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T101 Media Life ,[object Object],[object Object]
Media Multitasking & Concurrent Media Exposure
Media Anytime, Anyplace, Anywhere
How We (The Media) Got Here And Where We Are Going
Media History: Remediation
Media History: User Control
From Inactive to Active Media Use
Media Using = Media (Re-) Mixing
Media Using = Media Making
(Media) Life & (Media) Industries
Media Conglomeration
The Hourglass Structure
Reflexive (Just-In-Time) Production
Precarity: Outsourcing to Professionals
Precarity: Outsourcing to Amateurs
Convergence Culture: Crossmedia Storytelling
Convergence Culture: Transmedia Storytelling
Convergence Culture: User Generated Content
Business Models in Flux: Pareto Principle
Business Models in Flux: The Long Tail
Personal Information Economy: Panoptic Surveillance
Personal Information Economy: Synoptic Surveillance
Personal Information Economy: Omnoptic Surveillance
Everyone Is Watching… Or Can Be
Society & Media Life
Digital Divides: Online (In-)Equality is Offline (In-)Equality
Participation Gap: Access not the same as Participation
Family, Love, Sex & Death: Going Solo
Democracy & Media Life: Disintermediation
Media Life: All Connected, All Alone
The 4 Realities of Media Life
Reality 1: Mass-Policed (Closed) Reality
Reality 2: (Open) Reality-By-Consensus
Reality 3: (Closed) Reality As A Consensual Illusion
Reality 4: (Open) Reality As Your Own Reality TV Show
Media Life is Powered by YOU
Media Life Is Your Own Truman Show
“ Theoretical Violence […] Is The Only Resource Left To Us”
So… What Will You Do?

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T101 Media Life Course Overview

Editor's Notes

  1. Overview Media Life course
  2. From a 2003 study, we can see that only does the average American (regardless of age, class or gender) spend about 11 hours PER DAY using media - but he or she also does not realize nor remember their media use most of the time. in the twenty-first century, we navigate through a vast mass media environment unprecedented in human history. Yet our intimate familiarity with the media often allows us to take them for granted. Media use has become: automatic.
  3. the 20th century's distinctive contribution to the interface between people and machines: JOYSTICK Media history suggest we (users) are increasingly in control over our media life
  4. the 20th century's distinctive contribution to the interface between people and machines: JOYSTICK Media history suggest we (users) are increasingly in control over our media life
  5. lean back vs sit forward media
  6. 2. audio: podcasts http://www.mugglenet.com/mugglecast/ Website strated by 15-year old kid from nortwest Indiana
  7. the media life is powered by you – so how do media industries cope with all of this?
  8. One: they conglomerate
  9. Two: they outsource creative to smaller companies ALL OVER THE WORLD
  10. Reflexive production: http://www.southparkstudios.com/episodes/207897/
  11. Three: they outsource production to consumers
  12. Consumers as free labor
  13. Crossmedia storytelling
  14. Transmedia storytelling
  15. Beginning of UGC
  16. intro
  17. Wellman’s model: community moving from place to place, via place/space, to person to person
  18. GTA San Andreas: HOT COFFEE mod
  19. Finding info on politics: http://www.politics1.com/parties.htm
  20. In this global connection/togetherness, we are also completely alone: Silent Disco
  21. 4C Model of Media Work
  22. The Matrix is the “Platonic” treatment of reality: as an illusion mistaken for reality Plato imagines a group of people who have lived chained in a cave all of their lives, facing a blank wall. The people watch shadows projected on the wall by things passing in front of the cave entrance, and begin to ascribe forms to these shadows. According to Plato, the shadows are as close as the prisoners get to seeing reality. He then explains how the philosopher is like a prisoner who is freed from the cave and comes to understand that the shadows on the wall are not constitutive of reality at all, as he can perceive the true form of reality rather than the mere shadows seen by the prisoners. link PRISONERS with PANTOPTICON
  23. What this means, is that we are all living inside our own TRUMAN SHOW, as the Jim Carrey character in the movie of that tile did: surrounded by omnipresent media, being recorded and monitored all the time, making and consuming media constantly, being connected to everyone else through increasingly digital, portable and networked media devices all the time - and unwilling or indeed unable to switch any of this off. The question now is: what skills and attitude do you need to cope with this kind of life? How do you survive inside your own Truman Show? THAT is what T101 is all about.
  24. the media life is powered by you
  25. Always remember: Reality = open source