Risk Assessment
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The document discusses various safety procedures followed while filming a trailer outdoors. It notes that the camera was placed in a bag and securely attached to the tripod to prevent damage. A fake knife was used during a murder scene to avoid harming anyone in the woods. Weather conditions were checked before filming to avoid risks from electronic equipment during storms. All actors provided informed consent to avoid ethical issues with posting the video online. Fake blood was placed on plastic to prevent splattering onto clothes for health and safety.
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Risk assesment
This document identifies several potential hazards for a film shoot and assesses their risk level. It outlines controls to mitigate three high risk hazards: makeup reaction/irritation will be tested in advance; potential tripping in dark areas will be avoided by clearing the set and using flashlights; and weather risks like slippery surfaces could ruin hair and makeup so filming will be planned around the forecast or precautions will be taken.
Risk assessment 2
The document discusses potential hazards for filming a music video and assigns each a risk rating. It identifies fire used in the storyline as medium risk and outlines controls like having water available and ensuring the actress's safety. Weather conditions like rain and slippery grass are deemed medium risk; the crew will be prepared with coats and umbrellas. The presence of the general public at outdoor locations is rated medium to high risk but can be controlled by checking footage and waiting for people to move.
Risk assessment
This document lists potential hazards from filming a music video and the risk levels associated with each hazard. It then describes how each hazard will be controlled. The hazards include fire when burning a prop, makeup irritation, slippery surfaces from rain, lack of water, water near filming equipment, the general public in backgrounds, and tripping in the dark. Control methods include monitoring fires, using tested makeup, being prepared for rain, bringing water, filming at a distance from water, checking for people, and using lights to see in the dark.
Risk assessment
Esme Josling is producing a music video and has identified several risks to consider for her production. These include tripping over wires or equipment, equipment overheating or being damaged, performers having medical issues, equipment being stolen on location, performers falling from heights, annoying the public while filming, distracting dogs, and capturing the public on camera without permission. For each risk, Esme details ways to minimize the risk and assigns herself as responsible.
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The document outlines several hazards and existing controls for a film shoot in different locations. It identifies risks such as tripping over camera equipment, slipping on saturated ground at the park scene, broken glass at a bar scene, and mugging in the city center at night. Controls include safe placement of equipment, instructing crew to wear proper footwear near water, and staying together in groups during filming. Further actions are also listed, such as testing grounds before filming and doing city filming only during daylight.
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This document assesses potential risks and dangers at two filming locations and outlines actions to mitigate those risks. It identifies risks such as tripping over greenery or cables, burns from hot lights, injuries from animal masks, and slips in bad weather. For each risk, actions are identified such as clearing areas, taping down cables, briefing actors on costumes, and monitoring weather. The document concludes that with the outlined preventative actions, the benefits of filming at the locations outweigh the risks.
Risk assesment
This document provides a template for conducting a risk assessment for a film production. It includes sections to identify potential hazards during different scenes, who or what may be harmed, existing risk controls, risk assessment levels, and further actions needed. The risk assessment chart defines the risk levels as extreme, high, moderate, or low based on the likelihood of an incident and its potential consequences from serious injury to minor delays. Conducting a thorough risk assessment of hazards is important for film productions to help prevent injuries and property damage.
Risk assessment
This risk assessment document identifies several hazards associated with filming at an outdoor location and measures to control the risks. The hazards include broken glass, trip hazards from props, splinters, risks when removing items from inside a house, and the potential for a building collapse. Control measures to lower the risks include removing glass near filming areas, storing props neatly, sandpapering wood edges, being careful when moving items and wearing gloves, and ensuring building stability before filming. The location carries some risks but benefits the story, and controlling the risks makes the benefits outweigh the risks.
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Risk assesment
This document identifies several potential hazards for a film shoot and assesses their risk level. It outlines controls to mitigate three high risk hazards: makeup reaction/irritation will be tested in advance; potential tripping in dark areas will be avoided by clearing the set and using flashlights; and weather risks like slippery surfaces could ruin hair and makeup so filming will be planned around the forecast or precautions will be taken.
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The document discusses potential hazards for filming a music video and assigns each a risk rating. It identifies fire used in the storyline as medium risk and outlines controls like having water available and ensuring the actress's safety. Weather conditions like rain and slippery grass are deemed medium risk; the crew will be prepared with coats and umbrellas. The presence of the general public at outdoor locations is rated medium to high risk but can be controlled by checking footage and waiting for people to move.
Risk assessment
This document lists potential hazards from filming a music video and the risk levels associated with each hazard. It then describes how each hazard will be controlled. The hazards include fire when burning a prop, makeup irritation, slippery surfaces from rain, lack of water, water near filming equipment, the general public in backgrounds, and tripping in the dark. Control methods include monitoring fires, using tested makeup, being prepared for rain, bringing water, filming at a distance from water, checking for people, and using lights to see in the dark.
Risk assessment
Esme Josling is producing a music video and has identified several risks to consider for her production. These include tripping over wires or equipment, equipment overheating or being damaged, performers having medical issues, equipment being stolen on location, performers falling from heights, annoying the public while filming, distracting dogs, and capturing the public on camera without permission. For each risk, Esme details ways to minimize the risk and assigns herself as responsible.
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The document outlines several hazards and existing controls for a film shoot in different locations. It identifies risks such as tripping over camera equipment, slipping on saturated ground at the park scene, broken glass at a bar scene, and mugging in the city center at night. Controls include safe placement of equipment, instructing crew to wear proper footwear near water, and staying together in groups during filming. Further actions are also listed, such as testing grounds before filming and doing city filming only during daylight.
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This document assesses potential risks and dangers at two filming locations and outlines actions to mitigate those risks. It identifies risks such as tripping over greenery or cables, burns from hot lights, injuries from animal masks, and slips in bad weather. For each risk, actions are identified such as clearing areas, taping down cables, briefing actors on costumes, and monitoring weather. The document concludes that with the outlined preventative actions, the benefits of filming at the locations outweigh the risks.
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This document provides a template for conducting a risk assessment for a film production. It includes sections to identify potential hazards during different scenes, who or what may be harmed, existing risk controls, risk assessment levels, and further actions needed. The risk assessment chart defines the risk levels as extreme, high, moderate, or low based on the likelihood of an incident and its potential consequences from serious injury to minor delays. Conducting a thorough risk assessment of hazards is important for film productions to help prevent injuries and property damage.
Risk assessment
This risk assessment document identifies several hazards associated with filming at an outdoor location and measures to control the risks. The hazards include broken glass, trip hazards from props, splinters, risks when removing items from inside a house, and the potential for a building collapse. Control measures to lower the risks include removing glass near filming areas, storing props neatly, sandpapering wood edges, being careful when moving items and wearing gloves, and ensuring building stability before filming. The location carries some risks but benefits the story, and controlling the risks makes the benefits outweigh the risks.
Risk assessment
This risk assessment document identifies several hazards associated with filming at an outdoor location and measures to control the risks. The hazards include broken glass near windows, trip hazards from props and debris, potential for splinters, risk of injury when removing items from the house, and the building collapsing. Control measures to lower the risks include removing glass, clearing trip hazards, sanding edges, being careful during removal and ensuring structural stability. The benefits of using this location for filming outweigh the risks if proper control measures are implemented.
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The document lists various filming locations and their associated hazards, along with preventative measures. For an indoor swimming pool, the hazards are wet floors that could cause slipping and lens fogging from steam, which can be prevented by promptly cleaning any water and wiping lenses. When filming in a bedroom, falling or hitting the bed's edges are risks, so scenes should be supervised. For outdoor filming in Greece, overheating and sunburn are concerns that can be avoided with sunscreen, hydration, and shade. During street filming, background people and vehicles may distract, so clear or remote backdrops should be used.
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This risk assessment identifies potential hazards for a photography shoot at a TV studio. Hazards include studio lights falling if not properly secured, tripping over wires on the floor, slipping on wet floors if rain or snow is tracked in, and equipment malfunctions like cameras without batteries. The document recommends double checking light securing, pushing wires out of the way, putting up wet floor signs, and having a backup camera to mitigate these risks. Potential injuries range from bruises to concussions depending on the hazard.
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This document lists potential risks for a music video shoot and measures to prevent issues. Camera/equipment risks include rain damage, theft, and dropping. Strategies are checking weather, constant supervision, and secure equipment. For performers, skateboarders risks include injury, so pads and helmets will be worn. Dancers risks are injury from poor lighting or surfaces, so lighting and smooth floors will be used. Minor injuries will be treated on site, but serious injuries require immediate hospital transport.
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The risk assessment identifies several potential hazards for a photography shoot at a TV studio, including:
- Studio lights falling if not properly secured, which could cause serious injury. Safety checks will be performed and cast/crew will avoid standing below lights.
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This risk assessment identifies potential hazards for a photography shoot in a TV studio, including:
- Studio lights falling and injuring someone if not properly secured
- Cables and wires on the floor posing a trip hazard
- Wet floors from rain or snow outside increasing risks of slips
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This risk assessment form examines potential hazards for filming the music video "I need U" to protect those involved and prevent harm. Hazards identified include adverse weather, electrocution, falling, fire, public confrontation, traffic, and sleep deprivation. Control measures are outlined such as checking equipment, securing wires, following fire regulations, being polite to the public while filming, looking for traffic, and scheduling animation work to prevent last minute sessions. Emergency contact numbers are also provided.
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This risk assessment document identifies several hazards associated with filming at an outdoor location and measures to control the risks. The hazards include broken glass near windows, trip hazards from props and debris, potential for splinters, risk of injury when removing items from the house, and the building collapsing. Control measures to lower the risks include removing glass, clearing trip hazards, sanding edges, being careful during removal and ensuring structural stability. The benefits of using this location for filming outweigh the risks if proper control measures are implemented.
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The document outlines risks associated with recording an advertisement at the RSR studio and plans to mitigate those risks. It identifies tripping over cables and potential electrocution from technology as hazards. To address these, the group will coil cables neatly and prohibit liquids in the studio. All members will monitor for risks starting from entry and ongoing, contacting the listed individuals if issues occur.
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The risk assessment identifies potential hazards for a film shoot in Covent Garden such as damage from large crowds, aggression from individuals, bad weather damaging equipment, and traffic accidents. Precautions include securing equipment, informing crowds, cancelling shoots in bad weather, and travelling carefully together. Emergency procedures involve contacting emergency services and the college contact Zac for any incidents, injuries, or damage requiring aid or reporting. Contact details for emergency services and college staff are provided.
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The risk assessment document outlines several risks that need to be addressed during the film shoot. These include properly securing the tripod to prevent camera damage, using multiple cameras to address limited battery life, alerting people to loose wires to prevent falls and injuries, taking care that fake blood does not get into eyes or swallowed, politely asking unnecessary people to move or editing them out, ensuring fake knives have no small parts or sharp edges, and being extra careful in an area known to have glass on the floor.
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This document outlines potential hazards for Caleb and a camera crew filming in the woods, including tripping over roots, being hit by falling branches, stinging nettles, slippery muddy ground if it has rained, and rain itself making the ground slippery and potentially causing hypothermia if outside too long. It describes who might be harmed, what precautions are already being taken like checking for hazards and wearing proper footwear, additional actions needed like moving filming locations or waiting for better weather, and how the assessment will be implemented such as informing crew of hazards and checking clothing and footwear.
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This document discusses potential hazards on a film set and how to mitigate risks. It identifies trip hazards from wires and stairs that could affect the crew and actors. The risks are rated as low, medium or high and responsibilities are assigned to address exposed wires, looking where going on stairs, and moving chairs out of the way before filming. Safety measures need to be taken by the crew to prevent any incidents on set.
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This risk assessment identifies potential hazards for a photography shoot at a TV studio. Hazards include studio lights falling if not properly secured, tripping over wires on the floor, slipping on wet floors if rain or snow is tracked in, and equipment malfunctions like cameras without batteries. The document recommends double checking light securing, pushing wires out of the way, putting up wet floor signs, and having a backup camera to mitigate these risks. Potential injuries range from bruises to concussions depending on the hazard.
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Casper Brazier's document outlines potential safety risks when filming with a tripod and camera such as the tripod falling over or tripping on it. It recommends securing the camera tightly to the tripod and being careful while filming to prevent the equipment from falling or hurting someone. It also notes the importance of taking screen breaks to avoid eye damage from looking at the screen too long and avoiding eating or drinking around electrical equipment to prevent spills that could break the equipment.
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This document lists potential risks for a music video shoot and measures to prevent issues. Camera/equipment risks include rain damage, theft, and dropping. Strategies are checking weather, constant supervision, and secure equipment. For performers, skateboarders risks include injury, so pads and helmets will be worn. Dancers risks are injury from poor lighting or surfaces, so lighting and smooth floors will be used. Minor injuries will be treated on site, but serious injuries require immediate hospital transport.
Risks assessment – tv studio
The risk assessment identifies several potential hazards for a photography shoot at a TV studio, including:
- Studio lights falling if not properly secured, which could cause serious injury. Safety checks will be performed and cast/crew will avoid standing below lights.
- Cables and wires on the floor posing a trip hazard, especially if wet from rain or snow outside. Cables will be pushed back and wet floor signs used.
- Equipment issues like cameras without batteries could delay work. Batteries will be checked in advance and a backup camera brought.
Risk assesment
This risk assessment form examines potential hazards for the production of a music video. Locations being used include 98 Station Road and Willy's Bar in Cleethorpes. Hazards identified include adverse weather, electrocution, falling, fire, public confrontation, traffic, and sleep deprivation. Control measures are outlined such as checking weather forecasts, ensuring equipment is safe, keeping wires tidy, following fire safety regulations, being polite when filming in public, looking both ways when crossing roads, and scheduling animation work to prevent exhaustion. Emergency contact numbers are also provided.
Risks assessment – tv studio
This risk assessment identifies potential hazards for a photography shoot in a TV studio, including:
- Studio lights falling and injuring someone if not properly secured
- Cables and wires on the floor posing a trip hazard
- Wet floors from rain or snow outside increasing risks of slips
- Cameras without batteries disrupting the scheduled photography
Mitigation strategies are outlined such as double checking light security, managing cables, warning of wet floors with signage, and having a backup camera.
Video production risk assessment to be finished
This document summarizes the risks identified for a student video production project filming at an underpass location. Key risks included audience/public interrupting filming, allergic reactions to costumes/makeup, falling from heights while filming overhead shots, low visibility at night potentially causing trips and falls, icy roads, farm vehicles operating nearby, adverse weather, and minor injuries from props like a fake dagger. Mitigation strategies involved choosing an isolated filming location, checking for allergies, using safety harnesses for overhead shots, having lights for visibility, being cautious near roads, and safe prop handling.
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The risk assessment identifies several hazards for an outdoor film shoot including adverse weather, loose cables, night filming, unsurfaced locations, filming next to roads, and unfamiliar areas. Controls to mitigate these risks include checking weather reports, having shelter available, securing cables, using lighting for night scenes, scouting locations in advance, avoiding roads, and not leaving equipment unattended.
Riskassesment
This risk assessment form examines potential hazards for filming the music video "I need U" to protect those involved and prevent harm. Hazards identified include adverse weather, electrocution, falling, fire, public confrontation, traffic, and sleep deprivation. Control measures are outlined such as checking equipment, securing wires, following fire regulations, being polite to the public while filming, looking for traffic, and scheduling animation work to prevent last minute sessions. Emergency contact numbers are also provided.
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The risk assessment document outlines several risks that need to be addressed during the film shoot. These include ensuring the tripod is stable to prevent camera issues, using multiple cameras to deal with limited battery life, alerting people to any loose wires to prevent falls and injuries, taking care with fake blood around eyes and ingestion, dealing with unwanted people in shots or editing them out, using safe fake knives without small or sharp parts, and being careful of any glass on the floor at one filming location.
Risk Assessment
This document outlines various risks associated with filming a video and responsibilities for mitigating those risks. It identifies risks of injuries to actors during filming, scheduling conflicts that could cause inconveniences, unpredictable weather impacting outdoor filming, potential damage to equipment, trip/fall hazards when filming outdoor scenes, insufficient storage on SD cards compromising footage, low camera battery preventing filming, and inaccessible shooting locations. The document states that the filmmaker is responsible for taking precautions to prevent injuries during filming, choosing shooting times that don't conflict with actors' schedules, checking weather forecasts for outdoor filming, protecting equipment from damage, being careful when handling gear outdoors, maintaining adequate SD card storage, ensuring camera batteries are fully charged, and selecting alternative locations
Post on blogger legal and ethical
This document outlines several legal, ethical and health and safety issues to consider for a media production project. It discusses requirements around copyright and permissions for locations and talent. Ethical issues that could impact the work include handling sensitive information, maintaining balance and avoiding bias, and properly representing subjects. Health and safety risks involve carrying equipment, interacting with strangers, exposed wires and weather conditions. The document provides suggestions for managing these risks, such as using release forms and considering subject matter and representation carefully.
Risk assessment
The document discusses risks that need to be considered and mitigated for a magazine photo shoot. It identifies potential risks like equipment damage from bad weather, lack of permission from models and property owners, and safety issues. It then provides controls for each risk, such as filming in good weather, safely storing equipment, gaining necessary consents, and scouting locations to avoid collisions or unintended subjects.
Risk assessment sheet
The document provides guidance on health and safety issues to consider for practical film and media production. It advises filmmakers to carefully assess all filming locations and activities for potential hazards. This includes ensuring structures are safe, accounting for traffic, having adequate lighting and permission to film. Filmmakers should also consider weather conditions, safety equipment and avoid risks. A risk assessment form is provided to complete before filming starts.
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Film magazine cover analysis
The document analyzes the choices made in designing a film magazine cover. A medium shot was used to show the villain's aggressive body language and knife. Medium shots are commonly used on film magazine covers to show main characters. The villain's facial expression conveys a serious, menacing look with direct eye contact. Text was included such as "4 menacing body horror movies being made right now" to indicate the subgenre and common themes to attract the target audience. A red font was used for the masthead to match Total Film magazine's font and grab attention. Consistent colors of red, black and white were used to signify danger and conform to the horror genre. High key lighting was used to create realism consistent with existing
9 frame evaluation
The document provides an analysis of the 9 frame evaluation for the student film trailer "The Walk". It summarizes the key elements used in each frame to effectively set up the slasher/psychological horror genre for the audience. These include establishing shots and settings, costumes and props like masks and knives, camerawork like shaky cam and low angles, editing techniques, the title design, how characters are introduced, and how the opening suggests the genre. The analysis shows how each element aims to conform to conventions of the genre to immerse and unsettle the audience.
Film poster analysis
The document analyzes a film poster created by the author. It discusses design choices like using a close-up shot of the villain to create intrigue, applying a vignette to suggest sinister acts, and employing a black, red, and white color scheme common to horror genre posters. Text elements on the poster like production company credits and a slogan are meant to provide context clues about the slasher film's violent and brutal nature. Alignment, composition, and an attention-grabbing title font are aimed to draw the audience's eye to the menacing imagery and reinforce thriller conventions.
Film magazine cover analysis
The document analyzes the design choices made for a film magazine cover. A medium shot was used to show the villain's aggressive body language and knife. Medium shots are commonly used on film magazine covers to show main characters. The text establishes the subgenre as horror and mentions "4 menacing body horror movies being made right now" to attract the target audience. A consistent color scheme of red, white, and black was used to signify danger and conform to the horror genre. High key lighting was applied to images to create realism consistent with other magazine covers.
Written treatment
The document discusses the plot of a horror film called "The Walk". It will follow the stock plot of a serial killer stalking and slaying victims. The story will involve a stereotypical teenage girl named Sharon who becomes the target of the villain played by Adina. In Act 1, everything seems normal until an unsettling shift in sound occurs. In Act 2, the villain stalks Sharon in the woods to the sound of spooky music. Act 3 culminates in Sharon's brutal attack and murder by the villain, ending with a disturbing shot from her point of view. The film aims to establish disequilibrium and portray the victim as weak through her screams.
Storyboard draft 3
This appears to be a draft storyboard by Sharondeep Bachra. It is the third draft of a storyboard, suggesting it is a work in progress. The document provides no other context or details about the storyboard content or purpose.
Storyboard draft 2
The storyboard is for a draft 2 by Sharondeep Bachra. It appears to be for a visual project of some kind as it references shots, scenes and transitions. However, without seeing the actual storyboard contents, only limited information can be gleaned from the title and author provided.
Storyboard final
This document appears to be a storyboard final project submitted by Sharondeep Bachra. It likely contains visual representations and descriptions of scenes and events in a narrative format to help plan and develop a video or film project. The storyboard was completed and submitted to satisfy the requirements for a class or work assignment by the student Sharondeep Bachra.
Film theory
This document summarizes several key concepts from film theory, including Roland Barthes' idea of the "enigma code" that creates mystery and intrigue, Claude Levi Strauss' concept of narrative being driven by conflicts between binary opposites, and Laura Mulvey's notion of the "male gaze" and how cinema objectifies women for male audiences. It also outlines Vladimir Propp's characterization archetypes like the hero, villain, and princess, as well as Tzvetean Todrov's theory of equilibrium being disrupted and a new equilibrium forming by the narrative's end.
Written treatment
The document outlines the plot, characters, and structure of a horror film called "The Walk". It discusses the title, genre, locations, characters, and provides a 1 paragraph summary for each act. The film is about a serial killer stalking and killing victims. Act 1 introduces the killer stalking a victim. Act 2 shows the killer brutally murdering the victim in the woods. Act 3 reveals the victim dead after the murder. The document establishes the key details to summarize the plot of the horror film.
9 frame evaluation
The opening of the horror trailer establishes the slasher/psychological genre through ominous sounds and visuals that suggest a stalker is following victims. Two teenage characters are introduced as potential victims through their stereotypical costumes and behaviors. The villain is introduced through shots that only show parts of his body in dark clothing, creating mystery about his identity. Shots of the isolated female victim walking alone further the sense of danger and tension. The trailer aims to provoke feelings of fear, suspense and anxiety in the audience through these techniques that set up an unfolding stalking and murder plot typical of the slasher genre.
9 slide evaluation
The opening of the trailer establishes the slasher/psychological horror genre in several ways. It begins with a close-up of a car and unsettling sound that creates tension around an unknown figure. Text then appears saying "who's out there?" implying a stalker or killer. A low angle shot reveals only the legs of this unknown figure, leaving their identity a mystery. Following shots introduce typical slasher film stock characters of teenagers and show the villain stalking a victim, conforming to conventions of the slasher genre.
Responsibilities
This filming log outlines the schedule, locations, props, and content to be filmed for an horror/slasher genre film. It assigns filming responsibilities to Sharondeep Bachra, Shanice Stennett and Adina Thorpe on various dates in November, December, and March. The log details scenes filmed in the woods involving a villain stalking and attacking a victim, as well as scenes outside of college. Props include a mask, knife, and fake blood.
Results questionnaire
The document discusses common tropes and elements found in horror movies, including psychological horror and slasher films being effective subgenres, chainsaws and screaming sounds creating fear, forests being an effective horror movie location, teenagers and girls being vulnerable characters expected to see, coats being identified with villains, knives and chainsaws being common props, blood and violence making trailers menacing, and unknown villains being more frightening than known ones.
Minutes and agendas
The document outlines the minutes and action points from a filming review meeting. It discusses stock props and equipment, sound, script writing, filming dates, narrative voiceovers, camera shots and editing, character roles, who will be the camera man, additional filming dates, and new filming dates focusing on technical shots. Various action points are assigned to group members with deadlines for acquiring props, filming, recording voiceovers, and other tasks.
3 film magazine analysis
The document summarizes the key symbolic, technical, written and color codes used in a film magazine cover. The masthead uses bold white letters to draw attention. The color scheme uses black, white and yellow. Technical codes like long shots portray the characters as active and masculine. Written codes promote the science fiction genre. Symbolic codes like guns convey threat and action. The characters' masculine clothing and poses address them as serious and superior. Overall the visual elements characterize the magazine as promoting an action film.
Mood board
This mood board was created by Sharondeep Bachra and appears to be a collection of visual elements intended to convey an aesthetic concept or theme. The board includes various images, colors, textures, and materials that seem aimed at inspiring or guiding a creative project by establishing a particular tonal palette or style. Overall the mood board serves as a reference tool to help focus creative work according to the specific mood or vibe represented by the curated visual selections.
Conventions of horror films
The document outlines common conventions and tropes found in horror films, including stock characters (innocent child, masked killer, last girl standing), plots (serial killer stalks victims, warnings ignored with consequences), issues addressed (good vs evil, revenge, religion), locations (abandoned houses, woods, graveyards), and props (voodoo dolls, corpses, weapons). These conventions provide familiar elements that horror fans have come to expect from the genre.
Texas chainsaw massacre film anaylsis
The document analyzes the camera work, composition, and sound design of the film The Texas Chainsaw Massacre. It discusses how various techniques are used to establish conventions of the horror genre and create tension. Key points made include that camera angles portray the villain as powerful and the victims as helpless, isolated locations trap the victims, and diegetic screams and sinister music heighten fear. Overall, the document examines how the film's technical elements reinforce common tropes of horror films and manipulate the audience's emotions.
Halloween trailer analysis
The trailer establishes disequilibrium by showing a murder has occurred through diegetic screams and police holding a covered body. Technical elements like low key lighting and close ups are used to present an unknown masked villain. Fast cuts between the villain, weapons and victims aim to stimulate fear and identify it as a slasher film. The trailer depicts stereotypical slasher elements through the villain chasing a teenage girl with a knife and smashing objects, establishing terror, suspense and anticipation in the audience.
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Risk Assessment
- 1. Potential risks Safeguard Damage to equipment In order to follow health and safety guidelines and protect our camera, I established several procedures. For example, when I filmed my trailer outdoors (woods) I always made sure I placed the camera safely in a bag. This kept my camera discrete from the public members and protected it from and damage or harm. Also when we used the camera in juxtaposition with the tripod, I always took the responsibility to make sure it was secure and tightened properly to the tripod, consequently if I did not complete this action - the camera would fall out and break. No real weapons In order to avoid dangerous consequences such as harm and danger, I used a fake knife whilst filming our trailer during the murder scene. The purpose of using a fake knife was to prohibit accidents, for example, our knife was mainly used in the woods. Animals and little children were present in the woods it was therefore our responsibility to avoid accidents and risks to other people. Filming during certain weather In order to avoid injury and accidents, we checked the conditions weather forecast before filming our trailer outside due to the fact that risks of electronic equipment could cause us to be electrocuted which is seriously dangerous. As a result, we therefore checked the weather and filmed our trailer during normal dry weather conditions. Ethical issues At the beginning of filming my trailer, my friends who are not media students took part as characters, a villain and a victim. Participants in the trailer gave informed consent, without this it is deceiving someone and unethical to post the video to the internet such as my blogger – as the actors don’t agree to take part. Subsequently, to avoid back group characters such as the public we ensured that the woods were clear before we started filing. Liquid Before filming our scenes where fake blood was acquired, we ensured that the fake blood was placed on top of a plastic bag, in order to prevent it from being splattered onto our clothes. The purpose of this was to ensure health and safety.