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Murk
By
Emily Sharp, Luke Warren, Ewan McConnachie and Amber
Castillo-Roman.
1
1. INT. WOMEN’S BATHROOM. NIGHT.
A WOMAN stands talking on the phone. General discussion
with a friend.
POV shot; The KILLER enters and approaches the woman. The
murder ensues.
CUT TO
2. INT. LIVING ROOM. DAY.
The PROTAGONIST wakes up on the couch in shock.
He calms down, looks around the room and sees he is among
messy paperwork.
With the realization it is a dream, he rubs his face and
stands up.
CUT TO
3. INT. BATHROOM. DAY.
The PROTAGONIST approaches the sink.
He washes his face and looks in the mirror. (Note:
parallels shot of antagonist in mirror). He sighs, then
leaves.
CUT TO
4. EXT. BATHROOM. DAY.
The PROTAGONIST is shown pinning his identity badge to
his shirt in a rush. His identity is revealed as ALISTAIR
MURKLAND. He is a police detective.
CUT TO
2
5. EXT. HOUSE. DAY.
ALISTAIR begins his journey to work. He is walking
without a blazer, despite the cold weather.
He looks disgruntled as he enters the door of his
workplace.
CUT TO
6. INT. OFFICE. DAY.
ALISTAIR is shown entering his workplace. He walks
through, past a couple of colleagues. COLLEAGUE 1 leans
out to talk to ALISTAIR
COLLEAGUE 1
Alright, Alice?
ALISTAIR ignores his colleague, murmuring under his
breath.
He is shown collecting his cup of coffee, with a novelty
mug, which he sips from.
CUT TO
7. INT. INVESTIGATION ROOM. DAY.
ALISTAIR places his mug down on the desk.
He approaches the corkboard with the antagonists’ case
on. A close up shows him pinning up a photo of the mask
of the antagonist, shown in the dream sequence.
MAIN TITLE

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Screenplay; Murk

  • 1. Murk By Emily Sharp, Luke Warren, Ewan McConnachie and Amber Castillo-Roman.
  • 2. 1 1. INT. WOMEN’S BATHROOM. NIGHT. A WOMAN stands talking on the phone. General discussion with a friend. POV shot; The KILLER enters and approaches the woman. The murder ensues. CUT TO 2. INT. LIVING ROOM. DAY. The PROTAGONIST wakes up on the couch in shock. He calms down, looks around the room and sees he is among messy paperwork. With the realization it is a dream, he rubs his face and stands up. CUT TO 3. INT. BATHROOM. DAY. The PROTAGONIST approaches the sink. He washes his face and looks in the mirror. (Note: parallels shot of antagonist in mirror). He sighs, then leaves. CUT TO 4. EXT. BATHROOM. DAY. The PROTAGONIST is shown pinning his identity badge to his shirt in a rush. His identity is revealed as ALISTAIR MURKLAND. He is a police detective. CUT TO
  • 3. 2 5. EXT. HOUSE. DAY. ALISTAIR begins his journey to work. He is walking without a blazer, despite the cold weather. He looks disgruntled as he enters the door of his workplace. CUT TO 6. INT. OFFICE. DAY. ALISTAIR is shown entering his workplace. He walks through, past a couple of colleagues. COLLEAGUE 1 leans out to talk to ALISTAIR COLLEAGUE 1 Alright, Alice? ALISTAIR ignores his colleague, murmuring under his breath. He is shown collecting his cup of coffee, with a novelty mug, which he sips from. CUT TO 7. INT. INVESTIGATION ROOM. DAY. ALISTAIR places his mug down on the desk. He approaches the corkboard with the antagonists’ case on. A close up shows him pinning up a photo of the mask of the antagonist, shown in the dream sequence. MAIN TITLE