Sound Analysis - Space Jam PP
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Space Jam was a 1996 film directed by Joe Pytka that combined live action and animation. It featured Michael Jordan teaming up with Looney Tunes characters like Bugs Bunny and Daffy Duck to play a basketball game. The diegetic sounds in the film came from the basketball game and cartoon sounds from the Looney Tunes characters. Non-diegetic music included the film's theme song and songs by Dick Dale. Ambient sounds of cheering and basketball noises helped create the atmosphere of a real game. Most audio was recorded separately and added in post-production to enhance the animated elements.
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Sound analysis: Space jam
Space Jam was a 1996 film directed by Joe Pytka that combined live action and animation. It featured Michael Jordan teaming up with Looney Tunes characters like Bugs Bunny and Daffy Duck for a basketball game. The diegetic sounds in the film came from the game environment and cartoon elements, while non-diegetic music included the Space Jam theme and songs from the Looney Tunes cartoons. Most sounds were recorded separately and added in post-production to enhance the realism of the animated and live-action elements interacting in the basketball scenes.
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Sound analysis: Space jam
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The document discusses three types of sound used in films: diegetic sound, non-diegetic sound, and Foley sound effects. Diegetic sound comes from within the scene, like music playing on a radio. Non-diegetic sound only the audience can hear, like soundtrack music used to build tension. Foley sound effects are everyday sounds added in post-production to make scenes more realistic, like using cornstarch to mimic the sound of snow crunching.
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3. Foley artists use creative techniques to generate realistic sound effects, like breaking carrots and celery for bone cracks or kissing their arm for passionate kissing sounds.
Sound design essay research (1)
The document provides research on the topic of sound design in films. It begins with an overview of what the author knows and wants to learn about sound design and film technology. It then lists keywords and potential research questions. Several online video and text sources on the history and techniques of film sound design are summarized. The document concludes with selecting the topic of how sound impacts storytelling in films and refining the focus to the history of sound design in films, the evolution of sound technology, and the use of diegetic and non-diegetic sound as a plot device, using iconic sounds as examples. An essay plan is outlined.
Film Tv Sound Lecture (1)
This document provides an overview of the key elements of film soundtracks, including:
1. Dialogue, music/score, sound effects, location/production sound, Foley, and atmospherics. It describes each element and provides examples. Location sound recording aims to capture clean dialogue amid background noise. Foley artists recreate sounds in post-production to enhance realism. Music can be used to set mood, add emotion, and aid understanding by linking scenes.
95 using sound
1. The document discusses different techniques used for sound in films and TV programs. It explores the challenges of early sound films and how sound recording has advanced.
2. It provides definitions for various sound terminology like diegetic sound, non-diegetic sound, direct sound, and post-synchronized sound. It also discusses how sound can be used parallel or contrapuntal to images.
3. As an example, it analyzes the use of sound in the first four minutes of the film "Hot Fuzz" where different sound techniques like post-synchronized footsteps and whooshing sounds are used to characterize the main character.
How is sound used in sci fi film trailers?
It is the analysis of 3 sci-fi genre film trailers, looking specifically at the sound that is used and it's effect.
Sound effects
Sound effects are artificially created or altered sounds used in movies and television to emphasize action or set a mood. They make what is happening on screen seem more realistic and impactful. Films include subtle background sounds like chatter to create a sense of realism and place scenes in a busy setting. A technique called Foley reproduction adds everyday ambient sounds in post-production to further enhance realism, such as using cellophane to mimic the sound of a crackling fire. When creating a movie trailer, effective sound effects will be included to make the world of the trailer seem more real through modification and ambient sounds recognizable to the target audience.
Sound editing and recording work
The document discusses the importance of sound recording and editing in films, television, and other media. It provides several examples to illustrate key points. Sound editing is used to fit sounds within time constraints for television, remove inappropriate language, and manipulate the chronological order of speech. Editing ambient sounds can add tension or tell parts of the story. Factual documentaries may add sounds to improve audio quality, while fictional works may use creative sound editing, like altering animal noises or blending sound effects with music. Proper timing of background music with visuals is important to create dramatic effect. Overall, sound editing techniques are used to serve the director's vision and tell stories in both factual and fictional content.
Sound editing and recording work
The document discusses the importance of sound recording and editing in films, television, and other media. It provides several examples to illustrate key points. Sound editing is used to fit sounds within time constraints for television, remove inappropriate language, and manipulate the chronological order of speech. Editing ambient sounds can add tension or tell parts of the story. Factual documentaries may add sounds to improve audio quality, while fictional works may use creative sound editing, like altering animal noises or blending sound effects. Proper timing of background music is important to create dramatic effect. Overall, sound editing is a vital part of crafting narratives and meeting various production needs across different genres.
Bioshock
The document summarizes key elements of the soundtrack from the video game Bioshock. It describes the setting as moving from a plane crash into the ocean to an underwater city. It notes the mood was meant to be creepy and mysterious. Production techniques used included recorded or stock sounds edited for the setting, lowering the pitch and slowing playback of sounds to suggest being underwater, string instruments and drums to set the ominous tone, and voice acting with added effects to sound like 1940s recordings.
Task 2 analysis work sheet
The document analyzes the soundtrack of a cutscene from the video game Gears of War 3. It describes the setting as a warzone/zombie apocalypse based on the ambient sounds of bullets and debris. It notes that the music changes from angry and dramatic to sad and depressing as the scene leads to a character's death. The narrative is praised for the voice actors making the characters seem real through their argument. Production techniques discussed include digital composition, orchestra and field recordings, and voice alteration.
Glossary sound and_music_in_film
This document defines essential terminology related to sound and music in film. It provides concise definitions for over 50 key terms, including diegetic and non-diegetic sound, sound effects, Foley, voice-overs, soundtracks, and more. The definitions explain how these elements are used to enhance meaning, direct audience understanding, set atmosphere, and engage viewers in the story. Sound is shown to play an integral role in film by enriching images and narratives through both expressive and informative functions.
Sound and Music 8Is a scene spooky Funny Violent Sad .docx
Sound and Music 8
Is a scene spooky? Funny? Violent? Sad?
Whatever the feeling , a good film
matches sights with sounds
to make the scene come alive.
—Geoffrey Horn
Still from The Hurt Locker (2008). ©Summit Entertainment/courtesy Everett Collection
What Does Sound Contribute to Movies? Chapter 8
Learning Objectives
After reading this chapter, you should be able to do the following:
• Describe how sound contributes to the overall impact of films.
• Trace the history of sound from the Silent Era through talkies.
• Describe the basic types of sound recording and playback technology used for films, past
and present.
• Explain how dialogue, sound effects, and music work individually and together in a film’s
soundtrack, and understand the difference between a score and a soundtrack.
• Identify and appreciate how various sound production techniques contribute to what you
experience in a finished film.
8.1 What Does Sound Contribute to Movies?
At the beginning of Star Wars: Episode IV—A New Hope, we don’t see Darth Vader, Luke
Skywalker, Han Solo, or any of the other soon-to-be-iconic characters. No, instead, we see words.
The backstory about the Empire and the resistance scrolls up the screen, telling us that we’re
watching a story set “a long time ago in a galaxy far, far away.” It sounds like a rather dull start for
what would become the most lucrative series of films in movie history. But it’s not. Instead, it’s
exciting, making us anticipate what we’re about to see (that is certainly the case the first time we
see it). It’s not the visuals, certainly. What is it, then?
It is the music. John Williams’s stirring score (the background music) grabs us by the collar
and forces us to sit up in our seats; it demands our attention, drawing us in from practically the
first note. Try watching the opening of Star Wars with the sound turned down, and you will be
startled. Williams’s score is our introduction to the film, and it is a magnetic one.
Once the film starts, it’s not just the music that thrills us. The sound effects are also essential to
our enjoyment of Star Wars—the mechanical, menacing breathing of Darth Vader; the electronic
hum of the light sabers; the roar of the enormous space ships; even the silence of space. The same
applies to the dialogue, which includes any num-
ber of memorable lines and helps to advance the
plot, explain relationships, and establish charac-
terizations. In fact, the personality of robot C3PO
comes just as much from the dialogue and its
delivery as from the movements of the actor in
the distinctive costume.
As hard as it may be to fathom, movies were once
silent, at least in the case of having no recorded
dialogue or sound effects. There was always,
however, a musical accompaniment to help inter-
pret the moods for the audience, just as today’s
movies often rely upon evocative music scores
to intensify dramatic impact. But instead of
being pre-recorded, the music.
What Does Sound Contribute to Movies Chapter 8Learning Ob.docx
What Does Sound Contribute to Movies? Chapter 8
Learning Objectives
After reading this chapter, you should be able to do the following:
• Describe how sound contributes to the overall impact of films.
• Trace the history of sound from the Silent Era through talkies.
• Describe the basic types of sound recording and playback technology used for films, past
and present.
• Explain how dialogue, sound effects, and music work individually and together in a film’s
soundtrack, and understand the difference between a score and a soundtrack.
• Identify and appreciate how various sound production techniques contribute to what you
experience in a finished film.
8.1 What Does Sound Contribute to Movies?
At the beginning of Star Wars: Episode IV—A New Hope, we don’t see Darth Vader, Luke
Skywalker, Han Solo, or any of the other soon-to-be-iconic characters. No, instead, we see words.
The backstory about the Empire and the resistance scrolls up the screen, telling us that we’re
watching a story set “a long time ago in a galaxy far, far away.” It sounds like a rather dull start for
what would become the most lucrative series of films in movie history. But it’s not. Instead, it’s
exciting, making us anticipate what we’re about to see (that is certainly the case the first time we
see it). It’s not the visuals, certainly. What is it, then?
It is the music. John Williams’s stirring score (the background music) grabs us by the collar
and forces us to sit up in our seats; it demands our attention, drawing us in from practically the
first note. Try watching the opening of Star Wars with the sound turned down, and you will be
startled. Williams’s score is our introduction to the film, and it is a magnetic one.
Once the film starts, it’s not just the music that thrills us. The sound effects are also essential to
our enjoyment of Star Wars—the mechanical, menacing breathing of Darth Vader; the electronic
hum of the light sabers; the roar of the enormous space ships; even the silence of space. The same
applies to the dialogue, which includes any num-
ber of memorable lines and helps to advance the
plot, explain relationships, and establish charac-
terizations. In fact, the personality of robot C3PO
comes just as much from the dialogue and its
delivery as from the movements of the actor in
the distinctive costume.
As hard as it may be to fathom, movies were once
silent, at least in the case of having no recorded
dialogue or sound effects. There was always,
however, a musical accompaniment to help inter-
pret the moods for the audience, just as today’s
movies often rely upon evocative music scores
to intensify dramatic impact. But instead of
being pre-recorded, the music was played live at
each showing in the theater. Many of these so-
called “silent” films are without question great—
Charlie Chaplin and Buster Keaton are among
Courtesy Everett Collection
▲▲ Silent films such as Sherlock Jr. were accompanied by
live music. .
Discussing technical elements of spaced gone Completed
The document discusses technical elements of the TV show "Spaced", including sound, editing, and context. It notes that the producers used different sounds to set moods and themes. They incorporated realistic gun sounds and sad music. Editing techniques included starting with the ending scene to hook viewers and repeating lines to emphasize them. Flashbacks were also used to help viewers feel more connected to characters. The show was created and directed by Simon Pegg and Edgar Wright and aired on Channel 4 from 1999 to 2001.
The importance of sound editing
- Sound editors add sound effects to make nature documentaries more realistic and intense for viewers since they cannot capture authentic animal sounds. Extra sounds are added to fights and other scenes.
- Foley artists create fictional sounds, like Chewbacca's voice, by combining animal noises. They aim to engage audiences through believable sound effects.
- When editing sound, software like Logic Pro and Premiere Pro are used along with keyboard shortcuts to trim clips, adjust volume levels, and organize audio files. Multiple takes may need to be recorded and edited to achieve the best quality.
Ig1 task 2 final fantasy 13
The document summarizes the soundtrack elements of the game Final Fantasy 13. It analyzes the setting, mood, genre, and narrative based on specific sound effects used. For the setting, mechanical sounds and jets indicate a futuristic military compound. The mood shifts from foreboding to relieved to cheerful. The genre is identified as war or action based on gunshots and machines. The narrative depicts the main characters as enemies of the state and the male character as confident through his joking. Production techniques like computer generation and studio recording with editing are identified.
Sound research
The document discusses using sound effectively in movie trailers. It provides examples from films like Inception and Prisoners that use sounds like electronic thuds and ticking clocks to build tension and urgency. Short trailers need sound to convey the same information as longer films. Certain sounds can help set the tone, like upbeat music for a teen drama versus dramatic music for a thriller. The document also discusses using recognizable soundtracks to remind audiences of other similar films. However, sounds and music cannot be used without permission and must be royalty-free if obtained from other sources. The document advises researching royalty-free sound options on sites like freesound.org and GarageBand.
Sound in TV Drama
Sound plays an important role in television drama by creating moods and signaling events. There are two main types of sound: diegetic sound, which comes from within the world of the story, and non-diegetic sound, which comes from outside the story world, such as music. Both types of sound are used to create realism and manipulate the audience's emotions. Theme tunes are also important as they establish the mood of the show and act as an audible cue that the program is starting.
Music videos
The document discusses the history and types of music videos. It notes that the first music video was created in the 1920s using a gramophone, but they became more prominent in the 1980s when MTV's format focused on them. There are different types of music video genres, including homage videos that pay tribute to past works, animation videos that use drawings to illustrate lyrics, and narrative videos that tell a story. The document also provides examples for each genre and discusses techniques used in music video production.
Similar to Sound Analysis - Space Jam PP (20)
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Sound Analysis - Space Jam PP
- 1. Space Jam By Plunkett, Teddy Boy and Roar
- 3. Information on the movie/ clip Directed by Joe Pytka Space Jam was released in the year 1996
- 4. Diegetic Sounds Water splashing from the water bottle, gulping, cheering from the crowd, air horns from the crowd, motorbike, basketball net/ the basketball bouncing, TNT string burning, explosion, laughing, splashes of the paint, screaming. A big part of diegetic are taken from actual looney tunes cartoon such as the punches has a cartoon sound to it
- 5. Non – Diegetic Sounds Looney tunes music track taken from the cartoon series Space Jam theme tune Dick Dale and His Del Tones – Miserlou (Pulp Fiction music) Tweety bird song
- 6. Ambient Sounds Cheers during the game of basketball, screeching on the floor as shoes scuff the court, Background music. This all creates the atmosphere of a real basketball match.
- 7. Recorded... Most of the clips involved in this scene where taken off the TV show. Others were from a live recording of a basketball game, this is to make it more realistic. Quite a lot of the time what you hear in movies isn’t actually that sound, for example rain is sometimes salt being poured onto tinfoil.
- 8. Sounds in post production A lot of sound work was added because it’s a mainly animated film. All the sounds were added after the animation was completed, this way it would be easier to find sound effects.
Editor's Notes
- Harry
- Harry
- Rory
- Edd
- Sport tune is upbeat and happy, this shows they are going to start winning or going to start doing well.Pulp Fiction music kicks in when two looney tunes character mock/ copy the look of Pulp Fiction.Tweety bird song makes her seem innocent and cute… but she isn’t when she starts to beat up the other team. Harry
- Rory
- Edd
- Edd
- EveryoneWe chose this scene cause it contains loads of sound effects and it is personally our favorite scene of the film!