Kenneth Frampton discusses critical regionalism in architecture in the article. He argues that modernization favors flattening topography for efficiency rather than embracing local terrain, and that universal techniques prioritize commodity over place. However, careful design can inscribe regional character through elements like window placement, local lighting, and tactile surfaces. Cooperation between tectonics and tactile experience can resist universal techniques and affirm regional poetics grounded in culture and nature. While the conclusion does not fully return to critical regionalism, the discussion provides good references on embracing site and autochthonous culture rather than dominating with universal techniques.