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ROAD TO SUBLIMATION
SUCCESS: MORE ABOUT
SUBLIMATION PRINTING
Why is dye-sublimation transfer special? The dye-
sublimation process is a flexible technology that
allows engravers, screen printers, sign makers,
embroiderers, pad printers, photographers and
artists to add thousands of high-value,
personalized, full-color photo-quality products to
their existing product offerings.
To do sublimation, we need
three pieces of equipment:
computer, printer and heat
press. Using an inkjet printer
loaded with dye-sub ink, a
transfer is produced by
printing a computer graphic
onto dye sublimation paper.
This printed transfer is then
secured to the substrate,
placed into a heat press, and
pressed at the proper time and
temperature.
(1) must be made
of, or coated
with, an oil-
loving molecule
like polyester (as
opposed to a
water-loving
molecule like
cotton);
(2) must be white
or light colored;
(3) must be able to
handle the 400° F
heat. During this
heating process,
the dyes on the
paper turn into a
gas and enter into
the pores of the
coating or fabric.
Once time is up,
we separate the
paper from the
substrate and
allow it to cool,
trapping the
sublimation dyes
within the coating
or fabric. The result
is high-value
personalized/custo
mized products
that can be
produced in
minutes at a low
cost.
The MS-JP7 is a roll paper
printer with an excellent
built-in paper take-up system
(generally an option with
other printers). Cut sheet
paper fans shouldn’t worry
though—the printer’s built-in
horizontal paper cutter
allows you to have ultimate
control of the transfer length
whether you are printing
individual transfers or using
an optional software RIP to
gang up multiple transfers or
print jobs.
Although I’ve only
mentioned the 24.8-inch
roll paper so far, common
desktop widths can also
be used, including 17-,
11-, and 8.5-inch rolls.
Keep in mind that
maximum print speeds
are achieved by using the
widest paper. Wider paper
allows the print head to
drive at interstate speeds
while narrower paper
causes the print head to
do a lot of stop and start
city driving.
Officially, we call sublimation paper “high release
paper.” The paper “lets go” of the printed ink as it
turns into a gas. In order to have a great transfer,
the ideal release paper must have three
characteristics: (1) keep the printed dots sharp; (2)
handle 400° F heat well; and (3) release almost all of
the printed ink.
I recommend two papers
that provide exceptional
results. For soft
substrates, glass and
SubliSlate, I recommend
TexPrint XP because it
does the best job of
releasing the ink. For
hard substrates such as
ChromaLuxe aluminum, I
suggest DyeTrans SPP
paper because it provides
the ultimate in detail and
stability while also
providing excellent
release characteristics.?
Road To Sublimation Success More About Sublimation Printing

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Road To Sublimation Success More About Sublimation Printing

  • 1. ROAD TO SUBLIMATION SUCCESS: MORE ABOUT SUBLIMATION PRINTING
  • 2. Why is dye-sublimation transfer special? The dye- sublimation process is a flexible technology that allows engravers, screen printers, sign makers, embroiderers, pad printers, photographers and artists to add thousands of high-value, personalized, full-color photo-quality products to their existing product offerings.
  • 3. To do sublimation, we need three pieces of equipment: computer, printer and heat press. Using an inkjet printer loaded with dye-sub ink, a transfer is produced by printing a computer graphic onto dye sublimation paper. This printed transfer is then secured to the substrate, placed into a heat press, and pressed at the proper time and temperature.
  • 4. (1) must be made of, or coated with, an oil- loving molecule like polyester (as opposed to a water-loving molecule like cotton); (2) must be white or light colored;
  • 5. (3) must be able to handle the 400° F heat. During this heating process, the dyes on the paper turn into a gas and enter into the pores of the coating or fabric. Once time is up, we separate the paper from the substrate and allow it to cool, trapping the sublimation dyes within the coating or fabric. The result is high-value personalized/custo mized products that can be produced in minutes at a low cost.
  • 6. The MS-JP7 is a roll paper printer with an excellent built-in paper take-up system (generally an option with other printers). Cut sheet paper fans shouldn’t worry though—the printer’s built-in horizontal paper cutter allows you to have ultimate control of the transfer length whether you are printing individual transfers or using an optional software RIP to gang up multiple transfers or print jobs.
  • 7. Although I’ve only mentioned the 24.8-inch roll paper so far, common desktop widths can also be used, including 17-, 11-, and 8.5-inch rolls. Keep in mind that maximum print speeds are achieved by using the widest paper. Wider paper allows the print head to drive at interstate speeds while narrower paper causes the print head to do a lot of stop and start city driving.
  • 8. Officially, we call sublimation paper “high release paper.” The paper “lets go” of the printed ink as it turns into a gas. In order to have a great transfer, the ideal release paper must have three characteristics: (1) keep the printed dots sharp; (2) handle 400° F heat well; and (3) release almost all of the printed ink.
  • 9. I recommend two papers that provide exceptional results. For soft substrates, glass and SubliSlate, I recommend TexPrint XP because it does the best job of releasing the ink. For hard substrates such as ChromaLuxe aluminum, I suggest DyeTrans SPP paper because it provides the ultimate in detail and stability while also providing excellent release characteristics.?