1. Late modernism operated after modernism had begun to take damage in
the court of public opinion.
Un sure of its position , between high modernism and postmodernism ,
late modernism is an uncomfortable period.
Late modernism attempted to find ways of practicing in an era in which
innovation had seemingly come to end .

2. Late modernism, also known as high-tech architecture or structural
expressionis , is an architectural style that emerged in the late 80s , this
style become a bridge between modernisms and past modernism.
Centre National d’Art et
de Culture Georges
PidPi1971 1977
Podou
Hongkong and Shanghai
Bank, by: Norman Foster

3. ‫بعض االمثله على عماره الحداثه المتاخره‬
‫واسباب ظهورهل‬

6. ‫‪‬‬
‫‪‬‬
‫‪‬‬
‫‪‬‬
‫استخدام االستعاره المجازيه فى‬
‫مطار داالس واوبراسيدنى‬
‫كنيسه نيفيجيست بالمانيا هيمنت‬
‫الخرسانه والتعبيريه المجازيه‬
‫المسرح القومى فى لندن التداخل بين‬
‫االشكال المتنوعه‬

7. The three of the most significant concepts of Richard Meier ‘s
work are Light, Color and Place. His architecture shows how
plain geometry, layered definition of spaces and effects of
light and shade, allow Richard Meier to create clear and
‫استخدم الكثير من المفردات والعناصر‬
‫المعمارية المتؤثرة‬
comprehensible spaces. The main issue Richard Meier is
focusing on as an architect, is what Richard Meier termed
”.placeness: “What is it that makes a space a place

8. * computer city 1964
Dennis Dennis KromtomKromtom
* plug in city
1965
Peter Cook Peter Cook
* living pod
1965
David Green David Green
* walking city
1964
Ron Ron ––Hero

9. KIYONORI KIKUTAKE
MASATO OTAKA
NORIAKI KISHO KUROKAWA
FUMIHIKO MAKI
NOPORU KAWAZOE
KIYOSHI AWAZU

10. .
High-tech architecture also known as Late Modernism
or Structural Expressionism, is an architectural style that
emerged in the 1970s, incorporating elements of high-tech emerged in the
1970s, incorporating elements of high tech
industry and technology into building design
NORMAN FOSTER
RICHARD ROGERS
SANTIAGO CALATRAVA
RICHARD ROGERS and
RENZO PIANO, Georges
Pompidou National Center of Art
and Culture (the “Beaubourg”),
Paris, France, 1977.
NORMAN FOSTER Hong Kong
andNORMAN FOSTER, Hong Kong
and
Shanghai Bank, Hong Kong, China,
1979–
1986.
No internal supporting structure.
Natural sunlight is the major source of
lighting inside the building

12. ‫‪University of Palestine University of Palestine‬‬
‫‪Dept. of Architecture & Urban PlanningDept. of Architecture & Urban Planning‬‬
‫‪Theories of Architecture‬‬
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‫ثالثيه االبداع المعمارى المضمون والشكل د/على رافت‬
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‫النحت والعماره المعاصره‬
‫رشا صبحى مجيد مدرس مساعد قسم الهندسه المعماريه الجامعه التكنولوجيه‬
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‫‪http://gds.parkland.edu/gds/!lectures/history/1945/latemodern.html‬‬
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‫‪http://en.wikipedia.org/wiki/Late_modernism‬‬