Shot list
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The document lists 39 shots from a film or video project. It describes the shots which include various camera angles, types of shots, and scenes showing a couple interacting in different locations over time. The shots include the couple dancing, walking together, interacting in social settings, and parting ways as one character moves to a new city for work while the other struggles with drinking.
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Life On Mars
Sam approaches a scruffy police station seen through a framing shot. Inside the station, a shallow focus is used during a phone call to draw attention to Sam's important conversation. In the mortuary, deep focus shows the small, dimly lit room with little color. A shallow focus in the canteen emphasizes Sam's confused emotions. Outside, deep focus captures Sam and a friend by the large police station. A shallow focus draws attention to Sam remembering his childhood in a shop window.
Samme screenplay 2
Samme encounters a mysterious figure in an alleyway after tripping on his phone. He curiously follows the figure, who disappears when crossing the road. Confused, Samme searches the area but begins coughing heavily and collapses. When he wakes up, the figure has returned and is standing over him. Samme coughs more and spits blood before losing consciousness again.
New street
This document is a screenplay summary of two scenes set in a cafe and park. In the first scene, Ellie comforts her friend Amy in a colorful cafe as Amy discusses her feelings for a boy. Their conversation starts serious but becomes lighthearted. In the second scene, Tom, Jake and Adam joke around on a park bench. When Taylor joins, the conversation turns offensive about Amy, angering Taylor who walks away from the group.
Shot list
This shot list outlines various camera shots that will be used to film a story about a couple. It includes a variety of shots from extreme close-ups to long shots showing the couple's interactions together and apart, including shots of one character leaving and the other looking at a phone, as well as establishing shots of their homes and workplaces. The list ends with shots mirroring those at the beginning, suggesting a circular narrative.
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The document analyzes the codes and conventions used in the film posters, magazine covers, and trailers for the romantic comedies The Break-Up and The Proposal. For The Break-Up, it notes the use of blues and pinks in the poster to indicate the hybrid romantic-comedy genre and that the main characters and basic narrative are made clear. The trailer uses humor and shows the characters' acting and behavior to portray the break up aspect. For The Proposal, it states the poster and trailer combine to show the female lead is dominant and controlling through the use of reds, whites, and blacks.
The godfather
The document provides context and analysis of key elements of the film The Godfather. It begins with a summary of the plot, describing Don Vito Corleone overseeing his daughter's wedding while his son Michael returns from war. Michael eventually learns about the family business of organized crime. The film explores the clash between traditional values and new ways of operating, and the consequences for the family. It then analyzes the film's genre as both a family drama and gangster film. It proceeds to discuss various cinematography, editing, sound, mise-en-scene, and title elements used in the opening scene to set tone and intrigue.
Leon The Professtional
1) The opening sequence introduces the director, production company, and title of the film "Leon the Professional" through text over shots of black and white imagery.
2) The sequence then introduces the main actors through their names fading in and out over shots of the sea and land. Music plays as the camera tracks between locations.
3) The sequence establishes the story takes place in Little Italy, New York through text and shots of banners and signs. The camera tracks into a restaurant called "Guido's" where two men have a tense conversation at a table under dim lighting.
Leon The Professional
1) The opening sequence introduces the director, production company, title, and main actors of the film Leon the Professional through fading text over scenes of the city and ocean.
2) The sequence establishes the setting as a restaurant in "Little Italy" owned by a character named Guido.
3) In the restaurant, Guido asks Leon to persuade a mobster who comes to town on Tuesdays, implying Leon will use violence if needed. Leon agrees and takes a photo of the mobster, indicating he has been hired to potentially kill the target.
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Sam approaches a scruffy police station seen through a framing shot. Inside the station, a shallow focus is used during a phone call to draw attention to Sam's important conversation. In the mortuary, deep focus shows the small, dimly lit room with little color. A shallow focus in the canteen emphasizes Sam's confused emotions. Outside, deep focus captures Sam and a friend by the large police station. A shallow focus draws attention to Sam remembering his childhood in a shop window.
Samme screenplay 2
Samme encounters a mysterious figure in an alleyway after tripping on his phone. He curiously follows the figure, who disappears when crossing the road. Confused, Samme searches the area but begins coughing heavily and collapses. When he wakes up, the figure has returned and is standing over him. Samme coughs more and spits blood before losing consciousness again.
New street
This document is a screenplay summary of two scenes set in a cafe and park. In the first scene, Ellie comforts her friend Amy in a colorful cafe as Amy discusses her feelings for a boy. Their conversation starts serious but becomes lighthearted. In the second scene, Tom, Jake and Adam joke around on a park bench. When Taylor joins, the conversation turns offensive about Amy, angering Taylor who walks away from the group.
Shot list
This shot list outlines various camera shots that will be used to film a story about a couple. It includes a variety of shots from extreme close-ups to long shots showing the couple's interactions together and apart, including shots of one character leaving and the other looking at a phone, as well as establishing shots of their homes and workplaces. The list ends with shots mirroring those at the beginning, suggesting a circular narrative.
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The document analyzes the codes and conventions used in the film posters, magazine covers, and trailers for the romantic comedies The Break-Up and The Proposal. For The Break-Up, it notes the use of blues and pinks in the poster to indicate the hybrid romantic-comedy genre and that the main characters and basic narrative are made clear. The trailer uses humor and shows the characters' acting and behavior to portray the break up aspect. For The Proposal, it states the poster and trailer combine to show the female lead is dominant and controlling through the use of reds, whites, and blacks.
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The document provides context and analysis of key elements of the film The Godfather. It begins with a summary of the plot, describing Don Vito Corleone overseeing his daughter's wedding while his son Michael returns from war. Michael eventually learns about the family business of organized crime. The film explores the clash between traditional values and new ways of operating, and the consequences for the family. It then analyzes the film's genre as both a family drama and gangster film. It proceeds to discuss various cinematography, editing, sound, mise-en-scene, and title elements used in the opening scene to set tone and intrigue.
Leon The Professtional
1) The opening sequence introduces the director, production company, and title of the film "Leon the Professional" through text over shots of black and white imagery.
2) The sequence then introduces the main actors through their names fading in and out over shots of the sea and land. Music plays as the camera tracks between locations.
3) The sequence establishes the story takes place in Little Italy, New York through text and shots of banners and signs. The camera tracks into a restaurant called "Guido's" where two men have a tense conversation at a table under dim lighting.
Leon The Professional
1) The opening sequence introduces the director, production company, title, and main actors of the film Leon the Professional through fading text over scenes of the city and ocean.
2) The sequence establishes the setting as a restaurant in "Little Italy" owned by a character named Guido.
3) In the restaurant, Guido asks Leon to persuade a mobster who comes to town on Tuesdays, implying Leon will use violence if needed. Leon agrees and takes a photo of the mobster, indicating he has been hired to potentially kill the target.
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Production script 1
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Media treatment
Sam, a 17-year-old whose younger sister Hollie went missing, suspects two men he sees near his house may be involved. He follows them and breaks into their house but finds nothing. However, he later sees a suspicious man and chases him to a remote house, where he hears screams. Sam breaks in and finds Hollie and another missing child locked in an upstairs room. When the kidnapper attacks Sam, they fall down the stairs. Sam wakes in the hospital having been injured but sees Hollie is now safe with his parents.
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The document provides a shot list for a film that tells the story of a couple, Khloe and Peter, meeting and falling in love. It describes various scenes showing their introduction, dates, intimacy as their relationship grows, time spent together and apart, and an emotional scene at a grave site. The voiceovers provide quotes reflecting on their attraction, commitment, and longing to stay together.
Detailed shot an sound list
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Shot list
This shot list contains 41 shots describing scenes from a film involving the kidnapping and torture of several girls. The shots show the girls being abducted on the street, tied up in a kitchen and shed, a boy being dragged into the shed while injured, the girls interrogating and attacking their captors, and two girls holding another over a fire while being watched by a man drinking wine. Location details and some dialogue are provided to give context for each shot.
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Music video narrative.
Michael Jackson's "Smooth Criminal" music video narrative fits well with the song lyrics. The video starts with Michael entering a nightclub, as mentioned in the lyrics. Throughout the video, the dark, shadowy décor matches descriptions in the lyrics. During the chorus, shadows are shown as he sings about a "black day". Close-up shots of people peering around imply a struggle happened as described in the song. Sounds of banging, police sirens, and a woman in a jail cell further imply the character "Annie" was murdered. The costumes, lighting, and facial expressions create an edgy atmosphere of suspicion between the criminal characters mentioned in the song.
Production script 1
Anna is walking down the street when her phone begins buzzing and ringing confusedly. She stops to look at her phone, seeing and hearing it fuzz and fizz in multiple shots. When she answers it, she only hears ringing and buzzing sounds before an disembodied voice tells her "Look behind you."
Romeo and juilet
The poster summarizes William Shakespeare's classic story of Romeo and Juliet with a modern twist. It depicts the two main characters Romeo and Juliet locked in an intimate embrace at the center of the poster. Surrounding them are members of their feuding families holding guns, representing the ongoing conflict between their families. The vintage, grainy style of the poster conveys the Elizabethan era setting of the original story, while the modern clothing of Romeo and Juliet and the addition of guns indicates this is a contemporary adaptation.
Zaccccc
The document analyzes the opening sequences of two films: a thriller and a crime film. For the thriller, the opening establishes a dark and ominous atmosphere through the use of silhouettes that build tension as anything could happen. It shows a woman swimming at dawn as intense music builds, with the point of view of an unseen threat. For the crime film, the opening shows the wealthy city location before a window smashes, introducing the criminal intentions. It depicts suspicious characters and oblivious people, building tension over the impending robbery. Both use music, lighting, points of view and character silhouettes to create mystery and build tension without revealing threats immediately.
Production planning
The document outlines 18 scenes for a film production planning. Scene 1 shows a coin toss between a male and female character in a church with a focus pull on the coin. Scene 2 flashes back to the couple spending time together on a park bench as the sun sets. Scene 3 shows the couple dancing at a party before the female gets a job offer and doesn't tell the male. Later scenes show the couple arguing and splitting up, with the female moving abroad for her new job while the male struggles socially. The film ends with the couple reuniting and one of them catching the coin.
The Strangers
The film uses stylistic techniques like fast pacing, jump cuts, and ambiguous shots to create a sense of uncertainty and suspense around a violent crime. The opening scenes show a car that was hit by an unknown object, two boys entering a house with signs of violence like a bloody knife and splattered blood, and natural lighting suggesting the event occurred at night. No characters are introduced, leaving the viewer with many questions about who was killed, who the killer was, and what relationship the boys have to the crime. The film aims to keep the viewer guessing through its deliberate ambiguity.
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The film begins with a black frame and then a close up shot of the antagonist Amy Dunne. There is a slow fade to black followed by the names of the two main actors. An establishing shot of the sea is then shown before the title appears. The sequence continues with establishing shots of the city and credits running at the bottom. We eventually see the protagonist Nick Dunne standing outside his house in a medium shot. The sequence ends with a pan of Nick going back into his house. The lighting and mood imply things may take a negative turn. In the third minute, Nick is in his car approaching a bar with eerie non-diegetic music playing. He stares at men down the road seeming uneasy before entering the
Misfits opening tomassssss
The opening of the TV show Misfits represents British youth in a negative way through the use of costumes, props, dialogue, and cinematography. The first shots show teenagers changing into orange jumpsuits for community service, implying they are all criminals. Smoking is used to suggest one character is unclean. Swearing and different accents are used to characterize the youth and represent their social backgrounds. The dark and dingy opening credits portray youth as a burden on society throughout the entire show. The setting in run-down and depressing London further separates the teenagers from the rest of society.
Treatment mr postman
The document summarizes a music video depicting three girls from different eras—the 1960s, 1980s, and 2010—receiving communication from their boyfriends. In the 1960s scene, a girl receives a letter from the postman that transforms into a laptop. In the 1980s, a girl uses an old computer to find she has email. In 2010, a girl uses FaceTime on an iPhone 4 to communicate with her boyfriend at a party. The video transitions between the three time periods and ultimately depicts the most recent girl reuniting with her boyfriend.
Eastenders Intro - Storyboard
The document provides a summary of the opening scenes and storyboard of the BBC soap opera "Eastenders". It describes the opening credits which establish the show's location in London. The first scene shows a family home and a man sneaking out after a one night stand. The second scene introduces a well-dressed woman in a cafe who receives a threatening phone call from a shady businessman, revealing she is being blackmailed. Cinematography and mise-en-scene techniques are used to convey meaning and provide context about the characters.
Media ayan guess who 2
The document provides analysis of scenes, camera shots, and dialogue in a film about an interracial couple meeting the woman's family. When the couple arrives at her family's home, her father assumes the black taxi driver is her fiancé. At a family dinner, her grandfather questions why she is no longer dating black men from New York. Shots of New York landmarks establish the setting, while over-the-shoulder shots convey the man's nerves about meeting her family and gaining their approval.
Media treatment
Sam is struggling with the disappearance of his younger sister Hollie. In the opening scene, he is staring at photos of Hollie in his empty home when his friend Beth calls, checking on him. He walks through the park where Hollie went missing and has a breakdown. Later, Sam sees a suspicious car and follows two men to a house. He breaks in but finds nothing. However, he overhears screams and finds Hollie and another missing boy being held captive. When confronting the kidnapper, Sam and the man fall down the stairs. The film ends with Sam recovering in the hospital, seeing Hollie is now safe with their parents.
Eminem – not afraid
Eminem's music video for "Not Afraid" was filmed in Newark, New Jersey. It depicts his character moving between dark and light places, representing his attempt to escape darkness. His clothing is casual, showing he is not important. By the end, he flies toward the light, showing he can face anything without fear. The changing colors also symbolize the struggle between darkness and light.
Media treatment
Sam, a 17-year-old whose younger sister Hollie went missing, suspects two men he sees near his house may be involved. He follows them and breaks into their house but finds nothing. However, he later sees a suspicious man and chases him to a remote house, where he hears screams. Sam breaks in and finds Hollie and another missing child locked in an upstairs room. When the kidnapper attacks Sam, they fall down the stairs. Sam wakes in the hospital having been injured but sees Hollie is now safe with his parents.
The boy new
The trailer begins by showing a creepy old house and introduces a woman who has come to take care of a child. She meets an older couple who reveal their "son" - a china doll that is identical to the boy in a painting of the family. Strange events begin to occur, and it's revealed that the boy died in a fire years ago. The woman tries to prove the boy is responsible for the strange happenings. As she breaks the rules left for caring for the boy, increasingly scary titles appear and fast-paced clips show both adults being terrorized by the unnatural child.
Call sheet
The call sheet is for the production "Depth" taking place on November 1st, 2017 at Reigate College and Reigate Park. Crew and actors are called for 9am with filming finishing at 4:15pm. Emma Niemann is the assistant director and Millie Weller is the director. Callum McDonnal and Beth Riddle are the camera crew. Emma Niemann and Millie Weller play actresses while Callum McDonnel plays an antagonist. Equipment including keys, rope, camera, and tape will be brought by Emma. A photograph and clock/chair will be provided by Millie and the location.
The Strangers
The film The Strangers follows two young boys who enter a suburban home that appears to be the scene of a violent crime. Various shots introduce ambiguity and violence, showing a bloody knife and rifle alongside signs of normal suburban life. The fast editing and lack of context between shots leaves the viewer unsure of who the characters are and what narrative is being told.
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Similar to Shot list
Shot list
The document provides a shot list for a film containing 37 shots. It describes various shots including extreme close-ups of girls putting on makeup, mid shots of girls spraying perfume and talking, close-ups of a girl putting on a necklace and a vodka bottle, and establishing shots of a party scene, girls at a house, and girls breaking into a house and running away with loot. The shots also include sequences of girls in a car, walking down the street, sitting in a living room, and biking down a road at sunset.
Detailed shot an sound list
The document provides a shot list for a film that tells the story of a couple, Khloe and Peter, meeting and falling in love. It describes various scenes showing their introduction, dates, intimacy as their relationship grows, time spent together and apart, and an emotional scene at a grave site. The voiceovers provide quotes reflecting on their attraction, commitment, and longing to stay together.
Detailed shot an sound list
The document provides a shot list for a film that tells the story of a couple, Khloe and Peter, meeting and falling in love. It describes various scenes showing their introduction, dates, intimacy as their relationship grows, time spent together and apart, and an emotional scene at a grave site. The voiceovers provide quotes reflecting on their attraction, commitment, and longing to stay together.
Detailed shot an sound list
The document provides a shot list for a film that tells the story of a romance between a male and female character. It describes various scenes showing their initial meeting, dates, intimacy as their relationship develops, time spent together, and parting with the female character looking out a window and visiting a grave while the male stares out a window, with a voice over wishing one day could last forever.
Shot list
This shot list contains 41 shots describing scenes from a film involving the kidnapping and torture of several girls. The shots show the girls being abducted on the street, tied up in a kitchen and shed, a boy being dragged into the shed while injured, the girls interrogating and attacking their captors, and two girls holding another over a fire while being watched by a man drinking wine. Location details and some dialogue are provided to give context for each shot.
Shot list
This shot list contains 30 shots detailing scenes that will be filmed around a girl's neighborhood, on her bus ride, and at London Bridge where she encounters her ex-boyfriend. The shots include establishing shots of locations, close-ups, and over-the-shoulder shots to capture the girl's interactions, movements, and reactions. A dramatic moment is created when the girl's ex-boyfriend sees her at the bus stop and realizes she overheard his conversation, and the shot list culminates in a hug and kiss between the two characters.
Shooting script draft 2
1) The document describes 45 shots from a film about a missing child investigation. It provides descriptions of shots, shot durations, and relevant sound effects.
2) Key shots include an establishing shot of a school, shots of a boy leaving school and being picked up, and shots at the boy's home where he is upset and creating a missing poster.
3) The story follows an investigation at the boy's home with an inspector as they search for clues about the missing child.
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Evaluation of my film poster
The document discusses the design choices made for a film poster. It covers four areas:
1) The image depicts the main characters in an intimate pose that represents the capacity of their relationship despite obstacles.
2) The font uses both serif and sans serif to appeal to both genders as is appropriate for a romance genre.
3) The color scheme uses dark colors for the male and lighter colors for the female to represent gender visually and draw attention to their faces.
4) The layout follows conventional design with text that draws the audience in and big names to attract fans of the actors.
Magazine ancillary planning
The masthead uses bold black text on a light background to stand out. The main image is very sharp, with a faded background to draw focus to the foreground figures. Pink and peach colors are used throughout to symbolize romance, with peach as the dominant color providing contrast and drawing the eye. The bold cover story in a larger font size draws attention and the caption below entices readers. Cover lines are bold and black against the light background, appearing crisp to stand out on store shelves.
Casting
The female role in the trailer will be a stereotypical feminine character who is attractive, emotional, and falls in love with the male character. She will be shorter than the male character to represent his dominance. The actress chosen to play this role, Isobel Ludlow, was selected because she has natural beauty, average female height, long hair creating a feminine appearance, and good acting skills.
The male role will be a shy character whose profession gives him a masculine appearance, allowing the audience to become interested in his secretive nature. He will need to express passionate love for the female character and emotion in some scenes. Harry Stevens was chosen for his natural look on camera, photogenic features, tall height that works well
Risk (1)
Roadside filming carries heavy risks from traffic that can be mitigated by crew stepping aside for cars and wearing sturdy footwear. Restaurant filming requires handling glasses carefully and keeping crockery away from edges to prevent falling and breaking. Filming from a moving car at night poses high collision risks that can be managed by ensuring the driver focuses on the road with headlights on while seatbelts are worn at all times by crew.
Prodution plan
The document provides details of filming locations, outfits, actors, and descriptions for several scenes shot for a film over multiple dates. Key details include:
- Scenes were filmed at roadsides, down minor roads, in fields, in cars, bedrooms, lounges, bathrooms, gardens, and kitchens.
- Outfits were described for male and female lead characters for each scene.
- The filmmaker directed and shot the scenes, with main characters Isobel and Harry acting in most scenes.
- Short descriptions provided for each scene, including actions, camera angles tested, and number of takes to complete.
Shot list
The document describes 30 shots from a film depicting the developing relationship between a couple, Khloe and Peter. Some of the key shots include them first meeting and exchanging names, going on a date at a restaurant, dancing together, Khloe learning that Peter is a marine, the couple laughing together on a sofa, Peter packing clothes and saying he's coming home to Khloe, and Khloe crying and then joyfully running to embrace Peter.
One day is forever script
Peter catches Khloe from falling and they are immediately attracted to each other. They begin spending time together and their relationship blossoms. However, Peter reveals he is a marine and has to leave. Khloe is later seen crying in her car alone. Their relationship is tested by Peter's military service and separation.
Shot list
The document describes 30 shots from a film depicting the developing relationship between a couple, Khloe and Peter. Some of the key shots include them first meeting and introducing themselves, going on a date at a restaurant, dancing together, Khloe learning that Peter is a marine, and them sharing an emotional goodbye as Peter prepares to deploy overseas. The shots help tell the story of their romance from their initial meeting through bonding and eventually having to separate when Peter receives military orders.
Production outline
The document outlines the production outline for a romantic film trailer. It describes several scenes that will be included: 1) the initial meeting of the male and female leads shown through various shots to depict attraction; 2) the introduction of the film's author against a sunset backdrop; 3) shots of the blossoming romance between the characters. It also describes scenes meant to create speculation about the relationship, such as a scene implying the male lead is a Royal Marine. Additional scenes will show the difficulty of a long-distance relationship and the couple expressing their love and romance. The trailer aims to leave the audience wondering what will happen to compel them to see the full film.
Production concept mood board
The mood board for a trailer shows the relationship between two characters, including their happiness together, romance, and conflicts within the relationship, as well as how their lives change when they are together or apart, and how they may suffer without one another, as depicted through them dancing, walking together, and a character potentially ending the relationship.
Photo Diary and Analysis
This document contains summaries of multiple shots from a film trailer. It describes the costumes, lighting, camera angles, and intentions behind each shot. The shots show a couple meeting for the first time, walking together down the street, dancing, and spending intimate moments together. Details are given on wardrobe, lighting, camera placements, and how each shot advances the romance storyline.
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Shot list
- 1. SHOT # SCENE # SHOT TYPE DESCRIPTION 1 1 Extreme close up Of the coin being tossed into the air 2 1 Tracking Of the coin as it falls to the floor 3 1 Wide Shot As the girl walks away from the fallen coin 4 2 Long shot Of the couple sat in a park bench at sunset 5 3 Wide shot Showing the couple dancing together in a night club 6 3 Tracking Following Emma out of the room 7 3 Close up To show Emma talking on the phone 8 4 Long shot Shows the couple strolling down the street 9 4 Two shot Shows Emma leaving him standing in the street 10 4 Long shot Of Emma walking away down the street 11 5 Wide Shot Emma is in her bedroom packing her clothes 12 6 Mid shot Showing James heavily drinking in a bar with friends 13 7 Wide shot Emma is standing in a busy lift in an airport 14 7 Close up Showing Emma looking down at her phone 15 7 Eye line match To show Emma’s phone display 16 7 Close up Showing an older lady looking at her phone display 17 8 Wide shot Emma is standing in her new office with colleagues 18 9 Wide shot James is in his office 19 9 Two shot Showing his assistant walking in behind him 20 9 Close up To show the assistant talking to James 21 10 Mid shot Showing James and his friends in a bar 22 11 Long shot Emma is sitting on her sofa with a glass of wine 23 12 Wide Shot/mid shot James is slumped in his bathroom after a night out 24 13 Close up James is looking at someone across the street 25 13 Eye line match The camera shows what James is looking at 26 13 Close up shot Of Emma looking back at James 27 14 Close up Of Emma’s face 28 14 Eye line match Emma is looking at her laptop returning emails 29 15 Mid shot Of the couple sat together on the sofa 30 16 Long shot The couple are running down the street together 31 17 Wide shot Emma is walking down the street 32 17 Extreme close up Emma dropping her bag 33 17 Tracking As a gentle man moves in to pick her bag up 34 17 Close up Their eyes meet and Emma apologises 35 18 Extreme close up Two wine glasses toast over dinner 36 19 Extreme close up The coin is being tossed into the air 37 19 Tracking As the coin falls to the floor 38 19 Extreme close up A hand picks the coin up from the floor 39 19 Extreme close up The hand closes the coin within it’s palm