The document outlines a shot schedule for a film scene involving an antagonist following a protagonist named Alex. It includes 47 shots ranging from close-ups to establishing shots. The shots show Alex on a train looking distressed, noticing someone watching her at the station, then texting and walking quickly away as the antagonist follows. She contemplates which path to take and eventually makes it home where she finds flowers from her partner.

1. CHIALPI BWALYA MR BARTON SHOT SCHEDULE
Shot
Number
Angle Movement Notes
1 Mediumclose up N/A Mediumshotof
antagonistsittingon
the train
daydreaming.
2 Close up N/A Close upof Alex’s
face,she’ssittingon
the train looking
depressed.
`3 Mediumlongshot N/A Mediumshotat the
platform.Soundsof
the train announcer.
4 Wide shot N/A Alex isat the train
stationlookingacross
the platform
5 Close up N/A Alex looksovertothe
otherside of the
platform.
6 Overshouldershot N/A Alex looksatthe other
side of the platformto
try and geta clear
view of whoslooking
at her.
7 overthe shoulderfromthe
protagonist
The stranger justlooks
deeplyintoher.
8 Mediumshot Mediumshotof a
trainpassingthe
platform.
9 Long shot Panning Alex walkingoutof
the train station.
10 POV shot Povshot alex textinga
textfromher partner.
11 Close up Tracking Close upof alex’s
shoesandthe
backgroundshowing
the antagonistsfeet
following.
12 POV SHOT Panning Alex lookingbehind
suspiciousandshe
seesthe antagonist
13 Close up Tracking Close upon alexsface
lookingscaredwhile
sheswalkingwith
fear.
14 Close up Tracking Close upof Alex’s
footstepsrapidly
gettingfaster
15 Close up Tracking Quickshotsof alex
textingherpartner

2. CHIALPI BWALYA MR BARTON SHOT SCHEDULE
16 Close up Alex’sface looking
worriedandanxious
17 Establishingshot/POV shot Shotson whatalex
can see to decide
whatroad she should
take.
18 Long mediumshot Tracking Shotsof alex walking
furtherawayfrom
antagonist.Gradually
gettingfaster.
19 POV SHOT Tracking Povshot fromthe
antagonist’spointof
view followingalex as
shestryingto get
away.
20 Close up Tracking Close upof
antagonist’sfeet
followingher.Gradual
speed.
21 Povshot Povof alex lokoingta
the firstroad she
couldtake.
22 Povshot Panning Povof the second
road she couldtake
23 Povshot Panning Povshot of the 3rd
road alex couldtake
whilstcontemplating.
24 Povshot Tracking Alex walkstothe road
infrontof her
25 Overthe shoulder Tracking Overthe shoulderof
antagonistbehindher
walkingtowardsher.
26 Close up Close upon alex’s
eyesasshestearing
up.
27 Mediumlongshot Tracking/panning Close upon the
antagonistshoesas he
takesa different
route.
28 Long medium Alex turnsaroundto
see where the
antagonistis
29 Close up Close upon herface
full of anxiety
30 Povshot Behindalex,
antagonisthas
vanished.
31 Povshot Alex looksleft.And
checksif anyone is
around.

3. CHIALPI BWALYA MR BARTON SHOT SCHEDULE
32 Close up Tracking Alex checkshertexts
fromher babes.
33 Long shot Tracking Readingand
respondingtextsfrom
herbabes.
34 Highangle shot Highangle of her
textingherbabes
whilstwalking
35 Establishingshot Establishingshotof
herflat while she
walksthroughthe
pathwayto getin.
36 Mediumshot Tracking Alex walkingintothe
flat
37 Close up Close upon herkeys
while she’sopening
the door.
38 Mediumshot She walkingintoher
home and closesthe
door
39 Close up Readstextfromher
babeswhile the
doorbell goesoff.
40 Close up Panning She turns aroundto
the door
41 Close up Alex looksthroughthe
peephole.
42 Povshot Povshot of the
peephole.Lessfocus.
43 Close up Close upof her
openingthe door
44 Povshot No one’satthe door
thenthe camera tilts
down.
45 Close up Close upon herface,
she looksshockedto
see flowersonthe
floorfromher babes.
46 Mediumshot Sheson the phone to
herbabes,smiling
47