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This is an extreme close up of Banks’ 
eyes with heavy black eye makeup to 
add drama and focus. The shot has a 
moving white dusty filter overlaid to 
give an aged effect. The shot has 
been edited into greyscale which 
further adds to the aged effect. The 
shadows have been lightened to grey 
which is done in post-production. The 
composition involves Banks being 
placed to the right of the screen, 
using the rule of thirds composition. 
This is a close up. Heavy 
drum beats begin here as 
Banks moves her head 
slowly, ignoring the beat. 
She is centrally placed with 
a dark plain background, 
putting all emphasis on her. 
She is fully in focus with 
lighting from above, 
(butterfly lighting) evident 
by the facial contouring. 
She is giving direct address 
to the camera. 
This shot it still a close up. 
The shot is backlit and 
therefore Banks is 
underexposed but the shot 
appears stylized. Banks is 
oriented to the bottom right 
of the shot and this uses 
the rules of thirds 
composition to be effective. 
The heavy beat runs 
throughout and she 
appears to be wearing a 
jacket of some sort. 
This shot it still a close up, 
although it’s being pulled in 
and out of focus via the 
camera. This is deliberate 
and gives a stylized effect. 
Meanwhile, Banks is 
staring down and moving 
slowly- perhaps slow 
motioned .The background 
is again, plain and a dark 
which leaves emphasis on 
Banks. 
This is also a close up of 
Banks’ face in greyscale 
facing horizontally to the 
camera and giving direct 
address to the camera. 
This shot is similarly backlit 
although this one has the 
addition of a stylized lens 
flare that appears to
This is a mid shot of Ellie which 
is out of focus. I feel this is 
deliberate to add a sense of 
mystery to the identity. The 
camera pans left. The toning of 
the shot has the shadows with 
a cool blue tone while the skin 
has been left warm in tone. Ellie 
is wearing a simple, non-descript 
black dress. 
This is a close up of 
Ellie’s Dr Marten boots 
treading along the 
ground. The camera 
tracks in and remains 
at the same distance 
from her while she 
moves. The clip 
appears to have been 
slowed in motion to 
give a dramatic effect. 
This is a close up of Ellie’s 
centrally positioned face as 
she sings. A large aperture 
and shallow depth of field 
has been used to create an 
intensely blurred and 
bokeh’ed background. This 
leaves all emphasis on the 
subject while still hinting at 
the setting. Ellie is wearing 
neutral coloured makeup 
with her hair curled 
naturally. 
This is a low angled mid 
shot facing up at Ellie as 
it pans around Ellie, 
exaggerating the height 
of the surrounding trees 
and amount of space 
around her. She sings 
into space and uses her 
hands for emphasis. She 
remains on the spot to 
the left of the shot and 
the camera moves 
around her. 
This is a higher angled 
mid shot facing side on 
to Ellie as she walks in 
slow motion with no eye 
contact to camera. She 
is tracked by the camera 
as she walks, which is 
probably done using a 
steadicam due to the 
smooth movement. The 
background is slightly 
out of focus which keeps 
most emphasis on Ellie.
This is a long shot of a female figure 
standing by a lake facing away from 
the camera so that her identity is 
hidden. The shot has internal framing 
from the bushes in the foreground 
which frame the shot. The female is 
placed slightly to the right of the shot 
and just above the horizontal mid 
point, making use of the rule of thirds 
compositional technique. The internal 
framing through the leaves gives the 
impression that she is being watched. 
This is a mid shot of the 
same female but this time 
from behind. A small 
aperture (large depth of 
field) has been used so 
that the setting remains in 
focus. The camera remains 
still throughout this shot 
with the only movement 
from the hair, rippling water 
and clouds. The shot 
appears to have a warming 
filter placed on it. 
This is a mid shot of the 
same female but side on in 
a new setting. The reeds in 
the foreground are out of 
focus while she is clear, 
emphasising her as the 
subject. She is clutching 
what appears to be a book 
while her hair looks 
naturally tousled. Makeup 
is not visible. The shot is 
still but with natural hand 
held movement included to 
eliminate jarry transitions. 
This is a cut away to light 
peeking through dappled 
leaves which create star-like 
light leaks. This is 
effective as it creates 
atmosphere and fits with 
the colour scheme of the 
other shots. It also breaks 
up the continual shots of 
the subject and can create 
an effective interval. 
This is a close up of the 
female’s face. It appears to 
have a filter on it containing 
magenta as shadows are 
tinted a warm pink colour. 
The shot is still and this 
leads me to speculate if a 
tripod has been used. The 
female’s hair is gently 
blowing in the wind while 
her face remains in direct 
address with the camera, 
although motionless and 
distant.
This is a mid shot of Birdy looking 
down towards the floor while 
singing. She is surrounded by a 
natural urban scene and wears 
casual, warm clothes that don’t 
attempt to hug her figure. There 
seems to be a warming filter on 
the shot. The camera tracks back 
as Birdy walks forwards and 
there appears to have been a 
slight slow motion added to make 
the movement seem less jerky 
and more dramatic. 
This is a mid shot where Birdy 
is centrally placed. Symmetry 
is only broken by the man 
running up behind her which 
creates a two-shot where 
their relationship becomes 
apparent through their 
interaction. A greeny filter has 
been added which 
exaggerates the urban feel. 
Birdy keeps her eyes off of 
the camera as it continues to 
track backwards. 
This is an abstract shot of 
lights from the fairground 
of the next scene which 
have been given a line of 
symmetry vertically and 
centrally. They move and 
disappear into this central 
‘fold’ which create an 
abstract, surreal effect. 
This is used as a 
transition into the next 
location. 
There appears to be a 
cooling filter over this shot 
which brings out cyans and 
magentas, both typical of the 
fairground setting. Double 
exposure has been used 
and we can see both Birdy 
and a fairground shot 
simultaneously as they have 
been layered with a blend 
mode. 
This is a cutaway to an 
object of significance, 
where brightly coloured, 
vivid and sparkly objects 
are all apparent. They 
add context and 
legitimacy to the scene. 
The slight hand-held 
movement is retained 
and has obviously not 
used a tripod. This will 
eliminate jarry transitions 
between shots.
This is a dark, backlit long shot 
where Birdy is placed to the left. 
There are leading lines from the 
path up to the top of the shot. The 
camera tracks in and follows Birdy 
as she walks. It appears to have 
been slow motioned slightly as her 
movements appear fluid and soft. A 
cooling filter has undoubtedly been 
added to make the scene appear 
cold and uninviting which fits with 
the dark, harsh scenes and 
awkward, distant body language. 
This is a headshot of Birdy, 
again where she is placed to 
the left of the shot. This time 
she appears to have been 
lighted from the front and 
above as her face appears 
contoured. She is surrounded 
by out of focus blue flowers 
fitting with the colour scheme. 
A large aperture and shallow 
depth of field has been used 
to get this effect where the 
focus is on her. 
This is a mid shot of Birdy 
which I can tell has been lit 
from the left of the shot as an 
obvious shadow is visible the 
right of the shot. Light flickers 
across the wall in waves 
which stylizes the shot. The 
camera is still, which is 
probably due to the use of a 
tripod. Birdy remains still and 
the only movement is that of 
the flickering light waves. 
Sunlight peeks through 
the trees and creates a 
lens flare in this shot 
which overlaps Birdy. 
This creates a stylized 
shot. Birdy is backlit 
which removes detail 
from her face but 
highlights her outline. 
This shot is a cutaway to a 
window sill littered with dust. 
This is atmospheric and this 
is exaggerated by a strong 
cooling filter, creating an 
uninviting and cold feel to the 
shot. A tripod has been used 
as the shot is completely fixed 
still. As with the other indoor 
shot, the theme of the light 
flickering in waves is 
continued. This creates a 
cohesiveness to the overall 
video.

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Heavy Eye Makeup Close Up with Moving Filter

  • 1. This is an extreme close up of Banks’ eyes with heavy black eye makeup to add drama and focus. The shot has a moving white dusty filter overlaid to give an aged effect. The shot has been edited into greyscale which further adds to the aged effect. The shadows have been lightened to grey which is done in post-production. The composition involves Banks being placed to the right of the screen, using the rule of thirds composition. This is a close up. Heavy drum beats begin here as Banks moves her head slowly, ignoring the beat. She is centrally placed with a dark plain background, putting all emphasis on her. She is fully in focus with lighting from above, (butterfly lighting) evident by the facial contouring. She is giving direct address to the camera. This shot it still a close up. The shot is backlit and therefore Banks is underexposed but the shot appears stylized. Banks is oriented to the bottom right of the shot and this uses the rules of thirds composition to be effective. The heavy beat runs throughout and she appears to be wearing a jacket of some sort. This shot it still a close up, although it’s being pulled in and out of focus via the camera. This is deliberate and gives a stylized effect. Meanwhile, Banks is staring down and moving slowly- perhaps slow motioned .The background is again, plain and a dark which leaves emphasis on Banks. This is also a close up of Banks’ face in greyscale facing horizontally to the camera and giving direct address to the camera. This shot is similarly backlit although this one has the addition of a stylized lens flare that appears to
  • 2. This is a mid shot of Ellie which is out of focus. I feel this is deliberate to add a sense of mystery to the identity. The camera pans left. The toning of the shot has the shadows with a cool blue tone while the skin has been left warm in tone. Ellie is wearing a simple, non-descript black dress. This is a close up of Ellie’s Dr Marten boots treading along the ground. The camera tracks in and remains at the same distance from her while she moves. The clip appears to have been slowed in motion to give a dramatic effect. This is a close up of Ellie’s centrally positioned face as she sings. A large aperture and shallow depth of field has been used to create an intensely blurred and bokeh’ed background. This leaves all emphasis on the subject while still hinting at the setting. Ellie is wearing neutral coloured makeup with her hair curled naturally. This is a low angled mid shot facing up at Ellie as it pans around Ellie, exaggerating the height of the surrounding trees and amount of space around her. She sings into space and uses her hands for emphasis. She remains on the spot to the left of the shot and the camera moves around her. This is a higher angled mid shot facing side on to Ellie as she walks in slow motion with no eye contact to camera. She is tracked by the camera as she walks, which is probably done using a steadicam due to the smooth movement. The background is slightly out of focus which keeps most emphasis on Ellie.
  • 3. This is a long shot of a female figure standing by a lake facing away from the camera so that her identity is hidden. The shot has internal framing from the bushes in the foreground which frame the shot. The female is placed slightly to the right of the shot and just above the horizontal mid point, making use of the rule of thirds compositional technique. The internal framing through the leaves gives the impression that she is being watched. This is a mid shot of the same female but this time from behind. A small aperture (large depth of field) has been used so that the setting remains in focus. The camera remains still throughout this shot with the only movement from the hair, rippling water and clouds. The shot appears to have a warming filter placed on it. This is a mid shot of the same female but side on in a new setting. The reeds in the foreground are out of focus while she is clear, emphasising her as the subject. She is clutching what appears to be a book while her hair looks naturally tousled. Makeup is not visible. The shot is still but with natural hand held movement included to eliminate jarry transitions. This is a cut away to light peeking through dappled leaves which create star-like light leaks. This is effective as it creates atmosphere and fits with the colour scheme of the other shots. It also breaks up the continual shots of the subject and can create an effective interval. This is a close up of the female’s face. It appears to have a filter on it containing magenta as shadows are tinted a warm pink colour. The shot is still and this leads me to speculate if a tripod has been used. The female’s hair is gently blowing in the wind while her face remains in direct address with the camera, although motionless and distant.
  • 4. This is a mid shot of Birdy looking down towards the floor while singing. She is surrounded by a natural urban scene and wears casual, warm clothes that don’t attempt to hug her figure. There seems to be a warming filter on the shot. The camera tracks back as Birdy walks forwards and there appears to have been a slight slow motion added to make the movement seem less jerky and more dramatic. This is a mid shot where Birdy is centrally placed. Symmetry is only broken by the man running up behind her which creates a two-shot where their relationship becomes apparent through their interaction. A greeny filter has been added which exaggerates the urban feel. Birdy keeps her eyes off of the camera as it continues to track backwards. This is an abstract shot of lights from the fairground of the next scene which have been given a line of symmetry vertically and centrally. They move and disappear into this central ‘fold’ which create an abstract, surreal effect. This is used as a transition into the next location. There appears to be a cooling filter over this shot which brings out cyans and magentas, both typical of the fairground setting. Double exposure has been used and we can see both Birdy and a fairground shot simultaneously as they have been layered with a blend mode. This is a cutaway to an object of significance, where brightly coloured, vivid and sparkly objects are all apparent. They add context and legitimacy to the scene. The slight hand-held movement is retained and has obviously not used a tripod. This will eliminate jarry transitions between shots.
  • 5. This is a dark, backlit long shot where Birdy is placed to the left. There are leading lines from the path up to the top of the shot. The camera tracks in and follows Birdy as she walks. It appears to have been slow motioned slightly as her movements appear fluid and soft. A cooling filter has undoubtedly been added to make the scene appear cold and uninviting which fits with the dark, harsh scenes and awkward, distant body language. This is a headshot of Birdy, again where she is placed to the left of the shot. This time she appears to have been lighted from the front and above as her face appears contoured. She is surrounded by out of focus blue flowers fitting with the colour scheme. A large aperture and shallow depth of field has been used to get this effect where the focus is on her. This is a mid shot of Birdy which I can tell has been lit from the left of the shot as an obvious shadow is visible the right of the shot. Light flickers across the wall in waves which stylizes the shot. The camera is still, which is probably due to the use of a tripod. Birdy remains still and the only movement is that of the flickering light waves. Sunlight peeks through the trees and creates a lens flare in this shot which overlaps Birdy. This creates a stylized shot. Birdy is backlit which removes detail from her face but highlights her outline. This shot is a cutaway to a window sill littered with dust. This is atmospheric and this is exaggerated by a strong cooling filter, creating an uninviting and cold feel to the shot. A tripod has been used as the shot is completely fixed still. As with the other indoor shot, the theme of the light flickering in waves is continued. This creates a cohesiveness to the overall video.