TAU: SYNOPSIS 2
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This document is a synopsis for a reaction paper on an interview with philosopher Jacques Derrida discussing architectural thinking and relationships with time. The synopsis includes a rubric for assessing the reaction paper on appropriateness of terminology used, clarity of opinions, and logical progression. Key points from Derrida discussed in the paper include that architecture should not be separated from thought, the labyrinthine nature of architecture, and the preservation of the essence of architecture despite changes in form over time.
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![BACHELOR OF SCIENCE (HONOURS) IN ARCHITECTURE
THEORIES OF ARCHITECTURE AND URBANISM (ARC61303/ARC2224)
SYNOPSIS: REACTION PAPER (AUGUST 2016) [10 MARKS]
NAME: CHEN EE DONG ID: 0321181
LECTURER: MR LAM SHEN FEI TUTORIAL TIME: 2-4 PM
SYNOPSIS NO: 2 READER TITLE: ARCHITECTURE WHERE DESIRE CAN LIVE
AUTHOR: JACQUES DERRIDA, EVA MEYER
In the interview ‘Architecture where Desire Can Live’ by Eva Meyer, Jacques Derrida, the French
philosopher behind the coining of Deconstruction, discusses architectural thinking and fundamental
architectural relationships with time.
Derrida dictates architecture should always be one with thought, and not as a separate entity nor a
metaphor. Theory and practice should never be separated as it‘degrades’ architecture to a mere technique of
representation of the thinking process,which would diminish the possibility of revealing the true potential of
architecture. Here, Derrida makes reference to the labyrinth, which is defined as a maze with an ultimate goal
at its end; hence, the end gives the path its significance and purpose. As he dictates, the way is never a
method. I agree with his statement as I personally feel that the way is infinite and is always susceptible to
change as long as an individual keeps thinking and exploring.This can be justified in line with Derrida citing
‘thinking is always a way’. However, the language ofthe way is specific, evolutionary and changes throughout
time. This is evidenced in architectural history by how architecture has evolved with time through stylistic
changes, butnevertheless, the dynamic language will always return to the fundamental elements ofhabitality.
Derrida also highlights the existential establishmentof place, in which he questions the origins ofthe
place. I am in mutual agreement with this statement as I believe that there is no definitive label on when a
place was officially recognized as a place, or how a place comes about. This is in line with another key point
which I find interesting – the mention of a new relationships between human and architecture. Derrida seeks
to highlightthat the style may be ephemeral, butthe true essence ofarchitecture can be embodied perpetually
despite the evolution ofform. I strongly agree with this as I can relate this statement to the study ofIse Jingu,
a Japanese shrine in the Mie Prefecture which is rebuilt every twenty years. The original design is retained
against the eroding effects of time. In a way, originality is preserved despite the changing of its vessel.The
body evolves but the soul transcends time.
In conclusion, the art of architecture will forever remain labyrinthine. In my opinion, its nature is
interpretative, and the way to understanding architecture is evidently complex and comparative to solving an
enigma of a lifetime, requiring patience and an open outlook to accommodate diversity in perspectives.](https://image.slidesharecdn.com/theories2final-161215160322/85/TAU-SYNOPSIS-2-1-320.jpg)
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The document summarizes a reaction paper on the theories of architecture and urbanism. It discusses the influential theories of Robert Venturi and Charles Jencks regarding signs and architecture. Jencks argues that traditional architecture uses symbols to convey deeper meanings, while modernist architecture focuses only on functional indexes. He prefers architecture with multiple meanings and metaphors over the singular focus of modernists like Le Corbusier. However, pluralism and ambiguity in architecture may lead to concealed or misinterpreted messages from architects.
Urban Theories Summaries
Frank Lloyd Wright argues that architecture should focus on honesty, simplicity, and integrating with nature. He believes styles should not be limited and that architecture is best when created independently with variety. Pallasma discusses how human senses interact with architecture through experiences of space, light, shadows, and other qualities. Frampton advocates for critical regionalism, where architecture derives elements from a place to strengthen regional identity while engaging with modern techniques and universal values.
Synopsis Writing
The document summarizes three reaction papers by a student on architectural theory texts. The first discusses how Learning from Las Vegas valued symbolism in commercial architecture over modernism's focus on form and function alone. The second examines The Geometry of Feeling and how architecture should stimulate human experience and feelings rather than just visual elements. The third discusses Kenneth Frampton's Towards a Critical Regionalism and his calls for integrating culture and nature and emphasizing tactile senses in architecture over just visual aspects.
Course ObjectiveExplore architectural space and form in various.docx
Course Objective:
Explore architectural space and form in various cultures.
15 page paper is due May 4, 2018. The 15 pages should not include cover sheet or citations. Double space, 12 point and number each page. You may choose at two cultures to compare/contrast. You may explore only one. Whatever you do, please use several or one philosophy of architecture. Delve into how a culture define space
Your final research paper is to analyze the importance of architectural space, exploring how at least two cultures express space and the importance of architectural space. I read the wonderful discussions that you all wrote about urban space. Now let us narrow our vision to our immediate space and how we react to space. Try to keep the paper to no more than 15 pages including citations.
OVERALL: Minimum of 15.
Introduction. Identify explain how one culture experience space. Compare to another chore to emphasize. Then tell me how you feel about it. The give summary.
187 | SSpace
soft architecture. Sensors that trigger the opening and closing of doors
and windows, the movement of walls, and even the lowering and raising
of floors and ceilings produce the personalized spaces that characterize
soft architecture. Theatrical stages have had this capability for some
time, and thus have a lot to teach the designer seeking to produce soft
architecture.
Traditional Japanese architecture is an early version of soft architecture.
The ability to change the use and “feel” of a space by simply moving a rice
paper screen and rearranging the mats on the floor is a manual, low-tech
version of soft architecture. A more recent manifestation of softness was
attempted with the Centre Georges Pompidou in Paris (1977) (Figure 93).
It was to have an interior in which many walls and floors were movable.
Unfortunately that degree of flexibility was unjustified. Consequently the
building was renovated in 2000 to increase its capacity and efficiency by
“hardening” it.
In soft architecture each force applied to it creates content that has
form, as “water poured into a vase has form” (Ezra Pound). The water-
generated Blur building by Herzog and Meuron poetically illustrates the
new frontier of soft or reflexive architecture. The term now refers to any
architecture that is not finite or fixed.
See also: Blur • Responsive architecture • Flexibility
Figure 93 Pompidou
Center
Space
The classical questions include: is space real, or is it some kind of
mental construct, or an artifact of our ways of perceiving and thinking?
— Oxford Dictionary of Philosophy
If architecture can be understood as the construction of boundaries in
space, this space must be understood as commonsense space, a space
that possesses meaning and speaks to us long before the architect
goes to work. — Karsten Harries
The ethereal thing about architecture is this thing called “space.” Space, as
a central design concern for architects, has the interesting quality of.
Synopsis
3 synopsis from readings by
a) Frank Lloyd Wright, “In the Cause of Architecture”, (1908)
b) Juhani Pallasma, “The Eyes of the Skin: Architecture and the Senses”, (2007)
c) Kenneth Frampton ‘Towards Critical Regionalism: Six Points for an Architecture of Resistance. No.3&4
Final Essay
The document summarizes Frank Lloyd Wright's 1908 essay "In the Cause of Architecture". Wright discusses how nature inspired his architectural principles and guided the design of structures like Fallingwater. He outlined six design guidelines centered around harmonizing buildings with nature. Wright believed this approach allowed for individual artistic expression, as seen in the Prairie-style Robie House. However, the industrial revolution limited such expression by prioritizing profit. Wright argued for unity in an architect's works and the need for each to develop a unique design philosophy and technique. The essay emphasizes Wright's view of architecture's expression of design and ability to inspire as a fine art.
Analyzing Architectural Types And Themes As A Design Method
This document discusses using historical architectural analysis as a design method for contemporary architecture. It proposes analyzing historical building types and themes to inspire new designs. Types represent general spatial arrangements that allow humans to perform essential actions, while themes express how these actions are carried out. The document examines types and themes used in dance architecture to design a new center for contemporary dance. It selects a hall type suited to modern dance and applies a theme of architecture as backdrop, designing the building with large lined-up arches that define the central performance space.
Synopsis 2
This document contains a synopsis and assessment rubric for a reaction paper on the reading "Architecture Where Desire Can Live" by Neil Leach. The synopsis summarizes the key points of the reading, including that Jacques Derrida emphasized that theory and practice in architecture should not be separate. It also agrees with Derrida that thinking is essential and infinite in architecture. The synopsis is then assessed based on a rubric evaluating the key points, use of terminology, clarity of opinions, and logical progression.
Complexity and Contradiction TodayUsing the posted excerpt from .docx
Complexity and Contradiction Today
Using the posted excerpt from Complexity and Contradiction as your foundational text, please choose a building or architectural project (it can be unbuilt) from 1960 – 2016 that supports / illustrates Venturi’s argument. This chosen work should be something you can research and cite.
Complexity and Contradiction is just that – complex and contradictory. There are many ways you could interpret the text. Focus on one perspective of what Venturi believes in. Use quotations from Venturi’s work to clarify which aspect of his writing your chosen building or project supports.
Use images/photographs/diagrams/drawings, etc. to help support your argument. Citations are required. Appx 700 words in length.
Robert Venturi,
Excerpts from Complexity and Contradiction in Architecture (1966)
I like complexity and contradiction in architecture. I do not like the incoherence or
arbitrariness of incompetent architecture nor the precious intricacies of picturesqueness
or expressionism. Instead, I speak of a complex and contradictory architecture based
on the richness and ambiguity of modern experience, including that experience which
is inherent in art. Everywhere, except in architecture, complexity and contradiction
have been acknowledged, from Godel's proof of ultimate inconsistency in
mathematics to T. S. Eliot’s analysis of "difficult" poetry and Joseph Albers' definition of
the paradoxical quality of painting.
But architecture is necessarily complex and contradictory in its very inclusion of
the traditional Vitruvian elements of commodity, firmness, and delight. And today the
wants of program, structure, mechanical equipment, and expression, even in single
buildings in simple contexts, are diverse and conflicting in ways previously
unimaginable. The increasing dimension and scale of architecture in urban and
regional planning add to the difficulties. I welcome the problems and exploit the
uncertainties. By embracing contradiction as well as complexity, I aim for vitality as well
as validity.
Architects can no longer afford to be intimidated by the puritanically moral
language of orthodox Modern architecture. I like elements which are hybrid rather than
"pure," compromising rather than "clean," distorted rather than "straightforward,”
ambiguous rather than "articulated," perverse as well as impersonal, boring as well as
"interesting," conventional rather than "designed," accommodating rather than
excluding, redundant rather than simple, vestigial as well as innovating, inconsistent
and equivocal rather than direct and clear. I am for messy vitality over obvious unity. I
include the non sequitur and proclaim the duality.
I am for richness of meaning rather than clarity of meaning; for the implicit
function as well as the explicit function. I prefer "both-and" to "either-or," black and
white, and sometimes gray, to black or white. A valid architecture evokes many levels
of meaning and comb.
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Sysnosis 1 - In Cause of Architecture by Frank Lloyd Wright
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1所有材料真实但资料不全无法提供完全齐整的原件。【如：成绩单丶毕业证丶回国证明等材料中有遗失的。】
2获得真实的国外最终学历学位但国外本科学历就读经历存在问题或缺陷。【如：国外本科是教育部不承认的或者是联合办学项目教育部没有备案的或者外本科没有正常毕业的。】
3学分转移联合办学等情况复杂不知道怎么整理材料的。时间紧迫自己不清楚递交流程的。
如果你是以上情况之一请联系我们我们将在第一时间内给你免费咨询相关信息。我们将帮助你整理认证所需的各种材料.帮你解决国外学历认证难题。
国外波士顿学院波士顿学院本科学位证成绩单办理方法：
1客户提供办理信息：姓名生日专业学位毕业时间等（如信息不确定可以咨询顾问：我们有专业老师帮你查询波士顿学院波士顿学院本科学位证成绩单）；
2开始安排制作波士顿学院毕业证成绩单电子图；
3波士顿学院毕业证成绩单电子版做好以后发送给您确认；
4波士顿学院毕业证成绩单电子版您确认信息无误之后安排制作成品；
5波士顿学院成品做好拍照或者视频给您确认；
6快递给客户（国内顺丰国外DHLUPS等快读邮寄）。疯一把山娃算了算这一次足足花了老爸元够他挣上半个月的山娃很不解一向节俭的父亲啥时变得如此阔绰大方大把大把掏钱时居然连眉头也不皱一下车票早买好了直达卧铺车得经过山娃老家门口山娃拒绝父亲送说往车上一躺就等着下车决无丢失的道理有手机在身联系也方便再说他都岁了还有大半车的小伙伴相伴他不怕在父亲千叮咛万嘱咐中山娃依依不舍地爬上车朝窗外不住地挥手别了父亲别了父亲的城别了我的暑假生活我的城市生活望着窗外挥舞的房
Heart Touching Romantic Love Shayari In English with Images
Explore our beautiful collection of Romantic Love Shayari in English to express your love. These heartfelt shayaris are perfect for sharing with your loved one. Get the best words to show your love and care.
一比一原版美国加州大学圣地亚哥分校毕业证（ucsd毕业证书）如何办理
一模一样【微信：A575476】【美国加州大学圣地亚哥分校毕业证（ucsd毕业证书）成绩单Offer】【微信：A575476】（留信学历认证永久存档查询）采用学校原版纸张、特殊工艺完全按照原版一比一制作（包括：隐形水印，阴影底纹，钢印LOGO烫金烫银，LOGO烫金烫银复合重叠，文字图案浮雕，激光镭射，紫外荧光，温感，复印防伪）行业标杆！精益求精，诚心合作，真诚制作！多年品质 ,按需精细制作，24小时接单,全套进口原装设备，十五年致力于帮助留学生解决难题，业务范围有加拿大、英国、澳洲、韩国、美国、新加坡，新西兰等学历材料，包您满意。
【业务选择办理准则】
一、工作未确定，回国需先给父母、亲戚朋友看下文凭的情况，办理一份就读学校的毕业证【微信：A575476】文凭即可
二、回国进私企、外企、自己做生意的情况，这些单位是不查询毕业证真伪的，而且国内没有渠道去查询国外文凭的真假，也不需要提供真实教育部认证。鉴于此，办理一份毕业证【微信：A575476】即可
三、进国企，银行，事业单位，考公务员等等，这些单位是必需要提供真实教育部认证的，办理教育部认证所需资料众多且烦琐，所有材料您都必须提供原件，我们凭借丰富的经验，快捷的绿色通道帮您快速整合材料，让您少走弯路。
留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
→ 【关于价格问题（保证一手价格）
我们所定的价格是非常合理的，而且我们现在做得单子大多数都是代理和回头客户介绍的所以一般现在有新的单子 我给客户的都是第一手的代理价格，因为我想坦诚对待大家 不想跟大家在价格方面浪费时间
对于老客户或者被老客户介绍过来的朋友，我们都会适当给一些优惠。
选择实体注册公司办理，更放心，更安全！我们的承诺：可来公司面谈，可签订合同，会陪同客户一起到教育部认证窗口递交认证材料，客户在教育部官方认证查询网站查询到认证通过结果后付款，不成功不收费！
2024 MATFORCE Youth Poster Contest Winners
This document announces the winners of the 2024 Youth Poster Contest organized by MATFORCE. It lists the grand prize and age category winners for grades K-6, 7-12, and individual age groups from 5 years old to 18 years old.
➒➌➎➏➑➐➋➑➐➐ Dpboss Matka Guessing Satta Matka Kalyan panel Chart Indian Matka ...
➒➌➎➏➑➐➋➑➐➐ Dpboss Matka Guessing Satta Matka Kalyan panel Chart Indian Matka ...➒➌➎➏➑➐➋➑➐➐Dpboss Matka Guessing Satta Matka Kalyan Chart Indian Matka
KALYAN MATKA | MATKA RESULT | KALYAN MATKA TIPS | SATTA MATKA | MATKA.COM | MATKA PANA JODI TODAY | BATTA SATKA | MATKA PATTI JODI NUMBER | MATKA RESULTS | MATKA CHART | MATKA JODI | SATTA COM | FULL RATE GAME | MATKA GAME | MATKA WAPKA | ALL MATKA RESULT LIVE ONLINE | MATKA RESULT | KALYAN MATKA RESULT | DPBOSS MATKA 143 | MAIN MATKARecently uploaded (20)
Ealing London Independent Photography meeting - June 2024
Ealing London Independent Photography meeting - June 2024
❼❷⓿❺❻❷❽❷❼❽ Dpboss Kalyan Satta Matka Guessing Matka Result Main Bazar chart
❼❷⓿❺❻❷❽❷❼❽ Dpboss Kalyan Satta Matka Guessing Matka Result Main Bazar chart
All the images mentioned in 'See What You're Missing'
All the images mentioned in 'See What You're Missing'
❼❷⓿❺❻❷❽❷❼❽ Dpboss Matka ! Fix Satta Matka ! Matka Result ! Matka Guessing ! ...
❼❷⓿❺❻❷❽❷❼❽ Dpboss Matka ! Fix Satta Matka ! Matka Result ! Matka Guessing ! ...
Fashionista Chic Couture Mazes and Coloring AdventureA
Fashionista Chic Couture Mazes and Coloring AdventureA
➒➌➎➏➑➐➋➑➐➐ Dpboss Satta Matka Matka Guessing Kalyan Chart Indian Matka Satta ...
➒➌➎➏➑➐➋➑➐➐ Dpboss Satta Matka Matka Guessing Kalyan Chart Indian Matka Satta ...
Heart Touching Romantic Love Shayari In English with Images
Heart Touching Romantic Love Shayari In English with Images
➒➌➎➏➑➐➋➑➐➐ Dpboss Matka Guessing Satta Matka Kalyan panel Chart Indian Matka ...
➒➌➎➏➑➐➋➑➐➐ Dpboss Matka Guessing Satta Matka Kalyan panel Chart Indian Matka ...
storyboard: Victor and Verlin discussing about top hat
storyboard: Victor and Verlin discussing about top hat
TAU: SYNOPSIS 2
- 1. BACHELOR OF SCIENCE (HONOURS) IN ARCHITECTURE THEORIES OF ARCHITECTURE AND URBANISM (ARC61303/ARC2224) SYNOPSIS: REACTION PAPER (AUGUST 2016) [10 MARKS] NAME: CHEN EE DONG ID: 0321181 LECTURER: MR LAM SHEN FEI TUTORIAL TIME: 2-4 PM SYNOPSIS NO: 2 READER TITLE: ARCHITECTURE WHERE DESIRE CAN LIVE AUTHOR: JACQUES DERRIDA, EVA MEYER In the interview ‘Architecture where Desire Can Live’ by Eva Meyer, Jacques Derrida, the French philosopher behind the coining of Deconstruction, discusses architectural thinking and fundamental architectural relationships with time. Derrida dictates architecture should always be one with thought, and not as a separate entity nor a metaphor. Theory and practice should never be separated as it‘degrades’ architecture to a mere technique of representation of the thinking process,which would diminish the possibility of revealing the true potential of architecture. Here, Derrida makes reference to the labyrinth, which is defined as a maze with an ultimate goal at its end; hence, the end gives the path its significance and purpose. As he dictates, the way is never a method. I agree with his statement as I personally feel that the way is infinite and is always susceptible to change as long as an individual keeps thinking and exploring.This can be justified in line with Derrida citing ‘thinking is always a way’. However, the language ofthe way is specific, evolutionary and changes throughout time. This is evidenced in architectural history by how architecture has evolved with time through stylistic changes, butnevertheless, the dynamic language will always return to the fundamental elements ofhabitality. Derrida also highlights the existential establishmentof place, in which he questions the origins ofthe place. I am in mutual agreement with this statement as I believe that there is no definitive label on when a place was officially recognized as a place, or how a place comes about. This is in line with another key point which I find interesting – the mention of a new relationships between human and architecture. Derrida seeks to highlightthat the style may be ephemeral, butthe true essence ofarchitecture can be embodied perpetually despite the evolution ofform. I strongly agree with this as I can relate this statement to the study ofIse Jingu, a Japanese shrine in the Mie Prefecture which is rebuilt every twenty years. The original design is retained against the eroding effects of time. In a way, originality is preserved despite the changing of its vessel.The body evolves but the soul transcends time. In conclusion, the art of architecture will forever remain labyrinthine. In my opinion, its nature is interpretative, and the way to understanding architecture is evidently complex and comparative to solving an enigma of a lifetime, requiring patience and an open outlook to accommodate diversity in perspectives.
- 2. WORD COUNT 406 WORDS Key points (2.5) Appropriateness of Terminologies (2.5) Clarity in Opinions and Reactions (2.5) Logical Progression (2.5) DATE: TOTAL MARK & GRADE ASSSESSED BY:
- 3. SYNOPSIS DESCRIPTION ASSESSMENT RUBRIC Grades Marks Key points (2.5) Appropriateness of Terminologies (2.5) Clarity in Opinions and Reactions (2.5) Logical Progression (2.5) A 1.8 - 2.5 Evidence of outstanding understanding of Key points through clear explanation Appropriate use of Terminologies In discussing the Issues/ Concepts/Theories Outstanding Clarity in opinions and reactions - Supported with strong Logical explanation Outstanding Articulation of logical expressions ending with well- developed paragraphs B 1.5 - 1.79 Evidence of understanding of Key points through reasonable explanation Reasonable use of Terminologies In discussing the Issues/ Concepts/Theories with Minor unfamiliarity Reasonable clarity in opinions and reactions - Supported with Logical explanation Reasonable Articulation of logical expressions ending with well- developed paragraphs C 1.25 - 1.49 Evidence of Some Understanding of Key points through acceptable explanation Acceptable use of Terminologies In discussing the Issues/ Concepts/Theories with Noticeable unfamiliarity Acceptable Clarity in opinions and reactions - Supported with satisfactory explanation Acceptable Articulation of logical expressions ending with some ambiguous statements D 1 - 1.24 Evidence of Some Understanding of Key points through not quite acceptable explanation Evidence of Terminologies however poorly communicated in discussing The Issues/ Concepts/Theories With Weak Clarity in opinions and reactions - Supported with Lengthy explanation Poor Articulation of logical expressions ending with noticeable ambiguous statements F 0 - 0.99 Insufficient Evidence of Understanding of Key points through weak explanation Insufficient Evidence of Terminologies in discussing the Issues/ Concepts/Theories With Improper opinions and reactions. Not Matching the Issues/ Concepts/ Theories - Inadequate Reasons Unable to Articulate / illogical expressions. Poorly written synopsis.