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case study ART GALLERY
- 1. CASE STUDY ARCHITECTURAL DESIGN V (AR 301-C) Group—6 Anshul (GCAD/18/308) Nitin Johari (GCAD/18/324) Sachin Singh (GCAD/18/331) Shruti goel (GCAD/18/334) Vedant (GCAD/18/339)
- 2. 2.Project II 1.Project I Brief ART GALLERY ART GALLERY- a room or series of rooms where works of art are exhibited. An art gallery has a specific focus, and is managed by a curator who specializes in that type of art. Common focuses for art galleries are art from a particular region, art in a certain medium, art of a singular style, or art which has a specific focus, such as political art. Typically, all of the art in an art gallery is for sale. TYPES • Art gallery paintings • Modern art gallery • Contemporary art gallery • Sculpture art gallery • Photography art gallery • Abstract art gallery • Historical art gallery • Cultural art gallery • Pottery art gallery • Textiles art gallery
- 3. Triveni Kala Sangam is an imp. cultural and arts complex and education centre in New Delhi. Founded in 1950, by Sundari K. Shridharani, who was also its Founding Director, Triveni, as it is commonly referred, contains four art galleries, a chamber theatre, outdoor theatre, open air sculpture gallery, besides this it runs its various arts, music and dance classes. It is situated on Tansen Marg, between Mandi House roundabout and Bengali Market. 1.11 Services 1.10 Features 1.9 Photographs 1.8 Circulation 1.7 Plans,Sections TRIVENI KALA SANGAM -AR. JOSEPH ALLEN STEIN 1.6 Site Plan 1.5 Zoning 1.4 Vision 1.3 Context 1.2 Location 1.1Brief 1.Project I
- 6. Talk about your TEAM 6 CONSULTANT Some words about this person MANAGER Some words about this person PROGRAMMER Some words about this person LOCATION MAP TRIVENI KALA SANGAM, TANSEN MARG, MANDI HOUSE, NEAR CANNAUGHT PLACE, NEW
- 9. 1.3 Context 1.2 Location 1.11 Services 1.10 Features 1.9 Photographs 1.8 Circulation 1.7 Plans,Sections Vision 1.6 Site Plan 1.5 Zoning 1.4 Vision 1.1Brief 1.Project I • Perfectly synchronized interior & outdoor spaces having provision with the clarity in functioning of each and every space. • Large number of functions to be handled on a small site. • A high degree of flexibility required for various functions.
- 11. 11 Zoning • The ground floor has the public are like lounge, exhibition hall, library, conference rooms etc. • On the first and the second floor work studios are situated. • On third floor we have living areas.
- 13. 13 The centre is organized into a four storey classroom block with a canteen & shaded dining & terrace. A ground floor gallery back with a shaded roof terrace above to the west. Opposite he gallery is a covered stage opening onto an outdoor garden theater which is heart of the complex. The building was built as one of the pioneer cultural institutions for promoting Indian ethos.
- 18. ART GALLERY
- 19. Art gallery 19
- 21. OFFICE RECEPTION
- 22. RECEPTIO N
- 27. WIND DIRECTION
- 30. SOME PICTURES WE CAPTURED MERCURY CANTEEEN SATURN LIBERARY NEPTUNE ART GALLERY MARS
- 34. 34 MATERIALS MATERIALS FINISHES/SURFACE ARTICULATION THE COLOURS OF THE FAÇADE ARE OF LIGHT GREY CONCRETE AND HAVE GRIT FINSH ON THE WALLS. THE TEXTURES AR ROUGH AND RUGGED. LACK OF BRIGHT COLOURS IS SOOTHING AS THE ABUNDANT GREENERY ADDS BRIGHTNESS. MATERIAL THE BUILDING IS COMPOSED OF A CLAD RCC FRAMED STRUCTURE WITH SEVERAL INFILL MATERIAL. INDIGENIOUS JAALI PANELS, CONCRETE BLOCKS. PLASTERED FINISH ON MOST ELEVATION, ROUGH CUT STONE FACING ON GALLERY FACADE, CONCRETE PLANTERS AND CONCRETE CLAD WITH GRAY CHIPS FOR THE PERGOLAS. CONCRETE BANDS ENHANCES THE VERTICALITY OF THE CURVED WALLS OF THE GALLERY PRECAST CONCRETE JAALIS HELP IN MAINTAINING VISUAL LINKAGES.
- 36. Services 36 BUILDING FINISHES & MATERIALS: THE EXTERNAL FAÇADE HAS EXPOSED BRICKWORK.THE ART GALLERIES HAVE A FLOORING OF VITRIFIED TILES WHILE THE MUSIC & DANCE ROOMS HAD WOODEN FLOORING.. SANITATION: TOILETS PROVIDED AT THE END OF THE PASSAGE UNDER THE STAIRCASE. GENTS TOILET- 4 URINALS,2 W.C & 3 WASHBASINS 1 ELECTRICAL: THE GALLERIES HAD SPOT LIGHTS HANGING FROM THE CEILING. 2 3 FIRE FIGHTING: THE ART HERITAGE HAD NO AMENITIES FOR FIRE FIGHTING WHILE THE SCULPTURE BLOCK WAS EQUIPPED WITH ONE.FIRE ESCAPE SPIRAL STAIRCASE PROVIDED.
- 37. CONCLUSIO N
- 38. STRENGTHS Good Green Cover. Orientation Is Favourable In Terms Of Wind Direction (North West) And Sun Path. Nearest Metro Station Mandi House. Other Metro Stations Barakhamba Road And Maidan. Nearest Market- Bangali Market. Good Connectivity Of Different Sections Of Building .
- 39. • The sculpture court provide opportunity to work in an open atmosphere. • Large number of functions to be handled on a small site. • All floor provide planter into exterior wall, creates good environment. • • The light and ventilation is taken care by providing window opening on whole length of wall north side. • A large green lawn enhance the landscaping. • Separate entries for gallery, exhibition hall and cafe. • Architecture features with plaster facade as well as planter into wall pedestrian movement & vehicular movement is done along the periphery of site. • Triveni Kala Sangam built on rectangular which is internally divided into various functions.
- 40. WEAKNESS Experiences Noise Disturbance DUE TO NEARBY RAILWAY LINE. Lack Of Wind Flow Through Open Air Theatre. Not Enough Parking Space. There is no parking space, vehicles have to parked main road & paring space is not sufficient. The two heavy massed blocks rise up to 4 storey & are a response to tight program within the tight site. 4 storey building but not provided any lift. INFERENCES
- 41. OPPORTUNITY Close to the Metro Stations and easily accessible by public transport. In a prestige and good location of New Delhi. A common platform for artists all over the India as it is locatedin prime location of New Delhi, THREATS In sculpture studio there are less of natural ventilation available leads to the poor indoor air quality.
- 43. Government Museum and Art Gallery, Chandigarh, owes its existence to the partition of the country in August, 1947. It is one of the premier institution of India with a very rich collection of Gandharan sculptures, Pahari and Rajasthani miniature paintings. Before the partition in 1947, the collection of art objects, paintings, sculptures and decorative arts, were housed in the Central Museum, Lahore the then capital of Punjab. 1.11 Services 1.10 Features 1.9 Photographs 1.8 Circulation 1.7 Plans,Sections GOVERNMENT MUSEUM AND ART GALLERY -AR. LE CORBUSIER 1.6 Site Plan 1.5 Zoning 1.4 Vision 1.3 Context 1.2 Location 1.1Brief 1.Project I
- 45. Talk about your TEAM 45 CONSULTANT Some words about this person MANAGER Some words about this person PROGRAMMER Some words about this person LOCATION MAP CHANDIGARH, INDIA.
- 46. LANDMARKS
- 48. 1.3 Context 1.2 Location 1.11 Services 1.10 Features 1.9 Photographs 1.8 Circulation 1.7 Plans,Sections VISSION 1.6 Site Plan 1.5 Zoning 1.4 Vision 1.1Brief 1.Project I - His mission was to encourage appreciation of values embedded in Art and bring it close to the lives of people through interpretation of its rich collection and innovative programs.
- 50. 50 ZONING ZONING
- 52. 52 The building has three floors, connected by a pedestrian ramp, a service staircase, and a freight elevator. The ground floor accommodates the entrance lobby, the collection storage, a conservation laboratory, a temporary exhibition space, and an auditorium. Daylight enters the building through a series of openings, located just under the roof slab and equipped with louvers designed to avoid excessive illumination level on the artworks in the galleries. The first floor houses the permanent exhibition galleries. The second floor accommodates staff offices, meeting spaces, and a library.
- 58. Circulation space identifies area of a building that is used for pedestrian travel, such as a hallway, stair way, and areas in a room that leads to another room. MERCURY CANTEEEN SATURN NEPTUNE MARS
- 59. 59 • The museum is built in composite masonry and exposed concrete pilotis, with brick tile cladding. • Its facades are calibrated through undulatory glazing and slim aerators that bring in diffused light and facilitate cross ventilation. • An off-centre upper-level balcony punctuates the southwest façade and serves as a viewing point for the landscape setting of the complex itself, as well as the Leisure Valley parkland beyond. Materials
- 61. 61 • It is a museum in which lighting by daylight has been used to maximum advantage. • Light is admitted from the North East and South West sides through the sky light openings louvered to prevent the direct sun rays from penetrating into the galleries. • In addition to this, a system of top lighting is provided along the entire length of the building from North East to South West • Handled with thought and imagination this provides the right intensity of lighting for the correct illumination of various objects of art Lightening
- 63. Talk about your TEAM 6.webp 6.webp
- 65. THANK YOU