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SelecTV will offer a 24-hour premium movie service including movies from the 1970s to present, exclusive series, and original series. It will seek first-run exclusives like possible Marvel/Disney or Star Trek spinoffs. The History Network will be a 24-hour commercial network focusing on history through feature films, documentaries, and two original series produced with Pilgrim Films and Prometheus Productions. It will include syndicated programs like In Search Of and America's Castles. Future plans in 5-10 years include expanding offerings and potentially purchasing a production company to develop and produce own programs, and going public or buying a film company in the 10th year.
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Queation 3
DNA Films would be well suited to distribute the film because they specialize in independent British films like the one being discussed. DNA Films has experience promoting similar genre films to the one being created, such as 28 Days Later and The Last King of Scotland. Bullet Boy was also a low budget British film distributed in the UK, like the film being discussed, so its film distribution model could provide insight.
Film studies section a lesson 1
This document outlines the topics to be covered in a film studies course, including producers and audiences, the American and British film industries, and ways films engage contemporary audiences. Section A focuses on producers and audiences, with a choice of stimulus-based essay questions about factors influencing film production, popularity of US films in the UK, attracting past films to modern audiences, and the strength of cinemas versus home viewing. Key concepts are the film industry, audience, and interrelationship between the two using case studies. Contemporary case studies may examine large film conglomerates, UK production frameworks, genre/stars, marketing, exhibition, independent/foreign films, and constructed star personas. An assessment task involves a mind map of why people go
Producers And Audiences CGS
The document provides an overview of key concepts related to film audiences and industries for an exam question. It outlines the aims to review producers and audiences, Hollywood film industry terms, and investigate two questions - one on audiences and one on the industry. It lists important information on the US and UK film industries, audiences, genres, stars, and the relationship between industries and audiences. It also includes a recap of Hollywood major studios, tent-pole films, mainstream/independent films, and niche audiences.
Guidance on completing industry form
The document prompts the candidate to provide production, distribution, and exhibition details for their favorite film, including the production company, budget, director, cast, distribution partners in the UK and USA, marketing campaigns, release pattern, box office figures, target audience, and any other notable information about the making and release of the selected film.
L4 hollywood dominance
1) The document discusses Hollywood's dominance of the global film industry, particularly in the UK. It notes that Hollywood accounted for 71% of global box office sales last year.
2) Students are asked to analyze statistics showing Hollywood's control over the UK film market in 2013, such as the percentage of films from the US, distributed by major studios, and shown in large cinema chains.
3) An example is given of the film "Pearl Harbor" to illustrate how Hollywood studios earn revenue from a film over many years through international theatrical screenings, video/DVD sales, and television broadcasts.
Distribution
There are two competing views on who holds the most power in film distribution: 1) the audience, as studios are forced to cater to what audiences like through box office returns, or 2) the studios and distributors, who control marketing budgets and know which audiences will pay for their products. It is a complex issue with arguments on both sides. Distributors act as the link between filmmakers and audiences, handling theatrical release, home media, and television distribution. They must strategically plan release windows to maximize revenue across different platforms over time while avoiding conflicts. Power dynamics between studios, distributors, and audiences continue to evolve with changes in technology and consumption.
Unit 3 product market
A researcher has been assigned to complete a feasibility study for a film production company to determine if they should proceed with producing a horror film about paranormal young people. The researcher must use both primary and secondary research methods to investigate the market for paranormal horror films, including quantitatively researching the financial success of recent horror films and qualitatively researching audience and critic attitudes and reviews of relevant films.
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This document outlines the aims and objectives of a lesson on the film industry for Unit FM2: Section A. Students will be assessed on their existing knowledge of the UK film industry and learn about the expectations for this exam section. They will work in groups on a research and presentation task. The lesson involves learning about the top-grossing films of 2014 in the UK and factors contributing to their success. It discusses audience expectations and the types of questions in Section A of the exam. Students are assigned homework to research case studies on Hollywood and non-Hollywood films to present the next class.
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DNA Films would be well suited to distribute the film because they specialize in independent British films like the one being discussed. DNA Films has experience promoting similar genre films to the one being created, such as 28 Days Later and The Last King of Scotland. Bullet Boy was also a low budget British film distributed in the UK, like the film being discussed, so its film distribution model could provide insight.
Film studies section a lesson 1
This document outlines the topics to be covered in a film studies course, including producers and audiences, the American and British film industries, and ways films engage contemporary audiences. Section A focuses on producers and audiences, with a choice of stimulus-based essay questions about factors influencing film production, popularity of US films in the UK, attracting past films to modern audiences, and the strength of cinemas versus home viewing. Key concepts are the film industry, audience, and interrelationship between the two using case studies. Contemporary case studies may examine large film conglomerates, UK production frameworks, genre/stars, marketing, exhibition, independent/foreign films, and constructed star personas. An assessment task involves a mind map of why people go
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The document provides an overview of key concepts related to film audiences and industries for an exam question. It outlines the aims to review producers and audiences, Hollywood film industry terms, and investigate two questions - one on audiences and one on the industry. It lists important information on the US and UK film industries, audiences, genres, stars, and the relationship between industries and audiences. It also includes a recap of Hollywood major studios, tent-pole films, mainstream/independent films, and niche audiences.
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The document prompts the candidate to provide production, distribution, and exhibition details for their favorite film, including the production company, budget, director, cast, distribution partners in the UK and USA, marketing campaigns, release pattern, box office figures, target audience, and any other notable information about the making and release of the selected film.
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1) The document discusses Hollywood's dominance of the global film industry, particularly in the UK. It notes that Hollywood accounted for 71% of global box office sales last year.
2) Students are asked to analyze statistics showing Hollywood's control over the UK film market in 2013, such as the percentage of films from the US, distributed by major studios, and shown in large cinema chains.
3) An example is given of the film "Pearl Harbor" to illustrate how Hollywood studios earn revenue from a film over many years through international theatrical screenings, video/DVD sales, and television broadcasts.
Distribution
There are two competing views on who holds the most power in film distribution: 1) the audience, as studios are forced to cater to what audiences like through box office returns, or 2) the studios and distributors, who control marketing budgets and know which audiences will pay for their products. It is a complex issue with arguments on both sides. Distributors act as the link between filmmakers and audiences, handling theatrical release, home media, and television distribution. They must strategically plan release windows to maximize revenue across different platforms over time while avoiding conflicts. Power dynamics between studios, distributors, and audiences continue to evolve with changes in technology and consumption.
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This document provides an overview of contemporary British film production, distribution, and consumption. It discusses what constitutes a British film and provides categories based on creative and financial contributions. It also examines two recent successful British films as case studies - The Last King of Scotland and This is England. The document outlines the current boom in British film due to television company co-funding and investment. It analyzes genres like social realism and the works of prominent British directors like Ken Loach and Mike Leigh.
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This document contains instructions and questions for students about a film studies lesson on producers and audiences. It discusses assessing students' existing knowledge of the film industry and having them develop their understanding of the three sections within Section A. Students are asked to consider how theories around audience expectations and franchise films apply to popular films. They must also identify what further research they need to do for their case studies based on the areas covered in the lesson.
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This document provides guidance and sample questions for a film studies exam revision session. It outlines the exam format, including section lengths and assessment criteria. Sample questions are provided for two sections: Section A focuses on representation, messages/values, genre, narrative, and style in two contemporary English language films - Super 8 and Moonrise Kingdom. Section B covers key contexts and topics for cinema in context, including the rise of the blockbuster, developments in digital cinema and the internet, and the 3D revival. Guidance is given on expected responses, including referencing relevant frameworks, films, and technical analysis.
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This document outlines the criteria for assessing whether a film can be considered a UK film. It discusses various genres of UK films like comedy, drama, and period films. It also addresses important elements like funding from UK organizations, being filmed and set in the UK, and having a UK director, writers, or stars. Students will analyze two UK films - Shaun of the Dead and Attack the Block - based on these criteria like narrative, visual techniques, music, and how UK stars and directors appeal to audiences. Their analysis can be presented in written, podcast, or multimedia group formats.
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This document provides instructions for an activity analyzing a film industry text. Students are told to consider technological convergence and theories by Warren Buckland (2009) and Christine Gledhill (2003) in analyzing features that help sell the film. They could also consider the text's release pattern and importance in selling the text. Feedback will assess existing knowledge of the film industry. Students must list technologies that have changed film and think of films relying on technology. They are instructed to investigate the percentage of top films containing CGI. The document outlines expectations for Section A of an exam on producers and audiences, which will develop understanding of how Hollywood and the UK film industries differ, including Hollywood's control and oligopoly. Students must determine Hollywood's dominance of
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This document contains resource material for a film studies exam, including two parts with multiple items. Part A discusses how audiences use social media differently for films, such as using YouTube for trailers, Twitter for gossip, and Facebook for more social engagement. It also notes that social media users attend the cinema more frequently. Part B covers visual effects winning awards at the 2013 Oscars for Life of Pi, and how The Blair Witch Project created a psychological horror film on a $20,000 budget that convinced audiences it was real documentary-style footage.
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The document discusses producing a crime documentary and evaluates different institutions that produce such documentaries. It examines the BBC and ITV, noting some of their popular crime documentaries. While both institutions are successful, ITV is chosen due to its large audience and high consumption rates of its programming annually. The document argues ITV produces quality documentaries and that a proposed documentary called "Educating Essex" would match ITV's target demographic and values.
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This document outlines the requirements for an Advanced Portfolio in Media assignment. Students must create original branding and identities for artists or performers rather than using existing names and images. The assignment involves creating promotional packages for various media like albums, films, TV shows, and products. Each package must include a main promotional element like a music video, trailer, or advertisements along with two additional supporting promotional elements from options provided.
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Film4 revision
Film4 is a British production house and channel that produces and broadcasts independent and mainstream films to enhance the British film industry, with a philosophy of nurturing new talent and broadening audiences. The budget for Film4 will increase 50% to £15 million per year to support the domestic film industry following the closure of the UK Film Council. Film4 produces around 6 films per year and works with other production companies and distributors.
Jungle book 08 12 18
Here are my findings about the film's production and box office performance:
- It was produced by Working Title Films.
- The production budget was £2.5 million.
- It was a UK production.
- It was distributed in the US by Universal Pictures.
- The US box office takings were £5.2 million.
- It was distributed in the UK by Universal Pictures International.
- The UK box office takings were £3.3 million.
- Universal Pictures is owned by NBCUniversal, which is owned by Comcast.
So in summary, it was a modestly budgeted British film that performed respectably at the box office both in the
OCR Cambridge Technicals Media Unit 40 UK Film Studies
The document provides information for a unit on UK film studies. Students will plan and pitch an original UK film idea. They will research the structure of the UK film industry and one production company. Students must then plan details for their film such as title, budget, schedule, casting, and target audience. They will produce pre-production, production, and post-production samples. Finally, students will deliver a presentation pitching their film idea and evaluate the feedback.
Pirates of the caribbean production, distribution and exhibition
Pirates of the Caribbean: On Stranger Tides was the fourth installment in the Pirates of the Caribbean franchise, released in 2011 with a $250 million budget. It was produced by Walt Disney Pictures and Jerry Bruckheimer Films and distributed by Walt Disney Studios Motion Pictures internationally. The film used international locations, CGI effects, and 3D technology. It had a massive marketing campaign including toys, games, and TV spots. Upon its release on over 4,000 screens in the US and 500 screens in the UK, it earned over $90 million domestically and $11 million in the UK during its opening weekend.
Big Data Day LA 2016/ Big Data Track - Warner Bros. Digital Consumer Intellig...
Warner Bros. processes billions of records each day Globally between its web assets, digital content distribution, OTT streaming services, online and mobile games, technical operations, anti-piracy programs, social media, and retail point of sale transactions. Combining these datasets with content metadata, Warner Bros. is able produce Consumer insights and affinity models that result in highly accurate Audience segments.
Pirates of the Caribbean 4 -Production, Distribution & Exhibition
This is an impressive box office performance, showing the huge popularity and appeal of the Pirates franchise globally. The film was a major commercial success.
Institutions film industry final 04 11 18
The document discusses the key stages and processes involved in the film industry, including development, production, pre-production, post-production, and exhibition. It covers important concepts like vertical integration within the classical Hollywood studio system and how ownership of production, distribution, and exhibition allowed studios to control the industry. The document also discusses the history of the film industry from the silent era to contemporary Hollywood and how independent films, new technologies, and globalization have impacted the industry.
Institutions film industry final 04 11 18
The document provides an overview of key concepts related to film institutions and the film industry. It discusses ownership structures and different exhibition strategies. It covers the history of the American film industry, including the studio system and its vertical integration model. Key periods discussed are the silent era, classical Hollywood, new Hollywood, and contemporary Hollywood. The roles of major studios, independents, and blockbuster films are outlined. Multi-media conglomerates and their horizontal integration across film, television, and other media is also summarized.
Jungle book 04 12 18
The document discusses the film industry and media conglomerates. It provides context on the 1967 and 2016 adaptations of The Jungle Book, including the Hollywood studio system and changes in the film industry between those time periods. It also discusses how large media companies integrate vertically and horizontally, controlling various parts of the filmmaking and distribution process.
Distribution Channels of Warner Bros.
Warner Bros has a robust distribution system that spans 90 countries. They distribute their films through various channels including theaters, online platforms like Netflix and iTunes, cable and satellite TV. Warner Bros also owns theaters which allows vertical integration from production to exhibition. Their distribution strategy aims to make films widely available on different platforms to cater to different customer preferences and reduce piracy.
Netflix
Netflix is the world's leading internet television network with over 57 million subscribers in nearly 50 countries. It allows members to watch TV shows and movies instantly on any internet-connected device without commercials. Originally starting as a DVD-by-mail service in 1997, Netflix expanded into streaming and began producing original content like House of Cards in 2011. The company aims to become the best global entertainment distribution service through licensing content and helping creators find audiences worldwide. It utilizes social media, commercials, and word-of-mouth for marketing.
Media Evaluation
This document evaluates several media institutions for potential distribution of a film product. It identifies 20th Century Fox, Sky, Columbia Pictures, and YouTube as options. 20th Century Fox is described as a major film studio founded in 1935 that has distributed popular films and TV shows. Sky is noted as a UK-based company providing TV, internet and phone services that releases films and programs on its movie channels. Columbia Pictures is identified as one of the eight major US film studios that has distributed successful films. Finally, YouTube is summarized as a global video platform where content from media corporations is advertised to its large user base.
Independent cinema research
The document discusses the key aspects of film production, distribution, and exhibition. It explains that production involves developing the script, assembling a creative team, filming, and post-production editing. Distribution is how a film is promoted and made available to audiences, such as through social media, theaters, video releases, and streaming. Exhibition is the final stage where audiences view the completed film, mainly through DVDs, mainstream cinemas, or independent cinemas. The document provides examples of mainstream Hollywood studios and independent production companies.
Film by fateha
A film is a series of still images that create the illusion of moving images when shown on a screen. The film industry comprises companies involved in film production, distribution, and exhibition, as well as actors and crew. Major film companies in the UK include production, distribution, and exhibition companies that work together across the different parts of the industry. Owning various media interests allows large film companies to retain control and maximize profits across production and distribution.
Filmby fateha
A film is a series of still images that create the illusion of moving images when shown on a screen. The film industry comprises companies involved in film production, distribution, and exhibition, as well as actors and crew. Major film companies in the UK include production, distribution, and exhibition companies that work together across the different parts of the industry. These large companies own numerous media properties that allow them to retain control and maximize profits.
Question 3
New Line Cinema would be the best distributor for the film because they have distributed similar genre films like Nightmare on Elm Street, Se7en, and the Final Destination series. Distribution has become more complex with technology - it now includes extensive marketing with trailers, posters, websites and forums to promote the film. The film will have a theatrical release, first showing in cinemas, then on airplanes, DVD, streaming services, and television channels.
Similar to selectvnetworksllc (16)
OCR Cambridge Technicals Media Unit 40 UK Film Studies
OCR Cambridge Technicals Media Unit 40 UK Film Studies
Pirates of the caribbean production, distribution and exhibition
Pirates of the caribbean production, distribution and exhibition
Big Data Day LA 2016/ Big Data Track - Warner Bros. Digital Consumer Intellig...
Big Data Day LA 2016/ Big Data Track - Warner Bros. Digital Consumer Intellig...
Pirates of the Caribbean 4 -Production, Distribution & Exhibition
Pirates of the Caribbean 4 -Production, Distribution & Exhibition
selectvnetworksllc
- 1. SelecTV 24-hour premium movie service [Distribution funding only]
- 2. Programming will include: • Movies 1970’s-present • Exclusive Series • Original Series -In talks for WWE Sports Prog. -In talks for Spinoff Sci-fi from MGM Syndicated programs from NBC Universal Try to get first-run exclusives. -Marvel/Disney Spinoff Exclusive -possible Star Trek series
- 3. THN: THE HISTORY NETWORK: 24 HOUR COMMERCIAL NETWORK
- 4. Programming will include: Programming will include: No Non-History programs History Feature Films & Docs 2 Original Programs -working with Pilgrim Films -working with Prometheus Prod. -to come up with good entertaining and accurate original programs Try to get exclusive PBS rights to NOVA and Nature. Syndicated Programs will include: In Search Of… America’s Castles Ancient Mysteries Haunted History Destination Truth The Wrath of God [Weather Program] Unsolved Mysteries And many more…
- 5. Future Plans 5-10th year Add SelecTV2 •Add THN 2 Purchase Production Company •Develop and Produce own programs
- 6. 10th year forward: Form or buy Film Company and go public depending on market status THE COMPANIES ABOVE NO LONGER ARE USED TO RELEASE FEATURE FILMS AND MAY BE AFFORDABLE, YET HAVE NAME RECOGITION IN THE UNITED STATES. ALL THREE ARE OWNED BY MGM BUT ARE NOT USED FOR FEATURE FILM PRODUCTION ANY LONGER.