The document analyzes the target demographics of 4 horror films: The Cabin in the Woods, Friday the 13th, Scream 3, and Wes Craven's New Nightmare. It finds that most successfully targeted younger audiences aged 15-24. Regarding gender, audiences were often slightly male-dominated. Social class targeting found middle class audiences were most common. Drawing on these findings, the proposed demographics for their own film aim to target a young male audience aged 15-24 from middle-lower social classes.
The primary audience for Star Wars: The Force Awakens is adults aged 30+ who grew up with the original films. This audience is predominantly male and falls in the mainstream category in terms of lifestyle. They have higher incomes and spending power compared to the secondary audience. The secondary audience is younger people aged 12-20 who are more interested in the action and new characters. This audience has closer to a 50/50 gender split and lower spending power as many are students. Both audiences watch for entertainment, but the primary audience also watches for nostalgia and connection to original characters.
The survey results showed that the target audience for the short film was mostly male aged 17-24, who identified as left-wing or apolitical and atheist/agnostic. They had an educational background ranging from high school to post-graduate degrees. They particularly enjoyed comedy, action, drama, and art films and listed escapism and humor as most important when watching movies. Their favorite characters tended to be individuals who suffered alone due to not fitting into mainstream society.
The Big Short is a 2015 film about the 2007-2008 financial crisis directed by Adam McKay. It uses unconventional techniques like celebrity cameos and breaking the fourth wall to explain complex financial instruments. The film follows three separate but interconnected stories of men who predicted the housing market collapse. It combines elements of drama, comedy, documentary, and music videos. The film challenges conventions by blurring the lines between hero and villain. It also represents bankers and banks critically but conventionally through their appearance and actions. It explores an unconventional postmodern representation of the audience by highlighting their initial lack of understanding of the financial concepts covered in the film.
This document summarizes the title sequence for a psychological thriller film called "Rose" created by the author. Some key points:
1) The title sequence uses some conventions of thrillers like showing the production company name but also challenges conventions to fit the narrative.
2) It represents the main characters as young, white, middle-class individuals to make them relatable to audiences. Gender roles and stereotypes are also portrayed.
3) A major film studio like DreamWorks or Lionsgate would be suitable to distribute the film since they have experience with similar psychological thriller genres.
4) The target audience is 15-19 year olds since the actors appear to be in their 20s and the story
This document analyzes the target audiences of several thriller films - Quantum of Solace, Bourne Identity, and Inception. For Quantum of Solace and Bourne Identity, the target audience is young adults aged 15-34, with a higher ratio of male to female viewers. These films also target socioeconomic class ABC1. Inception has a more balanced gender ratio and mainly targets those aged 15-24. The document then proposes that the target audience for the author's new thriller film would be those aged 12-34, with a 60% male audience and focus on socioeconomic class ABC1.
The document discusses representation in sitcoms. It explains that sitcom characters use stereotypes to engage viewers through easily recognizable traits. While some rely on stereotypes, the best sitcoms subvert expectations. Family life is often central, using stereotypes of relationships for comedy. Representations highlight common behaviors and flaws that audiences recognize in themselves and others. Specifically, men are often shown as inadequate compared to film ideals, and eccentric characters are popular tropes. The task asks the reader to analyze representations of gender, family and social groups in various sitcom episodes.
The film poster for Daniel Blake analyzes how the poster conveys the social realist genre through its bleak color scheme, gritty font, and portrayal of the disheveled main character engaged in a symbolic act of rebellion. It suggests the film will follow Daniel's personal journey as he fights injustice alone, facing struggles of poverty as a working class man. The prominent reviews emphasize the film's critical acclaim to attract audiences to this independent film with unknown actors. The director's name also signals the social realist genre he is renowned for.
The primary audience for Star Wars: The Force Awakens is adults aged 30+ who grew up with the original films. This audience is predominantly male and falls in the mainstream category in terms of lifestyle. They have higher incomes and spending power compared to the secondary audience. The secondary audience is younger people aged 12-20 who are more interested in the action and new characters. This audience has closer to a 50/50 gender split and lower spending power as many are students. Both audiences watch for entertainment, but the primary audience also watches for nostalgia and connection to original characters.
The survey results showed that the target audience for the short film was mostly male aged 17-24, who identified as left-wing or apolitical and atheist/agnostic. They had an educational background ranging from high school to post-graduate degrees. They particularly enjoyed comedy, action, drama, and art films and listed escapism and humor as most important when watching movies. Their favorite characters tended to be individuals who suffered alone due to not fitting into mainstream society.
The Big Short is a 2015 film about the 2007-2008 financial crisis directed by Adam McKay. It uses unconventional techniques like celebrity cameos and breaking the fourth wall to explain complex financial instruments. The film follows three separate but interconnected stories of men who predicted the housing market collapse. It combines elements of drama, comedy, documentary, and music videos. The film challenges conventions by blurring the lines between hero and villain. It also represents bankers and banks critically but conventionally through their appearance and actions. It explores an unconventional postmodern representation of the audience by highlighting their initial lack of understanding of the financial concepts covered in the film.
This document summarizes the title sequence for a psychological thriller film called "Rose" created by the author. Some key points:
1) The title sequence uses some conventions of thrillers like showing the production company name but also challenges conventions to fit the narrative.
2) It represents the main characters as young, white, middle-class individuals to make them relatable to audiences. Gender roles and stereotypes are also portrayed.
3) A major film studio like DreamWorks or Lionsgate would be suitable to distribute the film since they have experience with similar psychological thriller genres.
4) The target audience is 15-19 year olds since the actors appear to be in their 20s and the story
This document analyzes the target audiences of several thriller films - Quantum of Solace, Bourne Identity, and Inception. For Quantum of Solace and Bourne Identity, the target audience is young adults aged 15-34, with a higher ratio of male to female viewers. These films also target socioeconomic class ABC1. Inception has a more balanced gender ratio and mainly targets those aged 15-24. The document then proposes that the target audience for the author's new thriller film would be those aged 12-34, with a 60% male audience and focus on socioeconomic class ABC1.
The document discusses representation in sitcoms. It explains that sitcom characters use stereotypes to engage viewers through easily recognizable traits. While some rely on stereotypes, the best sitcoms subvert expectations. Family life is often central, using stereotypes of relationships for comedy. Representations highlight common behaviors and flaws that audiences recognize in themselves and others. Specifically, men are often shown as inadequate compared to film ideals, and eccentric characters are popular tropes. The task asks the reader to analyze representations of gender, family and social groups in various sitcom episodes.
The film poster for Daniel Blake analyzes how the poster conveys the social realist genre through its bleak color scheme, gritty font, and portrayal of the disheveled main character engaged in a symbolic act of rebellion. It suggests the film will follow Daniel's personal journey as he fights injustice alone, facing struggles of poverty as a working class man. The prominent reviews emphasize the film's critical acclaim to attract audiences to this independent film with unknown actors. The director's name also signals the social realist genre he is renowned for.
The trailer for Mean Girls follows conventions of the teen drama genre. It introduces Cady, a new student from Africa adjusting to life in an American high school. She befriends the popular clique known as the "Plastics" but they turn out to be the antagonists who cause drama. The trailer uses fast pacing, montages and music changes to build excitement around the school cliques, romance, and conflicts that emerge between the girls. It concludes by hinting at resolution while also leaving questions unanswered to encourage viewers to see the full film.
The trailer summarizes the plot of the film "Mean Girls" and introduces the main characters. It shows Cady, a student from Africa, struggling to fit into her new high school in America. She befriends the popular clique known as the "Plastics" but eventually has a falling out with them. The trailer uses many techniques common to teen drama genres like stereotypes, focus on friendship and popularity, and features a climactic montage to build anticipation for the film's resolution. It concludes with the film title and studio logo as expected.
This document discusses demographic factors for a movie such as age, gender, financial status, interests/hobbies, and demographics. For age, it suggests the movie will appeal most to teenagers due to themes around relationships and pregnancy that younger audiences may not understand. For gender, it aims for equal representation but notes themes around female inferiority may appeal more to women. Financially, it targets wealthier audiences who can relate to the characters' social class. In terms of interests, it suggests sociology students and fans of South Asian dramas may enjoy analyzing the movie's social themes. Finally, the target demographics include both sexes and teenagers to adults from various cultural backgrounds globally.
This survey analyzed audiences interested in Star Wars: The Force Awakens. It found that the original characters most appealed to both male and female audiences. 44% of females and 40% of males said they related to characters, especially Rey and Kylo Ren. While many had seen the original films, less than half were interested in merchandise, though most males would attend events. Respondents would spend £100-£500 on film-related activities and merchandise annually. The survey provided information on what appeals to audiences and whether this drives further interest and spending.
This survey analyzed audiences interested in Star Wars: The Force Awakens. It found that the original characters most appealed to both male and female audiences. 44% of females and 40% of males said they related to characters, especially Rey and Kylo Ren. While many had seen the original films, less than half were interested in merchandise, though more males would attend events. Most would spend £100-£500 annually on film-related activities and merchandise. The survey provided information on what appeals to audiences and whether this drives further interest and purchasing.
This document summarizes the results of a primary research survey conducted by Imani Ayimba-Golding. Some of the key findings include:
- A trailer is the most effective marketing strategy for attracting an audience to a new show.
- The most popular time slot for a show is 8:30pm to avoid competing with other popular programs.
- Audiences aged 25-34 and 45-54 are most attracted to soap operas.
- Around 50% of respondents said a trailer had persuaded them to watch a soap opera in the past.
The document summarizes survey results about audiences for Star Wars: The Force Awakens. It finds that the majority of respondents were male, suggesting the sci-fi genre appeals more to men. The primary audience is ages 35-55 as they saw the original films, while the secondary audience is ages 5-25 targeted in the new films. Rey and Finn were the most liked characters as young fans see them as role models. Kylo Ren was also popular due to his power and similarity to Darth Vader. About 62% would purchase merchandise, though most would spend £5 or less. Few would attend expensive Star Wars events. Scenes featuring Rey and Han/Leia appeal to different generations by showing characters they can
The target audience for the media product is 16-18 year olds. This age group can relate to and empathize with the teenage main characters. Having creators and characters of the same age means there is a deep understanding of appealing to other teenagers. Both male and female teenagers are targeted by including strong and capable characters of both genders that break stereotypes commonly seen in thriller films. The primary ethnicity targeted is white British, reflecting the creators and characters, but the story should still be relatable to all. Sexuality is not a focus, so all sexual orientations are included in the target audience. The target audience would enjoy thrillers and be interested in popular culture references included to make the characters more relatable.
This document discusses the target audience for the film "Donnie of the Dead" produced by Spikey Films and Scope Productions. The primary target age is 15-24 who will be able to identify with the main character Donnie, a clumsy buffoon. It aims to attract both male and female viewers through genres of horror, romance, and comedy. While Donnie is middle-class, the film does not explicitly target any economic group. With dialogue primarily in a southern English accent, the target region is England but the film could reach worldwide distribution through streaming services. The film does not limit its cast or audience by sexuality.
The document discusses audience profiling research for the Star Wars film by creating avatars to represent 4 target audiences: young male, young female, old male, and old female. It then analyzes the results of a survey given to 36 people about their Star Wars preferences. Key findings include that younger audiences prefer the action scenes while older audiences prefer the storyline and character relationships. Males generally liked the fighting scenes while females connected more with Rey as a role model. Older audiences were more likely to attend Star Wars events due to having more disposable income than younger audiences.
A well-trained I.T. team: Your company's secret weaponBest STL
Having a well trained IT team to navigate all the challenges that face an organisation, from data security, BYOD (Bring Your Own Devices), Cyber attack, to effective team communications is crucial. This presentation will give you the low down on why training makes so much business sense.
This document provides recipes for 5 mocktail drinks: 1) a banana sherbet smoothie with banana, lemon sherbet, grapefruit juice and ice; 2) a pineapple lemonade cocktail shaken with pineapple juice, lemon juice, club soda and grenadine; 3) an orange lemonade blend of orange juice, lemonade and crushed ice; 4) a mixed fruit juice of various juices and fruit crush; and 5) a blue Hawaiian made with pineapple juice, mango and blue food coloring. The recipes include lists of ingredients and instructions for mixing and garnishing the non-alcoholic cocktails.
36.5 Office 365 Features That Will Increase Your ProductivityBest STL
Office 365 offers many productivity features for businesses including security from viruses and malware, cost-effective pricing starting at £15 per user per month, and access to the full Office suite across multiple devices. It provides compatibility with both Windows and Mac OS, 24/7 support 365 days a year, and easy scheduling and communication tools like Lync.
8 Essential Interpersonal Skills Project Manager Must Have! PMExamSmartNotes
** Special announcement: Sign-up for my free PMP course now > http://bit.ly/freepmpcourse
This presentation talks about the 8 essential interpersonal skills that a project manager must understand and practice. This topic is part of PMBOK (Tools and Techniques of Manage Project Team and Develop Project Team processes from Project Human Resources Management knowledge area) and is helpful in your preparation for PMP or CAPM certification exams. Or you can use this to understand more about project management.
For more detailed study notes visit www.PMExamSmartNotes.com.
PMESN: Step-by-step guide to filling PMP applicationPMExamSmartNotes
** Special announcement: Sign-up for my free PMP course now > http://bit.ly/freepmpcourse
This is a step-by-step guide to filling PMP application on PMI's site. Make sure you have the 35hr project management education before applying.
The referenced template can be downloaded at http://www.pmexamsmartnotes.com/pmp-application-template
For free PMP Study Blueprint and other resources visit www.PMExamSmartNotes.com.
The document discusses proper food safety practices for food handlers including proper handwashing techniques, preventing cross-contamination, and ensuring food is stored at proper temperatures as bacteria need food, moisture, suitable temperatures between 40 to 140°F, and time to grow and cause foodborne illness. Key hazards from microbes, chemicals, physical contaminants, and allergens that can make food unsafe are described along with best practices for personal hygiene, safe food handling, and conditions for preventing bacterial growth.
The brief asks the media company to create a set of vegetarian recipe cards. It provides some key details such as the deadline of 10 weeks and ingredients to include, making it similar to a formal or informal brief. Thoroughly reading the brief is important to understand what is expected of the project and ensure all important details are included to meet the client's needs. The nature of the vegetarian recipe card brief is to design creative and interesting front and back templates for the cards within the 10 week deadline.
The document provides a summary of the history and key releases of Microsoft Office from 1990 to 2013. Some of the major releases include Office 1.0 in 1990 which contained Word, Excel and PowerPoint. Office 95 was released in 1995 to coincide with Windows 95. Office 2007 introduced a new Fluent user interface. Office 2010 was the first 64-bit version and introduced free online versions of core apps. Office 2013 introduced a cleaned up interface, radical pricing model and SkyDrive integration.
This document lists various Easter eggs hidden in past versions of Microsoft software products such as Windows, Word, Excel, and Access. Some examples include accessing a hidden screensaver of a 3D teapot model in Windows 95, viewing random quotes in older Office versions, and triggering a "Hall of Tortured Souls" screen in Excel 95 by selecting specific cells. The Easter eggs were hidden messages or jokes left by developers to be discovered by users.
This document discusses target audiences for films. It analyzes the target audiences of Taken, Harry Potter, and The Dark Knight Rises based on psychographics like age, gender, and social class of viewers. For their own thriller film opening, the authors conclude the target audience will be explorers aged 15-35, with a slightly higher male viewership (55% to 45%) coming from middle income social classes C1 to C2. To appeal to this psychographic, the opening will incorporate excitement, tension, and narrative mysteries.
The document analyzes how the audiences were constructed for three films: American Hustle, Shadow Recruit, and The Smurfs 2. For American Hustle, the target audience is identified as young adults aged 16-24 based on the casting and 1970s aesthetic. Shadow Recruit targets ages 12-18 given its 12A rating and police thriller genre. The Smurfs 2 aims at children aged 5-10 and their families by using bright colors and familiar Smurfs characters. All three films seek to attract both male and female viewers through gender-balanced representations.
The trailer for Mean Girls follows conventions of the teen drama genre. It introduces Cady, a new student from Africa adjusting to life in an American high school. She befriends the popular clique known as the "Plastics" but they turn out to be the antagonists who cause drama. The trailer uses fast pacing, montages and music changes to build excitement around the school cliques, romance, and conflicts that emerge between the girls. It concludes by hinting at resolution while also leaving questions unanswered to encourage viewers to see the full film.
The trailer summarizes the plot of the film "Mean Girls" and introduces the main characters. It shows Cady, a student from Africa, struggling to fit into her new high school in America. She befriends the popular clique known as the "Plastics" but eventually has a falling out with them. The trailer uses many techniques common to teen drama genres like stereotypes, focus on friendship and popularity, and features a climactic montage to build anticipation for the film's resolution. It concludes with the film title and studio logo as expected.
This document discusses demographic factors for a movie such as age, gender, financial status, interests/hobbies, and demographics. For age, it suggests the movie will appeal most to teenagers due to themes around relationships and pregnancy that younger audiences may not understand. For gender, it aims for equal representation but notes themes around female inferiority may appeal more to women. Financially, it targets wealthier audiences who can relate to the characters' social class. In terms of interests, it suggests sociology students and fans of South Asian dramas may enjoy analyzing the movie's social themes. Finally, the target demographics include both sexes and teenagers to adults from various cultural backgrounds globally.
This survey analyzed audiences interested in Star Wars: The Force Awakens. It found that the original characters most appealed to both male and female audiences. 44% of females and 40% of males said they related to characters, especially Rey and Kylo Ren. While many had seen the original films, less than half were interested in merchandise, though most males would attend events. Respondents would spend £100-£500 on film-related activities and merchandise annually. The survey provided information on what appeals to audiences and whether this drives further interest and spending.
This survey analyzed audiences interested in Star Wars: The Force Awakens. It found that the original characters most appealed to both male and female audiences. 44% of females and 40% of males said they related to characters, especially Rey and Kylo Ren. While many had seen the original films, less than half were interested in merchandise, though more males would attend events. Most would spend £100-£500 annually on film-related activities and merchandise. The survey provided information on what appeals to audiences and whether this drives further interest and purchasing.
This document summarizes the results of a primary research survey conducted by Imani Ayimba-Golding. Some of the key findings include:
- A trailer is the most effective marketing strategy for attracting an audience to a new show.
- The most popular time slot for a show is 8:30pm to avoid competing with other popular programs.
- Audiences aged 25-34 and 45-54 are most attracted to soap operas.
- Around 50% of respondents said a trailer had persuaded them to watch a soap opera in the past.
The document summarizes survey results about audiences for Star Wars: The Force Awakens. It finds that the majority of respondents were male, suggesting the sci-fi genre appeals more to men. The primary audience is ages 35-55 as they saw the original films, while the secondary audience is ages 5-25 targeted in the new films. Rey and Finn were the most liked characters as young fans see them as role models. Kylo Ren was also popular due to his power and similarity to Darth Vader. About 62% would purchase merchandise, though most would spend £5 or less. Few would attend expensive Star Wars events. Scenes featuring Rey and Han/Leia appeal to different generations by showing characters they can
The target audience for the media product is 16-18 year olds. This age group can relate to and empathize with the teenage main characters. Having creators and characters of the same age means there is a deep understanding of appealing to other teenagers. Both male and female teenagers are targeted by including strong and capable characters of both genders that break stereotypes commonly seen in thriller films. The primary ethnicity targeted is white British, reflecting the creators and characters, but the story should still be relatable to all. Sexuality is not a focus, so all sexual orientations are included in the target audience. The target audience would enjoy thrillers and be interested in popular culture references included to make the characters more relatable.
This document discusses the target audience for the film "Donnie of the Dead" produced by Spikey Films and Scope Productions. The primary target age is 15-24 who will be able to identify with the main character Donnie, a clumsy buffoon. It aims to attract both male and female viewers through genres of horror, romance, and comedy. While Donnie is middle-class, the film does not explicitly target any economic group. With dialogue primarily in a southern English accent, the target region is England but the film could reach worldwide distribution through streaming services. The film does not limit its cast or audience by sexuality.
The document discusses audience profiling research for the Star Wars film by creating avatars to represent 4 target audiences: young male, young female, old male, and old female. It then analyzes the results of a survey given to 36 people about their Star Wars preferences. Key findings include that younger audiences prefer the action scenes while older audiences prefer the storyline and character relationships. Males generally liked the fighting scenes while females connected more with Rey as a role model. Older audiences were more likely to attend Star Wars events due to having more disposable income than younger audiences.
A well-trained I.T. team: Your company's secret weaponBest STL
Having a well trained IT team to navigate all the challenges that face an organisation, from data security, BYOD (Bring Your Own Devices), Cyber attack, to effective team communications is crucial. This presentation will give you the low down on why training makes so much business sense.
This document provides recipes for 5 mocktail drinks: 1) a banana sherbet smoothie with banana, lemon sherbet, grapefruit juice and ice; 2) a pineapple lemonade cocktail shaken with pineapple juice, lemon juice, club soda and grenadine; 3) an orange lemonade blend of orange juice, lemonade and crushed ice; 4) a mixed fruit juice of various juices and fruit crush; and 5) a blue Hawaiian made with pineapple juice, mango and blue food coloring. The recipes include lists of ingredients and instructions for mixing and garnishing the non-alcoholic cocktails.
36.5 Office 365 Features That Will Increase Your ProductivityBest STL
Office 365 offers many productivity features for businesses including security from viruses and malware, cost-effective pricing starting at £15 per user per month, and access to the full Office suite across multiple devices. It provides compatibility with both Windows and Mac OS, 24/7 support 365 days a year, and easy scheduling and communication tools like Lync.
8 Essential Interpersonal Skills Project Manager Must Have! PMExamSmartNotes
** Special announcement: Sign-up for my free PMP course now > http://bit.ly/freepmpcourse
This presentation talks about the 8 essential interpersonal skills that a project manager must understand and practice. This topic is part of PMBOK (Tools and Techniques of Manage Project Team and Develop Project Team processes from Project Human Resources Management knowledge area) and is helpful in your preparation for PMP or CAPM certification exams. Or you can use this to understand more about project management.
For more detailed study notes visit www.PMExamSmartNotes.com.
PMESN: Step-by-step guide to filling PMP applicationPMExamSmartNotes
** Special announcement: Sign-up for my free PMP course now > http://bit.ly/freepmpcourse
This is a step-by-step guide to filling PMP application on PMI's site. Make sure you have the 35hr project management education before applying.
The referenced template can be downloaded at http://www.pmexamsmartnotes.com/pmp-application-template
For free PMP Study Blueprint and other resources visit www.PMExamSmartNotes.com.
The document discusses proper food safety practices for food handlers including proper handwashing techniques, preventing cross-contamination, and ensuring food is stored at proper temperatures as bacteria need food, moisture, suitable temperatures between 40 to 140°F, and time to grow and cause foodborne illness. Key hazards from microbes, chemicals, physical contaminants, and allergens that can make food unsafe are described along with best practices for personal hygiene, safe food handling, and conditions for preventing bacterial growth.
The brief asks the media company to create a set of vegetarian recipe cards. It provides some key details such as the deadline of 10 weeks and ingredients to include, making it similar to a formal or informal brief. Thoroughly reading the brief is important to understand what is expected of the project and ensure all important details are included to meet the client's needs. The nature of the vegetarian recipe card brief is to design creative and interesting front and back templates for the cards within the 10 week deadline.
The document provides a summary of the history and key releases of Microsoft Office from 1990 to 2013. Some of the major releases include Office 1.0 in 1990 which contained Word, Excel and PowerPoint. Office 95 was released in 1995 to coincide with Windows 95. Office 2007 introduced a new Fluent user interface. Office 2010 was the first 64-bit version and introduced free online versions of core apps. Office 2013 introduced a cleaned up interface, radical pricing model and SkyDrive integration.
This document lists various Easter eggs hidden in past versions of Microsoft software products such as Windows, Word, Excel, and Access. Some examples include accessing a hidden screensaver of a 3D teapot model in Windows 95, viewing random quotes in older Office versions, and triggering a "Hall of Tortured Souls" screen in Excel 95 by selecting specific cells. The Easter eggs were hidden messages or jokes left by developers to be discovered by users.
This document discusses target audiences for films. It analyzes the target audiences of Taken, Harry Potter, and The Dark Knight Rises based on psychographics like age, gender, and social class of viewers. For their own thriller film opening, the authors conclude the target audience will be explorers aged 15-35, with a slightly higher male viewership (55% to 45%) coming from middle income social classes C1 to C2. To appeal to this psychographic, the opening will incorporate excitement, tension, and narrative mysteries.
The document analyzes how the audiences were constructed for three films: American Hustle, Shadow Recruit, and The Smurfs 2. For American Hustle, the target audience is identified as young adults aged 16-24 based on the casting and 1970s aesthetic. Shadow Recruit targets ages 12-18 given its 12A rating and police thriller genre. The Smurfs 2 aims at children aged 5-10 and their families by using bright colors and familiar Smurfs characters. All three films seek to attract both male and female viewers through gender-balanced representations.
The document discusses target audiences for horror films. It states that horror films primarily target younger audiences between ages 15-25, as this demographic enjoys thrills. Younger audiences tend not to be bothered by graphic images, while older audiences often find them disturbing. Horror films also generally target males more than females, as males are stereotypically seen as enjoying violence and thrills more. The middle class is another common target, as horror films allow for an exciting experience at low cost. Successful horror films understand and aim to please their intended target audiences.
Action films tend to appeal most to males aged 15-45 from middle-income backgrounds. Specifically, stereotypically men enjoy the violence and excitement of action films more than women. Younger male teenagers and adults are drawn to the adrenaline and edge-of-your-seat nature of action films. However, interest in the genre may decline after age 50 as adults prefer slower entertainment. The target audience income levels range from middle class to skilled working class and students, who have disposable income for movies.
Our opening sequence aims to target teenagers aged 15-30, as well as both male and female audiences. It focuses on teenagers because they want to fit in and know the latest gossip, and young adults because horror films can provide adrenaline. Research shows horror appeals mostly to teenagers. The social demographic targeted is working classes C1 and C2, which includes many students and teenagers. The overall target audience combines these factors to engage and captivate viewers through tension, narrative mystery, and entertainment.
Our opening sequence aims to target teenagers aged 15-30, as well as both male and female audiences. It focuses on teenagers because they want to fit in and know the latest gossip, and young adults because horror films can provide adrenaline. Research shows horror appeals mostly to teenagers. The social demographic targeted is working classes C1 and C2, which includes many students and teenagers. The goal is to also appeal to groups B and D. Successful horror films commonly target teenagers as they find the genre exciting. The opening sequence should target the right audience and keep them captivated with tension, narrative mystery, and entertainment.
Our opening sequence aims to target teenagers aged 15-30, as well as both male and female audiences. It focuses on teenagers because they want to fit in and know the latest gossip, and young adults because horror films can provide adrenaline. Research shows horror appeals mostly to teenagers. The social demographic targeted is working classes C1 and C2, which includes many students and teenagers. The goal is to also appeal to groups B and D. Successful horror films commonly target teenagers as they find the genre exciting. The opening sequence should target the right audience and keep them captivated with tension, narrative mystery, and entertainment.
Our film's target audience will be slightly older than typical espionage/spy films, with 40% of the audience between ages 15-24 and 35% between 25-44. This older focus is due to the film dealing with more mature family themes rather than pure action. The target audience will also be predominantly male at 65% and middle to upper class, ranging from C1 to AB social classes, which comprise 65% of the audience. Psychographic segments aimed at include Reformers, Explorers, and Succeeders due to interests in protagonists, action/energy, and social status respectively.
The document analyzes the target audience of the film "Chernobyl Diaries" to help determine the target audience for the filmmaker's own film. It finds that the main target audience for "Chernobyl Diaries" is men ages 15-24 from social class C1, as they enjoy being scared and excited. While most of the audience for "Chernobyl Diaries" was men, over a third were over age 25, likely because the characters were older. The largest percentage of the audience for "Chernobyl Diaries" was from social class C1, possibly because the characters dressed and acted like class C1.
The document discusses identifying target audiences for films. It identifies three main ways to classify target audiences: by class (upper, middle, lower classes), age (important for content suitability), and gender (some genres target specific genders). Later, it provides examples of target audiences for three horror subgenres: slasher (ages 15-45, middle/lower class), zombie (ages 17+ due to gore), and comedy horror (ages 15+ to understand jokes, attracts all classes and both genders due to comedy). The document emphasizes understanding the target audience to make a film suitable for and successful with its intended demographic.
The primary audience for this comedy film is teenagers aged 15-24 in the UK who would enjoy the humor and action. The secondary audience is middle aged men aged 24-45, as the film has a male-dominated cast and plotlines involving humor about various topics.
The primary audience for this Disney children's film is kids aged 5-14, as evidenced by the young cast and simple story. The secondary audience is adult males aged 25-45 who will watch it with their kids.
This thriller/horror film is primarily aimed at men aged 24-65 who enjoy the genre. The secondary audience is teens aged 16-23 who might watch it together for fun.
The document discusses the target audience for a thriller film opening sequence. It initially targets women ages 15-21 of British culture and lower socioeconomic class. However, it later changes the target audience to be more equal between men and women ages 15-40, including those in skilled jobs and families. It maintains targeting British culture and students or families as the psychographic groups.
The target audience for the film is 15-35 year olds, as they will better understand the humor and relate to the situations depicted. It aims to appeal to both male and female viewers equally. The film receives a 15 rating from the BBFC as it contains no bad language or nudity and is only suitable and relevant for those aged 15 and over. The target socio-economic groups are C1, C2, D and E, which include students, laborers, and junior/supervisory managers who could find humor and relate to the film. A comparable film is American Pie, which had a similar plot and target audience of mid-teens and above.
The target audience for the film is 15-35 year olds, as they will better understand the humor and relate to the situations depicted. It aims to appeal to both male and female viewers equally. The film receives a 15 rating from the BBFC as it contains no bad language or nudity and is only suitable and relevant for those aged 15 and over. The target socio-economic groups are C1, C2, D and E, which include students, laborers, and junior/supervisory managers who could find humor and relate to the film. A similar film cited is American Pie, which had a target age range of mid-teens and above and a 15 rating due to sexual content and language.
The target audience for the film is 15-35 year olds, as they will better understand the humor about a teenage boy trying to lose his virginity. It aims to appeal to both male and female genders equally. The film receives a 15 rating from the BBFC as it contains mature humorous themes but no bad language or nudity. The target socio-economic groups are C1, C2, D and E, which include students, manual laborers, and junior managers, as they will find it most relatable and humorous. A similar film is American Pie, which had a target audience of mid-teens and above about characters pursuing virginity and also received a 15 rating.
The document discusses targeting audiences for horror films. It notes that horror films appeal to some audiences through a sense of excitement and fear. However, not all audiences enjoy feeling scared. The document then discusses aiming its opening horror sequence towards a slightly higher-end market between the lower B to C categories that likes independent cinema and challenges. It also discusses including social elements and appealing to ages 15 and up while not alienating middle-aged audiences. Character construction and theories by Richard Dyer, Blumier & Katz, and Abraham Maslow were used to address the target audience.
The document provides information about different film genres and audience profiling techniques:
1. It defines mainstream, alternative, and niche films, using Star Wars, Suicide Squad, and Nas' documentary as examples.
2. It discusses demographic profiling techniques like age, gender, socioeconomic status, and location that can be used to target specific audiences.
3. It analyzes the poster, trailer, and survey results for the film Blair Witch to understand how it targeted and appealed to its audience. It found the film attracted a younger demographic and had a positive reception.
The document discusses how a horror movie media product would represent different social groups. It would likely appeal most to goths, alternatives, and indie subcultures due to its dark nature. The target age range is 15-30 years old as younger viewers may find it too disturbing. Males may enjoy the action elements more than females. Lower social classes from C1 to E would likely identify more with main characters and watch more than higher classes. The film avoids religious or cultural issues to appeal to all ethnic groups. Having a female hero is unconventional for the genre. Releasing around Halloween would mimic the successful strategy of similar films like The Conjuring to target youth audiences.
The document provides a summary of research conducted for a major project on horror film audiences. According to secondary research, the primary audience for horror films is 15-24 year olds, with roughly equal percentages of male and female viewers. Research also found that horror film audiences come from lower social classes. Primary research conducted through surveys found that most respondents were female, aged 20-30, and preferred earned scares over jump scares. The document analyzes existing horror films Ringu and It Follows to understand effective techniques for camerawork, sound design, mise-en-scene, and storytelling.
The document provides a summary of research conducted for a major project on horror film audiences. According to secondary research, the primary audience for horror films is 15-24 years old, with roughly equal percentages of male and female viewers. Research also found that horror film viewers tend to come from lower social classes. Primary research in the form of a survey supported these findings, showing a majority of respondents were female and in the target 15-24 age range. The research also helped determine elements for the film, such as a preference for earned scares over jump scares. Existing horror films like Ringu and It Follows are analyzed for effective techniques in camerawork, sound design, mise-en-scene, and story that could influence
2. The content of this presentation
• The main idea of this presentation is to explore different
films’ target audiences and then design our own for our
film. This is so we can take several ideas from the ways
these films targeted their and pinpoint them to suit our
film. I will be analysing 4 films, all from the genre of
horror. A target audience is defined by a group of people
who are defined by a certain category – for example,
age, gender, martial status etc. If a film distributor targets
an audience successfully, it will be able to satisfy them
through the fact that the audience will be able to relate to
the movie. For example, Kidulthood was targeted to the
Urban Youth due to the fact that it is a storyline similar to
many young people’s – therefore it was easier for the
target audience to relate to.
3. The Cabin in The Woods
• The age range was most dominant in 15-24 with
65%. The reason being is due to the organic buzz it
created through websites due to the acclaimed
storyline and popular cast.
• The gender split is orientated towards males, who
hold the majority at 61%. This is possibly due to the
fact that Horror films are usually more violent in
nature and statistically men tend to watch more
violent media.
• When it comes to analysing the class split, it is to a
certain extent even however C1 holds a majority. The Cabin in The Woods is a
This is probably due to the relations that they have film that exploits the genre of
with the main characters – who all come from a horror. It is an example of post-
middle class suburban neighbourhood. They could modern horror which is very
relate through the clothes the characters wear popular these days. This could
which is casual, as well as the lifestyle they also explain why more younger
accommodate (high school seniors). populations dominated the
audience.
4. Friday the 13th is a remake film
Friday the 13th
released in late 2009 which
takes all the popular
conventions from its fran-
chise.
• Friday the 13th had a much more narrower
age range. It concentrates on the 15-24 age
range. This is shown through the fact that it is
a remake, which would appeal to younger people
looking for the same thrill that the older generation
had when the film was first introduced. The main
characters are also young, so they can relate to them
through age. We can see that older individuals who
watched previous films from the series would have
wanted to see what the new one is like.
•When analysing the male/female audience split, there
is a difference of 10%. This can be explained through the fact that
statistically males like to indulge in more violent media than females.
However, the fact that the percentages are nearly similar is possibly
due to the fact that the lead characters are both males and females,
attracting both audiences because they can relate in terms of gender.
•In terms of class we can say that the reason the film does not appeal to
AB as much as it does to C,D&E is due to the lack of relation. The characters
are middle/lower class from the film, therefore little relation is made in terms of
class for A&B. Younger people are usually in C,D&E which explains why these categories are more
popular – the main characters are of a young age.
5. Scream 3 is part of the
popular “Scream” franchise,
which like The Cabin in The Woods
is a prime example of post-modern
horror. Scream 3
• As the previous films are
in this presentation,
Scream 3 has a higher emphasis on the
15-24 age range. This was done
most likely due to the production company
wanting a newer audience as they were
afraid the film would not fare well at the box •The DE band is usually full of younger
office. As we can see, older audiences were people, this relates to the age due to
less interested in it beyond the age of 34. the fact that many 15-24 year olds reside
• If we note the audience gender, we could
in this class category.
comment on the statistical information that
cites males usually enjoying horror films more than
females. This applies here too, but only by a small
percentage so it is not anything significant.
• In the class barriers, Scream 3 provides us with a
different result when it comes to audiences.
Commenting on AB, we can say that the previous series has
established a degree of higher thinking for the Scream series, This is most likely the same for
and it goes well beyond the overlaying script of the film since C1 as well.
it digs into horror’s conventions and stereotypes. This ‘higher’
thinking is most likely what caused a higher percentage in the AB category for class.
6. Wes Craven’s New Nightmare
New Nightmare was a clever plot used
by Wes Craven to finish his famous “Nightmare
on Elm Street” series off smoothly.
•The target age group is blatantly obvious.
The production company had to target a specific
age group – the younger generation, due to the fact The class barriers are
that the previous sequels in the series fared very poorly generally spread.
critically and at the box office. However more emphasis
Younger generations won’t have spent much time around is placed on “C2” and
the older failures of the series so they would have to go to the “DE”. The reason being
watch the film to find out what this ‘revamp’ is like. Is due to the fact that
90% is aimed at 15-24 year olds, usually the age group who many young people from
spend the most time out, and 10% at 25-35 year olds. the age target audience
will be residing in these
•Regarding the gender split, this film has more in the female category-
two categories mainly.
54%. The reason being is that the protagonist is actually a female with a The heroine is not that of
child.Many females would be able to identify with this more than males a higher class either, she
would, therefore the audience is concentrated more on females. is just a B movie actor
who is trying to live a
Many ABs can’t identify or relate with this, hence why there is less normal life.
emphasis on their class category.
7. Our Demographics
When concerning the target
range for age, we must note that
Age Gender (%) Class
the majority of the targeted population Range (%) (%)
for the horror films researched are
in the 15-25 category.
We will take what
4-6 0 Male 55 AB 10
we have learnt from
this and apply it to 7-11 0 Female 45 C1 25
our own demogra
-phics. We can appeal to more people
our age who can identify with us this 12-14 0 We’ll only make it
slightly higher, as
C2 30
way, therefore a larger audience is the demographics
attracted.
15-24 70 tell us that there is
usually not a
DE 35
preference towards
Concerning the audience gender,
we have decided to make it more
25-34 15 a gender when it
comes to horror.
inclined towards males. The reason
being is due to the fact that males, 35-44 10 If we want to appeal to the widest audience
statistically are prone to watch more possible we target our film for the class
violent films and the entire cast in our boundaries containing the majorities of
film is male, so our audience on the male 45+ 5 people our age. This is usually C2, and DE
side can relate to the characters more in hence why the majority of % in class
terms of age and gender. boundaries are targeted there.