The shooting script outlines 29 scenes depicting three performers - a Punk Girl, Upper Class Girl, and Lower Class Girl - over the course of a day and night. It begins with establishing shots of the countryside and the performers going about their morning routines. As night falls, the Lower Class Girl walks alone through town drinking at a pub with little money, while the Upper Class Girl rides her horse miserably. The next day, the three girls' paths converge as Punk Girl bikes across the field and bumps into the other two, reuniting smiling and laughing while flashbacks depict their time together the night before.

1. Shooting script
SCENE ONE - DAY
Extreme, still shot of the country side
Fade:
SCENE TWO - DAY
Mid shot of performer (PUNK GIRL- Emily) making a cup of tea
Jump cut:
SCENE THREE - DAY
Close up of a MAN with a face of disgust
Fade:
SCENE FOUR - DAY
Long shot of performer (UPPER CLASS GIRL – Ibby)
LADY comes walking in
LADY “Take that hoodie off Isabella, I don’t want
you to scare anyone away”.
Jump cut:
SCENE 5 - DAY
Close up of UPPER CLASS GIRL huffing and taking her hoodie
down.
UPPER CLASS GIRL walks off scene
Fade:
SCENE SIX - DAY
Extreme close up of clock bleeping
Jump cut:
SCENE SEVEN - DAY
Close up of performer (LOWER CLASS GIRL – Sian) sleeping in
bed
Voice from down stairs “GET UP YOU’RE LATE!”

2. LOWER CLASS GIRL jumps out of bed
Fade:
SCENE EIGHT - DAY
Front door
Title of song and name of artist fades up to screen “Sub
Focus, Turn it Around”
LOWER CLASS GIRL then storms out of door
The song begins in the back ground
Fade:
SCENE NINE - NIGHT
Close up of LOWER CLASS GIRL walking through streets at night
Camera behind LOWER CLASS GIRL
I don't know what they're telling you
Fade:
SCENE TEN - NIGHT
Mid shot of LOWER CLASS GIRL walking through streets
Camera in front of LOWER CLASS GIRL
But I know I can turn it around
Fade :
SCENE ELEVEN - NIGHT
Close up of LOWER CLASS GIRL drinking a pint of beer in a pub
Blurred background
I know I've hurt you, and I've not been true
Fade:
SCENE TWELVE - NIGHT
Long shot of LOWER CLASS GIRL walking out of pub back into
streets.
A song of desperation, but I'm not letting go

3. Fade:
SCENE THIRTEEN - NIGHT
Close up of small amount of change in LOWER CLASS GIRL’s hand
Not enough money for a taxi.
I'll be with you in the hour, fade
Fade:
SCENE FOURTEEN - NIGHT
Mid shot of LOWER CLASS GIRL walking away from camera to walk
home
I'll be with you
Jump cut:
SCENE FIFTEEN - DAY
Long shot of UPPER CLASS GIRL mucking out horse looking
miserable
They said we were too young, to keep our love so strong
Fade:
SCENE SIXTEEN - DAY
Mid shot of UPPER CLASS GIRL brushing her horse main with her
hoodie up
She looks outside into the distance
You said you want devotion, look no further
Jump cut:
SCENE SEVENTEEN - DAY
The beet of the song has dropped
UPPER CLASS GIRL is galloping away on her horse
Jump cut:
SCENE EIGHTEEN - DAY
Long shot of UPPER CLASS GIRL on her horse galloping in a
field

4. Jump cut:
SCENE NINETEEN - DAY
Mid shot of UPPER CLASS GIRL getting off horse and tying it to
the fence
UPPER CLASS GIRL turns around and looks confused
I don't know what they're telling you
Jump cut:
SCENE TWENTY - DAY
Long shot of LOWER CLASS GIRL walking down the path with the
camera behind her
LOWER CLASS GIRL turns around and is surprised
But I know we can turn it around
Jump cut:
SCENE TWENTY-ONE - NIGHT
Flashback to the night before when LOWER CLASS, UPPER CLASS
and PUNK GIRL were dancing together at a party
I know I've hurt you, and I've not been true
Jump cut:
SCENE TWENTY-TWO - DAY
Long shot of PUNK GIRL walking out of house with a bicycle
But I know I can turn it around
Fade:
SCENE TWENTY-THREE - DAY
Mid shot of PUNK GIRL cycling up the hill
She stops and looks down a footpath
A song of desperation, but I'm not letting go
Fade:

5. SCENE TWENTY-FOUR - DAY
Long shot of PUNK PERFORMER cycling down the down the field
The camera is behind PUNK GIRL
I'll be with you in the hour,
Fade:
SCENE TWENTY-FIVE - DAY
Mid shot of PUNK GIRL cycling from the field onto a path
I'll be with you
Jump cut:
SCENE TWENTY-SIX - DAY
Over-the-shoulder shot of the PUNK GIRL bumping into the UPPER
CLASS GIRL and LOWER CLASS GIRL
The UPPER CLASS GIRL and LOWER CLASS GIRL turn around and look
shocked
You said you want devotion,
Fade:
SCENE TWENTY-SEVEN - DAY
Long shot of PUNK GIRL, UPPER CLASS GIRL and LOWER CLASS GIRL
walking towards the camera smiling and laughing
LOWER CLASS GIRL, PUNK GIRL and UPPER CLASS GIRL walk past the
camera
look no further
Jump cut:
SCENE TWENTY-EIGHT - NIGHT
The beet of the song drops
Mid shot of a flashback from the night before when the UPPER
CLASS GIRL, LOWER CLASS GIRL and PUNK GIRL were dancing at a
party
Fade:

6. SCENE TWENTY-NINE - DAY
As the music is fading away the UPPER CLASS GIRL,LOWER CLASS
GIRL and PUNK GIRL are walking away from the camera (camera
behind them)
Fade:
CUT TO BLACK.