This document outlines 28 shots for a storyboard describing scenes from a kidnapping narrative. It provides technical details for each shot including camera angles, character positioning, shot length, and number of takes. Shots progress from establishing scenes showing a character being followed and kidnapped, to scenes within the kidnapper's vehicle focusing on the girl's perspective and fear as she is held captive. The final shot transitions to black as the car door shuts on the girl, revealing the title "The Last Call".

1. Shotnumber Storyboard# Shot Action Notes Length Takes favourite
1 Scene 1 ECU On handmovementtakingoutfile Close upand focus 10
secs
3 2
2 Scene 1 Overshouldershot To see the character pullingoutthe file Pointof viewof character 4 secs 3 1
3 Scene 2 Pan shot Whenprotagonistwalks Followshimuntil he sitsdown
placingfile
5 secs 3 1
4 Scene 3 Highangle tilt&
ECU onpaper
Detective opensfile andfocusesonpictures/
writing
Fadesintoscene 4 secs 3 2
5 Scene 3 Highangle zoom Zoomsin onthe picture onthe paper Focusesonthe picture blurs
everythingelse
5 secs 3 3
6 Scene 4 Mid shoton body Focusesonarrestedguyand he'sin the centre of
the fieldof view
His actionsare showne.g.pulling
away
3 sec 3 2
7 Scene 4 Establishingshot On the parkinglotand the personbeing
handcuffed
We can see throughthe cars being
inthe way
4 secs 3 3
8 Scene 4 Extreme close up On the arrestedperson To see hisemotionse.g. fear 2 secs 3 1
9 Scene 5 Arial shothigh
angle tiltdown
The prisonerswalkpastcamera It createseffectof the camera
beinga securitycamera
4 secs 3 2
10 Scene 5 Stationarypanshot
fromleftto right
Followsthe charactersmovementalongthe
corridor
Focusesonthe prisoner 5 secs 3 1
11 Scene 6 POV shot/midshot Focusesfromperspectiveof characterbut we see
anothercharacters body
The characters speak 5 secs 3 1
12 Scene 7 Long shot To see the clothingof character The character then leavesthe
house closingthe door
5 secs 3 3
13 Scene 8 Shotreverse shot On theirconversationtogetthe facial expressions
shown
4 secs 3 2
14 Scene 9 Establishingshot Whengirl walksdownpark we see herand
backgroundof park
Focusesonscenery 6 secs 3 2
15 Scene 9 Stationarypanshot
lefttoright
We see herwalkingpastthe fieldof viewof
camera
Usedto hintthat somethingis
behind/lookingather
5 secs 3 1
16 Scene 10 Low angle shot Focusesonlegsof character as her pace of walking The character walkspast camera 2 secs 3 1
17 Scene 11 Close upon face See herputtinginherheadphones Removesfocusonsurroundings 4 secs 3 2
18 Scene 12 Ariel shotonpark Showsthe pathwayleftandtrees 4 secs 3 2
POV=pointof view ECU= extreme close up

2. 19 Scene 13 Close upon girl,
focuson
background
Focusesonthe character behindher She'sinthe first1/3 of the screen
highlightingsomethingisbehind
her
3 secs 3 1
20 Scene 13 Zoomout when
she walkstowards
camera
Cameraslowlyzoomsoutthe closershe gets Createsa stabilisedshot 4 secs 3 2
21 Scene 14 Highangle tilt
down& midshot
She'sbeingkidnappedandattacked We see herbeingvulnerable and
seenassmall due to angle
5 secs 3 2
22 Scene 15 POV shot We see armsof the man attackingherface We use handheld camerawhen
she fallsdowntoshowher fainting
3 secs 3 1
23 Scene 16 Low angle shot We see heron the floorbeingtiedupshe just
openedhereyesandseesblur
No face of character who
kidnappedrevealed
2 secs 3 2
24 Scene 17 Highangle tilt
down & POV
We see herinboot of car layingandhimlooking
downat her
We have iton a tripodto make it
stationary
4 secs 3 2
25 Scene 18 Mid shotzoom in
to close upon
phone ringing
We see the detail onphone e,g.‘DADcalling’ We see the girl face moving 5 secs 3 1
26 Scene 19 POV shot Perspectiveof capturerwe see hishandreaching
for the phone
We can onlysee herlegs 2 secs 3 1
27 Scene 20 POV shotfrom girls
perspective &low
angle tiltup
We see the bootof car and hislegsas he'sabout
to shutthe doorof car
4 secs 3 2
28 Scene 20 POV shot From girlsperspective oncarboot closingandthen
it becomespitchblack
The title revealsTHELAST CALL 4 secs 3 1