This document provides guidance on how to direct a school play. It discusses stage directions like upstage and downstage. It also introduces techniques like using triangles, levels, and focus to improve blocking and visual interest. The document demonstrates these techniques by having groups stage a readers' theatre performance of a poem about the seasons using different formations. It also provides exercises on tableau, pantomime, and stepping in and out of scenes to develop skills. The goal is to help students feel comfortable directing by learning basic staging and performance concepts.
Alex Noudelman - Intro to Personification - Personification is when an idea or thing is given human attributes and/or feelings. Perfect for a unit on poetry or for a Parts of Speech lesson.
Alex Noudelman - Intro to Personification - Personification is when an idea or thing is given human attributes and/or feelings. Perfect for a unit on poetry or for a Parts of Speech lesson.
TYPES OF SENTENCES ACCORDING TO USE
DEFINITIONS OF THE TYPE OF SENTENCE; EXAMPLES EACH OF THE TYPE; LET THE STUDENTS CONSTRUCT EXAMPLES ON DIFFERENT TYPES OF SENTENCES.
ENHANCE STUDENTS ON CONSTRUCTING SENTENCES, LET STUDENTS READ A SHORT STORY AND IDENTIFY EACH SENTENCE OF THE STORY IF WHAT TYPES THEY ARE BELONG,
DB ASSIGNMENT - PART 1 – 100 WORDSYou are blasting back to the pas.docxedwardmarivel
DB ASSIGNMENT - PART 1 – 100 WORDS
You are blasting back to the past with this Discussion. Go back to one of those memories when you participated in a school play or acted out a story in the classroom. Whatever it was, please share your memories with us here. Tell us how you felt before, during, and after. How did you benefit from participating in drama activities? Describe ways drama can be used in the learning environment.
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Is it a significant memory?
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Is it good or bad? Why?
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How will this influence how you work with creative dramatics?
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Did some of your classmates' posts bring back any other memories?
DB POST- RESPOND TO WHAT THIS PERSON HAD TO SAY ABOUT THE DB ASSIGNMENT (STUDENT 1) (100 WORDS)
I was very shy as a young child and socially immature. I had no fear of speaking or performing but I also had no outlet for it. The elementary school I attended did not put on plays or concerts so even though I wanted to be an actress I never had the chance. When I went to junior high my whole world opened up. I joined chorus and even though I didn't have the best voice I loved preforming. In 7th grade we put on a musical "Cinderella" and I tried out for the lead. I did not get it but my best friend did so I swallowed my disappointment and decided to be the best dirty laundry ever to be on stage. I got to sing a duet and dance. I also got a small role as the girl with Cinderella when she meets prince charming. I felt very special to have 2 roles and the best part was the boy I had a crush on was dirty laundry also. (Prince charming was a total loser!!) The play was a hit and we were invited to perform for our local Rotary club the next week. Off stage I was still very shy and a wall flower but on stage I could be anything I wanted. I did other plays and concerts over the years but the success of this one has always stayed with me. This one play changed me in a lot of ways. It opened up the dramatic world to me and taught me how to react to disappointments. I was able to make the best out of the situation and enjoy the roles I got. I often think about this experience and still 27 years later catch myself singing the songs from the musical.
Creative dramatics (Isbell & Raines,2013) uses both mental and physical skills and envolves the whole child. For me it was the outlet I was looking for but for other children it may seem overwhelming. I plan to use my experiences to guide my classroom through the different stages of drama from pantomime, puppet shows and story telling. I will be able to recognize the differences in the children and know that Johnny wants the lead but Alice would rather be a tree. Both roles are important to the success of our performance and Alice can be the best tree ever while Johnny can enhance his vocabulary be learning the lines. Every child can benefit from drama as long as the teacher is supportive and understands how important creative drama can be.
References:
Isbell, R.T. & Raines, S.C. (2013) Creativity an.
This Powerpoint presentation has a collection of works by Master artists in a variety of historical periods, styles and genres. These works are a great starting place for you and your students to develop visual literacy skills and become familiar with some well-known artists. It is not comprehensive, but a good starting place.
1. So You Think You Can Direct?
Yes, you can!!!
Arts Every Day Presentation
By Professor Kim Morin CSUF 2012
2. The School Play
• What are some of your memories?
• Were you ever in a play when you were in
elementary school?
• Have you ever directed or helped with a
school production?
• What impressions do you have of student
performances?
• http://www.youtube.com/watch?v=XrDgucW45dE
4. First Step – Know Your Stage Terms!
• Downstage
– Toward the audience
• Upstage
– Away from the audience
• Stage Right
– The actor’s right when facing the audience
• Stage Left
– The actor’s left when facing the audience
5. Stage Positions
Upstage Right Upstage Upstage Left
Stage Right Center Stage Left
Downstage
Right
Downstage
Downstage Left
Audience
6. A Director’s Four Friends
1. Triangles
2. Levels
3. Focus
4. Tableaux
11. Let’s Try it Out!
• Divide into 4 groups
– Spring
– Summer
– Fall
– Winter
• Each group will do a mini Reader’s Theatre staging
of their stanza from Sing a Song of Seasons
• Follow the blocking directions at the bottom of
the slide
12. Sing a Song of Seasons
Alice Ellison
It's spring!
Such a hippity, happity, hoppity
First spring day.
Let's play! Let's play! Let's play!
1
Source:
McCaslin, Nellie. "The Possibilities in Poetry," Creative Drama in the Classroom and
Beyond. New York: Addison, Wesley & Longman, Inc. 2000.
Directions: Stand in a straight line
13. Sing a Song of Seasons
Alice Ellison
It's summer!
Such swingy, swazy, lazy
First hot day.
Let's play! Let's play! Let's play!
2
Source:
McCaslin, Nellie. "The Possibilities in Poetry," Creative Drama in the Classroom and
Beyond. New York: Addison, Wesley & Longman, Inc. 2000.
Directions: Stand in a triangle formation
14. Sing a Song of Seasons
Alice Ellison
It's fall!
Such a brisky, frisky, crispy
First fall day.
Let's play! Let's play! Let's play!
3
Source:
McCaslin, Nellie. "The Possibilities in Poetry," Creative Drama in the Classroom and
Beyond. New York: Addison, Wesley & Longman, Inc. 2000.
Directions: Use different levels (sitting, standing, etc)
15. Sing a Song of Seasons
Alice Ellison
It's winter!
Such a blowy, snowy, joy
First winter day.
Let's play! Let's play! Let's play!
4
Source:
McCaslin, Nellie. "The Possibilities in Poetry," Creative Drama in the Classroom and
Beyond. New York: Addison, Wesley & Longman, Inc. 2000.
Directions: All face upstage. Each speaker turns to face the
audience, then turns back when finished.
16. Tableau Review
1. TURN AND FREEZE - Players stand in a
circle facing out. On a count of 1-2-3-
Freeze – players turn into the circle and
freeze in a pose.
2. COUNT AND FREEZE - Count from 1-5.
Players begin in neutral and grow from
small to bigger to biggest and freeze on 5.
17. Work on FOCUS
• Hold the “freeze” like a statue.
• Where are the eyes looking? Are they
keeping true to the pose? (no roaming
eyes like the Haunted Mansion!)
• Focus may not come right away.
• It’s okay to practice!
18. Create a Tableau
• Individual
– Games from each season
• Partners
– Game from the season of your group
• Small Groups
– Each Season works together as a group
19. Quick Tableau Checklist
Different Levels- High, Medium, Low
Different Body Shapes- Open/closed
Effective use of physical space/ Able to see
everyone
Focus (eye contact) is clear and visible
Emotions shown through body language
and facial expressions
20. Expand to TPT-
Tableau/Pantomime/Tableau Scenes
• Each group practices going from their
opening tableau to a pantomime of the
action, to the ending tableau
– Unison Play
– Share scenes
– Hold the freeze at the end!
21. Stepping Out of the Action
• Group begins in Tableau
• Group pantomimes an environment
• Group freezes in a tableau
• Speaker steps forward and says lines
• Speaker returns to the group Tableau
• Group resumes the pantomime
• Repeat for each speaker.
22. Imaging Quick-write Part 1 –
Teacher writes He went down the street. on the
board and has S copy it. Then says,
We are going to use our imagination and
senses to find out more about this person
who went down the street. Close your eyes
and silently draw a picture in your mind as I
ask you some questions.
23. Imaging Quick-write Part 3 –
1. Quick-write including as many details as
possible.
2. Quick-sketch of the picture from mind’s eye.
3. Think-pair-share or small groups discuss
different versions.
4. Pantomime different versions.
5. Write stories based on what they imagined.
6. Great follow-up book – And To Think That I
Saw It on Mulberry Street by Dr. Seuss
24. Imaging Quick-write Part 2 –
We know “He went down the street.” How old was he?
(little boy, teenager, grandfather) What time of day was
it? (morning, lunchtime, midnight) Where was the
street? (city, country, neighborhood?)
What kind of street was it? (paved, dirt, gravel, highway)
How did he go? Did he walk, ride a bicycle, drive a car?
What was the weather like? What was he wearing? Why
did he go down the road? Where was he going? How did
he feel?
25. Now We Are Ready To Stage Our Work!
• Review Stage Positions
• Act out a Reader’s Theatre scene using
movement through TPT (Tableau-Pantomime-
Tableau)
OR
• Demonstrate “Stepping Out of the Action”
using TPT scenes and sentences written from
the quick-writes.
26. Uses Poses to Practice Stage
Directions
1.Students spread out on stage in "self
space.”
2.Leader calls out a stage Direction.
3.Players face that direction on a clap or
other signal.
Next step: Players cross four steps in the
direction that is called out and Freeze facing
that students used to locomotor movements)
31. Resources:
– Santa Maria Bonita School District Reading Resources for
Houghton Mifflin
http://www.smbsd.org/page.cfm?p=2413
– Bad Wolf Press http://www.badwolfpress.com/
– Examples of BWP on
YouTubehttp://www.youtube.com/playlist?list=PLBF21511
427433CF7
– Jazz Chant Fairy Tales by Carolyn Graham
– Multicultural Folktales for the Feltboard and Reader’s
Theatre by Judy Sierra
And me of course! kimm@csufresno.edu