Shot types
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The document describes different types of shots used in filmmaking including establishing shots to set the location and time period, long shots and mid shots to show people and their environment, close ups and extreme close ups to focus on faces and emotions, point of view shots that allow the viewer to see from a character's perspective, over the shoulder shots that create secrecy, and two shots that illustrate relationships between characters. It also discusses high and low camera angles, pans that scan scenes horizontally, tilts that move vertically, dolly and tracking shots that follow moving objects, hand held shots without tripods, and zooms that move closer or further away quickly.
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Glossary
This document defines and describes various camera shots and techniques used in filmmaking, including close-ups, high and low angles, establishing shots, panning, tilting, tracking, zooming, focus techniques, and shots showing different perspectives or numbers of subjects. Close-ups show emotion or significance, while high and low angles convey power dynamics. Establishing and aerial shots provide context of the setting. Panning, tilting, tracking and zooming involve camera movement. Focus techniques emphasize important subjects. Shots like point of view and over the shoulder involve perspective.
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This document discusses different types of camera shots including tilt shots which show speed and movement, close ups which focus on emotions, extreme close ups which show important details, landscape shots which set the scene, long shots which show a character in their surroundings, low shots which indicate dominance, and shot/reverse shots which detail conversations and reactions.
Camera glossary
This document provides definitions for various camera techniques used in filmmaking. It describes different camera angles like high angle, low angle, bird's eye view, and worm's eye view used to convey power dynamics. It also outlines different types of camera movement such as pans, tilts, tracks, cranes, whips, zooms, and handheld shots. Additionally, it defines compositional techniques including depth of field, focus, eye line matches, and types of shots like long shots, close-ups, and establishing shots. Finally, it notes point-of-view and over the shoulder shots.
Shot types
This document describes different types of shots used in filmmaking including establishing shots, long shots, medium shots, close-ups, point-of-view shots, and aerial shots. Establishing shots are extremely long and meant to show the general setting, while long shots focus on characters but still show background details. Medium shots show a character from the waist up during dialogue or action without background details. Close-ups focus on a face or object with little background to highlight importance. Point-of-view shots are from the perspective of a character.
Shot types
Close up shots provide a close view of a character's face to show emotions or important objects. Establishing shots set the scene and setting for viewers. Different shot types like medium shots, extreme close ups, wide shots, and low angle shots show varying levels of detail, context, and perspectives to convey information about characters, locations, and the story.
Cinematography
Establishing shots are usually set outside and are used to establish the scene and location. Extreme close-ups show extra detail by magnifying beyond normal human vision. Long shots capture a large area from far away and usually show the whole body. Medium shots are the most commonly used and show the subject from the middle up. Point of view shots help the audience see from the character's perspective to create tension or sympathy. Over the shoulder shots place the camera over a character's shoulder to feel like the audience is in the scene with them. Two shots show the connection between two characters. Close ups focus on a person's face or detail without background to reveal emotion or importance. High and low camera angles are used to convey power dynamics
Camera shots & angles
This document defines and describes various camera shots and angles used in filmmaking. It outlines wide establishing shots like the extreme wide shot and wide shot, mid-level shots like the mid shot and medium close up, tight close-ups such as the close up and extreme close up, and specialized shots including cut-ins, over-the-shoulder shots, and point-of-view shots. It also discusses low and high angle shots, dutch tilts, weather shots, pans, and medium two shots. The different shot types are used to show varying levels of detail, perspective, scale, emotion, and relationships between subjects.
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The document discusses different camera shots, angles, and movements that can be used in filmmaking. It defines shots like two shots, establishing shots, long shots, mid shots, track shots, close ups, low angle shots, high angle shots, and tilt shots. Each shot type is used to convey different information to viewers, such as the relationships between characters, the setting of a scene, a character's emotions, or where something is located within a scene.
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Shot types
This document describes different types of shots used in filmmaking including establishing shots, long shots, medium shots, close-ups, point-of-view shots, and aerial shots. Establishing shots are extremely long and meant to show the general setting, while long shots focus on characters but still show background details. Medium shots show a character from the waist up during dialogue or action without background details. Close-ups focus on a face or object with little background to highlight importance. Point-of-view shots are from the perspective of a character.
Shot types
Close up shots provide a close view of a character's face to show emotions or important objects. Establishing shots set the scene and setting for viewers. Different shot types like medium shots, extreme close ups, wide shots, and low angle shots show varying levels of detail, context, and perspectives to convey information about characters, locations, and the story.
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Establishing shots are usually set outside and are used to establish the scene and location. Extreme close-ups show extra detail by magnifying beyond normal human vision. Long shots capture a large area from far away and usually show the whole body. Medium shots are the most commonly used and show the subject from the middle up. Point of view shots help the audience see from the character's perspective to create tension or sympathy. Over the shoulder shots place the camera over a character's shoulder to feel like the audience is in the scene with them. Two shots show the connection between two characters. Close ups focus on a person's face or detail without background to reveal emotion or importance. High and low camera angles are used to convey power dynamics
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High and low angle shots are used to make subjects seem vulnerable or powerful respectively. A two shot features two subjects to suggest their relationship. A point of view shot follows the perspective of a person to show what they see. Different shot types like medium close up, establishing shot, close up, and extreme close up are used to show varying levels of detail of a subject's body, location, or emotions. Long shots show full bodies while over the shoulder shots make the audience feel like they're eavesdropping on a conversation between subjects in the foreground and background.
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Extreme long shots show landscapes or buildings from a distance, long shots show characters or buildings in their surroundings, and extreme close ups focus on important details like gestures or contact between characters. Close ups show a person's head and shoulders to capture their emotions, high angle shots indicate someone is being watched from above or alone, and low angle shots show a character looking down. Medium shots display characters from the waist up to see their emotions and reactions.
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MEDIA AND INFORMATION LITERACY (MIL)
MEDIA AND INFORMATION LITERACY (MIL)
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Learning Objective:
The objective for this lesson is for all students to see and understand basic camera shots and angles along with various common framing heights.
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An extreme close up focuses tightly on a specific detail, an extreme long shot provides a wide panoramic view of the landscape while still showing a main point, and a close up captures a character's face and shoulders taking up most of the screen. A high angle shot gives the sense of being watched from above, a low angle provides a first-person view looking up at something dominant, and a medium shot balances the background and character. A long shot shows a panoramic background while keeping the main object present.
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Extreme long shots show landscapes or buildings from a distance, long shots show characters or buildings in their surroundings, and extreme close ups focus on important details like gestures or contact between characters. Close ups show a person's head and shoulders to capture their emotions, high angle shots indicate someone is being watched from above or alone, and low angle shots show a character looking down. Medium shots display characters from the waist up to see their emotions and reactions.
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This document lists 27 different shot types and provides a brief description of each shot. It includes common shots like close-ups, mid shots, and establishing shots. It also covers specialized shots like point-of-view shots, tracking shots, zoom shots, and different camera angles. The shot list was created for a film project starring Lewis Hodson and Jamie Kirman.
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This document defines and describes various common camera shot types used in cinematography including high angle shots, low angle shots, two shots, point of view shots, medium close ups, establishing shots, close ups, extreme close ups, long shots, and over the shoulder shots. Each shot type is defined by what perspective or part of the subject it focuses on.
MEDIA AND INFORMATION LITERACY (MIL)
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Learning Objective:
The objective for this lesson is for all students to see and understand basic camera shots and angles along with various common framing heights.
■synthesizes the overall implication of media and information to an individual (personal, professional, educational, and others) and the society as a whole (economic, social, political, educational, and others)
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An extreme close up focuses tightly on a specific detail, an extreme long shot provides a wide panoramic view of the landscape while still showing a main point, and a close up captures a character's face and shoulders taking up most of the screen. A high angle shot gives the sense of being watched from above, a low angle provides a first-person view looking up at something dominant, and a medium shot balances the background and character. A long shot shows a panoramic background while keeping the main object present.
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This document defines various camera shots and angles used in filmmaking. It provides examples of high and low camera angles that can emphasize subjects differently. It also defines different types of shots including bird's eye view shots from overhead, panning and tilting static camera movements, crane shots, steadycam, zooming, different depths of field, the rule of thirds composition, eye line matching, establishing shots, points of view shots, two shots, and over the shoulder shots.
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The document defines and describes various types of camera shots including high angle, low angle, bird's eye view, worm's eye view, panning, tilting, tracking, craning, zooming, crash zooming, steadicam, focus techniques, and shot sizes like medium shot, long shot, close up, and extreme close up. It also covers aerial shots, point of view shots, over the shoulder shots, and two shots.
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This document defines different types of camera shots used in media studies including extreme long shots, long shots, medium long shots, medium shots, medium close ups, close ups, and extreme close ups which show varying levels of detail from a whole body down to just eyes or fingers. It also discusses low angle, high angle, and Dutch angle shots and how they are used to convey meaning, status, and emotions through the camera positioning.
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Camera shots and angles media
This document discusses various camera shots and angles used in filmmaking, including establishing shots to set the scene, wide shots to show space, and aerial shots from above. It also covers long shots, medium shots, and close-ups to focus on full figures, upper bodies, or faces. Point-of-view and over-the-shoulder shots put the viewer in the perspective of a character. Two shots and shot-reverse shots study relationships by alternating between characters. High and low shots manipulate viewer perspective and power dynamics. Pans, tilts, tracking, and dolly shots involve camera movement.
Media Cinematography
Cinematography involves camera shots, movement, and angles used in filming. Different shot types communicate different information through the camera's distance from and perspective of the subject. Shots establish settings, convey scale, emphasize importance, and involve viewers by showing what characters see or implying they look at each other. Common shots include establishing shots to set a scene, wide shots showing scale, and close-ups magnifying details or faces.
Cinematography
This document defines various types of shots used in cinematography including establishing shots to set the scene, medium shots to focus on important details, close-ups to show emotion or focus on objects, and point-of-view shots that show a scene from a character's perspective. It also discusses shot types like over-the-shoulder, two shots of multiple people, and shot-reverse-shot that alternate perspectives between characters.
Picture Cinematography
The document defines and provides examples of different types of camera shots including two shots, POV shots, close ups, extreme close ups, high angle shots, low angle shots, mid shots, long shots, extreme long shots, and Dutch angle shots. Each shot is defined by its camera position or distance from the subject and their typical uses such as showing relationships, different points of view, emotion, details, size manipulation, or establishing context.
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Movie Diferent Camera Angles Explained by Examples
Movie Diferent Camera Angles Explained by Examples
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Casting details
The document casts the roles of Eryn, Eryn's Mum, Robber #1, and Robber #2. Sophie Rowley aged 15 is cast as Eryn because she is the right age and mature enough to understand the plot. Christine Waddington aged 49 is cast as Eryn's Mum as she has the correct look and availability. Ellen Waddington aged 15 is cast as Robber #1 due to her petite size and past reliability. Holly Waddington also aged 15 is cast as Robber #2 due to her enthusiasm, similar appearance to Ellen as twins, and shared availability.
Evaluation
The document provides an analysis of a short film created for a competition. It summarizes that the film successfully blends the thriller and comedy genres to engage audiences with suspense and humor over a short yet developed plot. While some aspects like dialogue could be improved, overall the film effectively uses techniques like varied shots, smooth transitions between scenes, and sound effects to create quality and flow. The creator believes the film meets the brief of the competition well and would stand out from other submissions.
Editing evidence log
The document describes the steps taken to edit a film project in Adobe Premiere Pro. It outlines how the filmmaker imported clips in numerical order based on the shooting script, added titles and adjustment layers, experimented with transitions, edited audio levels, cropped frames, and ultimately exported the finished film. Techniques used included setting clip sorting, adding effects like fades and tones, trimming clips, pasting duplicated audio, and using track keyframes to balance sound levels.
Josie (2)
Yes, youths in the UK are part of today's consumer culture. With social media, businesses can target and encourage youths to buy into products and lifestyles through digital advertising to fit in with peers. There is a link between how youths express identity and modern consumerism, as prominent figures like Kylie Jenner and musicians promote consumer products that youths then copy and use to express themselves. However, consumer culture has not fully disintegrated class hostility and segregation, as class privilege still advantages some. While consumerism allows for more freedom in expressing gender identity, some youths may adopt trends without belief, risking confusion. Representation of ethnicities has improved but not reached full equality, as political
Legal report guide
The document discusses copyright and permissions for various elements of a film project. It notes that the filmmaker will copyright their own filmed footage so anyone wishing to use it in the future must ask permission. All actors have given permission to be in the film and parents have signed consent forms for those under 18. The filmmaker's studio title logo does not need copyright since it is their own work. Additional video footage found on Pexels can be used freely as the website is copyright free. Sound effects from Freesfx can also be used without permission as they are copyright free. Sound effects and musical scores from Freesfx.co.uk and Bensound.com can be used freely as long as Bensound is credited
Conscious script draft 1
Eryn Miller, 15, has been experiencing vivid dreams of burglars breaking into her home at night. On the night before her 16th birthday, she dreams of two burglars entering her room and stealing a ring from her windowsill. When she wakes up on her birthday, her mother brings her breakfast in bed with presents. Eryn remains confused about the dream, until she opens one of the presents to find the same ring from her dream inside the box. This suggests that Eryn's vivid dreams may have been more than just dreams.
Editing evidence log
The document describes the steps taken to edit a film project in Adobe Premiere Pro. It outlines how the filmmaker imported clips in numerical order based on the shooting script, added title screens and adjustment layers to manipulate lighting and tone. Transitions like dissolves and dips to black were experimented with, and sound effects, music and credits were layered in using keyframes to control volume. The final steps were tightening shots, balancing audio, and adding end credits before export.
04. rushes log
The document is a rushes log created by editor Josie Waddington for the production "Conscious". It lists 58 video files shot for the production, providing the file name, duration of each shot, and notes on any editing needed such as cutting, darkening, or speeding up clips. It also lists where each video file is stored on the editor's computer.
Evidence pp
The document describes photos from the filming of a project. The first photo shows setting up camera equipment correctly using a shooting script. The second photo shows using pre-production materials like a script and shot list to ensure coherence. The third photo depicts safely cleaning up a water spill on set to prevent slips and follow the risk assessment. The fourth photo shows communicating with an actor on set to achieve the best shot before moving to the next scene.
Recce
This document provides safety information for filming scenes in different areas of a house, including keeping walkways clear and floors free of clutter in the bedroom, ensuring the hallway remains unblocked and advising crew to wear slip-resistant shoes due to a slippery wooden floor, and notifying crew about weather conditions and appropriate clothing for outdoor scenes in the front garden and driveway.
Recce
This document provides safety information for filming scenes in different areas of a house. It notes that the bedroom will have a clear floor and safe walkways, the hallway must remain clear and crew should wear sturdy shoes due to slippery wooden floors, and outdoor scenes may require weather-appropriate clothing as crews could be outside for long periods. Crew are advised to avoid doorways and stairs inside and be aware of weather conditions.
Conscious script draft 2
Eryn is a 16-year-old girl who struggles with vivid dreams and insomnia. In her latest dream, she witnesses robbers breaking into her house and stealing a ring. When she wakes up on her birthday, her mother gives her a present containing the same ring she saw in her dream. Unsure if it was just a dream or something more, the story leaves Eryn perplexed about what is real and what is a product of her dreams.
Max payne
This document provides an analysis of the style, narrative structure, genre, and target audience of the video game script "Max Payne". The script uses descriptive language to fully immerse gamers in the plot. It employs a typical story structure to keep gamers engaged in the narrative as they play. The genre is action and police drama, featuring stereotypical police characters and settings. The target audience is likely male gamers who identify with or wish to emulate the masculine characters and themes of crime-solving and violence.
Risk assessment
This document identifies potential hazards for a film shoot and outlines steps to address them. It notes trip, spill, and temperature hazards that could injure cast and crew. To mitigate risks, areas will be well-lit with no cables left out, walkways kept clear, and cast and crew wearing sensible shoes. All liquids will be bottled, food and drink restricted to the kitchen, and reminders given. Heating will be checked and warm clothing required for outdoor shoots scheduled during best weather.
Risk assessment
This document outlines three potential hazards - trip hazards, spill hazards, and temperature hazards - that could affect the cast and crew of a production. For each hazard, it identifies who may be harmed and how, what is already being done to control the risk, and any additional actions needed by deadlines. Trip hazards will be addressed by ensuring good lighting, clear walkways, and proper footwear. Spill hazards will be controlled by using bottles for liquids and restricting food and drink. Temperature hazards will be managed by advising crew to dress warmly, checking heating, and scheduling outdoor scenes for best weather.
Date of lesson
This document contains a production schedule for filming and editing a short film. It includes details of filming locations, cast and crew needed, props and costumes required, and equipment needed for each day of production and post-production. Filming will take place from February 18th to 22nd at a house in Ringwood. Post-production such as uploading footage, adding sound effects and music, and editing the four scenes will occur from February 26th to March 22nd. The filmmaker will be working alone as director and editor.
Casting details
The document provides casting details for a short film, assigning roles to four actresses. Sophie Rowley, age 15, will play Eryn due to being the right age and local. Christine Waddington, age 49, will play Eryn's mother as she has the right look and teaching schedule. Ellen Waddington, age 15, will play Robber #1 due to her petite size and past reliable work. Holly Waddington, Ellen's twin sister, will play Robber #2 for her enthusiasm, similar appearance, and ability to interact well with Ellen due to being twins.
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Shot types
- 1. Shot types Establishing shot Tells you the location Establishes time period Usually an exterior shot Long Shot Follows establishing shot A person can be seen from head to feet Mid Shot Taken from the middle up Shows environment, expression and shots Close Up Concentrates on the face Shows importance of things eg expressions
- 2. Extreme Close Up Shows extreme emotions eg tears to add effect Mainly focusses on eyes Point of View You see what the actor sees Puts you in their shoes Empathy Over the Shoulder Adds an accomplice with the viewers Creates an atmosphereof secrecy Two Shot Includes 2 people Shows the relationship between the two people in the shot
- 3. High Angle Looks down on action The audience dominates Low Angle Looks up into action The audience feels smaller, dominated Pans A movement which scans the scene horizontally Stationary Often follows an object Tilts Scans the scene vertically Dolly Shots (tracking shot) Moving objects Follows moving objects Hand Held Shots Use can or steady cam when filming (no tripod) Zoom/reversezoom Closer or further away quickly