was hard to read, as that was an intentional aesthetic choice.
Tabloid flatplan
This document outlines the layout and structure of a tabloid newspaper. It includes sections for the masthead, different font styles for headlines and copy, images to accompany articles and ads. The front page leads with a main headline, sub-headline and image. Inside pages continue with additional articles, images, ads and a recurring masthead. Headlines are paired with opening paragraphs and everything is structured in a consistent format throughout the paper.
Tabloid flatplan
This document outlines the layout and structure of a tabloid newspaper. It includes sections for the masthead, different font styles for headlines and copy, images to accompany articles and ads. The front page leads with a main headline, sub-headline and image. Inside pages continue with additional articles, images, and ads laid out between stories and the recurring masthead.
Broadsheet layout design
This document provides guidance on designing the front page layout of a broadsheet newspaper including formatting the masthead, headlines, images, advertisements, body text, pull quotes, and multiple stories. It lists the key design elements to include on each page such as the masthead, headlines, images, body text, advertisements, and pull quotes.
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哪里购买美国乔治城大学毕业证硕士学位证书原版一模一样
原版一模一样【微信：741003700 】【美国乔治城大学毕业证硕士学位证书】【微信：741003700 】学位证，留信认证（真实可查，永久存档）offer、雅思、外壳等材料/诚信可靠,可直接看成品样本，帮您解决无法毕业带来的各种难题！外壳，原版制作，诚信可靠，可直接看成品样本。行业标杆！精益求精，诚心合作，真诚制作！多年品质 ,按需精细制作，24小时接单,全套进口原装设备。十五年致力于帮助留学生解决难题，包您满意。
本公司拥有海外各大学样板无数，能完美还原海外各大学 Bachelor Diploma degree, Master Degree Diploma
1:1完美还原海外各大学毕业材料上的工艺：水印，阴影底纹，钢印LOGO烫金烫银，LOGO烫金烫银复合重叠。文字图案浮雕、激光镭射、紫外荧光、温感、复印防伪等防伪工艺。材料咨询办理、认证咨询办理请加学历顾问Q/微741003700
留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
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原版制作(UNITO毕业证书)都灵大学毕业证Offer一模一样
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本公司拥有海外各大学样板无数，能完美还原。
1:1完美还原海外各大学毕业材料上的工艺：水印，阴影底纹，钢印LOGO烫金烫银，LOGO烫金烫银复合重叠。文字图案浮雕、激光镭射、紫外荧光、温感、复印防伪等防伪工艺。材料咨询办理、认证咨询办理请加学历顾问Q/微741003700
【主营项目】
一.毕业证【q微741003700】成绩单、使馆认证、教育部认证、雅思托福成绩单、学生卡等！
二.真实使馆公证(即留学回国人员证明,不成功不收费)
三.真实教育部学历学位认证（教育部存档！教育部留服网站永久可查）
四.办理各国各大学文凭(一对一专业服务,可全程监控跟踪进度)
如果您处于以下几种情况：
◇在校期间，因各种原因未能顺利毕业……拿不到官方毕业证【q/微741003700】
◇面对父母的压力，希望尽快拿到；
◇不清楚认证流程以及材料该如何准备；
◇回国时间很长，忘记办理；
◇回国马上就要找工作，办给用人单位看；
◇企事业单位必须要求办理的
◇需要报考公务员、购买免税车、落转户口
◇申请留学生创业基金
留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
Tanjore Painting: Rich Heritage and Intricate Craftsmanship | Cottage9
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哪里办理(sjsu毕业证书)美国圣何塞州立大学毕业证硕士文凭证书原版一模一样
原版定制【微信:bwp0011】《(sjsu毕业证书)美国圣何塞州立大学毕业证硕士文凭证书》【微信:bwp0011】成绩单 、雅思、外壳、留信学历认证永久存档查询，采用学校原版纸张、特殊工艺完全按照原版一比一制作（包括：隐形水印，阴影底纹，钢印LOGO烫金烫银，LOGO烫金烫银复合重叠，文字图案浮雕，激光镭射，紫外荧光，温感，复印防伪）行业标杆！精益求精，诚心合作，真诚制作！多年品质 ,按需精细制作，24小时接单,全套进口原装设备，十五年致力于帮助留学生解决难题，业务范围有加拿大、英国、澳洲、韩国、美国、新加坡，新西兰等学历材料，包您满意。
【业务选择办理准则】
一、工作未确定，回国需先给父母、亲戚朋友看下文凭的情况，办理一份就读学校的毕业证【微信bwp0011】文凭即可
二、回国进私企、外企、自己做生意的情况，这些单位是不查询毕业证真伪的，而且国内没有渠道去查询国外文凭的真假，也不需要提供真实教育部认证。鉴于此，办理一份毕业证【微信bwp0011】即可
三、进国企，银行，事业单位，考公务员等等，这些单位是必需要提供真实教育部认证的，办理教育部认证所需资料众多且烦琐，所有材料您都必须提供原件，我们凭借丰富的经验，快捷的绿色通道帮您快速整合材料，让您少走弯路。
留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
【关于价格问题（保证一手价格）】
我们所定的价格是非常合理的，而且我们现在做得单子大多数都是代理和回头客户介绍的所以一般现在有新的单子 我给客户的都是第一手的代理价格，因为我想坦诚对待大家 不想跟大家在价格方面浪费时间
对于老客户或者被老客户介绍过来的朋友，我们都会适当给一些优惠。
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多少钱办理【微信号:176555708】【多少钱办理(DU毕业证书)】【微信号:176555708】《成绩单、外壳、offer、真实留信官方学历认证（永久存档/真实可查）》采用学校原版纸张、特殊工艺完全按照原版一比一制作（包括：隐形水印，阴影底纹，钢印LOGO烫金烫银，LOGO烫金烫银复合重叠，文字图案浮雕，激光镭射，紫外荧光，温感，复印防伪）行业标杆！精益求精，诚心合作，真诚制作！多年品质 ,按需精细制作，24小时接单,全套进口原装设备，十五年致力于帮助留学生解决难题，业务范围有加拿大、英国、澳洲、韩国、美国、新加坡，新西兰等学历材料，包您满意。
【我们承诺采用的是学校原版纸张（纸质、底色、纹路）我们拥有全套进口原装设备，特殊工艺都是采用不同机器制作，仿真度基本可以达到100%，所有工艺效果都可提前给客户展示，不满意可以根据客户要求进行调整，直到满意为止！】
【业务选择办理准则】
一、工作未确定，回国需先给父母、亲戚朋友看下文凭的情况，办理一份就读学校的毕业证【微信号:176555708】文凭即可
二、回国进私企、外企、自己做生意的情况，这些单位是不查询毕业证真伪的，而且国内没有渠道去查询国外文凭的真假，也不需要提供真实教育部认证。鉴于此，办理一份毕业证【微信号:176555708】即可
三、进国企，银行，事业单位，考公务员等等，这些单位是必需要提供真实教育部认证的，办理教育部认证所需资料众多且烦琐，所有材料您都必须提供原件，我们凭借丰富的经验，快捷的绿色通道帮您快速整合材料，让您少走弯路。
留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
留信网服务项目：
1、留学生专业人才库服务（留信分析）
2、国（境）学习人员提供就业推荐信服务
3、留学人员区块链存储服务
【关于价格问题（保证一手价格）】
我们所定的价格是非常合理的，而且我们现在做得单子大多数都是代理和回头客户介绍的所以一般现在有新的单子 我给客户的都是第一手的代理价格，因为我想坦诚对待大家 不想跟大家在价格方面浪费时间
对于老客户或者被老客户介绍过来的朋友，我们都会适当给一些优惠。
选择实体注册公司办理，更放心，更安全！我们的承诺：客户在留信官方认证查询网站查询到认证通过结果后付款，不成功不收费！
哪里购买(ucr毕业证书)美国加州大学河滨分校毕业证研究生文凭证书原版一模一样
原版定制【微信:bwp0011】《(ucr毕业证书)美国加州大学河滨分校毕业证研究生文凭证书》【微信:bwp0011】成绩单 、雅思、外壳、留信学历认证永久存档查询，采用学校原版纸张、特殊工艺完全按照原版一比一制作（包括：隐形水印，阴影底纹，钢印LOGO烫金烫银，LOGO烫金烫银复合重叠，文字图案浮雕，激光镭射，紫外荧光，温感，复印防伪）行业标杆！精益求精，诚心合作，真诚制作！多年品质 ,按需精细制作，24小时接单,全套进口原装设备，十五年致力于帮助留学生解决难题，业务范围有加拿大、英国、澳洲、韩国、美国、新加坡，新西兰等学历材料，包您满意。
【业务选择办理准则】
一、工作未确定，回国需先给父母、亲戚朋友看下文凭的情况，办理一份就读学校的毕业证【微信bwp0011】文凭即可
二、回国进私企、外企、自己做生意的情况，这些单位是不查询毕业证真伪的，而且国内没有渠道去查询国外文凭的真假，也不需要提供真实教育部认证。鉴于此，办理一份毕业证【微信bwp0011】即可
三、进国企，银行，事业单位，考公务员等等，这些单位是必需要提供真实教育部认证的，办理教育部认证所需资料众多且烦琐，所有材料您都必须提供原件，我们凭借丰富的经验，快捷的绿色通道帮您快速整合材料，让您少走弯路。
留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
【关于价格问题（保证一手价格）】
我们所定的价格是非常合理的，而且我们现在做得单子大多数都是代理和回头客户介绍的所以一般现在有新的单子 我给客户的都是第一手的代理价格，因为我想坦诚对待大家 不想跟大家在价格方面浪费时间
对于老客户或者被老客户介绍过来的朋友，我们都会适当给一些优惠。
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Task4 mood board irn bru
- 1. Task 4 and 5
- 2. Irn Bru: Potential Colours (Can) Possible blue to use: Pure Blue Dark Blue Persian Blue International Klein Blue Possible Orange to use: Pure Orange Yellow Orange Dark Orange Deep Orange Orange and blue will be chosen for my can design to continue with Irn Bru’s traditional colours. Maintaining traditional colours bring brand recognition. This is something existing and potential consumers will appreciate as many consumers enjoy familiarity.
- 3. Irn Bru: Potential Fonts (can) HUSKY STASH GILL SANS ULTRA BOLD BIG BOTTOM CARTOON BLACKOAK STD POETSEN ONE The font I will most likely use is Husky Stash. This is because I feel the font will be most likely to attract potential consumers due to its attractiveness. With its stretched out look, husky stash is able to work into more attractive designs unlike other fonts considered.
- 5. IRN BRU 32 Husky Stash Testing As can be seen from the testing, one of the good things about using Husky Stash is its attractiveness when words are placed alongside numbers. The edges of the words are extended to form similar to an underlining line beneath the words. This makes the letters stand out more and become more defined. This is important for the title of the can as it helps with readability, making the can easier to spot for potential consumers.
- 6. Rosewoodstd regular • Another font I wanted to test was rosewoodstdregular I felt it was a font that was a little but different due to its white shadowed body. I felt it maybe could have enabled me to try different techniques on the can. However the biggest problem would be readability. Unless consumers are close to the can they may struggle to read the name of the can. This obviously would be a huge hindrance and would be harmful to sales.
- 7. Gill Sans Ultra Bold IRN BRU 32 For the testing of the 3rd font I wanted to try something slightly different. As can be clearly seen, readability and brashness has been implemented to the disadvantage of unattractive font. After weighing up the option of what is more important regarding the two separate factors, I have decided not to press ahead with this potential font.
- 8. I R N B R U 3 2 I R N B R U 3 2 Font Experiments The following three combinations I have used for my Irn-Bru mood board are all possibilities for my final product. Obviously the cans are in their most simplistic form but a basic outline and ideas can still be gathered. However after a quick peer assessment, my peer was of the opinion the middle design was most suitable due to it’s Scottish colour scheme. Taking this advice on board I may decide to go forthwith the idea. Husky stash Gill sans ultra boldRosewood std regular
- 9. Magazine advert fonts The fonts I have chosen to be a part of my magazine adverts are all part of the same idea. Fun fonts that have a sense of informality to them, whilst retaining an easy readability. This will show to consumers that the product advert isn’t meant to be taken to seriously, rather taken in humour. Whilst the good readability shows that it is still a professional product there to serve a purpose. Copy development
- 11. Copy and Design “WHAT WOULD YOU DO FOR A WEE IRN BRU 32?” (IMAGE FROM THE FILM BRAVEHEART) www.irnbru32.com BARR
- 12. Copy Development: Potential Slogans WHAT WOULD YOU DO FOR A WEE IRN BRU? GET IT DOWN YA! YALDY! IRN BRU, ITS IN OUR BLOOD! THEY’LL NEVER TAKE OUR BRU 32 THE DRINK OF TRUE SCOTS ITS WHAT SHE WOULD HAVE WANTED