Hi
I am Siddhi Dilip Vanarse.
I am working as a Graphic designer & freelancer photographer since from 1.5 yr.
I am seeking job opportunities in the same indusry .Here is my workfolio.
please check it. waiting for your reply.
Thank you
The document discusses how a media product used conventions from real media in its poster and magazine covers. For the poster, it featured characters in the center like film posters to show a focus on character development. It also used a plural title like coming-of-age films to suggest plots and belonging. Background elements like locations and gradients were included to draw attention to the characters. A subtle flower crown motif was used to intrigue viewers about a character and theme. For the magazine covers, Little White Lies was used as inspiration.
The document summarizes an advertisement for Starburst sweets. The ad targets children and teenagers and aims to make them feel like eating Starburst will transport them to a different, exciting world filled with bursts of flavor. The main image is a parrot in a rainforest setting, chosen to match the product's rainforest theme. The ad uses bright red and yellow colors, bubble font text, and the slogan "juicy everywhere" to suggest the extravagant tastes and feelings of being transported consumers will experience when eating Starburst.
The document summarizes advertising campaigns for Barnardo's and Cherokee and Tesco F&F brands.
For Barnardo's, the campaign uses increasingly shocking images of babies in distress to prompt donations, with the third image showing a baby with a cockroach in its mouth.
The Cherokee campaign shows models in dangerous situations like surrounded by sharks or falling from the sky, but appearing relaxed, suggesting their clothes provide comfort.
For Tesco F&F, the photos emphasize the model and use techniques like shallow focus to draw attention to them, positioning the logo unobtrusively, with the third image changing locations to engage viewers by making the ad more relatable.
This presentation is about a body spray prototype created by three students. It initially aimed to target men but was changed to target teenage girls. The spray is called "Inspire" and will include inspirational quotes. Storyboards were created showing a surreal advert. The target audience is teenage girls ages 14+. An advertising rate card shows the ideal time slot would be evenings at 21:30 between movies and dramas to target teenagers.
The document discusses the traditional South African dish called "skop" made from a cow, pig, or goat head. It describes how skop is prepared by removing unwanted flesh, heavily spicing and salting the meat, and boiling it for hours. Traditionally, the man would eat the head while the family ate the body, though now both men and women eat skop. It was commonly served at occasions like weddings and funerals as cattle represented wealth. The recipe itself remains largely traditional.
This document provides an analysis of an Irn Bru Christmas jumper advertisement and advergames. The advertisement shows a family opening presents on Christmas morning, with the grandson receiving an inappropriate Christmas jumper from his grandmother, causing awkwardness. However, after taking a sip of Irn Bru, the grandson embraces the jumper. The advergames are called "BRUland games" and involve strength-based tasks like lifting weights or tossing objects, with Scottish themes and language. The games aim to remind viewers of the Irn Bru brand and increase sales through positive brand association and humor.
The document outlines four ideas for an advertising campaign for Irn-Bru. Idea 1 keeps the original color scheme and humor but targets younger people. Idea 2 focuses on Irn-Bru's Scottish roots using stereotypical imagery and humor. Idea 3 uses black and white images and leaves Irn-Bru in color to draw attention, keeping the original color scheme. Idea 4 changes the color scheme to appeal to both males and females rather than just males. Accompanying the ideas is a mind map of design considerations including fonts, layout, images, and color schemes.
The Cadburys gorilla advert uses surreal humor and a well-known song to create a very memorable commercial. It starts with a slow zoom out from a close-up of a gorilla playing drums, building tension. Then it cuts to the full scene as the Phil Collins song plays. This elicits an emotional response by associating the brand with enjoyable music. Throughout, the gorilla performs in front of a purple backdrop linking it to Cadburys. In the end, an animation transitions to the new logo. This surreal yet entertaining approach makes the ad stand out.
The document discusses how a media product used conventions from real media in its poster and magazine covers. For the poster, it featured characters in the center like film posters to show a focus on character development. It also used a plural title like coming-of-age films to suggest plots and belonging. Background elements like locations and gradients were included to draw attention to the characters. A subtle flower crown motif was used to intrigue viewers about a character and theme. For the magazine covers, Little White Lies was used as inspiration.
The document summarizes an advertisement for Starburst sweets. The ad targets children and teenagers and aims to make them feel like eating Starburst will transport them to a different, exciting world filled with bursts of flavor. The main image is a parrot in a rainforest setting, chosen to match the product's rainforest theme. The ad uses bright red and yellow colors, bubble font text, and the slogan "juicy everywhere" to suggest the extravagant tastes and feelings of being transported consumers will experience when eating Starburst.
The document summarizes advertising campaigns for Barnardo's and Cherokee and Tesco F&F brands.
For Barnardo's, the campaign uses increasingly shocking images of babies in distress to prompt donations, with the third image showing a baby with a cockroach in its mouth.
The Cherokee campaign shows models in dangerous situations like surrounded by sharks or falling from the sky, but appearing relaxed, suggesting their clothes provide comfort.
For Tesco F&F, the photos emphasize the model and use techniques like shallow focus to draw attention to them, positioning the logo unobtrusively, with the third image changing locations to engage viewers by making the ad more relatable.
This presentation is about a body spray prototype created by three students. It initially aimed to target men but was changed to target teenage girls. The spray is called "Inspire" and will include inspirational quotes. Storyboards were created showing a surreal advert. The target audience is teenage girls ages 14+. An advertising rate card shows the ideal time slot would be evenings at 21:30 between movies and dramas to target teenagers.
The document discusses the traditional South African dish called "skop" made from a cow, pig, or goat head. It describes how skop is prepared by removing unwanted flesh, heavily spicing and salting the meat, and boiling it for hours. Traditionally, the man would eat the head while the family ate the body, though now both men and women eat skop. It was commonly served at occasions like weddings and funerals as cattle represented wealth. The recipe itself remains largely traditional.
This document provides an analysis of an Irn Bru Christmas jumper advertisement and advergames. The advertisement shows a family opening presents on Christmas morning, with the grandson receiving an inappropriate Christmas jumper from his grandmother, causing awkwardness. However, after taking a sip of Irn Bru, the grandson embraces the jumper. The advergames are called "BRUland games" and involve strength-based tasks like lifting weights or tossing objects, with Scottish themes and language. The games aim to remind viewers of the Irn Bru brand and increase sales through positive brand association and humor.
The document outlines four ideas for an advertising campaign for Irn-Bru. Idea 1 keeps the original color scheme and humor but targets younger people. Idea 2 focuses on Irn-Bru's Scottish roots using stereotypical imagery and humor. Idea 3 uses black and white images and leaves Irn-Bru in color to draw attention, keeping the original color scheme. Idea 4 changes the color scheme to appeal to both males and females rather than just males. Accompanying the ideas is a mind map of design considerations including fonts, layout, images, and color schemes.
The Cadburys gorilla advert uses surreal humor and a well-known song to create a very memorable commercial. It starts with a slow zoom out from a close-up of a gorilla playing drums, building tension. Then it cuts to the full scene as the Phil Collins song plays. This elicits an emotional response by associating the brand with enjoyable music. Throughout, the gorilla performs in front of a purple backdrop linking it to Cadburys. In the end, an animation transitions to the new logo. This surreal yet entertaining approach makes the ad stand out.
This document contains descriptions of advertisements for several brands. It analyzes the visual elements, color schemes, layouts and messages of the ads. For Barnardo's, shocking imagery of mistreated babies is used to promote donations. Tesco Cherokee ads show models in dangerous situations but appearing comfortable, suggesting their clothes provide relief. Tesco F&F aims to demonstrate high quality affordable fashion on "catwalk" models with visible prices.
This document outlines props, locations, and costumes to be used in a music video about a couple whose relationship is affected by the boy moving away. Props like a Fiat Panda car, picnic blanket, and train ticket will be used to represent the passage of time and the couple's separation. Locations like a house, field, and supermarket provide familiar settings. Costumes like casual, light clothing and a darker jumper are chosen to reflect the characters' emotions.
1) The student evaluated their group's work on creating an advertising campaign for a fictional water brand called Kaela Vatn. They chose the name because the Icelandic words for "cool" and "water" sounded good together and conveyed sophistication.
2) The student played multiple roles in developing different advertisements, including designing a minimalist bus ad and writing the script/storyboards for a TV ad.
3) While effort was made across the group, the student reflects that improved communication and planning of recurring themes across advertisements could have made the campaign more cohesive and impactful.
This document proposes a 6-in-1 bag product designed for tour guides and educators. The bag would have holders for items like phones, earpieces, maps, and microphones. It would address issues users currently face like losing items, fatigue from carrying equipment, and lack of storage. Sketches of potential bag designs are included, and the target price range is listed as $120 to $180 based on a survey. The conclusion restates that the bag could help users avoid losing items and tiring from transporting equipment.
This document summarizes branding and design work done by Deborah Keaton + Associates for various clients. It provides examples of advertising campaigns the company created for J.C. Penney, Disney Store, and Warner Bros. Each campaign summary briefly outlines the client objective, the creative solution developed by the company, and sometimes includes images of the final designs. The document aims to showcase the company's work in a concise yet engaging manner rather than focusing on awards or credentials.
The document discusses several projects related to graphic design and communication. It describes developing a digital wall hanging based on a Sri Lankan traditional motif. It also discusses creating a corporate identity manual for a tea company and designing a packaging for a glass baby bottle. Finally, it mentions an exhibition design project to display a design portfolio in a demarcated 8x8 foot space using doodling to generate initial ideas.
The document discusses branding and logos used by several environmental organizations, including Surfers Against Sewage, NRDC, WWF, and Trees for Cities. For each organization, 1-2 campaigns or pieces of merchandise are described in terms of imagery, intended audience, and purpose. The branding aims to raise awareness of environmental issues in an eye-catching way through shocking imagery and clear messaging. Logos incorporate symbolic imagery related to each organization's mission in an identifiable but not overly bold design.
The jungle student book marketing and distribution PowerpointBilly Everett
The document discusses various marketing strategies used to promote Disney's 2016 live-action adaptation of The Jungle Book. It provides examples of both "above the line" marketing, like posters and trailers, and "below the line" efforts, such as viral marketing and word-of-mouth promotion. Specific tactics for The Jungle Book included an immersive virtual reality experience, theme park integration, collaborations with brands, and extensive use of social media. Images are also included showing the film's posters, which feature its star-studded cast and photorealistic animation to appeal to both children and adults.
Stephan Sagmeister is an Austrian graphic designer born in 1952. He is the founder and representative of Sagmeister & Walsh, a graphic design studio based in New York. He received a bachelor's degree in graphic design from the University of Applied Arts Vienna. In 2005, he won a Grammy for best album package. One of his most famous designs is a 1999 poster where he carved letters into his chest to convey the message that we should live in the present rather than fantasizing about the future.
The document provides initial ideas for three different campaigns to raise awareness about ocean conservation.
The first idea is aimed at children and involves creating cartoon animal mascots to educate them about healthy sea life through books, games and posters.
The second targets adults interested in fitness with an event combining a beach run with litter collection. Merchandise and minimalist posters would promote the fun run for charity.
The third addresses fishing enthusiasts by using shocking imagery and facts on posters to illustrate the harmful effects of abandoned fishing equipment on wildlife.
Hannah Sewell developed several ideas for Irn Bru 32 advertisements. Idea 1 featured characters from different ages drinking Irn Bru to appeal to all ages. Idea 3 showed people in an office smiling and drinking Irn Bru to portray it as refreshing for work. Idea 6 depicted a UFO scene with Irn Bru, using a comic book style font and colors to attract attention while keeping the focus on the product.
This movie poster features a young girl in the center of the frame with colorful hair against a magical background, drawing the viewer's attention. A bear lurks in the shadows behind her, raising questions. No actors are listed, appealing to children focused more on pictures than names. Elements like a bow and arrow point directly at the viewer, instantly drawing them in. The animation allows children to escape into a fantasy world for diversion and companionship with the brave main character.
This document provides guidance for a classroom activity where children create Winnie the Pooh masks. It outlines materials needed, instructions for making the masks with pictures, as well as learning objectives like developing creativity and social skills. Variations are suggested such as role playing or drawing instead of making masks. Extensions are also described to incorporate other areas like language and environmental studies.
This document provides guidance for a classroom activity where children create Winnie the Pooh masks. It outlines materials needed, instructions for making the masks using pictures, as well as learning objectives like developing creativity and social skills. Variations are suggested such as roleplaying or drawing instead of making masks. Extensions are also described to incorporate other areas like language and environment studies.
The media product was inspired by the movie Monsters Inc. and indie bands like Arctic Monkeys and Scouting for Girls. The music video told a story of a man trying to avoid people but attracting a girl, with a twist ending. Elements like face paint and filming locations were inspired by other artists. Audience feedback influenced changes to improve clarity and emotion. While striving for professionalism, limitations in time, money, and technology prevented perfecting the products. Entropic elements like unusual face paint and themes were used to engage the target audience.
The document analyzes an advertisement for the NSPCC (National Society for the Prevention of Cruelty to Children). The ad uses dark colors and images of an abused toy to symbolize how abused children feel trapped. It features the slogans "cruelty to children must stop" and "real children should be fixed," emphasizing that abuse is a serious issue. The target audience is adults who will feel empathy for abused children and be able to help through donations or support. The goal is to raise awareness of child abuse and persuade people to help stop it.
How effective is the combination of your mainFunHong310596
The document discusses the effectiveness of combining a main film product with ancillary promotional texts. It analyzes how the poster, trailer, and magazine cover work together to promote the film "After Hours" about students investigating paranormal activity in their school after hours. A chalk font, black, white, and red color scheme, and shots of the ominous school location are used consistently across materials to build intrigue and emphasize the danger the students face by staying late. In conclusion, the promotional package as a whole promotes the film well by hinting at the storyline without fully revealing it.
This document outlines three ideas for an animal welfare campaign. Idea One focuses on ending animal entertainment by depicting the harsh conditions animals face in circuses using black, white and red colors. Idea Two exposes animal testing, specifically the Draize eye test on rabbits, through before/after photos and the tagline "You have eyes that work, so use them." Idea Three aims to stop animal poaching by educating people about what ivory and horns are used for through a poster featuring a realistic elephant photo and the text "Here's a reason not to use ivory."
This document is a student's final project for a visual literacy course. It discusses three visual approaches - cartoons, signs, and images - created to promote the sale of Blue Bird honey buns. For each approach, the student analyzes design principles like balance, focal points, fonts, and color used to effectively communicate the message that Blue Bird honey buns provide a cheap thrill. The overall goal is to convey to potential customers that Blue Bird honey buns are fun, cheap, and the best choice.
The document analyzes an advertisement for the NSPCC (National Society for the Prevention of Cruelty to Children) using radial analysis. The advertisement features a damaged toy to represent abused children and uses dark colors and close camera angles. It has the bold green slogan "Cruelty to children must stop. FULL STOP." to emphasize ending child abuse. The target audience is adults who can help abused children and may empathize with wanting to protect their own. The advertisement aims to show that child abuse is damaging and unacceptable in society.
This document contains descriptions of advertisements for several brands. It analyzes the visual elements, color schemes, layouts and messages of the ads. For Barnardo's, shocking imagery of mistreated babies is used to promote donations. Tesco Cherokee ads show models in dangerous situations but appearing comfortable, suggesting their clothes provide relief. Tesco F&F aims to demonstrate high quality affordable fashion on "catwalk" models with visible prices.
This document outlines props, locations, and costumes to be used in a music video about a couple whose relationship is affected by the boy moving away. Props like a Fiat Panda car, picnic blanket, and train ticket will be used to represent the passage of time and the couple's separation. Locations like a house, field, and supermarket provide familiar settings. Costumes like casual, light clothing and a darker jumper are chosen to reflect the characters' emotions.
1) The student evaluated their group's work on creating an advertising campaign for a fictional water brand called Kaela Vatn. They chose the name because the Icelandic words for "cool" and "water" sounded good together and conveyed sophistication.
2) The student played multiple roles in developing different advertisements, including designing a minimalist bus ad and writing the script/storyboards for a TV ad.
3) While effort was made across the group, the student reflects that improved communication and planning of recurring themes across advertisements could have made the campaign more cohesive and impactful.
This document proposes a 6-in-1 bag product designed for tour guides and educators. The bag would have holders for items like phones, earpieces, maps, and microphones. It would address issues users currently face like losing items, fatigue from carrying equipment, and lack of storage. Sketches of potential bag designs are included, and the target price range is listed as $120 to $180 based on a survey. The conclusion restates that the bag could help users avoid losing items and tiring from transporting equipment.
This document summarizes branding and design work done by Deborah Keaton + Associates for various clients. It provides examples of advertising campaigns the company created for J.C. Penney, Disney Store, and Warner Bros. Each campaign summary briefly outlines the client objective, the creative solution developed by the company, and sometimes includes images of the final designs. The document aims to showcase the company's work in a concise yet engaging manner rather than focusing on awards or credentials.
The document discusses several projects related to graphic design and communication. It describes developing a digital wall hanging based on a Sri Lankan traditional motif. It also discusses creating a corporate identity manual for a tea company and designing a packaging for a glass baby bottle. Finally, it mentions an exhibition design project to display a design portfolio in a demarcated 8x8 foot space using doodling to generate initial ideas.
The document discusses branding and logos used by several environmental organizations, including Surfers Against Sewage, NRDC, WWF, and Trees for Cities. For each organization, 1-2 campaigns or pieces of merchandise are described in terms of imagery, intended audience, and purpose. The branding aims to raise awareness of environmental issues in an eye-catching way through shocking imagery and clear messaging. Logos incorporate symbolic imagery related to each organization's mission in an identifiable but not overly bold design.
The jungle student book marketing and distribution PowerpointBilly Everett
The document discusses various marketing strategies used to promote Disney's 2016 live-action adaptation of The Jungle Book. It provides examples of both "above the line" marketing, like posters and trailers, and "below the line" efforts, such as viral marketing and word-of-mouth promotion. Specific tactics for The Jungle Book included an immersive virtual reality experience, theme park integration, collaborations with brands, and extensive use of social media. Images are also included showing the film's posters, which feature its star-studded cast and photorealistic animation to appeal to both children and adults.
Stephan Sagmeister is an Austrian graphic designer born in 1952. He is the founder and representative of Sagmeister & Walsh, a graphic design studio based in New York. He received a bachelor's degree in graphic design from the University of Applied Arts Vienna. In 2005, he won a Grammy for best album package. One of his most famous designs is a 1999 poster where he carved letters into his chest to convey the message that we should live in the present rather than fantasizing about the future.
The document provides initial ideas for three different campaigns to raise awareness about ocean conservation.
The first idea is aimed at children and involves creating cartoon animal mascots to educate them about healthy sea life through books, games and posters.
The second targets adults interested in fitness with an event combining a beach run with litter collection. Merchandise and minimalist posters would promote the fun run for charity.
The third addresses fishing enthusiasts by using shocking imagery and facts on posters to illustrate the harmful effects of abandoned fishing equipment on wildlife.
Hannah Sewell developed several ideas for Irn Bru 32 advertisements. Idea 1 featured characters from different ages drinking Irn Bru to appeal to all ages. Idea 3 showed people in an office smiling and drinking Irn Bru to portray it as refreshing for work. Idea 6 depicted a UFO scene with Irn Bru, using a comic book style font and colors to attract attention while keeping the focus on the product.
This movie poster features a young girl in the center of the frame with colorful hair against a magical background, drawing the viewer's attention. A bear lurks in the shadows behind her, raising questions. No actors are listed, appealing to children focused more on pictures than names. Elements like a bow and arrow point directly at the viewer, instantly drawing them in. The animation allows children to escape into a fantasy world for diversion and companionship with the brave main character.
This document provides guidance for a classroom activity where children create Winnie the Pooh masks. It outlines materials needed, instructions for making the masks with pictures, as well as learning objectives like developing creativity and social skills. Variations are suggested such as role playing or drawing instead of making masks. Extensions are also described to incorporate other areas like language and environmental studies.
This document provides guidance for a classroom activity where children create Winnie the Pooh masks. It outlines materials needed, instructions for making the masks using pictures, as well as learning objectives like developing creativity and social skills. Variations are suggested such as roleplaying or drawing instead of making masks. Extensions are also described to incorporate other areas like language and environment studies.
The media product was inspired by the movie Monsters Inc. and indie bands like Arctic Monkeys and Scouting for Girls. The music video told a story of a man trying to avoid people but attracting a girl, with a twist ending. Elements like face paint and filming locations were inspired by other artists. Audience feedback influenced changes to improve clarity and emotion. While striving for professionalism, limitations in time, money, and technology prevented perfecting the products. Entropic elements like unusual face paint and themes were used to engage the target audience.
The document analyzes an advertisement for the NSPCC (National Society for the Prevention of Cruelty to Children). The ad uses dark colors and images of an abused toy to symbolize how abused children feel trapped. It features the slogans "cruelty to children must stop" and "real children should be fixed," emphasizing that abuse is a serious issue. The target audience is adults who will feel empathy for abused children and be able to help through donations or support. The goal is to raise awareness of child abuse and persuade people to help stop it.
How effective is the combination of your mainFunHong310596
The document discusses the effectiveness of combining a main film product with ancillary promotional texts. It analyzes how the poster, trailer, and magazine cover work together to promote the film "After Hours" about students investigating paranormal activity in their school after hours. A chalk font, black, white, and red color scheme, and shots of the ominous school location are used consistently across materials to build intrigue and emphasize the danger the students face by staying late. In conclusion, the promotional package as a whole promotes the film well by hinting at the storyline without fully revealing it.
This document outlines three ideas for an animal welfare campaign. Idea One focuses on ending animal entertainment by depicting the harsh conditions animals face in circuses using black, white and red colors. Idea Two exposes animal testing, specifically the Draize eye test on rabbits, through before/after photos and the tagline "You have eyes that work, so use them." Idea Three aims to stop animal poaching by educating people about what ivory and horns are used for through a poster featuring a realistic elephant photo and the text "Here's a reason not to use ivory."
This document is a student's final project for a visual literacy course. It discusses three visual approaches - cartoons, signs, and images - created to promote the sale of Blue Bird honey buns. For each approach, the student analyzes design principles like balance, focal points, fonts, and color used to effectively communicate the message that Blue Bird honey buns provide a cheap thrill. The overall goal is to convey to potential customers that Blue Bird honey buns are fun, cheap, and the best choice.
The document analyzes an advertisement for the NSPCC (National Society for the Prevention of Cruelty to Children) using radial analysis. The advertisement features a damaged toy to represent abused children and uses dark colors and close camera angles. It has the bold green slogan "Cruelty to children must stop. FULL STOP." to emphasize ending child abuse. The target audience is adults who can help abused children and may empathize with wanting to protect their own. The advertisement aims to show that child abuse is damaging and unacceptable in society.
The document provides an evaluation of a client project produced by the author for the Yorkshire Wildlife Trust. The project involved interviewing children about nature conservation. While the original plan was to film the interviews during an animal encounter, this was not possible. As a result, the author changed the focus to discuss a local nature site called Askham Bog that the Trust is campaigning to protect. The evaluation discusses how the author ensured the product was appropriate for both the client and intended audience of children. It also reflects on communication issues with the client as the project progressed and compares the final production to examples on the Trust's YouTube channel. Overall, the author believes the strengths were the clear interviews but weaknesses were an inability to obtain all planned footage or
This document is a student's final project for a visual literacy course. It discusses three visual approaches - cartoons, signs, and images - created to promote the sale of Blue Bird honey buns. The cartoons use recognizable characters like Mickey Mouse and Elmo pointing to the honey buns. The signs approach uses traffic signs with indirect messages about stopping for or not turning away from the honey buns. The images approach features smiley faces and pictures of happy children to convey that the honey buns bring happiness. The goal of all three approaches is to communicate the message that Blue Bird honey buns provide a "cheap thrill in every pack."
Yes, the group's three products - a teaser trailer, magazine cover, and movie poster - clearly appeal to the same target audience through consistent genre, narrative themes, and character representations. The teen drama genre was selected to target teenagers and young adults. All products tell the same story about the four main characters and their experiences in high school. Visual elements like the neon color scheme, characters' positioning, and inclusion of the movie's title connect the narrative and characters across formats. This consistency ensures the products will effectively "speak" to the intended 15-21 year old target audience.
This document provides information about the CHIPABO arts education project in Botswana. It introduces the project management team and arts educators who facilitated a workshop. Pictures from the workshop and past CHIPABO events are included. There is a note from the chief facilitator Stephen Chifunyise and information on teaching drama. The document ends with donation details and contact information for CHIPABO.
- The document proposes creating an altered version of the popular video game Call of Duty where players have to shoot each other while avoiding oncoming traffic to raise road safety awareness among teenagers.
- It suggests filming players getting hit by cars or avoiding traffic at a major eSports tournament and creating an online video to spread the message.
- The goal is to educate teenagers about road safety in a way that engages them through gaming since they pay most attention to and learn effectively from games.
The document discusses the effectiveness of combining a main media product with ancillary texts for marketing and promotion purposes. It uses the example of a kids' TV show called "Mimmie's Fairies" and how the show would be promoted through a DVD cover and magazine cover. It discusses how different media products like films and TV shows are often promoted through multiple platforms to generate interest and boost sales. The combination of a main product with ancillary texts gives more opportunities to engage audiences and market the product through different formats and devices. Audience feedback was gathered through parent interviews and questionnaires to evaluate what kids like and how effectively the show would appeal to its target demographic.
The document discusses the effectiveness of combining a main media product with ancillary texts for marketing and promotion purposes. It uses the example of a kids' TV show called "Mimmie's Fairies" and how the show would be promoted through a DVD cover and magazine cover. It discusses how different media products like films and TV shows are often promoted through multiple platforms to generate interest and boost sales. The combination of a main product with ancillary texts gives more opportunities to engage with audiences and market the product in different ways. Audience feedback was gathered through parent interviews and questionnaires to understand what kids like and evaluate how effective the promotion strategies are.
The document discusses the effectiveness of combining a main media product with ancillary texts for marketing and promotion purposes. It uses the example of a kids' TV show called "Mimmie's Fairies" and how the show would be promoted through a DVD cover and magazine cover. It discusses how different media products like films and TV shows are often promoted through multiple platforms to generate interest and boost sales. The combination of a main product with ancillary texts gives more opportunities to engage with audiences and market the product in different ways. Audience feedback was gathered through parent interviews and questionnaires to understand what kids like and evaluate how effective the promotion strategies are.
This advertisement analyzes a 1980s television commercial for Super Doh flower making basket and squeezer toys from Croner. The commercial uses emotional appeals like colorful flowers and monsters. It aims to attract young children by showing how the toys can be used to make realistic models. Bright colors, demonstrations, narration and background music help explain the products and appeal to children as the target audience.
Visual Style and Aesthetics: Basics of Visual Design
Visual Design for Enterprise Applications
Range of Visual Styles.
Mobile Interfaces:
Challenges and Opportunities of Mobile Design
Approach to Mobile Design
Patterns
EASY TUTORIAL OF HOW TO USE CAPCUT BY: FEBLESS HERNANEFebless Hernane
CapCut is an easy-to-use video editing app perfect for beginners. To start, download and open CapCut on your phone. Tap "New Project" and select the videos or photos you want to edit. You can trim clips by dragging the edges, add text by tapping "Text," and include music by selecting "Audio." Enhance your video with filters and effects from the "Effects" menu. When you're happy with your video, tap the export button to save and share it. CapCut makes video editing simple and fun for everyone!
ARENA - Young adults in the workplace (Knight Moves).pdfKnight Moves
Presentations of Bavo Raeymaekers (Project lead youth unemployment at the City of Antwerp), Suzan Martens (Service designer at Knight Moves) and Adriaan De Keersmaeker (Community manager at Talk to C)
during the 'Arena • Young adults in the workplace' conference hosted by Knight Moves.
Practical eLearning Makeovers for EveryoneBianca Woods
Welcome to Practical eLearning Makeovers for Everyone. In this presentation, we’ll take a look at a bunch of easy-to-use visual design tips and tricks. And we’ll do this by using them to spruce up some eLearning screens that are in dire need of a new look.
Storytelling For The Web: Integrate Storytelling in your Design ProcessChiara Aliotta
In this slides I explain how I have used storytelling techniques to elevate websites and brands and create memorable user experiences. You can discover practical tips as I showcase the elements of good storytelling and its applied to some examples of diverse brands/projects..
Fonts play a crucial role in both User Interface (UI) and User Experience (UX) design. They affect readability, accessibility, aesthetics, and overall user perception.
Architectural and constructions management experience since 2003 including 18 years located in UAE.
Coordinate and oversee all technical activities relating to architectural and construction projects,
including directing the design team, reviewing drafts and computer models, and approving design
changes.
Organize and typically develop, and review building plans, ensuring that a project meets all safety and
environmental standards.
Prepare feasibility studies, construction contracts, and tender documents with specifications and
tender analyses.
Consulting with clients, work on formulating equipment and labor cost estimates, ensuring a project
meets environmental, safety, structural, zoning, and aesthetic standards.
Monitoring the progress of a project to assess whether or not it is in compliance with building plans
and project deadlines.
Attention to detail, exceptional time management, and strong problem-solving and communication
skills are required for this role.
International Upcycling Research Network advisory board meeting 4Kyungeun Sung
Slides used for the International Upcycling Research Network advisory board 4 (last one). The project is based at De Montfort University in Leicester, UK, and funded by the Arts and Humanities Research Council.
Explore the essential graphic design tools and software that can elevate your creative projects. Discover industry favorites and innovative solutions for stunning design results.
Technoblade The Legacy of a Minecraft Legend.Techno Merch
Technoblade, born Alex on June 1, 1999, was a legendary Minecraft YouTuber known for his sharp wit and exceptional PvP skills. Starting his channel in 2013, he gained nearly 11 million subscribers. His private battle with metastatic sarcoma ended in June 2022, but his enduring legacy continues to inspire millions.
10. Calendar
This calendar was design to promote the character
‘GREENY’
The brief was to design a 16 page calendar to be
given away to their clients. Both the concept and the
design were done by me
Client : I Active Educational Solutions Pvt . Ltd.
11. To make it more interesting, I animated the ant
on feet of the Greeny. When we flip the calendar ,
ant moves from one foot to another
Client : I Active Educational Solutions Pvt . Ltd.
12. While designing the Brand identity, I did study on following things:
Logo Graphics
In this logo, star fish graphic, represents the arms (Advertising, Branding, Consulting & design )of company.
Flexibility in work matters a lot . we know that Star fish (animal) is flexible in nature, & it has regeneration
capability,
13. Here curved arms show flexibility & the creation of letter ‘S from Star graphics represents the regeneration
quality.
Colours:
Orange colour can represent energy, creativity, enthusiasm, balance and demanding of attention. &
Grey colour symbolizes security, reliability, intelligence, maturity,.
here these 2 colours explain the nature of company perfectly.
Font:
This is little bit macular font .
Starfish plays role of keystone in ecosystem. Similarly Starfish Adcom surely ,‘ll be the keystone in advertising
world in future.
Punch line
Starfish is unique species in the sea, exactly like that ,
in Advertising world , so many ppl are there but Starfish Adcom is unique.
27. Public Welfare Ad series
The objective of the shoot was to depict various aspects of ‘Frustration’. This assignment was
chosen for display at ‘State Art exhibition 2010’
30. Poster- Audio book-
crossword
Theme: A child is
enjoying story with
the audio book.
In the childhood , we
had listen stories
with beginnings ‘once
upon a time there was
a…..’ This line always
increase the
excitement of the
story.
so I took this line as
a punch line of the
theme, to connect the
right target audience
Children, often
enjoying stories
during the sleeping
time, here blue color
, stars represent this
time.
31. Public welfare hoarding
Theme: stop pollution,
say no to crackers
Visual: earth get
irritating because of air &
sound pollution.
Diwali is a festival of joy n
fun , but because of
firecrackers , we spoil the
real happiness of this
festival.
visual supports to
highlight this thought.
32. Public welfare poster
Theme: do not take eatables from strangers during
travelling from the trains .
Visual: Candy represents the stranger , who
offering the food.
I have chosen this lollipop because, its color,
appearance always hypnotized, not only the
children but also adults.
This ‘ll help to aware people while travelling in the
train.
34. Jewellery Photo Shoot
The photo shoot was conducted to get images to serve as base material for the ad campaign for my
client. The jewelry was shot in a theme of jute background to give it an earthy and ethnic feeling
Client : Manik S. Pethe
35.
36. Kids Folio
During these assignments I clicked kids around the age group 0-5 . Had a great fun while
working with them!
37.
38. Fashion Shoot
The basic theme of the shoot was ‘The Retro look’. The costumes and the make up were done basis
the same
39. Theme Shoot
Mime Act is the theme of this shoot. For this, make-up n shoot done by myself.
40. Food Photography
Photo shoot depicting various food products. The tasks included right from sourcing all the material to
styling, designing and shooting the same.