This document provides an overview of Gujarat's culture, including its festivals, cuisine, crafts, textiles, costumes, and jewelry. Some key points:
- Gujarat is known for folk dances like garba and raas that are performed during Navratri festivals. Traditional Gujarati food is primarily vegetarian and healthy.
- The state has rich textile traditions like Patola silk sarees, Bandhani tie-dye, embroidery styles like Banni and Kutchi that use mirrors and threadwork.
- Traditional Gujarati costumes vary by region and community but include items like chaniya cholis for women and kediyus for men. Bridal wear
The document provides an overview of traditional dresses and costumes across different states and union territories of India. It describes the typical outfits worn by men and women in states like Delhi, Himachal Pradesh, Jammu and Kashmir, Punjab, Uttar Pradesh, Rajasthan, and others, highlighting regional diversity in Indian fashion influenced by culture and religion.
Traditional male attire in rural Gujarat consists of cotton drawers called 'Chorno' and a short upper body covering called 'Angrakhu'. For their head, men wear a thickly folded turban called 'Phento'. Women traditionally wear a colored petticoat called 'Chaniyo' often embroidered, along with a blouse called 'Choli' or 'Polku' and a head and body covering called 'Odhani'. For festivals like 'Ras' and 'Garba', men wear a tight long-sleeved coat called 'Keviya' along with tight pants and a colorful turban, while women wear a lehenga-choli or
Traditional Costumes of India #RajasthanMahin Hassan
This document provides information about traditional costumes and textiles from Rajasthan, India. It discusses the main types of clothing worn by men and women, including ghagras, cholis, odhnis, pagris, angarkhas and pyjamas. It also describes important textile crafts from the region like block printing, tie dye work, embroidery and mirror work. These crafts use locally sourced materials like cotton and silk. The document outlines the historical origins and development of these textiles and costumes, noting their royal patronage and increasing popularity both within India and internationally due to the influence of globalization.
1) Major tribes in Orissa include the Juang, Kolha, Banjara, Bonda, Gadaba, and Paraja tribes. Each tribe has unique traditional clothing and ornament styles.
2) Traditional Orissan men's clothing includes the dhoti and gamucha scarf. Women wear colorful sarees like the Sambalpuri saree.
3) Orissan tribes like the Juang traditionally wore leaf dresses while the Kolha wore white cotton clothes with metal jewelry.
Mundu, neriyathu, and sari are traditional costumes in Kerala made of hand-woven cotton. Mundus are worn by men and have an ornamental border called a kara featuring designs like peacocks or temples. During summer, these clothes are very comfortable. Ernakulum district is known for its fine weaving traditions and special designs in the weft of the cloth.
here is brief information about Ahir and Heer Bharat embroideries of Gujarat, including origin, history, techniques used in making, motifs and designers.
you can check out how I used this embroidery in woman's apparel by clicking this link
https://www.behance.net/gallery/99553209/Heer-bharat-%28embroidery%29
The document provides an overview of traditional dresses and costumes across different states and union territories of India. It describes the typical outfits worn by men and women in states like Delhi, Himachal Pradesh, Jammu and Kashmir, Punjab, Uttar Pradesh, Rajasthan, and others, highlighting regional diversity in Indian fashion influenced by culture and religion.
Traditional male attire in rural Gujarat consists of cotton drawers called 'Chorno' and a short upper body covering called 'Angrakhu'. For their head, men wear a thickly folded turban called 'Phento'. Women traditionally wear a colored petticoat called 'Chaniyo' often embroidered, along with a blouse called 'Choli' or 'Polku' and a head and body covering called 'Odhani'. For festivals like 'Ras' and 'Garba', men wear a tight long-sleeved coat called 'Keviya' along with tight pants and a colorful turban, while women wear a lehenga-choli or
Traditional Costumes of India #RajasthanMahin Hassan
This document provides information about traditional costumes and textiles from Rajasthan, India. It discusses the main types of clothing worn by men and women, including ghagras, cholis, odhnis, pagris, angarkhas and pyjamas. It also describes important textile crafts from the region like block printing, tie dye work, embroidery and mirror work. These crafts use locally sourced materials like cotton and silk. The document outlines the historical origins and development of these textiles and costumes, noting their royal patronage and increasing popularity both within India and internationally due to the influence of globalization.
1) Major tribes in Orissa include the Juang, Kolha, Banjara, Bonda, Gadaba, and Paraja tribes. Each tribe has unique traditional clothing and ornament styles.
2) Traditional Orissan men's clothing includes the dhoti and gamucha scarf. Women wear colorful sarees like the Sambalpuri saree.
3) Orissan tribes like the Juang traditionally wore leaf dresses while the Kolha wore white cotton clothes with metal jewelry.
Mundu, neriyathu, and sari are traditional costumes in Kerala made of hand-woven cotton. Mundus are worn by men and have an ornamental border called a kara featuring designs like peacocks or temples. During summer, these clothes are very comfortable. Ernakulum district is known for its fine weaving traditions and special designs in the weft of the cloth.
here is brief information about Ahir and Heer Bharat embroideries of Gujarat, including origin, history, techniques used in making, motifs and designers.
you can check out how I used this embroidery in woman's apparel by clicking this link
https://www.behance.net/gallery/99553209/Heer-bharat-%28embroidery%29
Rajasthan is located in northwestern India and has a long history dating back 5000 years. It was previously known as Gurjaratra and Rajputana. Parts of Rajasthan belonged to the Indus Valley Civilization between 3500-1750 BCE. Rajasthani culture is characterized by colorful costumes, textiles with unique prints, and ornate traditional jewelry worn from head to toe by both men and women. Traditional Rajasthani attire for men includes turbans, angarkhas, dhotis, and achkins, while women wear ghagras, cholis, odhnis, and ornate jewelry including mathapattis, kadas, and jhumkas. Mo
Gujarat is a state located in Western India with a coastline of over 1600 km. The state has a population of over 50 million people and its capital is Gandhinagar. Gujaratis speak Gujarati and the state has a diverse cultural heritage due to influences from groups like Huns, Muslims, Parsis, and Jains. Popular festivals include Navratri and Makar Sankranti. Major industries include petrochemicals, textiles, gems and jewelry. Famous tourist attractions include palaces and national parks.
This document provides information on the traditional textiles and costumes of four states in southern India: Andhra Pradesh, Kerala, Karnataka, and Tamil Nadu. It describes the major saree styles and textile crafts of each state such as the Pochampalli, Gadwal, and Armoor silk sarees of Andhra Pradesh. The traditional costumes of men and women are also outlined for each region. Key items include the dhoti for men and the sari for women. The document also gives brief overviews of dance forms like Kathakali that incorporate distinctive costumes.
Traditional Indian Dress : Its Origin and Types Paul Mattfield
This PDF describes about the traditional Indian dress and their origin and types. To know more visit : http://www.theindiabazaar.com/girls-indian-outfit-c-258-p-14.html
This document provides an overview of textiles from the Indian state of Rajasthan. It discusses various embroidery, tie-dye, block printing, and woven textile traditions from different regions in Rajasthan. Specific techniques covered include Sanganeri and Bagru block printing, Bandhani tie-dye, Kota Doria weaving, and embroidery styles like Gotta Patti, Phulkari, and Chamba Rumal. The document also notes the cultural and economic significance of textiles in Rajasthan and how traditional designs often depict the local flora and fauna.
Khadi is a handspun and handwoven fabric that originated over 5,000 years ago in India. Mahatma Gandhi revived the production of khadi in 1921 as part of his nonviolent independence movement. Khadi is created through processes like handpicking cotton, ginning, carding, spinning on a charkha, warping, weaving, and finishing. It is a sustainable fabric that provides employment, especially to women in rural India. Khadi advocates for self-worth and self-sufficiency through human labor.
Kasuti embroidery is a traditional embroidery style from Karnataka that involves intricate patterns stitched onto fine silk or matte cloth without knots. Common motifs include temples, chariots, lamps, and palanquins. The process is labor intensive, with the pattern first marked and then stitched thread-by-thread to appear on both sides of the cloth. A traditional Kasuti saree features borders and motifs spread across the body and pallu with no consistent theme, making each saree unique.
The document discusses the textiles and costumes of Rajasthan. It describes the vibrant colors that are characteristic of Rajasthani textiles which feature techniques like tie-dye, block printing, embroidery and others. The block printing centers of Sanganer and Bagru are mentioned. It also details the traditional costumes worn by Rajasthani women including the puthia, kanchli, kurti and ghaghra skirt, along with fabrics and designs specific to different regions and communities. Metal embroidery, quilting and other crafts are also summarized.
The Indian States and their dresses - Like A DivaLike A Diva
In India, each region has its own separate identity - food, language, dress etc. Here in this presentation, we have mentioned some states of India and their traditional dresses names & pictures. Presented by Like A Diva (https://www.likeadiva.com/)
Phulkari is a traditional embroidery art from Punjab involving intricate needlework on odhni (head drapes or shawls). It originated with the migrant Jat people from Central Asia and was transmitted orally, resulting in regional variations. Phulkari is linked to important events in a woman's life and signifies more than just clothing. There are two main types - Bagh, where embroidery is so dense the base color disappears, and Chope which involves embroidery along borders. Motifs draw from everyday life and include flowers, fruits, and animals. The art continues to evolve today in its patterns, products, and techniques.
The costumes of Goa are influenced by the tropical climate and Portuguese rule. During summers, lightweight cotton clothes are preferred over wool. Historically, the Portuguese compelled locals to abandon traditional Indian dress. However, saris from neighboring regions were smuggled and woven secretly. The nauvari style of draping saris is most common for Koli women. Designs feature influences from Maharashtra and Karnataka. Upper class Catholic women gradually adopted a three-piece western-inspired outfit. While traditional dress has declined, western clothes are now popular and the Goa Carnival celebrates local culture and heritage.
OFTAMILNADUStyle of dressing by the Tamils were so simple and humble a piece of white cloth measuring four or eight feet with a shirt is enough to complete their dress. Now it is giving way to pant and shirt and even designer dresses. Ladies when attained puberty wore a long shirt with blouse and a piece of cloth called ‘thaavani’ to cover the top portion of the body. After marriage they were sareeand blouse. Now modern dresses are slowly making their way to replace these traditional dresses.
Paithani saris are finely woven silk saris from the town of Paithan in Maharashtra, India. They have intricate brocaded designs woven using silk threads and real gold and silver. Weaving a Paithani sari is an intricate artisanal process that can take over two months and sometimes up to a year to complete. They are considered heirlooms and are passed down through generations. Paithani saris originated during the Satvahana dynasty and were later popularized during Mughal and Nizam rule in the region. They feature elaborate motifs inspired by nature and architecture.
The document provides information on the history, geography, people, culture, handicrafts, festivals, and tourism of Gujarat, India. It discusses how Gujarat has seen rule by various kingdoms and empires over centuries. The key highlights are the diversity of Gujarat's culture as seen in its music, dance, handicrafts and festivals. Major religious sites that attract pilgrims from India and abroad are highlighted in the tourism section.
Phulkari is a traditional embroidery art form from the Punjab region of India and Pakistan. It involves using silk thread to embroider colorful patterns and motifs on cotton fabric using darning stitches on the reverse side of the fabric. Complex embroidery works that cover the entire fabric surface are called baghs, while simpler works with embroidery only on edges are called chobes. Phulkari was traditionally done by women and featured in trousseaus and ceremonial clothing. Common motifs included flowers, animals, and objects from daily life. Over time the craft has evolved in terms of materials used and applications to items like clothing, home decor and more.
This document provides information on various types of embroidery techniques found in Asia, including mirror work, soof embroidery, kharek embroidery, pakko embroidery, rabari embroidery, jats embroidery, and mutwas embroidery. The summary highlights that these embroidery styles originate from communities in places like Gujarat, Rajasthan, Sindh, and Kutch and involve the use of mirrors, geometric patterns, and motifs inspired by nature, mythology, and daily life. The embroidery is used to create various products like clothes, bags, caps, and home decor items.
Costumes and textiles of arunachal pradeshMimi Daspriya
The traditional dresses of the various tribes in Arunachal Pradesh have vibrant colors and intricate patterns that represent their distinct cultures. The Monpa women wear a sleeveless gown made of coarse endi fabric with red and white stripes. They also wear a warm jacket that is lavishly embroidered with beads. Both men and women wear a distinctive skull-cap headgear made of yak hair. The Sherdukpen men wear a knee-length silk material with embroidered shoulder pieces and skull caps. Sherdukpen women wear a sleeveless top and full-sleeved embroidered jacket. The textile patterns are typically geometric with popular motifs including zig-zags, stripes and angular designs that use colors like red
This document provides an overview of Banjara embroidery, including:
- Banjara embroidery originated from the nomadic Banjara tribes of Andhra Pradesh and is characterized by vibrant colors, ornate patterns, and delicate mirror work.
- The Crafts Council of Andhra Pradesh has worked to preserve and develop Banjara embroidery, providing training to women in the Yellamma Tanda village.
- Banjara embroidery faces threats from modernization but trade fairs provide opportunities to market the craft and generate income for artisans.
Muga silk is Assam's prized possession, known for its golden color and strength. Sericulture is an important industry in Assam, with muga and eri silks produced traditionally. Women's handloom weaving is a cultural tradition, producing items like the mekhala skirt and patani lower garment. Motifs in weaving depict nature and everyday life. Traditional costumes vary among the Bodo, Dimasa, Mech, and Aitunia tribes of Assam, incorporating locally produced silk and cotton with distinctive styles of dress for men and women. Jewelry like the kopo phul earrings and gaam kharu bangles are notable parts of Assamese adornment.
This document is a project dissertation submitted by Ms. Nidhi Nayak on Chikankari, a traditional embroidery art from Lucknow, India. It provides an introduction to Chikankari and discusses its origins in Persia and development in Lucknow. The dissertation also examines the history of Chikankari, describes the various stitching techniques used, and outlines the traditional production process of block printing designs, embroidery, and washing the finished textiles.
The costumes of Andhra Pradesh reflect the region's culture and traditions. For women, the traditional outfit is the saree, while men typically wear a dhoti or lungi. Different areas have distinctive costumes, such as the colorful embroidered outfits of the Lambadi tribe or the ikat sarees of Ponchampalli. Famous sarees from the region include the brocade-bordered Dharmavaram saree and the cotton Gadwal saree with silk accents. Traditional arts like kalamkari painting and banjara embroidery also feature prominently in Andhra Pradesh's vibrant traditional costumes.
Rajasthan is located in northwestern India and has a long history dating back 5000 years. It was previously known as Gurjaratra and Rajputana. Parts of Rajasthan belonged to the Indus Valley Civilization between 3500-1750 BCE. Rajasthani culture is characterized by colorful costumes, textiles with unique prints, and ornate traditional jewelry worn from head to toe by both men and women. Traditional Rajasthani attire for men includes turbans, angarkhas, dhotis, and achkins, while women wear ghagras, cholis, odhnis, and ornate jewelry including mathapattis, kadas, and jhumkas. Mo
Gujarat is a state located in Western India with a coastline of over 1600 km. The state has a population of over 50 million people and its capital is Gandhinagar. Gujaratis speak Gujarati and the state has a diverse cultural heritage due to influences from groups like Huns, Muslims, Parsis, and Jains. Popular festivals include Navratri and Makar Sankranti. Major industries include petrochemicals, textiles, gems and jewelry. Famous tourist attractions include palaces and national parks.
This document provides information on the traditional textiles and costumes of four states in southern India: Andhra Pradesh, Kerala, Karnataka, and Tamil Nadu. It describes the major saree styles and textile crafts of each state such as the Pochampalli, Gadwal, and Armoor silk sarees of Andhra Pradesh. The traditional costumes of men and women are also outlined for each region. Key items include the dhoti for men and the sari for women. The document also gives brief overviews of dance forms like Kathakali that incorporate distinctive costumes.
Traditional Indian Dress : Its Origin and Types Paul Mattfield
This PDF describes about the traditional Indian dress and their origin and types. To know more visit : http://www.theindiabazaar.com/girls-indian-outfit-c-258-p-14.html
This document provides an overview of textiles from the Indian state of Rajasthan. It discusses various embroidery, tie-dye, block printing, and woven textile traditions from different regions in Rajasthan. Specific techniques covered include Sanganeri and Bagru block printing, Bandhani tie-dye, Kota Doria weaving, and embroidery styles like Gotta Patti, Phulkari, and Chamba Rumal. The document also notes the cultural and economic significance of textiles in Rajasthan and how traditional designs often depict the local flora and fauna.
Khadi is a handspun and handwoven fabric that originated over 5,000 years ago in India. Mahatma Gandhi revived the production of khadi in 1921 as part of his nonviolent independence movement. Khadi is created through processes like handpicking cotton, ginning, carding, spinning on a charkha, warping, weaving, and finishing. It is a sustainable fabric that provides employment, especially to women in rural India. Khadi advocates for self-worth and self-sufficiency through human labor.
Kasuti embroidery is a traditional embroidery style from Karnataka that involves intricate patterns stitched onto fine silk or matte cloth without knots. Common motifs include temples, chariots, lamps, and palanquins. The process is labor intensive, with the pattern first marked and then stitched thread-by-thread to appear on both sides of the cloth. A traditional Kasuti saree features borders and motifs spread across the body and pallu with no consistent theme, making each saree unique.
The document discusses the textiles and costumes of Rajasthan. It describes the vibrant colors that are characteristic of Rajasthani textiles which feature techniques like tie-dye, block printing, embroidery and others. The block printing centers of Sanganer and Bagru are mentioned. It also details the traditional costumes worn by Rajasthani women including the puthia, kanchli, kurti and ghaghra skirt, along with fabrics and designs specific to different regions and communities. Metal embroidery, quilting and other crafts are also summarized.
The Indian States and their dresses - Like A DivaLike A Diva
In India, each region has its own separate identity - food, language, dress etc. Here in this presentation, we have mentioned some states of India and their traditional dresses names & pictures. Presented by Like A Diva (https://www.likeadiva.com/)
Phulkari is a traditional embroidery art from Punjab involving intricate needlework on odhni (head drapes or shawls). It originated with the migrant Jat people from Central Asia and was transmitted orally, resulting in regional variations. Phulkari is linked to important events in a woman's life and signifies more than just clothing. There are two main types - Bagh, where embroidery is so dense the base color disappears, and Chope which involves embroidery along borders. Motifs draw from everyday life and include flowers, fruits, and animals. The art continues to evolve today in its patterns, products, and techniques.
The costumes of Goa are influenced by the tropical climate and Portuguese rule. During summers, lightweight cotton clothes are preferred over wool. Historically, the Portuguese compelled locals to abandon traditional Indian dress. However, saris from neighboring regions were smuggled and woven secretly. The nauvari style of draping saris is most common for Koli women. Designs feature influences from Maharashtra and Karnataka. Upper class Catholic women gradually adopted a three-piece western-inspired outfit. While traditional dress has declined, western clothes are now popular and the Goa Carnival celebrates local culture and heritage.
OFTAMILNADUStyle of dressing by the Tamils were so simple and humble a piece of white cloth measuring four or eight feet with a shirt is enough to complete their dress. Now it is giving way to pant and shirt and even designer dresses. Ladies when attained puberty wore a long shirt with blouse and a piece of cloth called ‘thaavani’ to cover the top portion of the body. After marriage they were sareeand blouse. Now modern dresses are slowly making their way to replace these traditional dresses.
Paithani saris are finely woven silk saris from the town of Paithan in Maharashtra, India. They have intricate brocaded designs woven using silk threads and real gold and silver. Weaving a Paithani sari is an intricate artisanal process that can take over two months and sometimes up to a year to complete. They are considered heirlooms and are passed down through generations. Paithani saris originated during the Satvahana dynasty and were later popularized during Mughal and Nizam rule in the region. They feature elaborate motifs inspired by nature and architecture.
The document provides information on the history, geography, people, culture, handicrafts, festivals, and tourism of Gujarat, India. It discusses how Gujarat has seen rule by various kingdoms and empires over centuries. The key highlights are the diversity of Gujarat's culture as seen in its music, dance, handicrafts and festivals. Major religious sites that attract pilgrims from India and abroad are highlighted in the tourism section.
Phulkari is a traditional embroidery art form from the Punjab region of India and Pakistan. It involves using silk thread to embroider colorful patterns and motifs on cotton fabric using darning stitches on the reverse side of the fabric. Complex embroidery works that cover the entire fabric surface are called baghs, while simpler works with embroidery only on edges are called chobes. Phulkari was traditionally done by women and featured in trousseaus and ceremonial clothing. Common motifs included flowers, animals, and objects from daily life. Over time the craft has evolved in terms of materials used and applications to items like clothing, home decor and more.
This document provides information on various types of embroidery techniques found in Asia, including mirror work, soof embroidery, kharek embroidery, pakko embroidery, rabari embroidery, jats embroidery, and mutwas embroidery. The summary highlights that these embroidery styles originate from communities in places like Gujarat, Rajasthan, Sindh, and Kutch and involve the use of mirrors, geometric patterns, and motifs inspired by nature, mythology, and daily life. The embroidery is used to create various products like clothes, bags, caps, and home decor items.
Costumes and textiles of arunachal pradeshMimi Daspriya
The traditional dresses of the various tribes in Arunachal Pradesh have vibrant colors and intricate patterns that represent their distinct cultures. The Monpa women wear a sleeveless gown made of coarse endi fabric with red and white stripes. They also wear a warm jacket that is lavishly embroidered with beads. Both men and women wear a distinctive skull-cap headgear made of yak hair. The Sherdukpen men wear a knee-length silk material with embroidered shoulder pieces and skull caps. Sherdukpen women wear a sleeveless top and full-sleeved embroidered jacket. The textile patterns are typically geometric with popular motifs including zig-zags, stripes and angular designs that use colors like red
This document provides an overview of Banjara embroidery, including:
- Banjara embroidery originated from the nomadic Banjara tribes of Andhra Pradesh and is characterized by vibrant colors, ornate patterns, and delicate mirror work.
- The Crafts Council of Andhra Pradesh has worked to preserve and develop Banjara embroidery, providing training to women in the Yellamma Tanda village.
- Banjara embroidery faces threats from modernization but trade fairs provide opportunities to market the craft and generate income for artisans.
Muga silk is Assam's prized possession, known for its golden color and strength. Sericulture is an important industry in Assam, with muga and eri silks produced traditionally. Women's handloom weaving is a cultural tradition, producing items like the mekhala skirt and patani lower garment. Motifs in weaving depict nature and everyday life. Traditional costumes vary among the Bodo, Dimasa, Mech, and Aitunia tribes of Assam, incorporating locally produced silk and cotton with distinctive styles of dress for men and women. Jewelry like the kopo phul earrings and gaam kharu bangles are notable parts of Assamese adornment.
This document is a project dissertation submitted by Ms. Nidhi Nayak on Chikankari, a traditional embroidery art from Lucknow, India. It provides an introduction to Chikankari and discusses its origins in Persia and development in Lucknow. The dissertation also examines the history of Chikankari, describes the various stitching techniques used, and outlines the traditional production process of block printing designs, embroidery, and washing the finished textiles.
The costumes of Andhra Pradesh reflect the region's culture and traditions. For women, the traditional outfit is the saree, while men typically wear a dhoti or lungi. Different areas have distinctive costumes, such as the colorful embroidered outfits of the Lambadi tribe or the ikat sarees of Ponchampalli. Famous sarees from the region include the brocade-bordered Dharmavaram saree and the cotton Gadwal saree with silk accents. Traditional arts like kalamkari painting and banjara embroidery also feature prominently in Andhra Pradesh's vibrant traditional costumes.
Pratigya Bhatnagar,B.Sc.-Fashion Technology+2 years Diploma dezyneecole
Pratigya Bhatnagar submitted a project to Dezyne E'cole College proposing a saree design for Air India air hostesses. The project analyzed traditional Indian motifs and architectural motifs to select designs. It explored methods for simplifying, repeating, and laying out motifs on the saree and accompanying blouse and skirt. The final proposed saree design incorporated traditional welcoming colors and was well-pleated for the professional needs of air hostesses. References included traditional Indian textiles books and online sources for fabric information and images.
The traditional costumes of Maharashtra reflect the state's rich cultural diversity. Women typically wear saris like the nauvari or lugade styles, which are draped in different regional patterns. Paithani saris from the town of Paithan are renowned for their intricate zari embroidery. Men generally wear a dhoti with shirt and turban. Regional communities like the Kolis have distinctive styles of saris, loincloths and jewelry. Traditional attire is now blending with modern influences, especially in urban areas, though historical costumes remain an integral part of Maharashtrian identity and festivals.
Dresses worn in different parts of Indiavanshsinghal5
This document provides a brief overview of the traditional dresses worn in different states and union territories of India. It includes 3 sentences describing the dresses of Delhi, Himachal Pradesh, and Jammu & Kashmir. The document then continues to describe the traditional dresses of various other states in 1-2 paragraphs each, including Punjab, Uttar Pradesh, Rajasthan, and others. It focuses on highlighting the unique features and cultural influences reflected in the traditional clothing of each region.
India is the world's largest, oldest continuous civilization according to the document. It provides many facts about India including that it invented the number system and zero, chess was invented in India, and yoga originated in India over 5,000 years ago. The document also describes various aspects of Indian culture such as traditional clothing for men and women, major languages spoken in India, henna art, and details about the state of Kerala including its capital, climate, and largest festival called Onam.
This ppt will be helpful for gaining the basic knowledge of Indian traditional textile from various states and regions. I will definitely try to add more slides in it.
This document is a project report submitted by Tanuja Sahu towards fulfilling the requirements of a 2nd year diploma in fashion design. The report discusses the traditional Indian saree, including its history, common motifs, and types of sarees worn in different parts of India. It also covers print development techniques for applying motifs to fabrics and includes designs developed by the student.
The document provides information about the costumes and textiles of Bihar and Jharkhand in India. It discusses the traditional crafts and weaving of the regions, including bamboo baskets and cane products from Bihar and silk production in Bhagalpur. It describes the traditional costumes worn by men, women, and tribes in the areas, which often incorporate religious and marital symbols. Festivals celebrated in Bihar and Jharkhand are also outlined, in addition to details about the symbolic Sujani embroidery and famous Bhagalpuri silk sarees produced in the region.
This document provides information on various types of traditional embroidery from India, including Kantha from Bengal, Gujarat embroidery, Kutch embroidery, Ahir bharat, Kanbi bharat, Mochi bharat, Rabari work, and Kasuti from Karnataka. It describes the materials, stitches, motifs, and articles associated with each type of embroidery. Key details include that Kantha is a running stitch embroidery often done by rural women in Bengal on cloth, and that Gujarat embroidery features rich designs introduced by wandering cattle herders.
We are one country which has the wealth of diverse traditions and culture. With uniqueness in the form of languages, food and attire, we are the nation that can boast of unity in diversity with pride.
Maharashtra has a diverse range of traditional costumes. [1] Historically, men wore dhoti with pheta while women wore choli and saree. [2] The kashta sari, also called nauvari sari, is a distinctive nine-yard sari style worn by Maharashtrian women that is self-draping without other garments. [3] Traditional costumes vary by region and community, such as the Koli people who have distinctive attire including lugat saris, cholis, and parkhis or surkhas for women and men respectively.
Garba is a traditional dance from Gujarat, India that has grown in popularity worldwide. There are now both traditional Indian and Westernized versions of garba dresses. The Western garba dress fuses Indian and Western fashion elements, typically consisting of a fitted top with a flared skirt. It allows for creativity and individual expression through choices in colors, patterns, embellishments and accessories. There are several popular styles of Western garba dresses including lehenga-style dresses with embroidery, gown-style dresses, crop top and skirt sets, and Indo-Western fusion dresses incorporating traditional Indian prints in Western silhouettes.
This document provides information on various Indian crafts and textiles, including pashmina shawls, chanderi sarees, kutch shawls, muga silk, kota sarees, phanek, ilkal sarees, balapuram sarees, kanchipuram sarees, pochampally sarees, ikat sarees, kosa silk, tussar silk, pachra, naga shawls, banarasi sarees, and bhagalpur silk. For each, it describes key characteristics such as materials, weaving techniques, motifs, regions of origin, and processes involved in creating the crafts.
Akshay sharma,BS.c-Fashion Technology,+2 years Diploma dezyneecole
(1) The document discusses designing a saree collection for an Indian Airlines air hostess between ages 28-30. (2) It provides details on various traditional Indian saree styles like Banarasi, Chanderi and styles of draping a saree. (3) The design process developed 10 saree designs incorporating traditional motifs from regional Indian sarees and using suitable fabrics. (4) A final draped saree design is presented along with its specifications.
nauvari sari Maharashtra Traditional textilessuniltalekar1
This document provides information about the traditional Nauvari or Kashta sari worn by Marathi women in Maharashtra. It discusses the origin and history of the sari, how it is draped to provide comfort and freedom of movement, and the different styles of draping including the traditional and Koli styles. Details are given about the materials, designs, and manufacturing process used by a handloom sector in Nagpur that weaves these saris. Images show various stages of sari production and traditional ways of styling the sari.
The document discusses traditional clothing styles from several South Asian and East Asian countries. It provides details on traditional outfits from India such as the ghagra choli worn by women in Rajasthan and Gujarat and the dhoti and lungi worn by men. It also describes the dastar turban worn by Sikhs and discusses how Indian fashion has incorporated both traditional and western styles. The document then summarizes clothing from Afghanistan, Bhutan, and Japan, noting styles like the chadri worn by Afghan women and the kira worn by women in Bhutan.
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Gujarat
1. Gujarat
Name :- Anjali Jain
Surbhi Rungta
Subject :- History of fashion
Submitted to :-Aarti mamm
2. Introduction
• One of the most industrialized
states of India, Gujarat derives
its name from Gujaratta,
meaning the land of the
Gurjars. It is located on the
western part of the Indian
subcontinent and has an
international boundary with
Pakistan. The state of Gujarat
is rich in culture, history and
crafts.
3. Festivals
• The folk traditions of
Gujarat include bhavai and
raas- garba. The raas-
garba is a folk dance done
as a celebration of Navratri
by Gujarati people.
The folk costume of this
dance is chaniya choli for
women and kedia for men.
4. Food
• Gujarati food is primarily
vegetarian. It is believed
to be one of the healthiest
cuisines in India. The
typical
Gujarati thali consists
of roti or bhakri, dal or ka
dhi, rice and sabzi. Indian
pickle and chhundo are
used as condiments.
In Saurashtra
region, chass (buttermilk)
is believed to be a must-
have in their daily food.
• Royal Gujarati Thali
8. Famous Embroidery Of Gujarat
• Throughout the 17th century, gujarat
was the most important center for fine
commercial embroidery in the world.
• Rabari
• Banni or Heer bharat
• Kutchi
• Sisha or Mirror work
• Kathi work
9. Rabari Embroidery
The Rabari embroidery
variety is mainly defined
by the use of mirrors.
Colorful wear define
traditional Rabari wear.
Most of the designs are
inspired by mythology and
desert habitation. It’s an
interesting collaboration
of style, design and colors.
10. Banni or Heer Bharat
The banni embroidery has its origin in
the state of Gujarat. Though the state
features a number of other embroidery
forms, the banni embroidery is special. It
is mainly the Kutch region in Gujarat
where Banni embroidery is practised by
the Lohana community on a large scale.
when a bride comes to her new home
she may never be without garments
designed with Banni embroidery. The
designs are mainly worked in colours like
mauve, yellow and pink.
The Banni embroidery pattern is mostly
liked for the richness of the design.
11. Kathi work
The Kathi community of Gujarat are
known for their incorporation of
mirror work alongside other
Gujarati handicrafts, such as
applique and embroidery. The
results of these designs, commonly
found in Kathi embroidery, are
elaborate and captivating,
encompassing a detailed textural
effect. The ongoing tradition of
using pieces of mirrors as a flower
motif’s centrepiece or as the eyes of
an animal motif derives from the
designs of Kathi embroidery.
12. Kutchi embroidery
The Kutch Embroidery is a handicraft and
textile signature art tradition of the tribal
community of Kutch. This embroidery
with its rich designs has made a notable
contribution to the Indian embroidery
traditions. The embroidery, practiced
normally by women is generally done on
fabrics of cotton, in the form of a net
using cotton or silk threads. In certain
patterns, it is also crafted over silk and
satin. The types of stitches adopted are
“square chain, double buttonhole,
pattern darning, running stitch, satin and
straight stitches”. The signature effect of
the colorful embroidery sparkles when
small mirrors called [abhla] are sewn
over the geometrically shaped designs.
13. Shisha [Mirror
work]
The pieces of mica were used as the
mirrors, but later, people started using
thin blown-glass pieces, which in Hindi
means "little glass". Until recently they
were all irregular, made by hand, and
used mercury, nowadays one can also
find them machine made and regularly
shaped. It's usually found in combination
with other types of stitches like cross
stitch, buttonhole stitch and satin stitch,
nowadays not only by hand but also by
machine. Mirrorwork is very popular for
cushion covers and bedcovers, purses
and decorative hangings as well as in
decorative borders in women's salwar-
kameez and sari.
15. Casual male attire
• The casual attire of
gujarati men are
dhoti, long and short
coat known as kafani
as well as turban
known as [phento],
however in recent
times pants and
shirts are becoming
more popular.
16. Traditional male attire
• The main attire which
gujarati male wear is
chorno and kediyu. This
is a traditional outfit of
gujarat.kediyu is a long
sleeved upper garment,
pleated at the chest and
reaching to the waist.
And chorno is a lower
part.
17. Ras and garba costumes
• Keviya- A small coat
with tight sleeves,
pleated frills and
embroidered borders
• Kamarbandha-
Colored Waistbands
• Churidars- Tight
trousers.
• Turban – a colorful
turban are put on
along with the kevia.
18. Casual female attire
• Casually gujarati
womens wear
kameez at home and
sarees outside, worn
in the traditional
gujarati style.
19. Traditional/ Ras garba dress
• Womens traditional
outfit is chaniya and
choli. They used to
wear this outfit in
festivals like
navaratri.
20. Chaniyo - The chaniyo is a coloured
petticoat often embroidered with
abhala or glass pieces.
Choli – a embroidered blouse or
bodice is called choli. It is also
known as ‘polku’.
Odhani – a colored piece of coarse
cloth covering the body and the
head is also taken with chaniyo-
choli known as odhani.
21. Ethnic wear of gujarat
• The ethnic Gujarati attires
are vivid in style and
brightly colored. The
different communities
sport a different style of
dressing such as the
Garacia Jat women wear
multi colored chunnis,
while the Rabari women
wear black open blouses,
also known as Odhnis or
Cholis.
22. Kutch coustmes
• Kutch region people
wear very attractive
costumes. Abhas is
very popular costume
in Kutch area. The
dress covered with
many glass pieces. The
costume stitched with
silver and gold threads
with various designs.
These designs give a lot
of impression to the
beauty of costumes.
23. Bridal wear
• The special red bridal
gharchola odhani worn
over a white saari with an
orange red border known
as panetar.
• The red bandhani odhani is
prepared on silk with a
woven gold border, and
the gold wire is known as
badla.
24. Gharchola
• Traditional red
bandhani sarees
criss crossed with
woven golden
squares sarees are
the ideal dress for
for a gujarati bride.
• Lehngas are also
gaining momentum
popularity as bridal
wear among the
gujaratis.
25. • Patola means “Queen
of Silks”. The Patola Silk
Sarees are one of the
finest varieties of
handloom silk saree
from Gujarat. Patola
sarees are woven with
great clarity and
precision. They are well
known all over the
world for their highly
delicate patterns. These
sarees are woven by
master weavers on a
special type of silk called
‘Patola Silk’.
• gujarat is well known
for its patola saree.
26. Types of patola sarees
Rajkot patola
patan patola
• Rajkot Patola: This is only vertically resisting
dyed (single ikkat).
• Patan Patola: This is horizontally-resist dyed
(double ikkat).
28. Tanchoi silk saree
• Tanchoi art was
introduced in
gujarat in 1940.
• Tanchoi silk saree
have exquisite
weaving with the
gold threads and
royal motifs
making the saree
a royal possession.
All the rich parsi
families in gujarat
afford this
29. Bandhani [Art of tie-dye]
• Bandhani is a type of
tie-dye textile decorated
by plucking the cloth
with the fingernails into
many tiny bindings that
form a figurative design.
• Today almost bandhani
making centers are
situated in gujarat.
• Bandhani is also known
as bandhej,
bandhani,piliya,chungidi.
30. • This drape is also called the
‘siddha pallu drape’, which
literally translates into the
‘straight pallu drape’ owing to
the unique way pallu draping. It
is done to hang down the
torso’s front.
• This drape is achieved by first
wrapping the saree around the
waist and pleating it in the
regular way. However, the
pleats are tucked in to the left
side, leaving the left side open.
The pallu is taken around the
back and then over the right
shoulder.
31. Jewellery of women
• Jewellary which is
worn by ladies as part
of there customes
includes mangalsutra,
earrings, necklace,
rings, bangles.
32. Types of jewellery
• The gujarati women as a
part of there tradition
carry a bunch of keys on
there waist and a ring
holder is usually made of
silver.
• A fancy kamarband worn
around the waist known
as kandora is the popular
jewelry of Gujarat. It is
mostly designed in silver
and adoring accessory for
many women.
33. Ivory bangles
• It has a lot of
traditional value in
gujarat where it is a
must for a bride to
wear bangles made
of ivory during the
wedding ceremony.
• Traditional
minakari resin
white bangles of
gujarat.
34. Kutch jewellary
• The silver ornaments
of Kutch are
a reflection of design
purity, where they not
only shine for beauty
but they shine to
make a difference to
the bodies that they
adorn.
35. Pachchikam jewellary
• Pachchikam
jewellary is one of
the traditional
jewellary of the
people of gujarat
where instead of
gold, the metal
used in making of
this ornamental in
silver.