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Sensory	
  Garden:	
  	
  	
  
Lessons	
  learned	
  from	
  the	
  UK	
  &	
  Singapore	
  	
  
Hazreena	
  Hussein	
  
reenalambina@um.edu.my	
  	
  
The	
  University	
  of	
  Hong	
  Kong	
  	
  
17	
  April	
  2015	
  
Whitehouse,	
  S.,	
  Varni,	
  J.W.,	
  Seid,	
  M.,	
  Cooper	
  Marcus,	
  C.,	
  Ensberg,	
  M.J.,	
  Jacobs,	
  J.R.	
  and	
  
Mehlenbeck,	
  R.S.	
  (2001)	
  ‘EvaluaTng	
  a	
  children’s	
  hospital	
  garden	
  environment:	
  UTlizaTon	
  
and	
  costumer	
  saTsfacTon’.	
  Journal	
  of	
  environmental	
  psychology,	
  21.	
  pp.301-­‐314.	
  	
  
Photo	
  credit:	
  Clare	
  Cooper	
  Marcus	
  &	
  Naomi	
  A.	
  Sachs	
  (2014)	
  Therapeu@c	
  Landscapes,	
  p.93.	
  	
  
Moore,	
  R.	
  C.	
  and	
  Cosco,	
  N.	
  G.	
  (2007)	
  ‘What	
  makes	
  a	
  park	
  inclusive	
  and	
  universally	
  
designed?	
  A	
  mulT-­‐method	
  approach’.	
  In	
  Thompson,	
  C.	
  W.	
  and	
  Travlou,	
  P.	
  (eds.)	
  Open	
  
space:	
  People	
  space.	
  London:	
  Taylor	
  &	
  Francis.	
  pp.85-­‐110.	
  	
  
Scotland	
  Yard	
  Adventure	
  Centre,	
  Edinburgh	
  	
  
What	
  is	
  a	
  sensory	
  garden?	
  What	
  makes	
  a	
  sensory	
  garden	
  different	
  from	
  any	
  other	
  
garden?	
  Are	
  not	
  all	
  gardens	
  sensory?	
  What	
  is	
  a	
  sensory	
  garden	
  composed	
  of?	
  How	
  do	
  
people	
  use	
  or	
  benefit	
  from	
  sensory	
  gardens?	
  
A	
  variety	
  of	
  scented	
  
plants	
  
• 	
  smell	
  
A	
  variety	
  of	
  tacBle	
  qualiBes	
  
and	
  wildlife	
  
• 	
  touch	
  
• 	
  sight	
  
A	
  variety	
  of	
  colours	
  for	
  visual	
  
sTmulaTon	
  
• 	
  hear	
  
Water	
  elements,	
  birds,	
  climaBc	
  
factors	
  	
  	
  
• 	
  taste	
  
Engaged	
  with	
  edible	
  plants	
  	
  	
  
• 	
  health,	
  emo@onal	
  and	
  mental	
  	
  
Users	
  to	
  be	
  more	
  confident,	
  
posiTve	
  of	
  mind	
  	
  &	
  independent	
  
‘Sensory	
  gardens	
  cannot	
  be	
  designed	
  without	
  considering	
  the	
  human	
  element.	
  Unlike	
  tradiBonal	
  
display	
  gardens	
  that	
  are	
  meant	
  to	
  be	
  observed	
  from	
  a	
  distance,	
  sensory	
  gardens	
  draw	
  the	
  
visitor	
  into	
  touch,	
  smell	
  and	
  acBvely	
  experience	
  the	
  garden	
  with	
  all	
  senses’	
  	
  
	
  Shoemaker,	
  C.A.	
  (2002)	
  InteracTon	
  by	
  Design:	
  Bringing	
  people	
  and	
  plants	
  together	
  for	
  health	
  and	
  well-­‐being.	
  
	
  
	
  
	
  
	
  
	
  
	
  
'The	
  only	
  difference	
  in	
  a	
  sensory	
  garden	
  is	
  that	
  all	
  components	
  of	
  hard	
  &	
  soN	
  landscaping,	
  colours	
  
and	
  textures	
  must	
  be	
  carefully	
  chosen	
  and	
  designed	
  to	
  appeal	
  to	
  the	
  senses	
  in	
  such	
  a	
  way	
  that	
  
they	
  provide	
  maximum	
  sensory	
  sBmulaBon’.	
  
Lambe,	
  L.	
  (1995)	
  Gardening:	
  A	
  mulTsensory	
  experience.	
  
70s	
  
Netherlands	
  
•  The	
  concept	
  of	
  mulT	
  sensory	
  environment	
  was	
  originated	
  by	
  
Hulsegge	
  and	
  Verheul	
  at	
  the	
  Hartenberg	
  InsTtute	
  where	
  they	
  created	
  
the	
  first	
  snoezelen	
  room.	
  	
  
70s	
  UK	
  
•  The	
  concept	
  was	
  developed	
  in	
  hospitals,	
  later	
  integrated	
  in	
  special	
  
schools	
  as	
  a	
  mulT-­‐sensory	
  curriculum.	
  The	
  iniTal	
  idea	
  of	
  SGs	
  derived	
  
from	
  the	
  horTcultural	
  therapy	
  movement.	
  It	
  developed	
  more	
  rapidly	
  
than	
  SGs,	
  which	
  used	
  to	
  be	
  ‘gardens	
  for	
  the	
  blind’.	
  
80s	
  UK	
  
•  Visually	
  impaired	
  people	
  challenged	
  the	
  iniTal	
  ideas	
  about	
  ‘gardens	
  
for	
  the	
  blind’	
  because	
  the	
  issue	
  of	
  being	
  segregated	
  from	
  able–
bodied	
  people	
  was	
  itself	
  beginning	
  to	
  be	
  challenged.	
  	
  
	
  ‘The	
  simplest	
  way	
  of	
  causing	
  a	
  riot	
  in	
  any	
  locality	
  in	
  Britain	
  would	
  be	
  to	
  clamp	
  on	
  
the	
  able-­‐bodied	
  the	
  same	
  restricBons	
  that	
  now	
  apply	
  to	
  the	
  disabled.	
  They	
  feel	
  
that	
  their	
  personal	
  handicaps	
  are	
  bad	
  enough	
  without	
  the	
  gratuitous	
  social	
  
handicap	
  of	
  being	
  treated	
  differently	
  from	
  everyone	
  else’	
  (Rowson,	
  N.J.;	
  1985:	
  21)	
  
Sensory	
  Garden	
  Case	
  Studies	
  	
   CollaboraTon	
  Work	
  
Sharifah	
  Rokiah	
  Knowledge	
  Centre,	
  
Kedah	
   TherapeuTc	
  Sensory	
  STmulaTon	
  Garden,	
  KL	
  
View	
  from	
  the	
  entrance	
  
	
  
View	
  to	
  the	
  centre	
  of	
  the	
  hsg	
  (outer	
  area)	
  
	
  
	
  
	
  
	
  
	
  
Corner	
  seaTng	
  area	
  –	
  Island	
  –	
  Mural	
  wall	
  
Therapeu@c	
  Sensory	
  S@mula@on	
  Garden,	
  KL	
  
Uncon@nuous	
  circula@on	
  network	
  
Lyndale	
  School,	
  Liverpool	
  
 
Inaccessible	
  garden	
  feature	
  
Royal	
  School	
  for	
  the	
  Deaf	
  and	
  Communica@on	
  Disorders,	
  Manchester	
  
 
Lack	
  of	
  water	
  feature	
  
St.	
  Ann`s	
  School,	
  Surrey	
  	
  
Unfunc@onal	
  garden	
  feature	
  
Royal	
  School	
  for	
  the	
  Deaf	
  and	
  Communica@on	
  Disorders,	
  Manchester	
  
 
Lack	
  of	
  maintenance	
  
Kelvin	
  School,	
  Glasgow	
  
 
Inaccessible	
  surface	
  material	
  
Cranbooth	
  Residen@al	
  School	
  for	
  Dual	
  Sensory	
  Impaired,	
  Glasgow
Steps	
  and	
  ramps	
  
Cranbooth	
  Residen@al	
  School	
  for	
  Dual	
  Sensory	
  Impaired,	
  Glasgow	
  
So	
  what	
  is	
  it	
  about	
  	
  
the	
  environment	
  	
  
that	
  is	
  engaging?	
  
 	
  
Site	
  Planning	
  and	
  Spa@al	
  Loca@on	
  
Sensory	
  Garden	
  at	
  BCA	
  Academy,	
  Singapore	
  
Scented	
   Sound	
   Touch	
  
Taste	
  
BCA	
  Academy,	
  Singapore	
  
Analysis	
  and	
  Discussion	
  (RSDCD)	
  
Accessibility,	
  Way	
  finding	
  and	
  Circula@on	
  
Royal	
  School	
  for	
  the	
  Deaf	
  and	
  Communica@on	
  Disorders,	
  Manchester	
  
BCA	
  Academy,	
  Singapore	
  
Physical	
  designed	
  garden	
  elements	
  	
  
Lyndale	
  School,	
  Liverpool	
  
Soi	
  landscape	
  and	
  wildlife	
  refuge	
  
Microclimate	
  	
  
It	
  was	
  a	
  misty	
  morning.	
  A	
  young	
  boy	
  with	
  his	
  teacher	
  was	
  
having	
  a	
  leisurely	
  walk	
  in	
  the	
  Woodland	
  Garden.	
  As	
  they	
  
walked	
  on	
  the	
  boardwalk	
  underneath	
  a	
  shady	
  canopy,	
  the	
  
teacher	
  jumped	
  and	
  grabbed	
  a	
  branch.	
  The	
  boy	
  looked	
  at	
  her	
  
and	
  wondered	
  why	
  she	
  had	
  done	
  that.	
  Ì	
  have	
  a	
  surprise	
  for	
  
you…	
  are	
  you	
  ready?`	
  she	
  asked.	
  Both	
  of	
  his	
  hands	
  were	
  
holding	
  the	
  rope	
  railing	
  while	
  jumping	
  with	
  excitement.	
  The	
  
teacher	
  had	
  a	
  good	
  grip	
  of	
  the	
  branch,	
  	
  ready	
  to	
  give	
  him	
  a	
  big	
  
surprise.	
  She	
  shook	
  it	
  hard	
  with	
  both	
  of	
  her	
  hands	
  and	
  down	
  
came	
  drips	
  of	
  rainwater	
  from	
  the	
  leaves.	
  The	
  boy	
  was	
  so	
  
surprised;	
  he	
  let	
  go	
  of	
  his	
  hands	
  that	
  were	
  holding	
  the	
  rope	
  
railing	
  and	
  liied	
  his	
  arms	
  up	
  while	
  his	
  face	
  looked	
  up	
  to	
  the	
  
sky.	
  He	
  was	
  feeling	
  and	
  touching	
  the	
  rainwater.	
  At	
  one	
  point,	
  
he	
  opened	
  his	
  mouth	
  to	
  taste	
  it.	
  When	
  the	
  rainwater	
  became	
  
less,	
  the	
  teacher	
  stopped	
  and	
  laughed,	
  as	
  	
  both	
  of	
  them	
  got	
  
wet	
  (Hazreena`s	
  research	
  journal	
  entry,	
  May	
  2009)	
  	
  	
  
Safety	
  and	
  Maintenance	
  	
  
	
  
Wheeling	
  stream	
  was	
  the	
  term	
  used	
  by	
  
Jane	
  Stoneham,	
  who	
  designed	
  a	
  water	
  
feature	
  in	
  a	
  special	
  school	
  for	
  
wheelchair	
  users.	
  The	
  features	
  gives	
  
them	
  a	
  feeling	
  of	
  wheeling	
  in	
  the	
  water	
  
through	
  shallow	
  water	
  that	
  is	
  safe	
  to	
  
cross	
  over.	
  
• 	
  A	
  good	
  circulaTon	
  network	
  and	
  a	
  variety	
  of	
  garden	
  features	
  affording	
  easy	
  way	
  finding	
  
• 	
  A	
  variety	
  of	
  features	
  posiToned	
  along	
  pathways	
  and	
  areas	
  with	
  easy	
  access,	
  	
  
afford	
  diverse	
  acTviTes	
  for	
  environmental	
  and	
  sensory	
  learning	
  
ASPECTS	
  
i.  Accessibility	
  to	
  and	
  funcTonality	
  of	
  the	
  garden	
  features	
  
ii.  The	
  layout	
  of	
  the	
  circulaTon	
  network,	
  i.e.	
  Sensory	
  Trail	
  
iii.  Sensory	
  value,	
  not	
  focusing	
  only	
  on	
  the	
  aestheTcs	
  of	
  visual	
  composiTon	
  
RECOMMENDATIONS	
  
Site	
  planning	
  and	
  spaTal	
  locaTon	
  of	
  the	
  garden	
  in	
  relaTon	
  to	
  the	
  site	
  context;	
  	
  
Accessibility,	
  way	
  finding	
  and	
  circulaTon	
  network;	
  Physical	
  designed	
  elements;	
  	
  
Soi	
  landscape	
  and	
  Wildlife	
  refuge;	
  Microclimate;	
  Safety;	
  and	
  Maintenance.	
  	
  
So	
  what	
  is	
  it	
  about	
  the	
  environment	
  that	
  is	
  engaging?	
  
Conclusion	
  
New	
  direcTons	
  for	
  further	
  research	
  exploraTon	
  scheduled	
  at	
  the	
  
TherapeuTc	
  Sensory	
  STmulaTon	
  Garden,	
  UMMC.	
  It	
  would	
  be	
  
interesTng	
  to	
  examine	
  the	
  use	
  in	
  a	
  Malaysian	
  context.	
  This	
  would	
  
produce	
  disTnct	
  research	
  on	
  the	
  design	
  of	
  these	
  gardens.	
  The	
  result	
  of	
  
future	
  research	
  would	
  produce	
  further	
  knowledge	
  into	
  how	
  the	
  
composiTon	
  of	
  the	
  garden	
  features	
  and	
  the	
  spaTal	
  design	
  of	
  the	
  
sensory	
  garden	
  would	
  enable	
  the	
  users’	
  engagement	
  and	
  usability	
  
of	
  the	
  garden.	
  Thus,	
  addiTonal	
  recommendaTons	
  and	
  
improvements	
  for	
  future	
  use,	
  planning	
  and	
  the	
  design	
  of	
  sensory	
  
gardens	
  in	
  special	
  schools	
  could	
  be	
  suggested.	
  
Hussein,	
  H.	
  (2006)	
  An	
  exploratory	
  study	
  of	
  sensory	
  gardens.	
  
hhp://ophoenix.org/gardening/wp-­‐content/uploads/2014/06/An-­‐Exploratory-­‐Study-­‐of-­‐Sensory-­‐Gardens.pdf	
  
	
  
Hazreena	
  Hussein	
  (2009)	
  Sensory	
  Gardens.	
  Access	
  by	
  Design	
  (spring)	
  Issue	
  118:13-­‐17.	
  
	
  
Hazreena	
  Hussein	
  (2009)	
  Sensory	
  garden	
  in	
  special	
  schools:	
  The	
  issues,	
  design	
  and	
  use.	
  Journal	
  of	
  Design	
  and	
  Built	
  Environment	
  5:77-­‐	
  95.	
  
hhp://re.um.edu.my/images/fab/Files/jdbevol5/vol506.pdf	
  
	
  
Hazreena	
  Hussein	
  (2010)	
  
Using	
  the	
  sensory	
  garden	
  as	
  a	
  tool	
  to	
  enhance	
  the	
  educa@onal	
  development	
  and	
  social	
  interac@on	
  of	
  children	
  with	
  special	
  needs.	
  Bri%sh	
  Journal	
  of	
  
Learning	
  Support,	
  25(1):	
  25-­‐31.	
  doi:	
  10.1111/j.1467-­‐9604.2009.01435.x	
  
	
  
Hazreena	
  Hussein	
  (2010)	
  
Using	
  the	
  sensory	
  garden	
  as	
  a	
  tool	
  to	
  enhance	
  the	
  educa@onal	
  development	
  and	
  social	
  interac@on	
  of	
  children	
  with	
  special	
  needs.	
  Bri%sh	
  Journal	
  of	
  
Learning	
  Support,	
  25(1):	
  25-­‐31.	
  doi:	
  10.1111/j.1467-­‐9604.2009.01435.x	
  
	
  
Hazreena	
  Hussein	
  (2010)	
  Sensory	
  Gardens:	
  Assessing	
  their	
  Design	
  and	
  Use.	
  Intelligent	
  Buildings	
  Interna%onal	
  2(2)116-­‐123(8).	
  
	
  
Hazreena	
  Hussein	
  (2011)	
  The	
  Influence	
  of	
  Sensory	
  Gardens	
  on	
  the	
  Behavior	
  of	
  Children	
  with	
  Special	
  Educa@onal	
  Needs.	
  Asian	
  Journal	
  of	
  
Environment-­‐	
  Behavior	
  Studies	
  2(4):	
  78-­‐93.	
  hhp://fspu.uitm.edu.my/cebs/images/stories/aj7hazreenahussein.pdf	
  
	
  
Hazreena	
  Hussein	
  (2013)	
  
Paberns	
  of	
  seated	
  ac@vity	
  in	
  sensory	
  gardens	
  among	
  children	
  educated	
  in	
  special	
  schools.	
  Support	
  for	
  Learning	
  28(2):	
  73-­‐78.	
  
doi:	
  10.1111/1467-­‐9604.12021	
  
Hazreena	
  Hussein,	
  Nik	
  Malik	
  Nik	
  Zainal	
  Abidin	
  &	
  Zaleha	
  Omar	
  (2013)	
  
Engaging	
  research	
  and	
  prac@ce	
  in	
  crea@ng	
  for	
  outdoor	
  mul@-­‐sensory	
  environments:	
  Facing	
  future	
  challenges.	
  AicE-­‐Bs	
  2013	
  London.	
  Procedia	
  -­‐	
  Social	
  
and	
  Behavioral	
  Sciences	
  105:536-­‐546.	
  doi:10.1016/j.sbspro.2013.11.057	
  
	
  
Hussein,	
  H.	
  &	
  Daud,	
  M.N.	
  (2013)	
  Taman	
  Sensori:	
  Kanak-­‐Kanak	
  Bekeperluan	
  Khas.	
  Penerbit	
  Universi@	
  Malaya.	
  
	
  
Hazreena	
  Hussein	
  and	
  Md	
  Nasir	
  Daud	
  (2015)	
  
Examining	
  the	
  Methods	
  for	
  Inves@ga@ng	
  Behavioral	
  Clues	
  of	
  Special-­‐schooled	
  Children.	
  Field	
  Methods	
  27:	
  97-­‐112.doi:10.1177/1525822X14537579	
  
	
  
Clare	
  Cooper	
  Marcus	
  and	
  Naomi	
  A.	
  Sachs	
  (2014)	
  Therapeu@c	
  Landscapes:	
  An	
  evidence-­‐based	
  approach	
  to	
  designing	
  healing	
  gardens	
  and	
  restora@ve	
  
outdoor	
  spaces.	
  Wiley.	
  	
  
	
  
Gayle	
  Souter-­‐Brown	
  (2015)	
  Landscape	
  and	
  Urban	
  Design	
  for	
  Health	
  and	
  Well-­‐Being:	
  Using	
  healing,	
  sensory	
  and	
  therapeu@c	
  gardens.	
  Routledge.	
  	
  
Thank	
  you	
  to	
  Ms.	
  Syaidatul	
  Azzreen	
  Ishak,	
  research	
  assistant	
  of	
  Sub-­‐GC3,	
  UM	
  	
  
for	
  cover	
  image	
  and	
  BCA	
  Academy`s	
  layout	
  plan.	
  

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Sensory Garden: Lessons learned from the UK and Singapore

  • 1. Sensory  Garden:       Lessons  learned  from  the  UK  &  Singapore     Hazreena  Hussein   reenalambina@um.edu.my     The  University  of  Hong  Kong     17  April  2015  
  • 2.
  • 3. Whitehouse,  S.,  Varni,  J.W.,  Seid,  M.,  Cooper  Marcus,  C.,  Ensberg,  M.J.,  Jacobs,  J.R.  and   Mehlenbeck,  R.S.  (2001)  ‘EvaluaTng  a  children’s  hospital  garden  environment:  UTlizaTon   and  costumer  saTsfacTon’.  Journal  of  environmental  psychology,  21.  pp.301-­‐314.     Photo  credit:  Clare  Cooper  Marcus  &  Naomi  A.  Sachs  (2014)  Therapeu@c  Landscapes,  p.93.    
  • 4. Moore,  R.  C.  and  Cosco,  N.  G.  (2007)  ‘What  makes  a  park  inclusive  and  universally   designed?  A  mulT-­‐method  approach’.  In  Thompson,  C.  W.  and  Travlou,  P.  (eds.)  Open   space:  People  space.  London:  Taylor  &  Francis.  pp.85-­‐110.     Scotland  Yard  Adventure  Centre,  Edinburgh    
  • 5. What  is  a  sensory  garden?  What  makes  a  sensory  garden  different  from  any  other   garden?  Are  not  all  gardens  sensory?  What  is  a  sensory  garden  composed  of?  How  do   people  use  or  benefit  from  sensory  gardens?   A  variety  of  scented   plants   •   smell   A  variety  of  tacBle  qualiBes   and  wildlife   •   touch   •   sight   A  variety  of  colours  for  visual   sTmulaTon   •   hear   Water  elements,  birds,  climaBc   factors       •   taste   Engaged  with  edible  plants       •   health,  emo@onal  and  mental     Users  to  be  more  confident,   posiTve  of  mind    &  independent  
  • 6. ‘Sensory  gardens  cannot  be  designed  without  considering  the  human  element.  Unlike  tradiBonal   display  gardens  that  are  meant  to  be  observed  from  a  distance,  sensory  gardens  draw  the   visitor  into  touch,  smell  and  acBvely  experience  the  garden  with  all  senses’      Shoemaker,  C.A.  (2002)  InteracTon  by  Design:  Bringing  people  and  plants  together  for  health  and  well-­‐being.               'The  only  difference  in  a  sensory  garden  is  that  all  components  of  hard  &  soN  landscaping,  colours   and  textures  must  be  carefully  chosen  and  designed  to  appeal  to  the  senses  in  such  a  way  that   they  provide  maximum  sensory  sBmulaBon’.   Lambe,  L.  (1995)  Gardening:  A  mulTsensory  experience.  
  • 7. 70s   Netherlands   •  The  concept  of  mulT  sensory  environment  was  originated  by   Hulsegge  and  Verheul  at  the  Hartenberg  InsTtute  where  they  created   the  first  snoezelen  room.     70s  UK   •  The  concept  was  developed  in  hospitals,  later  integrated  in  special   schools  as  a  mulT-­‐sensory  curriculum.  The  iniTal  idea  of  SGs  derived   from  the  horTcultural  therapy  movement.  It  developed  more  rapidly   than  SGs,  which  used  to  be  ‘gardens  for  the  blind’.   80s  UK   •  Visually  impaired  people  challenged  the  iniTal  ideas  about  ‘gardens   for  the  blind’  because  the  issue  of  being  segregated  from  able– bodied  people  was  itself  beginning  to  be  challenged.      ‘The  simplest  way  of  causing  a  riot  in  any  locality  in  Britain  would  be  to  clamp  on   the  able-­‐bodied  the  same  restricBons  that  now  apply  to  the  disabled.  They  feel   that  their  personal  handicaps  are  bad  enough  without  the  gratuitous  social   handicap  of  being  treated  differently  from  everyone  else’  (Rowson,  N.J.;  1985:  21)  
  • 8. Sensory  Garden  Case  Studies     CollaboraTon  Work   Sharifah  Rokiah  Knowledge  Centre,   Kedah   TherapeuTc  Sensory  STmulaTon  Garden,  KL  
  • 9. View  from  the  entrance     View  to  the  centre  of  the  hsg  (outer  area)             Corner  seaTng  area  –  Island  –  Mural  wall   Therapeu@c  Sensory  S@mula@on  Garden,  KL  
  • 10. Uncon@nuous  circula@on  network   Lyndale  School,  Liverpool  
  • 11.   Inaccessible  garden  feature   Royal  School  for  the  Deaf  and  Communica@on  Disorders,  Manchester  
  • 12.   Lack  of  water  feature   St.  Ann`s  School,  Surrey    
  • 13. Unfunc@onal  garden  feature   Royal  School  for  the  Deaf  and  Communica@on  Disorders,  Manchester  
  • 14.   Lack  of  maintenance   Kelvin  School,  Glasgow  
  • 15.   Inaccessible  surface  material   Cranbooth  Residen@al  School  for  Dual  Sensory  Impaired,  Glasgow
  • 16. Steps  and  ramps   Cranbooth  Residen@al  School  for  Dual  Sensory  Impaired,  Glasgow  
  • 17. So  what  is  it  about     the  environment     that  is  engaging?  
  • 18.     Site  Planning  and  Spa@al  Loca@on   Sensory  Garden  at  BCA  Academy,  Singapore   Scented   Sound   Touch   Taste   BCA  Academy,  Singapore  
  • 19. Analysis  and  Discussion  (RSDCD)   Accessibility,  Way  finding  and  Circula@on   Royal  School  for  the  Deaf  and  Communica@on  Disorders,  Manchester  
  • 20. BCA  Academy,  Singapore   Physical  designed  garden  elements     Lyndale  School,  Liverpool  
  • 21. Soi  landscape  and  wildlife  refuge  
  • 22. Microclimate     It  was  a  misty  morning.  A  young  boy  with  his  teacher  was   having  a  leisurely  walk  in  the  Woodland  Garden.  As  they   walked  on  the  boardwalk  underneath  a  shady  canopy,  the   teacher  jumped  and  grabbed  a  branch.  The  boy  looked  at  her   and  wondered  why  she  had  done  that.  Ì  have  a  surprise  for   you…  are  you  ready?`  she  asked.  Both  of  his  hands  were   holding  the  rope  railing  while  jumping  with  excitement.  The   teacher  had  a  good  grip  of  the  branch,    ready  to  give  him  a  big   surprise.  She  shook  it  hard  with  both  of  her  hands  and  down   came  drips  of  rainwater  from  the  leaves.  The  boy  was  so   surprised;  he  let  go  of  his  hands  that  were  holding  the  rope   railing  and  liied  his  arms  up  while  his  face  looked  up  to  the   sky.  He  was  feeling  and  touching  the  rainwater.  At  one  point,   he  opened  his  mouth  to  taste  it.  When  the  rainwater  became   less,  the  teacher  stopped  and  laughed,  as    both  of  them  got   wet  (Hazreena`s  research  journal  entry,  May  2009)      
  • 23. Safety  and  Maintenance       Wheeling  stream  was  the  term  used  by   Jane  Stoneham,  who  designed  a  water   feature  in  a  special  school  for   wheelchair  users.  The  features  gives   them  a  feeling  of  wheeling  in  the  water   through  shallow  water  that  is  safe  to   cross  over.  
  • 24. •   A  good  circulaTon  network  and  a  variety  of  garden  features  affording  easy  way  finding   •   A  variety  of  features  posiToned  along  pathways  and  areas  with  easy  access,     afford  diverse  acTviTes  for  environmental  and  sensory  learning   ASPECTS   i.  Accessibility  to  and  funcTonality  of  the  garden  features   ii.  The  layout  of  the  circulaTon  network,  i.e.  Sensory  Trail   iii.  Sensory  value,  not  focusing  only  on  the  aestheTcs  of  visual  composiTon   RECOMMENDATIONS   Site  planning  and  spaTal  locaTon  of  the  garden  in  relaTon  to  the  site  context;     Accessibility,  way  finding  and  circulaTon  network;  Physical  designed  elements;     Soi  landscape  and  Wildlife  refuge;  Microclimate;  Safety;  and  Maintenance.     So  what  is  it  about  the  environment  that  is  engaging?  
  • 25. Conclusion   New  direcTons  for  further  research  exploraTon  scheduled  at  the   TherapeuTc  Sensory  STmulaTon  Garden,  UMMC.  It  would  be   interesTng  to  examine  the  use  in  a  Malaysian  context.  This  would   produce  disTnct  research  on  the  design  of  these  gardens.  The  result  of   future  research  would  produce  further  knowledge  into  how  the   composiTon  of  the  garden  features  and  the  spaTal  design  of  the   sensory  garden  would  enable  the  users’  engagement  and  usability   of  the  garden.  Thus,  addiTonal  recommendaTons  and   improvements  for  future  use,  planning  and  the  design  of  sensory   gardens  in  special  schools  could  be  suggested.  
  • 26. Hussein,  H.  (2006)  An  exploratory  study  of  sensory  gardens.   hhp://ophoenix.org/gardening/wp-­‐content/uploads/2014/06/An-­‐Exploratory-­‐Study-­‐of-­‐Sensory-­‐Gardens.pdf     Hazreena  Hussein  (2009)  Sensory  Gardens.  Access  by  Design  (spring)  Issue  118:13-­‐17.     Hazreena  Hussein  (2009)  Sensory  garden  in  special  schools:  The  issues,  design  and  use.  Journal  of  Design  and  Built  Environment  5:77-­‐  95.   hhp://re.um.edu.my/images/fab/Files/jdbevol5/vol506.pdf     Hazreena  Hussein  (2010)   Using  the  sensory  garden  as  a  tool  to  enhance  the  educa@onal  development  and  social  interac@on  of  children  with  special  needs.  Bri%sh  Journal  of   Learning  Support,  25(1):  25-­‐31.  doi:  10.1111/j.1467-­‐9604.2009.01435.x     Hazreena  Hussein  (2010)   Using  the  sensory  garden  as  a  tool  to  enhance  the  educa@onal  development  and  social  interac@on  of  children  with  special  needs.  Bri%sh  Journal  of   Learning  Support,  25(1):  25-­‐31.  doi:  10.1111/j.1467-­‐9604.2009.01435.x     Hazreena  Hussein  (2010)  Sensory  Gardens:  Assessing  their  Design  and  Use.  Intelligent  Buildings  Interna%onal  2(2)116-­‐123(8).     Hazreena  Hussein  (2011)  The  Influence  of  Sensory  Gardens  on  the  Behavior  of  Children  with  Special  Educa@onal  Needs.  Asian  Journal  of   Environment-­‐  Behavior  Studies  2(4):  78-­‐93.  hhp://fspu.uitm.edu.my/cebs/images/stories/aj7hazreenahussein.pdf     Hazreena  Hussein  (2013)   Paberns  of  seated  ac@vity  in  sensory  gardens  among  children  educated  in  special  schools.  Support  for  Learning  28(2):  73-­‐78.   doi:  10.1111/1467-­‐9604.12021   Hazreena  Hussein,  Nik  Malik  Nik  Zainal  Abidin  &  Zaleha  Omar  (2013)   Engaging  research  and  prac@ce  in  crea@ng  for  outdoor  mul@-­‐sensory  environments:  Facing  future  challenges.  AicE-­‐Bs  2013  London.  Procedia  -­‐  Social   and  Behavioral  Sciences  105:536-­‐546.  doi:10.1016/j.sbspro.2013.11.057     Hussein,  H.  &  Daud,  M.N.  (2013)  Taman  Sensori:  Kanak-­‐Kanak  Bekeperluan  Khas.  Penerbit  Universi@  Malaya.     Hazreena  Hussein  and  Md  Nasir  Daud  (2015)   Examining  the  Methods  for  Inves@ga@ng  Behavioral  Clues  of  Special-­‐schooled  Children.  Field  Methods  27:  97-­‐112.doi:10.1177/1525822X14537579     Clare  Cooper  Marcus  and  Naomi  A.  Sachs  (2014)  Therapeu@c  Landscapes:  An  evidence-­‐based  approach  to  designing  healing  gardens  and  restora@ve   outdoor  spaces.  Wiley.       Gayle  Souter-­‐Brown  (2015)  Landscape  and  Urban  Design  for  Health  and  Well-­‐Being:  Using  healing,  sensory  and  therapeu@c  gardens.  Routledge.    
  • 27. Thank  you  to  Ms.  Syaidatul  Azzreen  Ishak,  research  assistant  of  Sub-­‐GC3,  UM     for  cover  image  and  BCA  Academy`s  layout  plan.