LiveWorx17 Recommended Agenda – May 22-25, 2017 – Boston
LiveWorx is the premier Internet of Things (IoT) Business Event. Learn more-> http://ptc.co/yFPV30barOi
Checklist for museums, institutions, for implementing Open Data. Checklist was part of the workshop The Rijksmuseum Hacking Experience, Barcelona 2012. Inge Giesbers &Lizzy Jongma, Rijksmuseum.
LiveWorx17 Recommended Agenda – May 22-25, 2017 – Boston
LiveWorx is the premier Internet of Things (IoT) Business Event. Learn more-> http://ptc.co/yFPV30barOi
Checklist for museums, institutions, for implementing Open Data. Checklist was part of the workshop The Rijksmuseum Hacking Experience, Barcelona 2012. Inge Giesbers &Lizzy Jongma, Rijksmuseum.
Making impact on a small budget How the Livrustkammaren och Skoklosters slott...Joris Pekel
Slides from my presentation at GLAM-WIKI 2015 in the Hague. During this presentation I presented a paper that talks about how a small cultural institution made large impact with their digital collection. The paper can be found here: http://pro.europeana.eu/publication/making-impact-on-a-small-budget
Walking the talk of open research and open innovation in practiceSimon Tanner
Introduce the Department of Digital Humanities & King’s Digital Labs. A personal journey of the research benefits of Open: Access/Data/Research. Structuring open research in Digital Humanities at King’s. Open Innovation and the Digital Humanities in the Arts and Humanities.
Slides for Culture Hack panel @SXSW2013 : http://schedule.sxsw.com/2013/events/event_IAP4580
Some slides re-used from Harry Verwayen (http://www.slideshare.net/hverwayen/business-model-innovation-open-data) and Julia Fallon
This presentation will introduce you to the Creative Commons organisation; the licences; and the way in which application of those licences has facilitated some inspirational examples of sharing in the GLAM sector.
Research and Development at Sound and Vision Victor de Boer
Slides for guest lecture about R&D at the Netherlands Institute for Sound and Vision for the lecture series "Introduction to IMM" at VU Amsterdam.
With slides by Lotte Belice Baltussen, Maarten Brinkerink, Johan Oomen, Bouke Huurnink and Victor de Boer
Presentation about the project: re:DDS, Web Archaeology. The REconstruction o...Tjarda de Haan
Presentation about the project re:DDS at the University of Malta, 22 May 2014.
The project attempts to reconstruct the virtual city, the DDS. De Digitale Stad (DDS), the Digital City, is an unique case study to tell the history of e-culture in Amsterdam. The goals of the project re:DDS are:
- To preserve the internet-historical monument DDS
- To map the history of the DDS, internet and e-culture in Amsterdam
- To include the DDS in the collections of the heritage institutions of Amsterdam
- A pilot for net-archaeology: how to reconstruct, preserve and retrieve the virtual city DDS (DDS is born-digital) and make it accessible to the public, on a scientific and social level.
For more information see:
http://hart.amsterdammuseum.nl/re-dds
Open Culture Data: Opening GLAM Data Bottom-up Johan Oomen
Open Culture Data started as a grassroots movement at the end of 2011, with the aim to open up data in the cultural sector and stimulate (creative) reuse. In this context, we organised a hackathon, which resulted in the creation of 13 Open Culture Data apps. After this successful first half year, a solid network of cultural heritage professionals, copyright and open data experts and developers was formed. In April 2012, an Open Culture Data masterclass started in which 17 institutions got practical, technical and legal advice on how to open their data for re-use. Furthermore, we organised an app competition and three hackathons, in which developers were stimulated to re-use Open Cultural Datasets in new and innovative ways. These activities resulted in 27 more apps and 34 open datasets. In this paper we share lessons-learned that will inform heritage institutions with real-life quantitative and qualitative experiences, best practices and guidelines from their peers for opening up data and the ways in which this data is reused. Since the open culture data field is still relatively young, this is highly relevant information needed to stimulate others to join the open data movement. To this end, we are already taking steps to cross the borders and let Europe know about the initiative, on both a practical and a policy level.
Presentation of project outcomes during a 'breakfast meeting' at the University of Oslo. More information at the project site: bit.ly/visualnavigationproject
Europeana and the Future - New Perspective for Cultural Heritage InstitutionsJoris Pekel
In this presentation I gave an update on the status quo of the Europeana project and what questions need an answer in the coming period. In particular the need for better quality metadata from cultural institutions to increase search and a new infrastructure for aggregating the data from thousands of cultural institutions.
Presentatie als onderdeel van de Informatiedag ‘Bibliotheekcollecties in het Netwerk’ met auteursrecht als onderwerp.
Behandeld wordt de basis van het auteursrecht, waarom het belangrijk, wanneer auteursrecht ontstaat is en hoe erfgoed instellingen hiermee omgaan.
Making impact on a small budget How the Livrustkammaren och Skoklosters slott...Joris Pekel
Slides from my presentation at GLAM-WIKI 2015 in the Hague. During this presentation I presented a paper that talks about how a small cultural institution made large impact with their digital collection. The paper can be found here: http://pro.europeana.eu/publication/making-impact-on-a-small-budget
Walking the talk of open research and open innovation in practiceSimon Tanner
Introduce the Department of Digital Humanities & King’s Digital Labs. A personal journey of the research benefits of Open: Access/Data/Research. Structuring open research in Digital Humanities at King’s. Open Innovation and the Digital Humanities in the Arts and Humanities.
Slides for Culture Hack panel @SXSW2013 : http://schedule.sxsw.com/2013/events/event_IAP4580
Some slides re-used from Harry Verwayen (http://www.slideshare.net/hverwayen/business-model-innovation-open-data) and Julia Fallon
This presentation will introduce you to the Creative Commons organisation; the licences; and the way in which application of those licences has facilitated some inspirational examples of sharing in the GLAM sector.
Research and Development at Sound and Vision Victor de Boer
Slides for guest lecture about R&D at the Netherlands Institute for Sound and Vision for the lecture series "Introduction to IMM" at VU Amsterdam.
With slides by Lotte Belice Baltussen, Maarten Brinkerink, Johan Oomen, Bouke Huurnink and Victor de Boer
Presentation about the project: re:DDS, Web Archaeology. The REconstruction o...Tjarda de Haan
Presentation about the project re:DDS at the University of Malta, 22 May 2014.
The project attempts to reconstruct the virtual city, the DDS. De Digitale Stad (DDS), the Digital City, is an unique case study to tell the history of e-culture in Amsterdam. The goals of the project re:DDS are:
- To preserve the internet-historical monument DDS
- To map the history of the DDS, internet and e-culture in Amsterdam
- To include the DDS in the collections of the heritage institutions of Amsterdam
- A pilot for net-archaeology: how to reconstruct, preserve and retrieve the virtual city DDS (DDS is born-digital) and make it accessible to the public, on a scientific and social level.
For more information see:
http://hart.amsterdammuseum.nl/re-dds
Open Culture Data: Opening GLAM Data Bottom-up Johan Oomen
Open Culture Data started as a grassroots movement at the end of 2011, with the aim to open up data in the cultural sector and stimulate (creative) reuse. In this context, we organised a hackathon, which resulted in the creation of 13 Open Culture Data apps. After this successful first half year, a solid network of cultural heritage professionals, copyright and open data experts and developers was formed. In April 2012, an Open Culture Data masterclass started in which 17 institutions got practical, technical and legal advice on how to open their data for re-use. Furthermore, we organised an app competition and three hackathons, in which developers were stimulated to re-use Open Cultural Datasets in new and innovative ways. These activities resulted in 27 more apps and 34 open datasets. In this paper we share lessons-learned that will inform heritage institutions with real-life quantitative and qualitative experiences, best practices and guidelines from their peers for opening up data and the ways in which this data is reused. Since the open culture data field is still relatively young, this is highly relevant information needed to stimulate others to join the open data movement. To this end, we are already taking steps to cross the borders and let Europe know about the initiative, on both a practical and a policy level.
Presentation of project outcomes during a 'breakfast meeting' at the University of Oslo. More information at the project site: bit.ly/visualnavigationproject
Europeana and the Future - New Perspective for Cultural Heritage InstitutionsJoris Pekel
In this presentation I gave an update on the status quo of the Europeana project and what questions need an answer in the coming period. In particular the need for better quality metadata from cultural institutions to increase search and a new infrastructure for aggregating the data from thousands of cultural institutions.
Presentatie als onderdeel van de Informatiedag ‘Bibliotheekcollecties in het Netwerk’ met auteursrecht als onderwerp.
Behandeld wordt de basis van het auteursrecht, waarom het belangrijk, wanneer auteursrecht ontstaat is en hoe erfgoed instellingen hiermee omgaan.
Talk at the Zagreb Festival of Digital Heritage about copyright. The issues are addressed and how Europeana together with the network tries to solve this. It also gives an overview of the different licenses being used and finally focusses on what makes good quality metadata.
Festival of Digital Heritage Zagreb 2014Joris Pekel
My talk about Europeana at the Festival of Digital Heritage in Zagreb in April 2014. It starts with the current situation of the Europeana project, and our plans for the coming years.
#Hack4No Presentation about Open Data and EuropeanaJoris Pekel
Talk in Oslo about Open Data and why Europeana thinks this is essential in order to get the most out of digitised cultural content. Also the issues and how Europeana is trying to solve them are discussed.
An introduction to Europeana - Hong Kong lectureJoris Pekel
Full transcript can be found here: https://docs.google.com/document/d/10C4CzLDYRpsj09grxa4oHZ-f8MScHbkk4sKheEyrVSQ/edit
Slides of lecture I gave at the Baptist University in Hong Kong and during an Open Culture workshop at the Asia Art Archive. It explains the basics of Europeana, why it was found, how the project works, and deals with the various copyright issues we deal with on a daily basis.
OpenGLAM Poland: Building a Cultural Commons togeterJoris Pekel
Talk at the OpenGLAM Poland Conference in Warsaw 12/10/2013. Here I discussed reasons why to open up your data and content, what the obstacles are, and what Europeana tries to do to overcome these.
A few metrics about Open Data in the cultural sectorJoris Pekel
Presentation at the Open Knowledge Conference in Geneva. Here I talked about the importance of good quality metadata and open licenses in order to get institutions data to be found, and included some metrics.
Operation “Blue Star” is the only event in the history of Independent India where the state went into war with its own people. Even after about 40 years it is not clear if it was culmination of states anger over people of the region, a political game of power or start of dictatorial chapter in the democratic setup.
The people of Punjab felt alienated from main stream due to denial of their just demands during a long democratic struggle since independence. As it happen all over the word, it led to militant struggle with great loss of lives of military, police and civilian personnel. Killing of Indira Gandhi and massacre of innocent Sikhs in Delhi and other India cities was also associated with this movement.
Francesca Gottschalk - How can education support child empowerment.pptxEduSkills OECD
Francesca Gottschalk from the OECD’s Centre for Educational Research and Innovation presents at the Ask an Expert Webinar: How can education support child empowerment?
Embracing GenAI - A Strategic ImperativePeter Windle
Artificial Intelligence (AI) technologies such as Generative AI, Image Generators and Large Language Models have had a dramatic impact on teaching, learning and assessment over the past 18 months. The most immediate threat AI posed was to Academic Integrity with Higher Education Institutes (HEIs) focusing their efforts on combating the use of GenAI in assessment. Guidelines were developed for staff and students, policies put in place too. Innovative educators have forged paths in the use of Generative AI for teaching, learning and assessments leading to pockets of transformation springing up across HEIs, often with little or no top-down guidance, support or direction.
This Gasta posits a strategic approach to integrating AI into HEIs to prepare staff, students and the curriculum for an evolving world and workplace. We will highlight the advantages of working with these technologies beyond the realm of teaching, learning and assessment by considering prompt engineering skills, industry impact, curriculum changes, and the need for staff upskilling. In contrast, not engaging strategically with Generative AI poses risks, including falling behind peers, missed opportunities and failing to ensure our graduates remain employable. The rapid evolution of AI technologies necessitates a proactive and strategic approach if we are to remain relevant.
Welcome to TechSoup New Member Orientation and Q&A (May 2024).pdfTechSoup
In this webinar you will learn how your organization can access TechSoup's wide variety of product discount and donation programs. From hardware to software, we'll give you a tour of the tools available to help your nonprofit with productivity, collaboration, financial management, donor tracking, security, and more.
Safalta Digital marketing institute in Noida, provide complete applications that encompass a huge range of virtual advertising and marketing additives, which includes search engine optimization, virtual communication advertising, pay-per-click on marketing, content material advertising, internet analytics, and greater. These university courses are designed for students who possess a comprehensive understanding of virtual marketing strategies and attributes.Safalta Digital Marketing Institute in Noida is a first choice for young individuals or students who are looking to start their careers in the field of digital advertising. The institute gives specialized courses designed and certification.
for beginners, providing thorough training in areas such as SEO, digital communication marketing, and PPC training in Noida. After finishing the program, students receive the certifications recognised by top different universitie, setting a strong foundation for a successful career in digital marketing.
How to Make a Field invisible in Odoo 17Celine George
It is possible to hide or invisible some fields in odoo. Commonly using “invisible” attribute in the field definition to invisible the fields. This slide will show how to make a field invisible in odoo 17.
Synthetic Fiber Construction in lab .pptxPavel ( NSTU)
Synthetic fiber production is a fascinating and complex field that blends chemistry, engineering, and environmental science. By understanding these aspects, students can gain a comprehensive view of synthetic fiber production, its impact on society and the environment, and the potential for future innovations. Synthetic fibers play a crucial role in modern society, impacting various aspects of daily life, industry, and the environment. ynthetic fibers are integral to modern life, offering a range of benefits from cost-effectiveness and versatility to innovative applications and performance characteristics. While they pose environmental challenges, ongoing research and development aim to create more sustainable and eco-friendly alternatives. Understanding the importance of synthetic fibers helps in appreciating their role in the economy, industry, and daily life, while also emphasizing the need for sustainable practices and innovation.
Honest Reviews of Tim Han LMA Course Program.pptxtimhan337
Personal development courses are widely available today, with each one promising life-changing outcomes. Tim Han’s Life Mastery Achievers (LMA) Course has drawn a lot of interest. In addition to offering my frank assessment of Success Insider’s LMA Course, this piece examines the course’s effects via a variety of Tim Han LMA course reviews and Success Insider comments.
2. Little bit of background
à Largest
à Over 1 million objects
à “Closed” between 2003 and 2013
à 800 square meters while closed
à 22.000 square meters after re-opening
à Currently about 8000 objects on display
@jpekel
3. @jpekel
’There
is
not
a
single
physical
space
where
all
the
objects
can
be
shown,
but
on
the
internet
you
can.’
Lizzy Jongma during interview
4. The first steps (early 2011)
à Not much information about copyright status of collection
à CC-BY license
à Discusion with Europeana
à Small set of lesser known works released
@jpekel
5. Public Domain Charter (2010)
@jpekel
’Exclusive
control
over
public
domain
works
cannot
be
re-‐established
by
claiming
exclusive
rights
in
technical
reproduc?ons
of
the
works,
or
by
using
technical
and/
or
contractual
measures
to
limit
access
to
technical
reproduc?ons
of
such
works.
Works
that
are
in
the
public
domain
in
analogue
form
con?nue
to
be
in
the
public
domain
once
they
have
been
digi?sed.´
6. The next phase (end of 2011)
à Open Data hackathon
à Marketing stepped in
à “Our core mission to get people to know our collection”
à Large set of Public Domain works in high quality
à 4500x4500, jpg, +/- 2 mb
@jpekel
7. This resulted in
à The most used dataset of Apps4Netherlands
à More discusion internally
à Less ‘bad copies’ being used
à More images being made available
à The Rijksstudio
@jpekel
8. @jpekel
’With
the
internet,
it’s
so
difficult
to
control
your
copyright
or
use
of
images
that
we
decided
we’d
rather
people
use
a
very
good
high-‐
resolu?on
image
of
the
‘Milkmaid’
from
the
Rijksmuseum
rather
than
using
a
very
bad
reproduc?on.’
Taco Dibbits during an interview with the New York Times: http://www.nytimes.com/2013/05/29/
arts/design/museums-mull-public-use-of-online-art-images.html?_r=0!
9. Different prices for different sizes
à High quality image free to download
à Master file for sale - € 40-
à Asked the user if they planned to use it ‘commercially’
@jpekel
11. Different prices for different sizes
à October 2013 - Decided to remove all restrictions
à Focus on larger digitisation funds instead of image sale
à Actively encourage people to remix with the ‘Rijksstudio
Award’
à New images automatically added by their API
@jpekel