Detailed shot an sound list
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The document provides a shot list for a film that tells the story of a romance between a male and female character. It describes various scenes showing their initial meeting, dates, intimacy as their relationship develops, time spent together, and parting with the female character looking out a window and visiting a grave while the male stares out a window, with a voice over wishing one day could last forever.
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Theories for production 
The document discusses different film techniques used in the music video for Beyonce's song "Telephone". It describes how some scenes pay homage to or reference specific films, such as Kill Bill for a scene featuring the same distinctive car. Other scenes borrow elements from noir films and cartoons through techniques like subtitles and on-screen text. Many shots reference Quentin Tarantino films through similar cinematography, settings, and Beyonce's character appearing to reference the character Honey Bunny from Pulp Fiction.
Production planning
The document outlines 19 scenes for a film production planning a romantic drama about a couple. Scene 1 shows a coin toss in a church symbolizing the instability of the relationship. Scene 2 flashes back to when the couple spent carefree time in the park. Scene 3 depicts the couple dancing at a party before the woman receives a job offer abroad without telling her partner. Later scenes show the couple arguing and splitting up as the woman leaves for her new job, while her partner struggles to adjust to single life. The film cuts between the two living separate lives in different countries and features brief reunions as well as the characters each meeting new people. The ending scene proposes reuniting the couple by having one character catch the coin.
Leon The Professional
1) The opening sequence introduces the director, production company, title, and main actors of the film Leon the Professional through fading text over scenes of the city and ocean.
2) The sequence establishes the setting as a restaurant in "Little Italy" owned by a character named Guido.
3) In the restaurant, Guido asks Leon to persuade a mobster who comes to town on Tuesdays, implying Leon will use violence if needed. Leon agrees and takes a photo of the mobster, indicating he has been hired to potentially kill the target.
Along came a spiderlol
1) The document analyzes the opening scene of the 2001 film "Along Came a Spider" which revolves around a kidnapping and focuses on the police investigation.
2) The opening scene depicts a man and woman in a car being tracked by police as they drive, with the man suspected of being a serial killer. Tension is built through low lighting, ominous music, and the discovery that the woman is working with police.
3) As the car drives over a dam, suspense intensifies through wide shots of the precarious situation and close-ups of the worried detective, until the car falls into the dam while the detective looks on.
Understanding micro elements in film openings
Extreme close up
Close up
Medium Shot
Long Shot
Extreme long shot
Track
Pan
Tilt
Zoom
Cut
Pace
Performance
Diegetic
Non Diegetic
Mise en scene (Setting, costume, figure expression, props)
The Shining
The title sequence in The Shining uses extreme long shots that pan across remote locations to establish a sense of isolation and helplessness typical of psychological thrillers. Non-diegetic eerie music further builds an unsettling atmosphere. Titles appear on screen for only a few seconds each, starting with the director and main stars before revealing the film title. The slow cutting rhythm and lack of context for the green car driving through the shots creates mystery and leaves the audience with questions as it starts the story in a state of equilibrium.
The shinning
The document provides an analysis of the opening scenes of the film "The Shining". It summarizes that the long drive through isolated areas with repetitive music creates a surreal and ominous tone. This implies that the family in the car is driving deep into isolation, suggesting that if anything were to go wrong, no one could help them. The repetitive music also makes the audience feel uncomfortable and leaves them anticipating something bad to happen. Finally, the document notes that the long journey to an isolated hotel, coupled with the sinister music and isolation of the family, signals to the audience that the genre is likely to be horror or thriller.
Individual analysis
The opening scene of Scarlet Street establishes the dark, rainy setting and plays non-diegetic carnival music. It shows a group of formally dressed men smoking at a black tie event, then cuts to a man beating a woman in the street before another man intervenes. Finally, it depicts the man and woman entering a shady bar.
Recommended
Theories for production
The document discusses different film techniques used in the music video for Beyonce's song "Telephone". It describes how some scenes pay homage to or reference specific films, such as Kill Bill for a scene featuring the same distinctive car. Other scenes borrow elements from noir films and cartoons through techniques like subtitles and on-screen text. Many shots reference Quentin Tarantino films through similar cinematography, settings, and Beyonce's character appearing to reference the character Honey Bunny from Pulp Fiction.
Production planning
The document outlines 19 scenes for a film production planning a romantic drama about a couple. Scene 1 shows a coin toss in a church symbolizing the instability of the relationship. Scene 2 flashes back to when the couple spent carefree time in the park. Scene 3 depicts the couple dancing at a party before the woman receives a job offer abroad without telling her partner. Later scenes show the couple arguing and splitting up as the woman leaves for her new job, while her partner struggles to adjust to single life. The film cuts between the two living separate lives in different countries and features brief reunions as well as the characters each meeting new people. The ending scene proposes reuniting the couple by having one character catch the coin.
Leon The Professional
1) The opening sequence introduces the director, production company, title, and main actors of the film Leon the Professional through fading text over scenes of the city and ocean.
2) The sequence establishes the setting as a restaurant in "Little Italy" owned by a character named Guido.
3) In the restaurant, Guido asks Leon to persuade a mobster who comes to town on Tuesdays, implying Leon will use violence if needed. Leon agrees and takes a photo of the mobster, indicating he has been hired to potentially kill the target.
Along came a spiderlol
1) The document analyzes the opening scene of the 2001 film "Along Came a Spider" which revolves around a kidnapping and focuses on the police investigation.
2) The opening scene depicts a man and woman in a car being tracked by police as they drive, with the man suspected of being a serial killer. Tension is built through low lighting, ominous music, and the discovery that the woman is working with police.
3) As the car drives over a dam, suspense intensifies through wide shots of the precarious situation and close-ups of the worried detective, until the car falls into the dam while the detective looks on.
Understanding micro elements in film openings
Extreme close up
Close up
Medium Shot
Long Shot
Extreme long shot
Track
Pan
Tilt
Zoom
Cut
Pace
Performance
Diegetic
Non Diegetic
Mise en scene (Setting, costume, figure expression, props)
The Shining
The title sequence in The Shining uses extreme long shots that pan across remote locations to establish a sense of isolation and helplessness typical of psychological thrillers. Non-diegetic eerie music further builds an unsettling atmosphere. Titles appear on screen for only a few seconds each, starting with the director and main stars before revealing the film title. The slow cutting rhythm and lack of context for the green car driving through the shots creates mystery and leaves the audience with questions as it starts the story in a state of equilibrium.
The shinning
The document provides an analysis of the opening scenes of the film "The Shining". It summarizes that the long drive through isolated areas with repetitive music creates a surreal and ominous tone. This implies that the family in the car is driving deep into isolation, suggesting that if anything were to go wrong, no one could help them. The repetitive music also makes the audience feel uncomfortable and leaves them anticipating something bad to happen. Finally, the document notes that the long journey to an isolated hotel, coupled with the sinister music and isolation of the family, signals to the audience that the genre is likely to be horror or thriller.
Individual analysis
The opening scene of Scarlet Street establishes the dark, rainy setting and plays non-diegetic carnival music. It shows a group of formally dressed men smoking at a black tie event, then cuts to a man beating a woman in the street before another man intervenes. Finally, it depicts the man and woman entering a shady bar.
Script
The document is a script that tells a story through a series of shots and scenes. It begins with establishing shots of a location by the sea and a man holding a necklace. The story then flashes back to show the man driving alone, thinking of the girl and the necklace. Flashbacks show the man and girl happy together in the past, with her wearing the necklace. In the present, the man walks around lost in memory, mistakenly thinking he sees the girl. The script uses flashbacks and a recurring motif of the necklace to convey a story of loss, memory, and longing for the past.
Script
The document is a script that tells a story through a series of shots and scenes. It begins with establishing shots of a location by the sea and a man holding a necklace. The story then flashes back to show the man driving alone, thinking of the girl and the necklace. Flashbacks show the man and girl happy together in the past, with her wearing the necklace. In the present, the man walks around lost in memory, mistakenly thinking he sees the girl. The script uses flashbacks and a recurring motif of the necklace to convey a story of loss, memory, and longing for the past.
Term paper
This document discusses a student's analysis of the films Reservoir Dogs and The Wrestler after watching them without sound. For Reservoir Dogs, the student noticed how Tarantino used character placement, lighting, and camerawork to show relationships and distinguish between the criminals' world and the outside world. For The Wrestler, the student observed how Aronofsky used shots from behind Randy to portray his depressed life, and how lighting differentiated good and bad areas in his life. Watching these films without sound revealed directorial techniques the student had not previously noticed.
The departed
The document discusses several scenes from a film that build tension. It analyzes how the groceries the main character holds represent a return to normal life until he is suddenly shot. The placement of extras, a rat crawling off a balcony, and the character dropping groceries further this plot twist. Shot composition, a continuous take from an elevator to a door, and smooth editing into the apartment also slowly build intensity until the climactic shooting scene, leaving the audience in anticipation. Natural lighting is used to again represent normalcy returning before things take a dramatic turn.
Title sequence and Film opening
The opening sequence of the movie Halloween uses a black background with scratching and tickling sounds to create an eerie atmosphere. The title appears in bold red letters that fade between red and dark orange to symbolize aggression and blood. The title is centered to draw attention.
The opening of Gone Girl uses fade transitions between shots that initially fade slowly but then cut faster once the title is shown. Shots of an empty town suggest an unfortunate event, most likely a disappearance or death, and the isolation of the town is a key theme kept prominent in the thriller genre.
Shot list
The document lists 39 shots from a film or video project. It describes the shots which include various camera angles, movements, and close-ups showing characters interacting in different locations over time. The shots cover several scenes and transition between characters spending time together, separating, interacting with others, and eventually reconnecting as the coin motif repeats at the end.
Shot list
The document lists 39 shots from a film or video project. It describes the shots which include various camera angles, types of shots, and scenes showing a couple interacting in different locations over time. The shots include the couple dancing, walking together, interacting in social settings, and parting ways as one character moves to a new city for work while the other struggles with drinking.
Film trailer analysis - The Purge
The trailer analyzes the cinematography, editing, mise-en-scene, sound, and representation in the film The Purge. It uses close ups and long shots to build tension. Dissolves and fades are used to transition between scenes. The setting is a wealthy suburban village. Props like weapons signify the violence. Costumes distinguish the rich family from others. Dark lighting creates a horror atmosphere. Non-diegetic music and diegetic sounds like gunshots set the mood. Stereotypes like wealth and quick cuts are represented while others like formal villains are subverted.
Leon The Professtional
1) The opening sequence introduces the director, production company, and title of the film "Leon the Professional" through text over shots of black and white imagery.
2) The sequence then introduces the main actors through their names fading in and out over shots of the sea and land. Music plays as the camera tracks between locations.
3) The sequence establishes the story takes place in Little Italy, New York through text and shots of banners and signs. The camera tracks into a restaurant called "Guido's" where two men have a tense conversation at a table under dim lighting.
Film opening analysis insidious A-level Media Pre-Production
The opening sequence of the horror film Insidious establishes tension and mystery. Shots show a sleeping child, a shadowy figure in a window that turns out to be a ghostly woman. The sequence then cuts to another location where supernatural events are hinted at in different rooms, building anticipation for what is to come. The black and white cinematography and gloomy tone create an unsettling atmosphere as the score escalates the tension. Hints are provided that both good and evil forces may be at play in the film.
Romeo and juliet
The 5-minute opening montage establishes the rivalry between the Montague and Capulet families in Verona through a news report, title cards, and scenes showing their separate properties and family trees. Character portraits and titles introduce the main characters as the pace increases. The montage ends with the movie's title appearing in the third minute. The fourth minute shows Montague and Capulet boys encountering each other at a gas station, spotting each other's crests on their guns. Their ensuing confrontation ends the opening with a shot-reverse-shot of them preparing for battle.
Reservoir dogs opening Ellie
The opening scene of Reservoir Dogs establishes the characters and tone through its use of lighting, camera shots, music, costumes, and mise en scene. The men are dressed sharply in suits, implying wealth and importance. The upbeat pop song and high key lighting make the group seem charismatic at first. However, the music references drugs and the film ends by cutting to a kidnapped man bleeding in distress, signaling that these men may be involved in criminal plans.
Inspirations2
The document discusses inspiration for the opening scene of a film called "The Italian Job." It aims to set the scene like the original film by showing a car driving through the Alps to draw in the audience and make them wonder about the characters. It also discusses using the films "Drive" and works by Quentin Tarantino as influences for things like awkward dialogue, long takes during driving scenes, and Tarantino's cinematography and dark comedy.
Layer cake opening description
The opening scene of Layer Cake introduces the main character who is narrating about the money to be made in drugs, signaling the film's theme. Various camera shots and editing techniques are used to transition between the present and past. Characters are introduced through the narration and cross-cutting scenes, including a group in Amsterdam. The atmosphere is set up by an arranged meeting between the narrator and his cocaine supplier, hooking the audience by not revealing what will happen.
The call presentation
The opening sequence of The Call establishes the film as a crime thriller set in a 911 call center in Los Angeles. It introduces the main character Jordan, a 911 operator, through close-up shots that show her stressed expression as she deals with emergency calls. Extreme long shots provide views of the busy call center. The sequence uses a variety of shots, from close-ups to establish characters to long shots of the setting, with ringing phone sounds and urgent operator voices unifying it. The titles are incorporated throughout with a typed effect to set the tone for a film about emergency communication technology.
Shot list
The document lists 39 shots from a film or video project. It describes the shots which include various camera angles, movements, and close-ups showing characters interacting in different locations over time. The shots cover multiple scenes and progress from one character tossing a coin, to the couple spending time together in different settings, having difficulties, interacting separately in other places, and eventually reconnecting at the end.
Shot list
The document lists 39 shots from a film or video project. It describes the shots which include various camera angles, movements, and close-ups showing characters interacting in different locations over time. The shots cover multiple scenes and progress from one character tossing a coin, to the couple spending time together in different settings, having difficulties, interacting separately in other places, and eventually reconnecting at the end.
Shot list
The document lists 39 shots from a film or video project. It describes the shots which include various camera angles, movements, and close-ups showing characters interacting in different locations over time. The shots cover multiple scenes and transition between characters spending time together, separating, interacting with others, and eventually reconnecting as the coin motif recurs throughout.
Shot list
The shooting schedule documents the planned shots for the production titled "Depth" taking place on November 1st, 2017 from 9:00-4:15. It includes over 50 shots to be filmed at various outdoor locations including a road, tunnel, woods, and grassland, as well as indoor studio shots. Each entry notes the planned start and finish time, location, shot number, description, and whether it was completed along with any relevant notes. The shots include various angles and close-ups of characters Sophie, Charlotte, and Sam in different situations such as on the phone, running, smiling, and tied up.
Production planning
The document outlines 19 scenes for a film production planning a romantic drama about a couple. Scene 1 shows a coin toss at a church symbolizing the instability of the relationship. Scene 2 flashes back to when the couple spent carefree time together in a park. Scene 3 shows the couple dancing at a party before the female gets a job offer and doesn't tell the male. Later scenes depict the couple arguing and separating as the female moves abroad for her new job, showing their difficulties adjusting to long distance and moving on. The film ends by revisiting the coin from the beginning in a way that suggests the couple finding their way back to each other.
Production planning
The document outlines 18 scenes for a film production planning. Scene 1 shows a coin toss between a male and female character in a church with a focus pull on the coin. Scene 2 flashes back to the couple spending time together on a park bench as the sun sets. Scene 3 shows the couple dancing at a party before the female gets a job offer and doesn't tell the male. Later scenes show the couple arguing and splitting up, with the female moving abroad for her new job while the male struggles socially. The film ends with the couple reuniting and one of them catching the coin.
illicit affairs music video planning.pptx
The music video will tell the story of a woman reminiscing on a past illicit relationship. She finds a box of memories that transports her between present and past. Shots will alternate between her older self rediscovering the memories and flashbacks to her younger self's relationship, focusing on the lead up to and aftermath of their break up. Key moments will include finding perfume labeled "for him" and receiving a romantic message on her phone. The video aims to portray the pain of love through the lens of Taylor Swift's song and remain original by having no existing music video for the song.
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Script
The document is a script that tells a story through a series of shots and scenes. It begins with establishing shots of a location by the sea and a man holding a necklace. The story then flashes back to show the man driving alone, thinking of the girl and the necklace. Flashbacks show the man and girl happy together in the past, with her wearing the necklace. In the present, the man walks around lost in memory, mistakenly thinking he sees the girl. The script uses flashbacks and a recurring motif of the necklace to convey a story of loss, memory, and longing for the past.
Script
The document is a script that tells a story through a series of shots and scenes. It begins with establishing shots of a location by the sea and a man holding a necklace. The story then flashes back to show the man driving alone, thinking of the girl and the necklace. Flashbacks show the man and girl happy together in the past, with her wearing the necklace. In the present, the man walks around lost in memory, mistakenly thinking he sees the girl. The script uses flashbacks and a recurring motif of the necklace to convey a story of loss, memory, and longing for the past.
Term paper
This document discusses a student's analysis of the films Reservoir Dogs and The Wrestler after watching them without sound. For Reservoir Dogs, the student noticed how Tarantino used character placement, lighting, and camerawork to show relationships and distinguish between the criminals' world and the outside world. For The Wrestler, the student observed how Aronofsky used shots from behind Randy to portray his depressed life, and how lighting differentiated good and bad areas in his life. Watching these films without sound revealed directorial techniques the student had not previously noticed.
The departed
The document discusses several scenes from a film that build tension. It analyzes how the groceries the main character holds represent a return to normal life until he is suddenly shot. The placement of extras, a rat crawling off a balcony, and the character dropping groceries further this plot twist. Shot composition, a continuous take from an elevator to a door, and smooth editing into the apartment also slowly build intensity until the climactic shooting scene, leaving the audience in anticipation. Natural lighting is used to again represent normalcy returning before things take a dramatic turn.
Title sequence and Film opening
The opening sequence of the movie Halloween uses a black background with scratching and tickling sounds to create an eerie atmosphere. The title appears in bold red letters that fade between red and dark orange to symbolize aggression and blood. The title is centered to draw attention.
The opening of Gone Girl uses fade transitions between shots that initially fade slowly but then cut faster once the title is shown. Shots of an empty town suggest an unfortunate event, most likely a disappearance or death, and the isolation of the town is a key theme kept prominent in the thriller genre.
Shot list
The document lists 39 shots from a film or video project. It describes the shots which include various camera angles, movements, and close-ups showing characters interacting in different locations over time. The shots cover several scenes and transition between characters spending time together, separating, interacting with others, and eventually reconnecting as the coin motif repeats at the end.
Shot list
The document lists 39 shots from a film or video project. It describes the shots which include various camera angles, types of shots, and scenes showing a couple interacting in different locations over time. The shots include the couple dancing, walking together, interacting in social settings, and parting ways as one character moves to a new city for work while the other struggles with drinking.
Film trailer analysis - The Purge
The trailer analyzes the cinematography, editing, mise-en-scene, sound, and representation in the film The Purge. It uses close ups and long shots to build tension. Dissolves and fades are used to transition between scenes. The setting is a wealthy suburban village. Props like weapons signify the violence. Costumes distinguish the rich family from others. Dark lighting creates a horror atmosphere. Non-diegetic music and diegetic sounds like gunshots set the mood. Stereotypes like wealth and quick cuts are represented while others like formal villains are subverted.
Leon The Professtional
1) The opening sequence introduces the director, production company, and title of the film "Leon the Professional" through text over shots of black and white imagery.
2) The sequence then introduces the main actors through their names fading in and out over shots of the sea and land. Music plays as the camera tracks between locations.
3) The sequence establishes the story takes place in Little Italy, New York through text and shots of banners and signs. The camera tracks into a restaurant called "Guido's" where two men have a tense conversation at a table under dim lighting.
Film opening analysis insidious A-level Media Pre-Production
The opening sequence of the horror film Insidious establishes tension and mystery. Shots show a sleeping child, a shadowy figure in a window that turns out to be a ghostly woman. The sequence then cuts to another location where supernatural events are hinted at in different rooms, building anticipation for what is to come. The black and white cinematography and gloomy tone create an unsettling atmosphere as the score escalates the tension. Hints are provided that both good and evil forces may be at play in the film.
Romeo and juliet
The 5-minute opening montage establishes the rivalry between the Montague and Capulet families in Verona through a news report, title cards, and scenes showing their separate properties and family trees. Character portraits and titles introduce the main characters as the pace increases. The montage ends with the movie's title appearing in the third minute. The fourth minute shows Montague and Capulet boys encountering each other at a gas station, spotting each other's crests on their guns. Their ensuing confrontation ends the opening with a shot-reverse-shot of them preparing for battle.
Reservoir dogs opening Ellie
The opening scene of Reservoir Dogs establishes the characters and tone through its use of lighting, camera shots, music, costumes, and mise en scene. The men are dressed sharply in suits, implying wealth and importance. The upbeat pop song and high key lighting make the group seem charismatic at first. However, the music references drugs and the film ends by cutting to a kidnapped man bleeding in distress, signaling that these men may be involved in criminal plans.
Inspirations2
The document discusses inspiration for the opening scene of a film called "The Italian Job." It aims to set the scene like the original film by showing a car driving through the Alps to draw in the audience and make them wonder about the characters. It also discusses using the films "Drive" and works by Quentin Tarantino as influences for things like awkward dialogue, long takes during driving scenes, and Tarantino's cinematography and dark comedy.
Layer cake opening description
The opening scene of Layer Cake introduces the main character who is narrating about the money to be made in drugs, signaling the film's theme. Various camera shots and editing techniques are used to transition between the present and past. Characters are introduced through the narration and cross-cutting scenes, including a group in Amsterdam. The atmosphere is set up by an arranged meeting between the narrator and his cocaine supplier, hooking the audience by not revealing what will happen.
The call presentation
The opening sequence of The Call establishes the film as a crime thriller set in a 911 call center in Los Angeles. It introduces the main character Jordan, a 911 operator, through close-up shots that show her stressed expression as she deals with emergency calls. Extreme long shots provide views of the busy call center. The sequence uses a variety of shots, from close-ups to establish characters to long shots of the setting, with ringing phone sounds and urgent operator voices unifying it. The titles are incorporated throughout with a typed effect to set the tone for a film about emergency communication technology.
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Film opening analysis insidious A-level Media Pre-Production
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Similar to Detailed shot an sound list
Shot list
The document lists 39 shots from a film or video project. It describes the shots which include various camera angles, movements, and close-ups showing characters interacting in different locations over time. The shots cover multiple scenes and progress from one character tossing a coin, to the couple spending time together in different settings, having difficulties, interacting separately in other places, and eventually reconnecting at the end.
Shot list
The document lists 39 shots from a film or video project. It describes the shots which include various camera angles, movements, and close-ups showing characters interacting in different locations over time. The shots cover multiple scenes and progress from one character tossing a coin, to the couple spending time together in different settings, having difficulties, interacting separately in other places, and eventually reconnecting at the end.
Shot list
The document lists 39 shots from a film or video project. It describes the shots which include various camera angles, movements, and close-ups showing characters interacting in different locations over time. The shots cover multiple scenes and transition between characters spending time together, separating, interacting with others, and eventually reconnecting as the coin motif recurs throughout.
Shot list
The shooting schedule documents the planned shots for the production titled "Depth" taking place on November 1st, 2017 from 9:00-4:15. It includes over 50 shots to be filmed at various outdoor locations including a road, tunnel, woods, and grassland, as well as indoor studio shots. Each entry notes the planned start and finish time, location, shot number, description, and whether it was completed along with any relevant notes. The shots include various angles and close-ups of characters Sophie, Charlotte, and Sam in different situations such as on the phone, running, smiling, and tied up.
Production planning
The document outlines 19 scenes for a film production planning a romantic drama about a couple. Scene 1 shows a coin toss at a church symbolizing the instability of the relationship. Scene 2 flashes back to when the couple spent carefree time together in a park. Scene 3 shows the couple dancing at a party before the female gets a job offer and doesn't tell the male. Later scenes depict the couple arguing and separating as the female moves abroad for her new job, showing their difficulties adjusting to long distance and moving on. The film ends by revisiting the coin from the beginning in a way that suggests the couple finding their way back to each other.
Production planning
The document outlines 18 scenes for a film production planning. Scene 1 shows a coin toss between a male and female character in a church with a focus pull on the coin. Scene 2 flashes back to the couple spending time together on a park bench as the sun sets. Scene 3 shows the couple dancing at a party before the female gets a job offer and doesn't tell the male. Later scenes show the couple arguing and splitting up, with the female moving abroad for her new job while the male struggles socially. The film ends with the couple reuniting and one of them catching the coin.
illicit affairs music video planning.pptx
The music video will tell the story of a woman reminiscing on a past illicit relationship. She finds a box of memories that transports her between present and past. Shots will alternate between her older self rediscovering the memories and flashbacks to her younger self's relationship, focusing on the lead up to and aftermath of their break up. Key moments will include finding perfume labeled "for him" and receiving a romantic message on her phone. The video aims to portray the pain of love through the lens of Taylor Swift's song and remain original by having no existing music video for the song.
Shot list
This document contains a shot list for a music video with 43 shots. It describes the scene, location, camera movement, content, character, and timing for each shot. The shots include close-ups, mid shots and long shots of the singer Harvey performing and lip syncing to songs in various outdoor locations like streets, fields and forests over the course of the music video. It also includes shots of animals, balloons, fireworks, sunsets and clothes spinning in a washing machine.
Shotlist
This document contains a shot list for a music video production with 15 shots over 5 scenes. The shots include establishing shots, singles, inserts, cutaways and more. They show the female singer entering an empty studio, rehearsing a song while being filmed from different angles, and performing on stage with a male dancer.
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The document summarizes the results of a questionnaire about film preferences. It found that 60% of respondents watch films once a week, most were aged 15-18, 60% were female, 80% preferred the film "The Notebook", and 60% listed sports as a main hobby. The document analyzes how these results inform the type of romantic film and characters that will appeal most to the target audience.
Audience research
The document summarizes the results of a questionnaire about film preferences. It found that 60% of respondents watch films once a week, most were aged 15-18, 60% were female, 80% preferred the film "The Notebook", and 60% listed sports as a main hobby. The document analyzes how these results inform the type of romantic film and characters that will appeal most to the target audience.
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The document summarizes the results of a questionnaire about film preferences. It found that 60% of respondents watch films once a week, most were aged 15-18, 60% were female, 80% preferred the romantic film "The Notebook," and 60% listed sports as a main hobby. The document analyzes how these results inform the target audience and genres for a romantic film trailer being created.
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Evaluation of my film poster
The document discusses the design choices made for a film poster. It covers four areas:
1) The image depicts the main characters in an intimate pose that represents the capacity of their relationship despite obstacles.
2) The font uses both serif and sans serif to appeal to both genders as is appropriate for a romance genre.
3) The color scheme uses dark colors for the male and lighter colors for the female to represent gender visually and draw attention to their faces.
4) The layout follows conventional design with text that draws the audience in and big names to attract fans of the actors.
Magazine ancillary planning
The masthead uses bold black text on a light background to stand out. The main image is very sharp, with a faded background to draw focus to the foreground figures. Pink and peach colors are used throughout to symbolize romance, with peach as the dominant color providing contrast and drawing the eye. The bold cover story in a larger font size draws attention and the caption below entices readers. Cover lines are bold and black against the light background, appearing crisp to stand out on store shelves.
Casting
The female role in the trailer will be a stereotypical feminine character who is attractive, emotional, and falls in love with the male character. She will be shorter than the male character to represent his dominance. The actress chosen to play this role, Isobel Ludlow, was selected because she has natural beauty, average female height, long hair creating a feminine appearance, and good acting skills.
The male role will be a shy character whose profession gives him a masculine appearance, allowing the audience to become interested in his secretive nature. He will need to express passionate love for the female character and emotion in some scenes. Harry Stevens was chosen for his natural look on camera, photogenic features, tall height that works well
Risk (1)
Roadside filming carries heavy risks from traffic that can be mitigated by crew stepping aside for cars and wearing sturdy footwear. Restaurant filming requires handling glasses carefully and keeping crockery away from edges to prevent falling and breaking. Filming from a moving car at night poses high collision risks that can be managed by ensuring the driver focuses on the road with headlights on while seatbelts are worn at all times by crew.
Prodution plan
The document provides details of filming locations, outfits, actors, and descriptions for several scenes shot for a film over multiple dates. Key details include:
- Scenes were filmed at roadsides, down minor roads, in fields, in cars, bedrooms, lounges, bathrooms, gardens, and kitchens.
- Outfits were described for male and female lead characters for each scene.
- The filmmaker directed and shot the scenes, with main characters Isobel and Harry acting in most scenes.
- Short descriptions provided for each scene, including actions, camera angles tested, and number of takes to complete.
Detailed shot an sound list
The document provides a shot list for a film that tells the story of a couple, Khloe and Peter, meeting and falling in love. It describes various scenes showing their introduction, dates, intimacy as their relationship grows, time spent together and apart, and an emotional scene at a grave site. The voiceovers provide quotes reflecting on their attraction, commitment, and longing to stay together.
Shot list
The document describes 30 shots from a film depicting the developing relationship between a couple, Khloe and Peter. Some of the key shots include them first meeting and exchanging names, going on a date at a restaurant, dancing together, Khloe learning that Peter is a marine, the couple laughing together on a sofa, Peter packing clothes and saying he's coming home to Khloe, and Khloe crying and then joyfully running to embrace Peter.
One day is forever script
Peter catches Khloe from falling and they are immediately attracted to each other. They begin spending time together and their relationship blossoms. However, Peter reveals he is a marine and has to leave. Khloe is later seen crying in her car alone. Their relationship is tested by Peter's military service and separation.
Detailed shot an sound list
The document provides a shot list for a film that tells the story of a couple, Khloe and Peter, meeting and falling in love. It describes various scenes showing their introduction, dates, intimacy as their relationship grows, time spent together and apart, and an emotional scene at a grave site. The voiceovers provide quotes reflecting on their attraction, commitment, and longing to stay together.
Shot list
The document describes 30 shots from a film depicting the developing relationship between a couple, Khloe and Peter. Some of the key shots include them first meeting and introducing themselves, going on a date at a restaurant, dancing together, Khloe learning that Peter is a marine, and them sharing an emotional goodbye as Peter prepares to deploy overseas. The shots help tell the story of their romance from their initial meeting through bonding and eventually having to separate when Peter receives military orders.
Production outline
The document outlines the production outline for a romantic film trailer. It describes several scenes that will be included: 1) the initial meeting of the male and female leads shown through various shots to depict attraction; 2) the introduction of the film's author against a sunset backdrop; 3) shots of the blossoming romance between the characters. It also describes scenes meant to create speculation about the relationship, such as a scene implying the male lead is a Royal Marine. Additional scenes will show the difficulty of a long-distance relationship and the couple expressing their love and romance. The trailer aims to leave the audience wondering what will happen to compel them to see the full film.
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Detailed shot an sound list
- 1. SHOT# SCENE# SHOT TYPE DESCRIPTION 1 1 WIDE SHOT Music beginsascouple walktowardseachother 2 1 LONG SHOT Male catchesfemale whichishow theymeet 3 1 TWO SHOT Couple standopposite eachotherpresentsattraction 4 1 CLOSE UP KHLOE: I’mKhloe 5 1 CLOSE UP PETER: Peter 6 2 LONG SHOT Couple walkingtowardscameratalking 7 2 EXT. HIGH ANGLE Couple walkingdown street:bestselling authorRyan Clarke 8 3 CLOSE UP Female sittinginrestaurantopposite male 9 3 CLOSE UP Voice over:It tookme a weekto fall foryou. 10 3 CLOSE UP Male sittinginrestaurantopposite female. 11 4 WIDE SHOT Reedsagainstthe sunset :Authorof this is love 12 5 MID SHOT Couple dancingtogether 13 5 CLOSE UP Camerafocusedn female’shairwhippingasshe dances 14 6 CLOSE UP The male character dropsthe bag infrontof the camera 15 6 CLOSE UP Female looksup: You’re a marine? 16 7 WIDE SHOT Sittingonsofa 17 7 WIDE SHOT Voice over:Whatdo you do when you’vejustmet? 18 8 MID SHOT Male packingbag: KhloeI’mcoming home 19 9 CLOSE UP Female charactercryinginthe bathroom 20 9 CLOSE UP Voice over:Stay with me 21 10 WIDE SHOT Female runsoutof house togreetmale 22 11 MID SHOT Match onaction of female jumpingintomale’sarms 23 11 TWO SHOT The couple kiss 24 12 LONG SHOT Female exitsonphone inbusinesswear 25 13 OVERTHE SHOULDER Male writingalettertofemale 26 14 CLOSE UP Male cryinginthe car at night 27 15 MID SHOT Couple standinginthe doorway: Peter this is my Dad. 28 15 CLOSE UP Secondmale looksupto the couple 29 16 WIDE SHOT Cameraruns overthe grass 30 16 WIDE SHOT Voice over:Miles fromwhere you are 31 17 CLOSE UP Male walkingtowardscamerainsuit 32 18 CLOSE UP Female lookingoutof the window 34 19 LONG SHOT Female standingatgrave male walksroundcorner 35 19 LONG SHOT : Oh my god 36 20 CLOSE UP Male staringoutof window 37 20 EXT. ZOOM Transitionfade frommale’sface tomoon 38 21 EXT. ZOOM Shotof Moon : Voice over:I wish oneday could last forever.