The document outlines how a filmmaker plans to film a story about two brothers who go to their late uncle's abandoned house to search for deeds. It describes various scenes that will take place, including the brothers' arrival, searching the house, one brother having flashbacks and hearing strange noises, things flickering on and off, one brother deciding to sleep on the couch and having something strange happen, the other brother searching for him upstairs, and discovering a disturbing surgery room. For each scene, it provides details on the camera angles and shots that will be used to capture the action and advance the plot.

1. And How I Will Film Them

2.  Brothers set off on their 10 hour journey to their great uncles old
abandoned house to claim the deeds so they can sell off the
house through inheritance. For this I will film the car driving
down the road from the outside and the inside of the car.
 They arrive at the house in the dead of night. For this scene I will
tilt the camera from the bottom of the house to the top of the
house to show the audience the front of the house.
 Next I will film the brothers walking through the house and
another of them walking into the living room. One brother
discovers there is no power in the house by trying the light
switch. The brothers begin to look through the living room in
cupboards and in boxes for the deeds.
 They begin to hear footsteps in the room above them. To film
this I will tilt the camera upwards to the ceiling and use sound
effects of footsteps.

3.  The younger brother begins to reminisce their childhood
when they used to be babysat by their great aunt. I will film
the great aunt sat on the couch watching tele while the
brother is sat by her playing with a toy. The aunt won’t
seem interested in the boy and continues to call him
names. The younger brother also remembers their uncle
yelling at them. To film this I will get a close up shot of the
uncle’s face shouting “DO NOT GO UPSTAIRS!” to ensure I
capture his angry facial expression.
 The lights in the house begin to flicker on and off; the
brothers seem confused as they thought there was no
power. To film this I will pan the camera across the room to
show the lights flickering in the room. I will get a separate
shot of the brother’s reactions until the lights go off
completely.

4.  The older brother finds candles and some matches so he
decides to use them as a light source. To film this I will
stand in a doorway myself as the spirit woman and the
older brother will stand in front of the doorway. We will be
in the pitch black dark and when the brother lights the
match, the camera will capture me in the light standing
behind him.
 The brothers continue to look for the deeds until the
younger realises that most people would keep files in an
office, the older brother seems to think the office would be
upstairs. To film this conversation I will use a shot reverse
shot but also over the shoulder shot to capture the
conversation and reactions from the brothers. It will show
the younger brother refusing to go upstairs due to the fright
he has had for many years about his uncle.

5.  They decide to wait outside in the car until it gets light. To
shoot this I will simply just get a shot of the car outside in
the dark.
 The older brother isn’t as affected as the younger brother so
he decides to go back into the house to continue looking. It
gets quite late so he decides to go to sleep on the couch.
Obviously, things begin to happen to him while he’s in
there. To film this I will get a shot of him getting comfy on
the couch, another birds eye shot of his face as I pour a
drop of fake blood onto his head. I will capture a reaction
shot of him freaking out about what just happened. He
yells quite loudly so the younger brother can hear.

6.  The younger brother goes into the house to check if
the older brother is okay. He can’t find him anywhere
on the ground floor of the house so he knew straight
away he would have gone up the stairs. To make this
scene I will simply get a shot of the younger brother
slowly walking up the stairs shouting his brothers
name.

7.  I will capture the older brother standing at the top of
the stairs by tilting the camera from the bottom to the
top if the stairs. I will also get the same shot of me
standing in the same place as him so that when it
comes to editing my film, I can make it look as though
the brother Is glitching into the spirit woman, as
though he is becoming possessed by what’s in the
house.

8.  The brother discovers a room up the stairs that
contains nothing but a surgery table with various
surgical tools on top and several jars of organs and
severed limbs inside them. To shoot this I will capture
the brother walking into the room, I will tilt the
camera down the surgery table revealing the corpse
and tools on top, and then I will pan across all the jars
surrounding.

9.  I will film a sort of flashback of the uncle laughing
menacingly while he cuts the woman open with a
knife. I will split this clip up into second long clips and
merge them in-between the scenes of the surgery table
and the jars.