This church known as Sant'Angelo in Pianella dates back to the 12th century. Between the 14th and 15th centuries, the left aisle was elevated and a bell tower was added. The ogival portal has two columns decorated with roses and a carved lintel showing the Madonna and Saints. The rose window has an outer ring and inner palmettes decorated with leafy branches. Despite its early dating, the bell tower has a Romanesque structure with pointed arches and twisted cornices. The interior has a nave and two aisles with brick columns and low stone capitals carved with floral motifs. Frescoes on the central apse depict Christ with the Apostles and Angels, and other fres
St Denis Cathedral, Paris is one of the most important building in the history of architecture. It was here that the Gothic style of architecture was first invented. Historically, it is also the historic burial place of the French monarchy.
The painted Romanesque churches are uncommon in the Middle Ages. There are only a few noticeable examples of these left in Europe, mainly in Italy. Among them are The Monreale Cathedral (1174) in Sicily, St Mark (1117) in Venice and the Parma Duomo (1059). It is interesting to note the that Duomo of Pisa, which has similar façade as the Parma Duomo is not a painted church. The The Lombard-Romanesque Duomo of Parma is among the finest in Italy. The oldest example of the painted church is Hagia Sophia (537) in Istanbul, suggesting that the tradition of painted churches, date back a very long time.
The Parma Duomo is renowned for its illusionistic painting of the Assumption (1534) that fills its main cupola by Correggio. The nave is adored with the work of pupils of Correggio. The south transept features a carved frieze (1178) by Benedetto Antelami who was responsible for much of the exquisite Baptistery (1160) just south of the cathedral. Building began on the Duomo in the second half of the 11C, following the destruction of the old cathedral by fire in 1058. It was practically finished in 1074. Other artists contributed were Gerolamo Mazzola Bedoli and Francesco Mendogni who painted the ceiling, Lattanzio Gambbara and Bernardino Gatti who painted the frescoes in the nave and the apse walls, Bertolino de Grossi who painted the Valeri Chapel.
St Denis Cathedral, Paris is one of the most important building in the history of architecture. It was here that the Gothic style of architecture was first invented. Historically, it is also the historic burial place of the French monarchy.
The painted Romanesque churches are uncommon in the Middle Ages. There are only a few noticeable examples of these left in Europe, mainly in Italy. Among them are The Monreale Cathedral (1174) in Sicily, St Mark (1117) in Venice and the Parma Duomo (1059). It is interesting to note the that Duomo of Pisa, which has similar façade as the Parma Duomo is not a painted church. The The Lombard-Romanesque Duomo of Parma is among the finest in Italy. The oldest example of the painted church is Hagia Sophia (537) in Istanbul, suggesting that the tradition of painted churches, date back a very long time.
The Parma Duomo is renowned for its illusionistic painting of the Assumption (1534) that fills its main cupola by Correggio. The nave is adored with the work of pupils of Correggio. The south transept features a carved frieze (1178) by Benedetto Antelami who was responsible for much of the exquisite Baptistery (1160) just south of the cathedral. Building began on the Duomo in the second half of the 11C, following the destruction of the old cathedral by fire in 1058. It was practically finished in 1074. Other artists contributed were Gerolamo Mazzola Bedoli and Francesco Mendogni who painted the ceiling, Lattanzio Gambbara and Bernardino Gatti who painted the frescoes in the nave and the apse walls, Bertolino de Grossi who painted the Valeri Chapel.
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2. This church, also
known with the name
of Sant'Angelo in
Pianella dates back to
the first half of the
twelfth century.
Following actions led
to the insertion in the
front of the portal and
the rose window
(around 1180); between
the fourteenth and
fifteenth centuries
here was the elevation
of the left aisle and the
addition of the bell
3. THE GATE
The ogival
portal has two
abutment
decorated
with lush
roses style
Cassino and
a lintel,
showing the
Madonna with
Saints, carved
into a rougher
style which
can be
considered to
be obtained
from a
previous
portal.
4. THE ROSE WINDOW
The rose has an outer ring
and inner palmettes
decorated with leafy
branches sprouting from
the mouth of a mask.
Delicate reliefs decorate
also the parts of the central
wheel.
5. On the left
side you can
see the
arches, part
of a further
aisle now
disappeared.
6. The rear façade has three apses, the central one
decorated with two series of arches topped by sawtoothed strips. Thin columns run along them.
7. Despite the
early dating,
the bell tower
has a
Romanesque
structure,
lightened by
pointed arches
and twisted
cornices.
8. The inside
The interior has a nave and two aisles
with columns and pillars made of
bricks.
The columns are completed by low
stone capitals carved with floral motifs
which are very stylized.
9. Little remains of the frescoes that covered the entire wall. The
central apse where Christ in Majesty is together with the eleven
Apostles and two Angels with the cartouche of Judgement is really
amazing.
11. The inscription on the lintel identifies
the author (Acute Master) and the
client (the Abbot Roberto).
The architrave is decorated
with motifs that recall those of
the pulpit in Casauria.
12. The four parapets of the case have a frame with palmettes and they
contain reliefs showing the symbols of the Evangelists, St. Matthew and
St. Luke on the right side.
13. Capitals
The same can be said of the capitals carved with stylized
leaves and branches.
14. Other frescoes insist on the apses and the aisles. Here we
find the following representations: Christ, the Virgin and
Child with Saints on the left side, the Blessing Redeemer,
stories of S. Francis and St. Bernardino from Siena.
