This document contains a summary of Michael Stinnett's architectural projects and design work. It includes summaries of projects like the Canopy project in Barcelona which introduced a canvas canopy over a public square to reconnect the space, and the Floating Rock project in Helsinki which proposed a new building for Artek featuring a transparent ground floor and monolithic upper floors. It also included summaries of other projects focused on migratory housing in Ilwaco, Washington and a housing project in St. Louis aimed at integrating live/work units to address transportation obstacles. The document provides renderings, diagrams and photos to illustrate Michael Stinnett's range of work on public spaces, corporate identities and housing typologies.
1. Steven Holl designed an extension to connect two historic buildings at Pratt Institute's Higgins Hall after a fire destroyed the central building.
2. The extension reconciles the different floor levels with a ramp that creates an extended promenade. It is made of robust materials like precast concrete and aluminum.
3. The new building balances sensitivity to the historic structures with a formal boldness, stitching the remaining buildings together and establishing a new identity for Higgins Hall.
The Kaufmann Desert House designed by Richard Neutra in Palm Springs, California uses passive design strategies to remain cool in the harsh desert climate. The steel and glass construction is shaded by large cantilevered overhangs and uses thick stone walls to regulate indoor temperatures. Cross ventilation and airflow between connected indoor and outdoor spaces further cool the house. Landscaping with a central swimming pool and desert plants create microclimates that reduce heat island effects around the structure. Through these materials and design choices, Neutra created a thermally efficient home suited for life in the hot desert environment.
The Farnsworth House, designed by Ludwig Mies van der Rohe between 1945-1950, is an iconic single-story glass pavilion supported by 8 steel columns situated on a flood plain along the Fox River in Illinois. The minimalist structure consists of a floor and ceiling slab sandwiching an open living space with few interior walls, using glass, steel, and stone to maximize views of the natural surroundings. Though pioneering in its open plan and use of modern materials, the house's lack of insulation and amenities made it difficult to live in comfortably.
Robie House and Bradley House by Sir F.L.WrightViv S
The document provides information about three houses designed by Frank Lloyd Wright: the Frederick C. Robie House in Chicago, Illinois, the B. Harley Bradley House in Kankakee, Illinois, and an unspecified house. It describes the key features of Wright's Prairie Style of architecture used in the homes, including low horizontal lines, open floor plans, central chimneys, and integration with the surrounding landscapes. The Robie House is highlighted for its steel frame construction, brick and glass materials, and floor plans divided between public, living, and bedroom spaces.
Fallingwater, designed by Frank Lloyd Wright, is a private home built over a waterfall in western Pennsylvania in 1937. It is considered one of Wright's greatest works and is renowned for its integration with the natural surroundings. The home was commissioned by Edgar Kaufmann and built using local stone and reinforced concrete cantilevers projecting from the rock face. Over 150,000 visitors tour the home each year, which has required extensive restoration work to address leaks and structural issues due to its location directly over running water.
The Kimbell Art Museum features a unique vaulted concrete roof structural system that provides an impression of simplicity from the outside but hides layers of complexity. The roof acts as a series of arches that counteract outward thrust and are supported only by corner columns. Beams hang from the roof and act in tension through post-tensioning. Together, the roof, beams, and post-tensioning tendons form an integrated structural whole that eliminates the need for visible load-bearing walls.
1. Steven Holl designed an extension to connect two historic buildings at Pratt Institute's Higgins Hall after a fire destroyed the central building.
2. The extension reconciles the different floor levels with a ramp that creates an extended promenade. It is made of robust materials like precast concrete and aluminum.
3. The new building balances sensitivity to the historic structures with a formal boldness, stitching the remaining buildings together and establishing a new identity for Higgins Hall.
The Kaufmann Desert House designed by Richard Neutra in Palm Springs, California uses passive design strategies to remain cool in the harsh desert climate. The steel and glass construction is shaded by large cantilevered overhangs and uses thick stone walls to regulate indoor temperatures. Cross ventilation and airflow between connected indoor and outdoor spaces further cool the house. Landscaping with a central swimming pool and desert plants create microclimates that reduce heat island effects around the structure. Through these materials and design choices, Neutra created a thermally efficient home suited for life in the hot desert environment.
The Farnsworth House, designed by Ludwig Mies van der Rohe between 1945-1950, is an iconic single-story glass pavilion supported by 8 steel columns situated on a flood plain along the Fox River in Illinois. The minimalist structure consists of a floor and ceiling slab sandwiching an open living space with few interior walls, using glass, steel, and stone to maximize views of the natural surroundings. Though pioneering in its open plan and use of modern materials, the house's lack of insulation and amenities made it difficult to live in comfortably.
Robie House and Bradley House by Sir F.L.WrightViv S
The document provides information about three houses designed by Frank Lloyd Wright: the Frederick C. Robie House in Chicago, Illinois, the B. Harley Bradley House in Kankakee, Illinois, and an unspecified house. It describes the key features of Wright's Prairie Style of architecture used in the homes, including low horizontal lines, open floor plans, central chimneys, and integration with the surrounding landscapes. The Robie House is highlighted for its steel frame construction, brick and glass materials, and floor plans divided between public, living, and bedroom spaces.
Fallingwater, designed by Frank Lloyd Wright, is a private home built over a waterfall in western Pennsylvania in 1937. It is considered one of Wright's greatest works and is renowned for its integration with the natural surroundings. The home was commissioned by Edgar Kaufmann and built using local stone and reinforced concrete cantilevers projecting from the rock face. Over 150,000 visitors tour the home each year, which has required extensive restoration work to address leaks and structural issues due to its location directly over running water.
The Kimbell Art Museum features a unique vaulted concrete roof structural system that provides an impression of simplicity from the outside but hides layers of complexity. The roof acts as a series of arches that counteract outward thrust and are supported only by corner columns. Beams hang from the roof and act in tension through post-tensioning. Together, the roof, beams, and post-tensioning tendons form an integrated structural whole that eliminates the need for visible load-bearing walls.
The document summarizes Louis A. Rosario, Jr.'s scholastic portfolio from 2009-2011, including several architectural projects that explored construction methods and materials. The Outlook Post manipulated a cube to create an overhang while promoting an understanding of site context. The L challenged typical construction by interlocking CMU units to create dynamic walls. The Heat or Eat project in Buffalo combined urban housing with large-scale urban farming and explored heat gain/loss.
Rolando Lopez is an architectural designer and graphics enthusiast based in NYC. He introduces himself and provides details about his educational background, technical skills, professional experience, and student involvement. His portfolio includes residential, cultural, and commercial projects from locations such as Rome, Sedona, Helsinki, and New York. He encourages browsing his full website at lopez2.com for more information and higher quality versions of his work.
The document provides an overview of various architectural styles, describing their key characteristics and historical context. It discusses traditional and contemporary styles, and how to identify styles based on elements like structure shape and form, roof design, exterior materials, and other details. Specific styles covered include Greek Revival, Gothic Revival, Second Empire, Italianate, Romanesque Revival, Queen Anne Revival, Classical Revival, Chicago School, Prairie School, Georgian Revival, Tudor Revival, Bungalow, Art Deco, Art Moderne, and International. Each style is concisely defined by its distinguishing features.
The Chicago School was a movement of architects in Chicago in the late 19th century known for pioneering the steel-frame skyscraper. Key developments included William LeBaron Jenney's use of a steel skeleton in the Home Insurance Building (1885), allowing for taller buildings with more space. Other influential architects included Louis Sullivan, who developed decorative styles emphasizing vertical lines to make buildings appear taller. The Chicago School helped establish the skyscraper as the dominant building type in American cities.
The document describes several common domestic architectural styles in the United States including Cape Cod, Victorian, Spanish, Contemporary, Prairie Style, Craftsman, and Ranch. Each style is characterized by distinct features such as low-pitched roofs, stucco exteriors, arched windows, sweeping horizontal lines, wide overhanging eaves, and an emphasis on natural materials. The styles vary in their ornamentation, roofline details, and overall structure from single-story homes to those with multiple levels and complex roof designs.
The document discusses different architectural styles including traditional and contemporary styles. Traditional styles are related to specific historical periods while contemporary styles are part of current design trends. Some traditional styles discussed include English Tudor, French Mansard, French Provincial, Early American, American Colonial, Western Ranch, and Western Adobe. Key features of different styles like roof design, exterior materials, and floor plans are provided. Contemporary styles borrow elements from traditional styles but are not defined by a single historical period.
The document provides details on several of Lauren Connell's architectural projects from her time at Carnegie Mellon University. It includes summaries and drawings of a proposed Venice residence that would turn a traditional palazzo courtyard into a public space, a speculative development called Everyville that focuses on equal space allocation and anonymity, a mixed-use skyscraper called 34 Boulevard of the Allies that would connect the Pittsburgh riverfront to downtown, and a spa for Frick Park that utilizes passive design strategies. The document shows Connell's work exploring themes of community, urban connectivity, programmatic synergies, and sustainable design.
Kimbell art museum, Luis i Kahn, modern architecture, details of Kimbell art museum, light in architecture, Art gallery, Renzo Piano, Renzo Piano pavilion
This document proposes a duplex housing scheme for New Orleans that maintains connections to the neighborhood while improving flood resilience. One unit is located at a lower elevation and closer to the ground to preserve social connections. The second larger unit is raised higher to provide increased protection from flooding. The lower unit could be rented out or used by family, while the larger upper unit acts as the primary residence. This design aims to rebuild neighborhoods in New Orleans through a familiar housing type adapted to current needs.
This document summarizes and discusses the architectural designs of several notable structures that demonstrate art in their designs:
1) The dome of Florence Cathedral, designed by Filippo Brunelleschi, featured an innovative double-shell construction that had never been done before and helped support the wide dome structure.
2) Saint Paul's Cathedral combines elements of Italian and French Baroque styles with Renaissance and Gothic influences in its design, such as the dome reflecting Renaissance influences.
3) Fallingwater, designed by Frank Lloyd Wright, integrates seamlessly with its natural surroundings through features like glass walls allowing views of nature from inside.
- Jesse Reiser and Nanako Umemoto run the architectural firm Reiser + Umemoto in New York. Reiser teaches at Princeton and Umemoto teaches at Penn.
- The firm designs projects at various scales from furniture to buildings and landscapes. They approach each project as continuing their inquiry into relationships between architecture, territory, and distribution systems.
- The document discusses the O-14 tower located in Dubai, which has a concrete shell facade with over 1,300 openings that functions as a sun screen and structural exoskeleton.
The Vanna Venturi House was designed by Robert Venturi and built in 1962 in Chestnut Hill, Philadelphia. It is considered an early and iconic example of Postmodern architecture that rejected the strict forms and styles of Modernism. Venturi used contradictory elements and historical references to create complexity, including an oversized chimney, arched entrance, and windows of varying sizes. Both solid and void spaces were manipulated to produce illumination and ambiance within the home.
This document describes the design of a sustainable housing project based on traditional Creole cottages in New Orleans. Key features include a main three-bedroom unit at the front and a one-bedroom rear unit that can be combined or used separately. The raised structure is set back to optimize solar orientation around a central courtyard. Natural cross ventilation and stack effect ventilation are maximized using room layouts, high windows, and sloped ceilings. Rainwater is collected and reused for irrigation and plumbing, while stormwater is managed through swales and rain gardens. Construction uses prefabricated structural insulated panels for efficiency, and sustainable materials provide a highly insulated building envelope.
The Centre Georges Pompidou in Paris, designed by Renzo Piano and Richard Rogers, opened in 1978. It houses an art museum, library, design center, and music center. The bold steel and glass structure contrasts with nearby historic buildings. Key features include exposed mechanical systems, colorful painted pipes, and an open piazza. The steel frame supports precast concrete floor slabs, with cantilevered "gerberettes" connecting columns to deep trusses spanning between. This innovative structure demonstrated Piano's vision of a flexible, accessible cultural center for Parisians.
The document summarizes the architectural features of Christ Church, a Gothic-style church built in Patna, India between 1852-1857 by British Protestants. Some key points:
1) Christ Church stands prominently on Gandhi Maidan in Patna and features a tall spire and trees that often reflect sunlight.
2) The church architecture, including pointed arches and large stained glass windows, follows the Gothic style.
3) A defining aspect is the trussed gable roof, supported by 9 wooden trusses with 11 vertical members each. Terracotta tiles were laid over bracings on the sloped roof.
This document describes a proposed housing design for the Lower Ninth Ward in New Orleans. The design utilizes a structural furniture unit (SFU) system pioneered by architect Shigeru Ban. The SFUs act as the primary structure, providing storage and allowing for rapid, low-cost construction. By incorporating passive environmental strategies like cross ventilation and shading, the design aims to reconnect residents to the outdoors while reducing energy needs.
The document describes a prototype home designed by Pugh + Scarpa called the Make it Right (MIR) home. The MIR home seeks to redefine the concept of a home as a flexible, multifunctional and adaptable space. It features large common areas and emphasizes community over private isolated spaces. The exterior features recycled wooden pallets wrapped around the building to provide shade and texture. The design incorporates various sustainable systems like solar panels, cross ventilation, and rainwater collection to be efficient and environmentally friendly.
The Leadership in Energy and Environmental Design (LEED) Green Building Rating System provides standards for sustainable construction and was developed by the U.S. Green Building Council in 1998. Green buildings are designed to reduce environmental impact through efficient energy and water use, improved occupant health, and reduced waste and pollution. The Hearst Tower in New York City, completed in 2006, was the first green skyscraper in New York and earned a gold LEED certification through features like a rainwater collection system, geothermal heating and cooling, and 80% recycled steel in its construction. The California Academy of Sciences incorporates numerous sustainable materials and design features to minimize its environmental impact.
This document discusses different types of residential buildings and components of building construction. It begins by describing common types of residential buildings like detached houses, semi-detached houses, rows of houses, and apartments. It then discusses structural systems for buildings including load bearing, framed, and composite structures. The document also lists and defines key building components. Finally, it provides an overview of building by-laws and regulations.
Mercantilism is a 16th century economic philosophy that believed a country's wealth came from its holdings of gold and silver. According to mercantilists, countries should strive to export more than import to obtain more gold and silver. Politically, mercantilism was popular with manufacturers and workers since export-oriented policies benefited them through subsidies and import restrictions that protected from foreign competition. However, most citizens suffered from higher taxes and prices resulting from mercantilist policies.
Davis Builders is an experienced construction company that provides professional and fully insured domestic and commercial services. They have a team of qualified and hardworking tradesmen. Maintaining a consistent house style across documents is important for brand recognition, as it helps a company appear more professional and establishes their identity. Davis Builders' new logo was chosen because it was professionally designed by the company to be clear, eye-catching, and representative of their reliable services. Form letters can be used to maintain consistent branding by incorporating templates and substitution placeholders.
The document summarizes Louis A. Rosario, Jr.'s scholastic portfolio from 2009-2011, including several architectural projects that explored construction methods and materials. The Outlook Post manipulated a cube to create an overhang while promoting an understanding of site context. The L challenged typical construction by interlocking CMU units to create dynamic walls. The Heat or Eat project in Buffalo combined urban housing with large-scale urban farming and explored heat gain/loss.
Rolando Lopez is an architectural designer and graphics enthusiast based in NYC. He introduces himself and provides details about his educational background, technical skills, professional experience, and student involvement. His portfolio includes residential, cultural, and commercial projects from locations such as Rome, Sedona, Helsinki, and New York. He encourages browsing his full website at lopez2.com for more information and higher quality versions of his work.
The document provides an overview of various architectural styles, describing their key characteristics and historical context. It discusses traditional and contemporary styles, and how to identify styles based on elements like structure shape and form, roof design, exterior materials, and other details. Specific styles covered include Greek Revival, Gothic Revival, Second Empire, Italianate, Romanesque Revival, Queen Anne Revival, Classical Revival, Chicago School, Prairie School, Georgian Revival, Tudor Revival, Bungalow, Art Deco, Art Moderne, and International. Each style is concisely defined by its distinguishing features.
The Chicago School was a movement of architects in Chicago in the late 19th century known for pioneering the steel-frame skyscraper. Key developments included William LeBaron Jenney's use of a steel skeleton in the Home Insurance Building (1885), allowing for taller buildings with more space. Other influential architects included Louis Sullivan, who developed decorative styles emphasizing vertical lines to make buildings appear taller. The Chicago School helped establish the skyscraper as the dominant building type in American cities.
The document describes several common domestic architectural styles in the United States including Cape Cod, Victorian, Spanish, Contemporary, Prairie Style, Craftsman, and Ranch. Each style is characterized by distinct features such as low-pitched roofs, stucco exteriors, arched windows, sweeping horizontal lines, wide overhanging eaves, and an emphasis on natural materials. The styles vary in their ornamentation, roofline details, and overall structure from single-story homes to those with multiple levels and complex roof designs.
The document discusses different architectural styles including traditional and contemporary styles. Traditional styles are related to specific historical periods while contemporary styles are part of current design trends. Some traditional styles discussed include English Tudor, French Mansard, French Provincial, Early American, American Colonial, Western Ranch, and Western Adobe. Key features of different styles like roof design, exterior materials, and floor plans are provided. Contemporary styles borrow elements from traditional styles but are not defined by a single historical period.
The document provides details on several of Lauren Connell's architectural projects from her time at Carnegie Mellon University. It includes summaries and drawings of a proposed Venice residence that would turn a traditional palazzo courtyard into a public space, a speculative development called Everyville that focuses on equal space allocation and anonymity, a mixed-use skyscraper called 34 Boulevard of the Allies that would connect the Pittsburgh riverfront to downtown, and a spa for Frick Park that utilizes passive design strategies. The document shows Connell's work exploring themes of community, urban connectivity, programmatic synergies, and sustainable design.
Kimbell art museum, Luis i Kahn, modern architecture, details of Kimbell art museum, light in architecture, Art gallery, Renzo Piano, Renzo Piano pavilion
This document proposes a duplex housing scheme for New Orleans that maintains connections to the neighborhood while improving flood resilience. One unit is located at a lower elevation and closer to the ground to preserve social connections. The second larger unit is raised higher to provide increased protection from flooding. The lower unit could be rented out or used by family, while the larger upper unit acts as the primary residence. This design aims to rebuild neighborhoods in New Orleans through a familiar housing type adapted to current needs.
This document summarizes and discusses the architectural designs of several notable structures that demonstrate art in their designs:
1) The dome of Florence Cathedral, designed by Filippo Brunelleschi, featured an innovative double-shell construction that had never been done before and helped support the wide dome structure.
2) Saint Paul's Cathedral combines elements of Italian and French Baroque styles with Renaissance and Gothic influences in its design, such as the dome reflecting Renaissance influences.
3) Fallingwater, designed by Frank Lloyd Wright, integrates seamlessly with its natural surroundings through features like glass walls allowing views of nature from inside.
- Jesse Reiser and Nanako Umemoto run the architectural firm Reiser + Umemoto in New York. Reiser teaches at Princeton and Umemoto teaches at Penn.
- The firm designs projects at various scales from furniture to buildings and landscapes. They approach each project as continuing their inquiry into relationships between architecture, territory, and distribution systems.
- The document discusses the O-14 tower located in Dubai, which has a concrete shell facade with over 1,300 openings that functions as a sun screen and structural exoskeleton.
The Vanna Venturi House was designed by Robert Venturi and built in 1962 in Chestnut Hill, Philadelphia. It is considered an early and iconic example of Postmodern architecture that rejected the strict forms and styles of Modernism. Venturi used contradictory elements and historical references to create complexity, including an oversized chimney, arched entrance, and windows of varying sizes. Both solid and void spaces were manipulated to produce illumination and ambiance within the home.
This document describes the design of a sustainable housing project based on traditional Creole cottages in New Orleans. Key features include a main three-bedroom unit at the front and a one-bedroom rear unit that can be combined or used separately. The raised structure is set back to optimize solar orientation around a central courtyard. Natural cross ventilation and stack effect ventilation are maximized using room layouts, high windows, and sloped ceilings. Rainwater is collected and reused for irrigation and plumbing, while stormwater is managed through swales and rain gardens. Construction uses prefabricated structural insulated panels for efficiency, and sustainable materials provide a highly insulated building envelope.
The Centre Georges Pompidou in Paris, designed by Renzo Piano and Richard Rogers, opened in 1978. It houses an art museum, library, design center, and music center. The bold steel and glass structure contrasts with nearby historic buildings. Key features include exposed mechanical systems, colorful painted pipes, and an open piazza. The steel frame supports precast concrete floor slabs, with cantilevered "gerberettes" connecting columns to deep trusses spanning between. This innovative structure demonstrated Piano's vision of a flexible, accessible cultural center for Parisians.
The document summarizes the architectural features of Christ Church, a Gothic-style church built in Patna, India between 1852-1857 by British Protestants. Some key points:
1) Christ Church stands prominently on Gandhi Maidan in Patna and features a tall spire and trees that often reflect sunlight.
2) The church architecture, including pointed arches and large stained glass windows, follows the Gothic style.
3) A defining aspect is the trussed gable roof, supported by 9 wooden trusses with 11 vertical members each. Terracotta tiles were laid over bracings on the sloped roof.
This document describes a proposed housing design for the Lower Ninth Ward in New Orleans. The design utilizes a structural furniture unit (SFU) system pioneered by architect Shigeru Ban. The SFUs act as the primary structure, providing storage and allowing for rapid, low-cost construction. By incorporating passive environmental strategies like cross ventilation and shading, the design aims to reconnect residents to the outdoors while reducing energy needs.
The document describes a prototype home designed by Pugh + Scarpa called the Make it Right (MIR) home. The MIR home seeks to redefine the concept of a home as a flexible, multifunctional and adaptable space. It features large common areas and emphasizes community over private isolated spaces. The exterior features recycled wooden pallets wrapped around the building to provide shade and texture. The design incorporates various sustainable systems like solar panels, cross ventilation, and rainwater collection to be efficient and environmentally friendly.
The Leadership in Energy and Environmental Design (LEED) Green Building Rating System provides standards for sustainable construction and was developed by the U.S. Green Building Council in 1998. Green buildings are designed to reduce environmental impact through efficient energy and water use, improved occupant health, and reduced waste and pollution. The Hearst Tower in New York City, completed in 2006, was the first green skyscraper in New York and earned a gold LEED certification through features like a rainwater collection system, geothermal heating and cooling, and 80% recycled steel in its construction. The California Academy of Sciences incorporates numerous sustainable materials and design features to minimize its environmental impact.
This document discusses different types of residential buildings and components of building construction. It begins by describing common types of residential buildings like detached houses, semi-detached houses, rows of houses, and apartments. It then discusses structural systems for buildings including load bearing, framed, and composite structures. The document also lists and defines key building components. Finally, it provides an overview of building by-laws and regulations.
Mercantilism is a 16th century economic philosophy that believed a country's wealth came from its holdings of gold and silver. According to mercantilists, countries should strive to export more than import to obtain more gold and silver. Politically, mercantilism was popular with manufacturers and workers since export-oriented policies benefited them through subsidies and import restrictions that protected from foreign competition. However, most citizens suffered from higher taxes and prices resulting from mercantilist policies.
Davis Builders is an experienced construction company that provides professional and fully insured domestic and commercial services. They have a team of qualified and hardworking tradesmen. Maintaining a consistent house style across documents is important for brand recognition, as it helps a company appear more professional and establishes their identity. Davis Builders' new logo was chosen because it was professionally designed by the company to be clear, eye-catching, and representative of their reliable services. Form letters can be used to maintain consistent branding by incorporating templates and substitution placeholders.
This document provides an overview of a dissertation submitted by Ranga Perera for the degree of MSc in Technology Management. The dissertation aims to develop a consumer technology adoption model for mobile data services in Sri Lanka that incorporates both utilitarian and hedonic value propositions. The dissertation reviews relevant literature, proposes a research methodology involving surveys, and plans to test hypotheses regarding factors that influence consumer adoption of two mobile data services - short message service and mobile ringtones.
RESUME of Engineer Ahmed R . Aziz _EEE 2016Ahmed Aziz
This resume is for Ahmed Rafique Aziz, an electrical and electronics engineer from Bangladesh. He received a B.Sc. in electrical and electronics engineering from Khulna University of Engineering & Technology in 2012. He is currently working as an instructor at Cox's Bazar Polytechnic Institute, teaching courses in computer technology. His areas of professional interest include power engineering, control systems, communications, and electronics. He has published several original research papers in international journals.
На слайде растения, которые называются мятой в народе, но на самом деле ей не являются. Виды мяты ложной и истинной, их описания и применение смотри на сайте http://mirspets.ru
On the slide, the plant called mint among the people, but in fact it is not. Types mint false and true, their description and application to see http://mirspets.ru site
1) The document discusses research related to analyzing loads on the Titan IV rocket during launch. Various programs were ported to different computing environments and data formats were converted for analysis.
2) Binary data from CRAY and IBM systems was converted to IEEE format for use on workstations. Routines were developed to handle the different floating point and numeric representations between systems.
3) An algorithm was developed with Dr. Gibson to solve the Year 2000 problem by modifying the month digit of dates while keeping the appearance of normal dates when files are viewed.
El documento trata sobre las dificultades que enfrentan las mujeres en la sociedad. Brevemente describe algunos de los desafíos a los que se enfrentan las mujeres, como la discriminación y la falta de derechos y oportunidades.
Mohammad Khanbeiki has over 10 years of experience in materials engineering, non-destructive testing, and corrosion supervision in Iran's oil and gas industry. He holds an M.S. in Materials Engineering and a B.S. in Metallurgical Engineering. His current role is Head Office at RezvanShahr Gas Office for the National Iranian Gas Company. He is fluent in English and Persian, and has extensive technical skills including operation of NDT equipment, familiarity with oil and gas standards, and experience inspecting and maintaining pipelines and pressure vessels.
Before you attempt to hand wash your rug yourself, you should realize that it may be a better idea in the long run to take it to professionals for cleaning.
1. A survey of online news consumption in Australia found that (1) the internet has become a mainstream news source, though it still penetrates higher socioeconomic groups more, (2) people appreciate the distinctive features of online news, and (3) online news has potential for further adoption in coming years based on innovation diffusion theory.
2. The survey explored patterns of online news use in Australia, finding the internet has become a mainstream news source but key questions around gratifications and satisfaction with online news features were still unanswered.
3. The study aimed to provide the first picture of who accesses online news in Australia, what sources and features they use, and their gratifications to help understand online news'
1) The study analyzed 58 thunderstorms near Cape Canaveral to develop techniques for predicting the cessation of lightning.
2) Preliminary results found that a log-linear curve best fit the distribution of times between the last and second-to-last lightning flash. This could be used to create climatological guidance for canceling lightning advisories.
3) Log-linear and negative exponential curves provided good fits for the decaying lightning flash rates of composite and individual thunderstorms. Integrating these curves could predict when the probability of another lightning flash falls below an operational threshold.
This document provides a summary of Alan H. Goldsmith's experience and qualifications for an Administrator position. Over his 25+ year career, he has held several Executive Director roles within Jewish non-profit organizations, overseeing multi-million dollar budgets and managing large staffs. His experience includes financial management, facilities oversight, grant writing, and programming leadership. He holds two Master's degrees and has a proven track record of cutting costs while achieving organizational goals.
This document summarizes the strengths and weaknesses of basic sampling techniques for probability and non-probability sampling. For non-probability sampling, convenience sampling, judgement sampling, and quota sampling are described as having strengths such as low cost and convenience but weaknesses such as selection bias and lack of representativeness. Snowball sampling can estimate rare characteristics but is time consuming. For probability sampling, simple random sampling, systematic sampling, and stratified sampling are outlined with strengths like representativeness but also weaknesses including difficulties in implementation and costs. The document also briefly describes secondary data as data collected by other parties that is available from sources like government agencies and publications, and notes advantages like easy accessibility but also limitations such as potential lack of accuracy, bias, and
This document describes research conducted using the NASA/GISS Atmosphere-Ocean Model as part of the Atmospheric Model Intercomparison Project (AMIP). The researcher interpolated AMIP input files, including sea surface temperature, sea ice cover, and sea ice thickness data, from a 1x1 degree resolution to a 5x4 degree resolution for use in the NASA/GISS Model. They then replaced the Model's climatological values for those variables with the interpolated AMIP values. The researcher compared the Model's sea ice thickness results to those from AMIP and found similarities. They also produced diagnostic output files from a 17-year AMIP II simulation to be analyzed as part of ongoing AMIP research efforts.
The document outlines an interior design project for a 40-floor, five-star hotel in Hong Kong conceptualized around the theme of different types of tea. Floors would represent different teas through color palettes and programming. The goal was to blend eastern and western cultures into a cosmopolitan space for the city's diverse population passing through daily.
A Brief case study about the famous GuggenheimMuseum.pdfmeygnanasivan
The document provides details about the Solomon R. Guggenheim Museum in New York City designed by Frank Lloyd Wright. Some key points:
1) Construction of the museum took 16 years from 1943-1959 due to design changes and costs, with Wright intending visitors to view the art collection by descending the central spiral ramp.
2) The building features a giant spiral ramp circling up to a large glass dome, with 12 reinforced concrete partitions dividing the gallery space.
3) The structural design utilizes cast in place and shotcrete concrete, with the 12 radial walls acting as shear walls to transfer forces from the dome and cantilevered floors to the foundation.
Zaha Hadid was born in Iraq and studied in Lebanon before moving to London to study architecture. Some of her most notable works include the Vitra Fire Station in Germany (1993), her first built project, and the MAXXI Museum in Rome (2010). Hadid's deconstructivist style features non-orthogonal angles and a fluid integration of interior and exterior spaces. The Vitra Fire Station demonstrates her early style through a composition of concrete planes that bend and intersect. Her MAXXI Museum absorbs the surrounding landscape through intertwining oblong tubes. Hadid's Phaeno Science Center in Germany appears as a mysterious object connected to the city through sinuous concrete cones that give an illusion of floating.
The Kimbell Art Museum in Fort Worth, Texas, designed by Louis Kahn, exemplifies his principles of monumentality and the play of natural light. The museum consists of 16 parallel barrel vaults grouped into three wings, which allow daylight to enter and illuminate the interior galleries through narrow slits. Kahn used concrete, wood, and travertine to achieve a warm, inviting atmosphere. The vaulted structure appears to float on pillars, and the landscaping further enhances the visitor experience. The museum demonstrates Kahn's masterful use of form and natural light to create a work of architectural art.
Building structure in urban context, wolfgang schuellerWolfgang Schueller
The document discusses how building support structures can enrich urban spaces in several ways:
1) Large-scale structures can separate buildings from the ground and support urban elements like plazas and bridges.
2) Atria and open spaces allow urban areas to penetrate into buildings and connect indoor and outdoor spaces.
3) Structures can connect urban areas to underground facilities like malls and subways.
The document provides information about the Guggenheim Museum in Bilbao, Spain, designed by architect Frank Gehry. It discusses the museum's titanium cladding, advanced steel structure, curved surfaces inspired by shipbuilding, and use of natural light. The 3D computer model was critical for constructing the monumental curved building and specifying each custom steel girder. The titanium skin provides waterproofing and reflects light to emphasize the curves. Inside, the atrium connects galleries and hanging walkways provide views of exhibits and the city.
The document provides information about the Guggenheim Museum in Bilbao, Spain, designed by architect Frank Gehry. It discusses the museum's unique titanium cladding and curved geometric forms, as well as its role in revitalizing Bilbao. The museum was constructed between 1993-1997, using a 3D computer model to guide the complex steel structure and unique titanium tile skin. Natural light illuminates the galleries through large windows and skylights. The museum houses notable art installations and has become one of the most admired works of architecture from the late 20th century.
The Neue Nationalgalerie in Berlin, designed by Mies van der Rohe, is a museum housing modern art from the early 20th century. It features a steel structure with a cantilevered roof supported by steel columns. The building uses glass and steel throughout, aiming to create an open feeling and minimize barriers between art and viewers. Mies sought to design a defining rather than confining space for exhibiting art.
Xinran Ke provides a portfolio that includes academic work from various architecture projects completed during their studies at Cornell University and Tongji University. The portfolio highlights several notable projects including THICKET, a temporary bamboo structure designed for a competition in Hokkaido, Japan, and PUBLI[C]ITY, a Manhattan waterfront planning project. Other projects in the portfolio include a forgery museum design, a city complex design, and a metro station reformation project. The portfolio demonstrates Xinran Ke's range of experience with different building typologies and scales of projects.
Lecture 7 pop and plastics to memphis2 feb 2010sara
The document discusses the development of modern architecture in the 20th century. It covers key architects and styles including Le Corbusier and his "Five Points of Architecture" exemplified by Villa Savoye, Mies van der Rohe's German Pavilion made of steel and glass, and Frank Lloyd Wright's Usonian houses and Falling Water that featured cantilevered structures. The document also mentions the Memphis Group in the 1980s that experimented with new materials like plastics and fibreglass to create colorful furniture and lighting designs.
Bernard Tschumi is a renowned French architect and educator known for deconstructivism. He graduated from ETH Zurich and is recognized for works like Parc de La Villette. Tschumi believes architecture should not dictate events and has taught at several top schools. For the New Concert Hall in Limoges, Tschumi explored transforming the concept to use sustainable wood, resulting in an energy-efficient double-skinned design with wood trusses that complements the forest site.
Architecture satisfies the basic human need for shelter through artistic designs that incorporate construction materials and technologies to meet functional and aesthetic goals. As both an art and science, architecture shapes our built environments and influences our lives through structures that house daily activities while expressing cultural values. Different eras and locations have favored distinct architectural styles and materials, from stone temples and cathedrals to modern steel-and-glass skyscrapers, that reflect available technologies and design philosophies.
Herzog & de Meuron Architekten is a Swiss architecture firm, founded and headquartered in Basel, Switzerland in 1978. The careers of founders and senior partners Jacques Herzog (born 1950), and Pierre de Meuron (born 1950), closely paralleled one another, with both attending the Swiss Federal Institute of Technology (ETH) in Zürich. They are perhaps best known for their conversion of the giant Bankside Power Station in London to the new home of the Tate Museum of Modern Art (2000). Jacques Herzog and Pierre de Meuron have been visiting professors at the Harvard University Graduate School of Design since 1994 and professors at ETH Zürich since 1999.
Henry Chuang's portfolio documents his education at Cornell University in architecture and his work experience. It includes details of his thesis projects which explored concepts like flexibility, transformation, and liminality. His skills include software like Rhino, V-Ray, and fabrication techniques. He received the Coup de Coeur award for his "Origami Suitcase" project.
It is a development in POST-MODERNISM that started in late 1980s.
It views architecture in bits and pieces.
It has no visual logic.
Buildings may appear to be made of abstract forms.
The idea was to develop buildings which show how differently from traditional architectural conventions buildings can be built without loosing their utility and still complying with the fundamental laws of physics.
The ideas were borrowed from the French philosopher, Jacques Derrida.
Architects involved –
Zaha Hadid
Bernhard Tschumi
Rem Koolhaas
The term ‘Critical Regionalism’ was first coined by Alexander Tzonis and Liane Lefaivre and later more famously and pretentiously by Kenneth Frampton in “Towards a Critical Regionalism : Six points of an architecture of resistance”
According to Frampton, critical regionalism should adopt modern architecture critically for its universal progressive qualities but at the same time should value responses particular to the context. Emphasis should be on topography, climate, light, tectonic form rather than scenography and the tactile sense rather than the visual.
According to Tzonis and Lefaivre, critical regionalism need not directly draw from the context, rather elements can be stripped of their context and used in strange rather than familiar ways.
Critical regionalism is different from Regionalism which tries to achieve a one-to-one correspondence with vernacular architecture in a conscious way without consciously partaking in the universal.
It is considered a particular form of post-modern response in developing countries, not to be confused with postmodernism as architectural style.
Deconstructivism and Critical RegionalismAbhiniti Garg
This document summarizes deconstructivism and Zaha Hadid's MAXXI Museum in Rome. It begins with an overview of deconstructivism, noting that it views architecture as fragmented and rejects traditional forms. It then discusses Zaha Hadid's deconstructivist style and concepts like gravity-defying forms. The majority of the document describes Hadid's MAXXI Museum, highlighting its sinuous, fragmented shapes and how it blurs indoor and outdoor spaces. It discusses key features like the transparent roof, concrete walls, and how the fluid forms create unexpected views and complex spatial experiences.
This document provides an overview of the historical development of curtain wall systems for tall buildings from the 19th century to present day. It discusses early examples like the Crystal Palace and Reliance Building that pioneered the use of large glass panels. In the postwar era, developments like extruded aluminum frames and larger glass panels enabled the modern International Style seen in buildings like Lever House and the Seagram Building. The document outlines trends in curtain wall design and materials over time that have optimized performance while achieving elegant designs for supertall buildings.
David Chipperfield designed an expansion to the Saint Louis Art Museum that opened in 2013. His design respected the original 1904 building by Cass Gilbert, creating a new rectilinear east wing that sits harmoniously next to the historic structure. The new pavilion has floor-to-ceiling glazing and is clad in polished concrete to blend with the landscape. Its concrete ceiling grid provides flexibility while also integrating mechanical systems and lighting. Chipperfield's design achieved an organic integration of old and new wings through materiality, form, and spatial connections.
1. The document outlines the concepts and inspiration behind the architect's mixed-use public project called "From Kat-Oikia to Syn-Oikia".
2. The project draws inspiration from stories of Salvador Dali and his wife Gala expanding their home, as well as the works and philosophies of architect Dimitrios Pikionis.
3. The project consists of 2+1 volumes representing the neighborhood's history from village to urban area to modern residences. It aims to reconcile users with their neighborhood through visual and physical connections between interior and exterior spaces.
High tech architecture emerged in the 1970s and incorporates elements of high technology into building designs. It emphasizes transparency and reveals the underlying structure and functions. Pioneers of high tech architecture include Norman Foster, Richard Rogers, and Renzo Piano. They designed iconic buildings using advanced materials and expressed the industrial aesthetic with exposed services and structural elements.
2. Michael Stinnett
Contents
9. Scripting
10. Photography
1. Canopy Barcelona
2. Floating Rock Helsinki
3. Migratory Housing Ilwaco
4. Flow Housing St. Louis
6. Data
5. Water Pause
Barcelona, St. Louis
Phoenix
8. Material Exploration
7. Technical Documentation
Helsinki, St. Louis
Helsinki, St. Louis.
312.498.2539
4466 Olive St #409 St Louis MO 63108
mail@michaelstinnett.com
michaelstinnett.com
MichaelStinnett3Contents
3. Canopy
Reactivating Historically Significant Public Space
Career de l’Allada Vermell is a prime example of the placelessness introduced by
Barcelona’s aggressive clearing of open spaces in its incredibly dense, historic urban
fabric. Higher speed public traffic punctures this square, while residents use the
existing space as an ad-hoc sports field.
Introducing a canvas canopy over the public space creates a link that connects the
corner of the square. Canvas recalls the streets softened by window-hung laundry.
Softening the ground material slows the traffic. Adding a second anchor within
the square as an observation area frames the ad-hoc public space and formalizes
residents’ use.
Program supporting the uniquely Catalonian phenomenon of human towers (now
acknowledged by UNESCO) defines the four levels of the rising structure. The first
level is a hard concrete space with operable panels that expand lockers, restrooms,
and storage into the square. Above this are observation and office levels. The large,
long-span tree-like columns offer increasing amounts of deflection to the higher
levels. On the top level, accessible only by wire ladder, observers experience an
unstable sensation similar to being on the top of a human tower.
Approach to the square.
Aerial rendering.
Concept sketches in Rhino.
Professors Adrian Luchini, Elena Canovas, Mariona Ribelles
MichaelStinnett5Canopy
MichaelStinnett4Canopy
4. 0 m+
1 m+
4 m+
8.2 m+
15.6 m+
19.5 m+
Section A
1:100
Elevation with urban context.
Long section of enclosure and canopy-covered space.
Clockwise from top left
Main canopy-covered assembly space.
Looking up from the main stairs.
Main stairs and ground floor entrance.
Site plan.
MichaelStinnett
MichaelStinnett6
7
Canopy
Canopy
6. 0 m+
1 m+
4 m+
8.2 m+
15.6 m+
19.5 m+
Section A
1:50
Office space, third level. Detail of long section.
MichaelStinnett
MichaelStinnett10
11
Canopy
Canopy
7. 2.8 m+2.4 m
+
6.8 m+
+
+
5 m+
3.7 m
2.6 m
Top floor, instability duplicating the wavering
experience of being on top of a human tower.
Office space, steel tension.
Ground floor connection.
MichaelStinnett
MichaelStinnett12
13
Canopy
Canopy
8. Professors Philip Tidwell, Matti Rautiola
Floating Rock
Corporate Identity and Urban Relationships
Artek, evolving from its origins with a single design team, has become an institution
that protects and promotes good design. The Artek brand does not serve one aesthetic
style or one target market, but rather encompasses that which makes the world pleasant
to inhabit. The brand enables designers to experiment and innovate within their field. It
is this image of Artek that is promoted in this proposal. The monolithic upper building
protects the designers and teams within, insulating their creativity from the world to
the degree they see fit. As an education center, however, this project also demonstrates
Artek’s reaching out into the community, which resonates with the transparency of the
gallery at street level. Together, the monolithic feeling of shelter and the transparency of
permeability define Artek and so provide the origin of this proposal
.
Dark copper draws the otherwise strange surface of the façade into dialogue with
Helsinki’s architectural past. The dimensions of the façade’s undulation are likewise
approximated from cantilevered bay windows. As part of an intensely pedestrian-
accessible part of Helsinki, the emphasis on transparency on the first floor promotes
connection to nearby green spaces and boulevards. A central atrium draws this tension
between closed and open upwards into the more private spaces, while floors that come
short of touch the exterior walls subvert the expected visual and, in some cases, acoustic
privacy of the usual office building. This openness allows more natural light to penetrate
the building, even while the skin retains good insulation and solid-void ratios. The voids
that are present act as a box-type double façade, reducing heat lost through glass.
Elevations
SouthWestAcross Ratakatu
Across Ratakatu & Yrjonkatu
East North
A. Gallery.
B. Light well floor plate gap.
C. Concept.
D. Concept.
E. Glass under rock.
Urban relationships.
Down the street, many rocks.
Activation overlaid with window patterns.
A B C D E
MichaelStinnett
MichaelStinnett14
15
FloatingRock
FloatingRock
9. A
Sauna & studio apartments.
Office and conference space.
Classrooms.
Upper gallery.
Main gallery.
Reading room.
Archive.
MichaelStinnett
MichaelStinnett16
17
FloatingRock
FloatingRock
10. A
B
C
4
3
2
1
A
B
C
4
3
2
1
5
4
3
2
Clockwise from top-left
View down through atrium.
Upper gallery.
Bedroom.
Glass-enclosed conference room.
Main gallery stairs.
Facing the public park.
Open office and conference room.
Bedrooms and corporate sauna.
Gallery, view to reading room, exterior connection.
Southern facade.
MichaelStinnett
MichaelStinnett18
19
FloatingRock
FloatingRock
11. Glass Panel
Flexible attachment
Space and Bolt Connection
Finished Gypsum Board Surface
Mullion Support
Roof Truss
Spacer to create Incline
Insulation as part of STC-60-rated Wall
Double Gypsum Board
Gympsum Board
Metal Attachment Plate
Rigid Thermal Insulation
Moisture Barrier
Aluminum Facade Support Bracket
Fire Stair Slab
Concrete Masonry Unit Fire-Rated Wall
Sidewalk
Metal Flashing
Drains to City Sewer
Exterior Bolt Panel Attachment
Aluminum Support
Aluminum Support (Orthogonal)
C Steel
Facade Support Connection Bolt
Finished Gypsum Board Surface
Metal Attachment Sheet
Hanging Metal Wire Support
Aluminum Support
Thermally Isolated Mullion
Stabilized by Column Connection
Concrete
Dark Concrete Tiles
Fireproofing Board
Metal Deck
Primary Structural W-Beam
Beam-Column Bolt Connection
Main Floor Slab
Reinforced Concrete
Finished Interior Surface
Concrete Foundation Wall
Plywood
Subfloor, Bolt-Connection to Slab
Foundation Insulation
Moisture Barrier
Concrete Spread Footing
French Drain
Finished Floor
AVEC / Artek-Vitra Education Center
Proposal for Yrjönkatu
Monolithic / Transparent
Michael Stinnett
1
1
2
2
3
3
4
4
5
5
6
7
8
6
7
8
Structural axon, relationship of skin to structure.
MichaelStinnett
MichaelStinnett20
21
FloatingRock
FloatingRock
12. Professor David Ruy
Glitch
Migratory Housing Typology in Ilwaco, Washington
Ilwaco, Washington is home to a large commercial fishing fleet, employing most
of the town’s 2,000 residents. Together with the nearby beach towns, this coastal
area is home to about 10,000 people in low-density typologies, mixed in with high-
density hotels. Tourism and fishing exports together are the leading economic
drivers, but the peak tourism season is short: only from midsummer to fall.
Taking advantage of the resonance between peak tourism and peak fishing, this
housing project offers residents a migration from higher density units to combined
units housing multiple families together and offering hotel space in vacated units.
Multiple-family living situations increase the possibility for group childcare and
reduce the loneliness of a family separated for months at a time. These group-
housing typologies operate along a spectrum from higher density down to
individual housing that shares kitchen and bath space with more distant neighbors.
In the least dense condition, units are separated by 300’, which is the sight distance
during the frequent heavy fog in this area. In the highest density condition, private
space is achieved through traditional opaque materials, but the corridors are
quadruple-loaded, ensuring a variety of interactions in the community.
Fishing
Communal 1
migration
Communal 2
migration
Peak Tourism
Temperature
January February March April May June July August September October November December January
January February March April May June July August September October November December January
January February March April May June July August September October November December January
Shrimp
Salmon
Crab
Section and plan cut axon.
Program resonances.
Site relationship, connection with ocean.
Migration sections.
MichaelStinnett23Glitch
MichaelStinnett22Glitch
13. Third floor plan, main set of buildings.
Ground floor plan, main set of buildings.
Pairs and integrated units with exterior
hallways.
CMU disintegration.
Undulating corridor provides privacy and
connection.
MichaelStinnett
MichaelStinnett24
25
Glitch
Glitch
14. A. Interior of partially integrated unit with compressed image plane. Totally integrated unit.
Partially integrated unit / pair.
A
Conventional unit.
MichaelStinnett
MichaelStinnett26
27
Glitch
Glitch
15. Flow Housing
Using Combined Live/Work/Retail/Produce Units and Circulation to find flow
The primary obstacles to adopting public transportation are long commuting
distances and daily necessities. Chief among these obstacles in a world of
increasingly single-parent, multiple-care-taker households is finding child care to be
able to work. To solve this, this project proposes live work units that connect child
care providers to a child care space as well as various levels of care for the elderly.
Employment in the form of workshop spaces, tutoring spaces, and integration into
the child care center enable productive use of time and contribution of value to the
housing community.
Live-work will occupy an increasing amount of economic productivity, while job
complexity will require more specific work-related assets at home. Can housing
provide a Level-5 lab for a telecommuting pharmaceutical researcher, a still to a
craft beer maker, a quiet space for an author, and a shop for a woodworker? Hyper
specificity will increase supply chain complexity. Density provides an opportunity
to join the supply chain as a genuine entity to supplement the inadequacies of
walkable options.
As society moves toward ever greater specificity and division, we lose community.
Simmel suggests that chance encounter provides one avenue. This project provides
spaces for individual users, tailored to their needs, but attempts to coerce these
hyper-specific individuals into a community? A quilt of subjective experiences
might unify under common, essential activities like social food preparation, or
physical activity, or even communal reading spaces.
But, each connection erodes the psychological sense of private space. Can we
reintroduce what the Situationists would call “life” into the process of circulating
through these hyperspecified spaces?
Can we willfully initiate individual ontology? Can we achieve this while breaking the
duality of the split Cartesian human being, and unify body and mind? What if one’s
commute engaged actively with both one’s mind and one’s own assertion of one’s
existence?
The circulation corridors of this project engage in a rhythm of mental challenge and
restoration, mutating the walking commute into a psychologically active experience.
Some users, however, do not require a circulation that invokes the psychological
construct of ‘flow’ and find their psychological center in another way, on or off site.
Site connections. Circulation.
Early massing model.
Solar exposure.
From left
Circulation and zones of activity.
Circulation and street connection.
Nodal site occupation.
Environmental borders.
Commuter activity.
Professor Ersela Kripa
MichaelStinnett29FlowHousing
MichaelStinnett28FlowHousing
20. Water Pause
Using Topography to Create Naturally Cooled, Humid Space in the Desert
Parts of labs have strict HVAC requirements. However, many functions in labs, like
eating, meeting, and writing papers, are less sensitive. These spaces can be kept
cool and warm through lighter interventions than a traditional full-building HVAC
system. In Mountain Park, Phoenix, artificial arroyos serve as the moisture for
natural cooling for less technical space in a lab complex.
First, investigating site topography reveals moments of opportunity in lower grade and
more vegetated spaces. These opportunities will be recreated and reinforced with the
design of the intervention.
A A
B B
C C
D D
A A
B B
C C
D D
A
B
C
D
A
B
C
D
AA
BB
CC
DD
A
B
C
D
Professor Christine Yogiaman
MichaelStinnett39WaterPause
MichaelStinnett38WaterPause
21. 14:00
12:008:00 20:0018:0016:006:00
Public Space
Invidual Space
10:00
Logic Scale 1/64" = 1'
N
14:00
12:008:00 20:0018:0016:006:00
Public Space
Invidual Space
10:00
Logic Scale 1/64" = 1'
N
Water flow. Moments of opportunity. Time of day and solar exposure correlation.
New terrain and hard space. Variously conditioned spaces. Circulation and public / private spectrum.
MichaelStinnett
MichaelStinnett40
41
WaterPause
WaterPause
22. Scale 1/64" = 1'Site Plan
B
C
B
C
A
A
N
Composite floor plan.Site plan.
MichaelStinnett
MichaelStinnett42
43
WaterPause
WaterPause
23. Across Barcelona
Open/closed doors at +7.5m, history, and occupation
A small book correlating subjective and
objective dimensions of experiencing a city. The
topography line passes from the defensive hill
at Parc Mirador del Poble Sec to Jean Nouvel’s
Torre Agbar and through the Gothic Quarter,
revealing a full cross-section of Barcelona’s
diverse urban history.
Experiential collage
Historical annotations
Section of apertures every 50m
All street level apertures
Street geometry
Active/resting occupation
Plaça de les Glòries CatalanesStreets for Cars
Carrer de la Marina
Tall Buildings
Threshold of Occupation
Density and Artificial Open Space
Plan
on
Arc de Triomf Parc de la Ciutadella
The old city wall provides the space for this monumental axis.
Occupying the historical border between city and
country, this street defined the entrance to the 1888
World’s Fair, with the Arc de Triomf as the gate proper.
This edge of the city has seen some of the greatest
urban reconfigurations.
Large scale is coupled with
relatively opaque facades to
reinforce the monumentality of
this space. The street is a park,
not commercial or residential in
the way that the old city is.
Passing through.
1706 1855 1878 1885 1900 1902 1930 1930 1967
North
Car Parking
Moped Parking
Car ShopsCar Shops Car Shops Car Shops
This part of Sant Martí is not for pedestrians but
for cars. Gone is the crowded throng, replaced by
another layer of static enclosure.
Pedestrian friendliness is further
reduced by abandoned buildings.
The streets have an inconsistent scale
with many closed facades.
Cerda meant to relocate the center of the city away
from Placa de Catalunya and La Rambla in the 1850
plan. Since then, the square has struggled to gain
relevance in Barcelona. It is now being redeveloped as
a park with a local-first attitude, burying the infrastruc-
ture underneath the new green space. Efforts are also
being made to mitigate the scale of the area.
Glorias formed in the order brought to the chaos of
the countryside.
After the busy density of the
old city and the park, arriving at
Carrer de la Marina marks the
end of highly occupied spaces.
There are many fewer cafes
and pedestrians and street
users generally, and those that
there are usually are moving to
somewhere else.
The ground texture of the park supports the preferred
activities of sitting and lounging. This is the first turf on
the contour line.
soft
soft
soft
soft
soft
soft
soft soft soft
CarrerdelaMarina
South
North
density
density
density
density
density
density
density
density
density
density
density
density
density
density
open
The winding dense streets of the old city give way briefly for
the new square.
Creating open space has been important for more than 100
years—the city walls started to disappear in 1854. It remains a
contemporary priority.
Barcelona is a dense city, but the Gothic Quarter is particu-
larly confining. Moments of expansion are quite welcome in
this area.
ifiable places carved out
riking change encoun-
ess, and density that
ter space with many fewer
the street level by the
their opacity.
et work together with
pression and expansion.
olors the street geometry
of the space. Activity is a
bution of the city, but, on
ory and urban form.
streetwidth
open
opaque
balcony
hicles
dynamicpeople
dynamicvehicle
The monumental axis. The wide multilayered park section.
Short, opaque buildings define the street here.
Transitionfrompeople-spacetovehicle-space.
Large plazas and larger buildings.
glistening, gleaming
polished metal, polished glass
the fun colors of the fun times
please come visit
barcelona.
Design Museum of Barcelona
MBM 2008
width
+7.5 m
Across Barcelona
Michael Stinnett
The streets of Barcelona exhibit a
rhythm. Following the +7.5m contour
line from the new, iconic Jean Nou-
vel-designed Torre Agbar to Parc del
Mirador del Poble Sec, this line docu-
ments a subjective/objective experi-
ence of the city.
We start at the midpoint:
Carrer de l’Allada Vermell
Our home for the first
two weeks, these streets
also lead to studio.
Narrow, with worn
cobblestones and dense
with activity.
Narrow = light/dark
Via LaietanaOld City Typology Carrer de l’Allada Vermell
Carrer de l’Allada Vermell is a
cleared square in the fabric of the
Old City. The relatively young
intervention (finished only in 2008)
marks the efforts of Barcelona to
reinvent itself, to create vibrant
spaces for its citizens.
Via L aietana is a divide between
two parts of Barrio Gotico. The
high traffic and infrequent crossing
lights combine with large scale and
high opacity.
Narrow street with heavy
shadow line. The brightly
lit half of the street
exposes plants and open
apertures.
Plants play a large role in
defining the softness of
parts of the contour line.
Laundry likewise softens
the otherwise hard
buildings. The presence
of these elements can
make even relatively
opaque stretches of the
contour line feel more
comfortable.
Expansion at Placa George Orwell
1990
Contraction on Carrer des Escudellers
The Old City is an enclosure of facades on the street.
La Rambla
Parque Mirador del Poble Sec Poble Sec Carrer d’Obradors
plants
plants
plants
plants
bright
bright
sky
sky
sky
shadowshadow
plants
laundrylaundry
1250: shipyard
1750: military zone
1850: disorganized
1950: organized
1997: present state
An end of the +7.5m walk is this
new park. Built in 1997, this is a
large forest-like space that
defines an edge of the city. This
is a particularly old part of the
city: the defensive mountain is
uphill, the city walls are only a
few meters away. There were
many wells here, feeding textile
mills and shipyards before
working class housing.
1706 1878
Cerda
Gothic
Military
Forest
Forest
Forest
City
City
City
City
City
City
CityCity
City
City
CityCity
City
CityCity
City
300: Roman wall
1440: starts becoming a street
1703: trees planted
1766: street form
alized
1778: becomes main thoroughfare
1850: gaining prominence as a center
1924: metro
South
All the stores here are open,
laundry and plants disappear,
replaced by open balconies in
grand stone buildings.
There is a constant stream of activity along the tight but
commercially intense streets of the old city. Turning the
corner to Rambla intensifies an already dense amount of
people.
Turn the corner and the number of static inhabitants
remains high but the dynamic inhabitants are gone.
Vehicles become more important to the definition of the
street.
LaCanadenca
2003
Tres Xemeneies Gardens
LaCanadenca
Pass through the park of the
historical site of La Canadenca.
Here there was a power station and
site of the strike in 1919 that
brought the 8 hour work day to
Catalonia.
Parks like this provide an edge to the
relentless hard surface of the city. This
contour line has parks outside the
ancient walls on both sides, reflecting
the strong desire to prioritize green
space whenever space is available.
open
1855 1902 1967
dappledlight
dappled light
stone
hard
old
worn
durable
treestrees
crowdcrowdcrowd crowd crowd crowd crowd crowd crowdcrowd
crowd
crowd
The jostling,
loud, charged,
gulf between
neighbor-
hoods. Grand
buildings,
calm trees,
and ocean
breeze
contrast the
density.
La Rambla is a dramatic example of
the stone-based public space that
pervades Barcelona. Soft space
becomes precious because of these
large expanses of stone.
The threshold between the new grid plan and the old wandering city. Cars
already take priority in the first block at the edge.
New New New Old
O
ld
O
ld
1706
1878
1855
Pedestrian Crossing
cars
cars
cars
cars
cars
cars
cars
cars
moped
moped
cars
cars
Our home for the first
two weeks, these streets
also lead to studio.
Narrow, with worn
cobblestones and dense
with activity.
Narrow = light/dark
Narrow street with heavy
shadow line. The brightly
lit half of the street
exposes plants and open
apertures.
The Old City is an enclosure of facades on the street.
La Rambla
Poble Sec Carrer d’Obradors
plants
plants
plants
plants
bright
bright
sky
sky
sky
shadowshadow
plants
laundrylaundry
1250: shipyard
1750: military zone
1850: disorganized
1950: organized
1997: present state
1706 1878
Cerda
Gothic
Military
300: Roman wall
1440: starts becoming a street
1703: trees planted
1766: street formalized
1778: becomes main thoroughfare
1850: gaining prominence as a center
1924: metro
All the stores here are open,
laundry and plants disappear,
replaced by open balconies in
grand stone buildings.
There is a constant stream of activity along the tight but
commercially intense streets of the old city. Turning the
corner to Rambla intensifies an already dense amount of
people.
Turn the corner and the number of static inhabitants
remains high but the dynamic inhabitants are gone.
Vehicles become more important to the definition of the
street.
2003
meneies Gardens
of the
nadenca.
r station and
that
k day to
dappledlight
dappled light
stone
hard
old
worn
durable
treestrees
crowdcrowdcrowd crowd crowd crowd crowd crowd crowdcrowd
crowd
crowd
The jostling,
loud, charged,
gulf between
neighbor-
hoods. Grand
buildings,
calm trees,
and ocean
breeze
contrast the
density.
La Rambla is a dramatic example of
the stone-based public space that
pervades Barcelona. Soft space
becomes precious because of these
large expanses of stone.
The threshold between the new grid plan and the old wandering city. Cars
already take priority in the first block at the edge.
New New New Old
O
ld
O
ld
1706
1878
1855
Professors Elena Canovas and Antonio Sanmartín
MichaelStinnett
MichaelStinnett44
45
AcrossBarcelona
AcrossBarcelona
24. Phenomenological Mapping
Diagramming View Corridors & Obstructions, and Types of Activation in St Louis. Group with Micah Stanek
Each of these diagrams corresponds to another type of phenomenological
investigation. These include event activations, time of day activations (as
measured by counting users of the space), prevailing winds, distance to trees,
topography that exceeds a threshold, and circulation. These phenomena are
fed into a Grasshopper script to create the final diagram.
The first map, made with a partner, is an Arch-D sized paper collage. Each
point was measured and photographed on site, after which a sector of colored
paper circle was cut out and placed to indicate the ability to view different
phenomena. Emerging from this diagram are the moments of topography and
large trees that define the site.
Work was equally divided throughout concept and construction. The script-
generated mappings on the opposite page are entirely my own.
Frequency of ActivationIntenstiy of Activation
Scale 1” = 200’ Circulation
100’
Density of Traffic Flow
More
Less
Winter
Summer
Scale 1” = 200’
100’
Data from Glenn, Vanessa, and Eric.
Prevaililng Wind
High Activation and Low Circulation
Steep Edges
Scale 1” = 200’
100’
Composite Edges
Professor Natalie Yeats
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PhenomenologicalMapping
PhenomenologicalMapping
25. Punctuate/Undulate
Environmentally Responsive Script-Generated Facade System
In Helsinki, there are few warm days every year. Those few warm days can be
handled with a minimum of energy input if sun shading is carefully considered.
What happens if sun shading becomes an integral focus of the design process?
These shades are made of undulations of the load-bearing concrete facade.
Apertures of three sizes set the overhang distance required by Helsinki’s summer
sun angle. Grasshopper provides the new surface matched to the windows (which
are also generated in Grasshopper with a circle packing algorithm).
The first iteration provides more dramatic undulation due to the larger difference
betwen the smallest and largest apertures, but the resulting wall is too material
intensive. Using smaller apertures with less difference between them, the second
iteration achieves adequate sun shading with relatively efficient use of material.
0
1/16” = 1’-0”
16’
Plan 1’ = 1/16”
finish floor
fan coil return air vent
hanging bar lights
floor supports
fan coil water supply
heating/cooling mode valve
water for building use
fan coil water return
city hot and cold water supply
drain to city
pan and joist concrete slab
radiant heating tubes
insulation
window assembly
metal angle clips
fan coil intake cover
cnc-formwork concrete facade
plaster board
operable inner window
assembly shell
insulation
cnc-cut insulation cap
operable ventilation
plaster surface
fan coil intake cover
exterior operable window
0
1/16” = 1’-0”
16’
0
1/16” = 1’-0”
16’
Section Cooling Mode
Section Heating Mode
West Elevation 1’ = 1/16” South Elevation 1’ = 1/16”
0
1/16” = 1’-0”
16’
Plan 1’ = 1/16”
finish floor
fan coil return air vent
hanging bar lights
floor supports
fan coil water supply
radiant slabs
bar lights heating/cooling mode valve
water for building use
hot and cold water mixing
adjustable valve
pendant lights
fan coil water return
fan coils pre-heating air
recessed lights
city hot and cold water supply
drain to city
pan and joist concrete slab
radiant heating tubes
insulation
window assembly
metal angle clips
fan coil intake cover
cnc-formwork concrete facade
plaster board
operable inner window
assembly shell
insulation
cnc-cut insulation cap
operable ventilation
plaster surface
fan coil intake cover
exterior operable window
0
1/16” = 1’-0”
16’
0
1/16” = 1’-0”
16’
PUNCTUATE - UNDULATE
Keri Mate . Michael Stinnett . Joanie Walbert
ARCH 439H . Environmental Systems II . Chandler Ahrens
Section Cooling Mode
Section Heating Mode
Generic Building
DAYLIGHTING ANALYSES
Facade Iteration 01 Facade Iteration 02
West Elevation 1’ = 1/16” South Elevation 1’ = 1/16”
0
1/16” = 1’-0”
16’
Plan 1’ = 1/16”
finish floor
fan coil return air vent
hanging bar lights
floor supports
fan coil water supply
fan coil water supply
radiant slabs
bar lights
cooling tower
refrigerant loop
pump
heating/cooling mode valve
heating/cooling mode valve
water for building use
fan coil units
hot and cold water mixing
adjustable valve
pendant lights
fan coil water return
fan coil water return
fan coils pre-heating air
recessed lights
ducts
city hot and cold water supply
drain to city
pan and joist concrete slab
radiant heating tubes
insulation
facade-supported slab
Responding to the over-illumination of
the generic office space, the proposed
facade system uses thickness calibrated
to block summer sun from hitting
windows of various size.
Starting with a set of openings that vary
in size based on the program behind
them, the facade undulates in front of
the punctuated openings. The shade
allow minimal air conditioning use when
supplemented with natural ventilation.
slab-supported facade
return air
window assembly
metal angle clips
fan coil intake cover
cnc-formwork concrete facade
plaster board
operable inner window
assembly shell
insulation
cnc-cut insulation cap
operable ventilation
plaster surface
fan coil intake cover
exterior operable window
Group with Keri Mate and Joan Walbert
Professor Chandler Ahrens
MichaelStinnett
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49
Punctuate/Undulate
Punctuate/Undulate
26. 508’
524’
FIRST FLOOR
SECOND FLOOR
THIRD FLOOR
534’
545’-4”
FOURTH FLOOR
ROOF
555’-4”
TOP OF PARAPET
557’-4”
STUD @ 2' OC
SOLID SURFACE SILL
SLAB REINFORCING WOVEN WIRE MESH
SPACER STUD
CONTINUOUS VERTICAL CURTAIN WALL MULLION
VAPOR BARRIER
GYPSUM BOARD
BENT PLATE
W9
ALUMINUM COATED BRACING
GYPSUM BOARD
MULLIONS
BENT PLATE
TUBE STEEL
ROOF DECK
ROOFING MEMBRANE
SUBSTRATE BOARD
PRECAST CONCRETE BASE
C HANGER
FIRESAFING ANNODIZED ALUMINUM PERFORATED BLADES
GYPSUM BOARD
RIGID INSULATION
VAPOR BARRIER
METAL DECK
BRICK
ANODIZED ALUMINUM SUNSHADE OUTRIGGER
VAPOR BARRIER
W9
L BEAM
SPACERS
RIGID INSULATION
FORMED ALUMINUM COPING
SHEATHING
SPANDREL GLASS
ALUMINUM CLIP ATTACHMENT
VAPOR BARRIER
INSULATION
C HANGER
PAINTED STEEL OUTRIGGER
INSULATION
ALUMINUM PLATE
ZINC COATED COPPER DOWNSPOUT
ZINC COATED COPPER GUTTER
ALUMINUM PANEL GLAZED
TEMPERED GLASS
STEEL ANGLE
#5 CONTINUOUS
BATTED INSULATION
CONCRETE MASONRY UNIT FULLY GROUTED
FILTER FABRIC
EXPANSION JOINT
Lexi White & Michael Stinnett
Patrick Brown
Delmar Housing Wall Section & Digital Model
5 December 2013
Scale 3/4” = 1’
Lexi White & Michael Stinnett
Patrick Brown
Delmar Housing Wall Section & Digital Model
5 December 2013
Building Study
Documenting Loop Lofts in St Louis Group with Lexi White
This model reconstructs the structural and facade systems of a new building in St
Louis.
Work was completed together simultaneously, alternating between 2D and 3D.
Professor Eric Hoffman
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BuildingStudy
BuildingStudy
27. Plywood Chair Professor Julie Tolvanen
Starting with a precedent analysis of an existing chair, this project developed a new
take on the now quite old tradition of plywood chairs. Inspired by the comfortable
curves of the Clash chair, this chair is comfortable, with soft curves inviting users to
try it out. Hidden connection hardware gives an illusion of lightness, reinforcing the
approachability of the chair.
445mm
407mm
820mm
394mm
503mm
179mm
203mm
Connection:
4x #6 T-Nut
with M6 Screws
510mm
543mm
102˚
93˚
438mm
353mm
445mm
407mm
820mm
394mm
503mm
179mm
203mm
Connection:
4x #6 T-Nut
with M6 Screws
510mm
543mm
102˚
93˚
438mm
353mm
MichaelStinnett53PlywoodChair
MichaelStinnett52PlywoodChair
28. Material Exploration
Material Studies Assembling Steam-bent Basswood
Hand drawing of connection types.
Final bent form.Completed assembly.
Early explorations.
Professor Natalie Yeats
MichaelStinnett55MaterialExploration
MichaelStinnett54MaterialExploration
29. Scripting Geometries
Pieces of Projects and Experiments
Arrays an arbitrary geometry along an arbitrary
curve and orients the top to face another
arbitrary curve.
Uses a graph to bias the division of a curve and
then constructs an algorithmically generated
rectangular prism on this points.
Computes an extrusion distance based on
arbitrarily sized circles and fits a new surface to
that minimum distance.
Working under Lavender Tessmer, I was
responsible for extracting computed geometry
and creating the curves the CNC would follow,
including connections.
MichaelStinnett57ScriptingGeometries
MichaelStinnett56ScriptingGeometries
I believe in controlling the tools of practice. Computer based design process has
opened complexity many orders of magnitude beyond the variables that tools
provided in the pen and vellum era, but with it has come a profusion of design
possibilities. While software is never a design driver, knowing which tool can help
achieve a design goal requires broad knowledge of the available tools at all scales.
Python and VB scripts bring the potential to implement new algorithms without the
associated cost and time of commercial software release. Programming is the new
literacy and understanding the computer as the tool of design is one of my primary
career goals.
Digital design and fabrication enables iteration, collaboration, and computation
that is changing the industry. Workflow tools are beginning to handle the
complexity of multi-firm, multi-role architecture projects and the results are already
compelling. At this stage in my process I use macros, scripts, and Grasshopper
definitions to compute precise but dynamic geometries, make progressive changes,
and iterate parts of designs closer to deadlines. Algorithmically driven design
using Python is my next area of interest, with workflows involving Excel and
custom software. Distributed workflow and multi-user files are the most exciting
developments on the horizon for me, especially leveraging existing collaboration
tools like Git and its ability to handle the text-as-geometry of the IFC file.
In school, it has become clear that true collaboration offers speed, accuracy, and
creativity well beyond that available to individual designers. The cost of this
collaboration is in the clarity of the concept at all scales and the tools to implement
dependent parts of the design simultaneously. The first problem is solved in
practice and the second is solved in software.