The document provides details about the Richlier Moving Picture Company's proposed advertising campaign. The campaign's goals are to increase brand recognition for Richlier and promote awareness of its upcoming film productions. The target audience is men and women ages 24-54. The campaign will utilize free digital and social media as well as paid television commercials and unique outdoor advertisements. Success will be evaluated based on ticket sales, website traffic, and social media engagement.
This document discusses how digital technology and streaming services have impacted the film industry. Younger generations now rely on social media for information and are less likely to go to theaters. Films need strong online marketing through social media to build awareness. Streaming services are also taking over as audiences prefer watching from home. While streaming reduces piracy, it cuts into theater revenue. The industry also struggles with overuse of sequels and lack of original films, as well as issues with spoilers online.
The document discusses the cohesive marketing campaign used to promote the 2016 film "Suicide Squad". Warner Bros used various techniques over a long period of time to build anticipation for the film's release. This included releasing teaser posters, official trailers, and appearances by the cast at comic conventions. They also partnered with other companies to create promotional tie-ins. The wide-reaching campaign was successful at significantly increasing the film's audience and box office revenue.
The document discusses the key stages of media production: pre-production, production, and post-production. It then provides more details on pre-production scripts, post-production scripts, audience research, the role of the producer, attracting investment, marketing strategies, budgeting, and the differences between above-the-line and below-the-line production costs.
Q3. How Do Your Products Engage With The Audience And How Would They Be Distr...Max Behan
The document discusses how independent films are distributed as real media products. It explains that independent distributors like Verve, Vertigo, and Warp Films specialize in distributing independent films in theaters and on DVD worldwide. Warp Films in particular is chosen as a suitable distributor because they target distinctive, independent content. The role of distributors is to sell films to theaters to generate revenue by identifying the audience, building interest, and converting that interest into ticket sales. Modern distributors also utilize digital distribution methods and spend more on digital marketing like short trailer ads on YouTube to promote films.
This document discusses various marketing strategies for promoting a new James Bond film, including:
1) Hosting press junkets with media outlets and representatives from EON productions to generate publicity and hype.
2) Creating trailers to advertise in cinemas and on television between related shows to target appropriate age groups.
3) Displaying large posters in busy public areas like train stations to grab people's attention.
4) Developing merchandise like posters and video games to appeal to a wide target audience age range.
5) Implementing a viral online campaign using film banners and webpages to engage both younger and older viewers.
What technologies did we use during planning and evaluation stages a22222222akeay1
The document discusses various technologies used during the planning and evaluation stages of a project. It summarizes the software used, including Prezi for mind maps, Emaze to creatively present information from PowerPoint, and Microsoft for documents. YouTube, Final Cut Pro, and Powtoon helped make videos more interesting. Wordpress allowed blogging progress. Survey Monkey gathered audience feedback. These technologies helped make presentations more appealing, organized content for audiences, and created brand awareness through creativity, meeting AIDA goals.
This document provides examples of successful viral marketing campaigns from 2009 to 2013. It discusses campaigns for brands like Old Spice, Dollar Shave Club, Honda, Dove, and others. Each campaign example highlights what made it unique and effective at generating buzz through creative and engaging content on social media platforms. The document aims to educate on best practices for video and viral marketing strategies.
The group will create an 8-10 minute documentary about the rise in crime in the London Borough of Redbridge. They will interview victims of crimes, reconstruct crime scenes, and interview residents and police about the increase in crime and how to prevent it. The documentary will be distributed online and through social media with the goals of educating residents, lowering crime statistics, and gaining experience and recognition for their production company.
This document discusses how digital technology and streaming services have impacted the film industry. Younger generations now rely on social media for information and are less likely to go to theaters. Films need strong online marketing through social media to build awareness. Streaming services are also taking over as audiences prefer watching from home. While streaming reduces piracy, it cuts into theater revenue. The industry also struggles with overuse of sequels and lack of original films, as well as issues with spoilers online.
The document discusses the cohesive marketing campaign used to promote the 2016 film "Suicide Squad". Warner Bros used various techniques over a long period of time to build anticipation for the film's release. This included releasing teaser posters, official trailers, and appearances by the cast at comic conventions. They also partnered with other companies to create promotional tie-ins. The wide-reaching campaign was successful at significantly increasing the film's audience and box office revenue.
The document discusses the key stages of media production: pre-production, production, and post-production. It then provides more details on pre-production scripts, post-production scripts, audience research, the role of the producer, attracting investment, marketing strategies, budgeting, and the differences between above-the-line and below-the-line production costs.
Q3. How Do Your Products Engage With The Audience And How Would They Be Distr...Max Behan
The document discusses how independent films are distributed as real media products. It explains that independent distributors like Verve, Vertigo, and Warp Films specialize in distributing independent films in theaters and on DVD worldwide. Warp Films in particular is chosen as a suitable distributor because they target distinctive, independent content. The role of distributors is to sell films to theaters to generate revenue by identifying the audience, building interest, and converting that interest into ticket sales. Modern distributors also utilize digital distribution methods and spend more on digital marketing like short trailer ads on YouTube to promote films.
This document discusses various marketing strategies for promoting a new James Bond film, including:
1) Hosting press junkets with media outlets and representatives from EON productions to generate publicity and hype.
2) Creating trailers to advertise in cinemas and on television between related shows to target appropriate age groups.
3) Displaying large posters in busy public areas like train stations to grab people's attention.
4) Developing merchandise like posters and video games to appeal to a wide target audience age range.
5) Implementing a viral online campaign using film banners and webpages to engage both younger and older viewers.
What technologies did we use during planning and evaluation stages a22222222akeay1
The document discusses various technologies used during the planning and evaluation stages of a project. It summarizes the software used, including Prezi for mind maps, Emaze to creatively present information from PowerPoint, and Microsoft for documents. YouTube, Final Cut Pro, and Powtoon helped make videos more interesting. Wordpress allowed blogging progress. Survey Monkey gathered audience feedback. These technologies helped make presentations more appealing, organized content for audiences, and created brand awareness through creativity, meeting AIDA goals.
This document provides examples of successful viral marketing campaigns from 2009 to 2013. It discusses campaigns for brands like Old Spice, Dollar Shave Club, Honda, Dove, and others. Each campaign example highlights what made it unique and effective at generating buzz through creative and engaging content on social media platforms. The document aims to educate on best practices for video and viral marketing strategies.
The group will create an 8-10 minute documentary about the rise in crime in the London Borough of Redbridge. They will interview victims of crimes, reconstruct crime scenes, and interview residents and police about the increase in crime and how to prevent it. The documentary will be distributed online and through social media with the goals of educating residents, lowering crime statistics, and gaining experience and recognition for their production company.
The document discusses how independent films would be distributed as real media products. It explains that independent distributors like Verve, Vertigo, and Warp Films specialize in distributing independent films in cinemas and on DVD worldwide. Warp Films is identified as a suitable distributor because they target distinctive content like the filmmaker's genre. The role of distributors is described as getting the film to a paying audience by identifying the target demographic and negotiating with exhibitors to show the film. With new online distribution methods, distributors now spend more on digital promotion through short trailers and screenings to build hype around a film's release.
This document contains 3 summaries of different documents:
1) The first summary discusses a KFC print advert that uses Cristiano Ronaldo to promote their product. It takes up most of the page and directly addresses the audience. The stadium in the background and slogans also appeal to football fans.
2) The second summary explains how target audiences are classified using social grades A-E based on occupation and demographics like age, interests and lifestyle. It notes the importance of selecting the right marketing platform for different audiences.
3) The third summary is of a Dior perfume advert that uses attractive models living lavish lifestyles to appeal to younger audiences and convince them the product can achieve that idealized
This document summarizes design services and projects from Tom Lally Design, a Dublin-based design firm. The services include visual concepts, identity design, copywriting, campaign development, and more. Projects featured include identity work, brochures, promotional materials, packaging, displays, and illustrations. The design process involves understanding the brief, developing strategies, refining ideas, and final delivery. The goal is to fulfill projects beyond clients' expectations, on brief, on time, and on budget.
3 lions films production company powerpointsianmads
3Lions Films is a British film production company that aims to produce short British social realism films. The company wants to highlight social issues in Britain and help aspiring young filmmakers and directors. 3Lions Films will focus on producing low-budget, realistic films shot in urban settings that reflect contemporary British society. The company plans to partner with other production companies and show films at independent cinemas and film festivals to promote social realism genres and new talent.
Ari Merkin is a disruptive thinker whose time at the likes of Crispin Porter + Bogusky, Fallon, and Cliff Freeman & Partners has led to some of the most groundbreaking work that the industry has seen. A member of the AAF Advertising Hall of Achievement, Merkin sits down with Simon Wakelin to discuss his tenure in adland and what it takes to deliver meaningful ads in the modern age...
This document provides Amrit Sarkar's portfolio, including contact information and summaries of past work. It discusses a pitch campaign created for a new beer brand launching in Delhi, as well as the results of digital detox campaigns and ideas for interactive ads. It also briefly summarizes other projects including a headline campaign for a clothing brand, digital films created for grooming and smartphone brands, and a 10th anniversary campaign newspaper for an insurance company.
The document outlines a group's pitch for a documentary about the rise in crime in Redbridge. It will include interviews with victims and residents, reconstructions of crimes, and interviews with police and analysts. It will last 8 minutes and target 15-19 year olds. The group will market it on social media and through teaser clips over 4 months before releasing it online and aiming to get it aired on television. Research shows crime, interviews, and true stories most interest audiences.
To make our pitch the best it could be, we created a script to enable our presentation to flow and for us to be able to explain our brief points presented on our slideshow effectively.
The group will create an 8-10 minute documentary about the rise in crime in Redbridge. It will include interviews with victims of crime, reconstructions of crimes, and interviews with citizens and police. The documentary aims to educate viewers on crime statistics and how to prevent crime. It will be distributed online and through screenings to target 15-19 year olds. The group conducted research on audience preferences to make an engaging documentary that raises awareness of crime in Redbridge.
Hollywood has a large studio system that allows it to control all aspects of film production, marketing, and distribution. Major studios like Warner Bros. and Disney produce around 120 films per year with large budgets that allow for special effects, famous actors, and other elements that appeal to mass audiences. Hollywood carefully considers the target audience for each film and spends money accordingly. For example, Toy Story 3 had a $200 million budget to appeal to both new and returning audiences through advanced CGI. Hollywood also relies heavily on strategic marketing that builds hype online, like the viral marketing for Cloverfield. This level of production and promotion allows Hollywood films to be very profitable.
Mosaic Films was chosen as the production company due to their experience producing creative documentaries and focus on cinematic style over television. Journeyman Productions was selected as the distributor for their documentary experience and platforms for wide distribution. Professionally, funding would be sought from organizations like NESTA, and more planning and production time would allow for improved securing of locations and music. Distribution would involve an extensive marketing campaign utilizing various online and offline platforms. Exhibition would include screenings at independent cinemas and film festivals in London as well as online platforms for broader reach. The 6 month process would follow the AIDA model moving from initial awareness activities to driving interest, desire, and ultimately action among audiences.
The film "Hoodz" portrays two groups of teenage boys from rival gangs. It was inspired by films like Kidulthood and Adulthood that depict urban youth culture. The film uses conventions like stereotypical costumes, locations, and behaviors to represent this culture. Through filming in dark areas at night and including intimidating and rebellious actions, the film aims to feel realistic while challenging some conventions by including a musical score. The filmmakers learned about technologies like cameras, editing software, and creating a musical score through making this film.
This year JWT Melbourne shifted its focus from pro-bono work to its biggest clients. It brought on new creative talent and integrated campaigns across channels. Recent wins include the TAC Safer P-Platers initiative and Beyond Blue's largest launch. The agency is halfway through a two-year strategy and its new approach is starting to succeed, as evidenced by integrated work on USB and printouts. More new work is planned for 2014.
The document discusses several topics related to advertising including:
1) How target audiences are classified using social grades from A to E based on occupation and socioeconomic status.
2) The importance of platforms and targeting ads to the appropriate demographic based on factors like age and interests.
3) Common codes and conventions used in different types of ads including TV, radio, and print. Techniques like camera angles, editing, music, graphics, logos and slogans are discussed.
4) Examples are provided of ads that effectively use these techniques including a Coca-Cola radio ad and a KFC print ad.
The document discusses how PR agency Connors Communications used the online photo sharing product Picasa to pitch media outlets. They realized reporters would only cover photo organizing software in roundups, not individual products. When Picasa launched a new photo chatting feature called Hello, the agency had reporters test the product firsthand by chatting with PR representatives. This allowed relationships to form and convinced reporters to include Picasa in roundups, leading to placements in major publications and Picasa's acquisition by Google. Analysis is presented as identifying opportunities, clarifying issues, and connecting different levels of information to make actions and efforts more effective.
Flavio Vidigal - Creative process and Creative TasksStas Kremnev
Absolutely superb presentation from Flavio Vidigal (Firstborn) about creativity and working on briefs. Chinese VW cases and especially Intel x Toshiba collaborative campaign are must.
The document discusses the filmmaker's stop motion media product and how it does or does not challenge conventions. It describes choosing ordinary-looking characters to challenge stereotypes about villains. It aims to relate to audiences by having characters meet online and show dangers of interacting with strangers. Scenes were designed to portray victims as innocent and show psychological impacts of confinement. The filmmakers did not have time to further develop the plot and challenge more conventions.
What significance does the continuing development of the digital media techno...Jess Prentice
The continuing development of digital media technology has significant implications for both media institutions and audiences. New technologies allow for improved special effects and production quality, which can impact a film's financial success. Technologies like viral marketing campaigns and social media help institutions better promote their films to targeted audiences. While more traditional promotion can still be effective, emerging distribution platforms like online streaming services and Blu-ray also influence profits by appealing to different audience preferences. Overall, advancing digital technologies enhance film production, marketing, and distribution in ways that benefit both the industry and viewers.
This document provides instructions for uploading videos to a platform by having users create an account, sign in, select and add a description to their video, then share it on their channel and with friends while also allowing them to favorite videos and write comments.
This document provides instructions for uploading videos to YouTube in 10 steps: create an account, sign in, select a video file, add a description, upload the file, go to your channel, share with friends and subscribers, favorite a video, and write comments. The steps guide the user through account setup, uploading a video file, and basic engagement options on their channel.
Solaris Group was established in 1983 in Izmir, Turkey and has diversified into areas such as tourism, maritime education, agriculture, and import/export. They export a variety of organic and conventional food products including olive oil, honey, spices, pulses, dried fruits and vegetables, frozen foods, and canned goods. The company aims to provide high quality products through experienced manufacturers and timely deliveries to satisfy customers.
The document provides an overview of the objectives and content to be covered in a math 7 tutoring session, including order of operations, solving equations, and calculating perimeter, area, and circumference. Key topics are powers, order of operations using PEMDAS, solving equations using mental math and word problems, finding perimeter of rectangles and squares, and calculating circumference using pi and diameter/radius. The conclusion restates that after the session, students will be able to solve problems involving equations, perimeters, and circumferences.
The document discusses how independent films would be distributed as real media products. It explains that independent distributors like Verve, Vertigo, and Warp Films specialize in distributing independent films in cinemas and on DVD worldwide. Warp Films is identified as a suitable distributor because they target distinctive content like the filmmaker's genre. The role of distributors is described as getting the film to a paying audience by identifying the target demographic and negotiating with exhibitors to show the film. With new online distribution methods, distributors now spend more on digital promotion through short trailers and screenings to build hype around a film's release.
This document contains 3 summaries of different documents:
1) The first summary discusses a KFC print advert that uses Cristiano Ronaldo to promote their product. It takes up most of the page and directly addresses the audience. The stadium in the background and slogans also appeal to football fans.
2) The second summary explains how target audiences are classified using social grades A-E based on occupation and demographics like age, interests and lifestyle. It notes the importance of selecting the right marketing platform for different audiences.
3) The third summary is of a Dior perfume advert that uses attractive models living lavish lifestyles to appeal to younger audiences and convince them the product can achieve that idealized
This document summarizes design services and projects from Tom Lally Design, a Dublin-based design firm. The services include visual concepts, identity design, copywriting, campaign development, and more. Projects featured include identity work, brochures, promotional materials, packaging, displays, and illustrations. The design process involves understanding the brief, developing strategies, refining ideas, and final delivery. The goal is to fulfill projects beyond clients' expectations, on brief, on time, and on budget.
3 lions films production company powerpointsianmads
3Lions Films is a British film production company that aims to produce short British social realism films. The company wants to highlight social issues in Britain and help aspiring young filmmakers and directors. 3Lions Films will focus on producing low-budget, realistic films shot in urban settings that reflect contemporary British society. The company plans to partner with other production companies and show films at independent cinemas and film festivals to promote social realism genres and new talent.
Ari Merkin is a disruptive thinker whose time at the likes of Crispin Porter + Bogusky, Fallon, and Cliff Freeman & Partners has led to some of the most groundbreaking work that the industry has seen. A member of the AAF Advertising Hall of Achievement, Merkin sits down with Simon Wakelin to discuss his tenure in adland and what it takes to deliver meaningful ads in the modern age...
This document provides Amrit Sarkar's portfolio, including contact information and summaries of past work. It discusses a pitch campaign created for a new beer brand launching in Delhi, as well as the results of digital detox campaigns and ideas for interactive ads. It also briefly summarizes other projects including a headline campaign for a clothing brand, digital films created for grooming and smartphone brands, and a 10th anniversary campaign newspaper for an insurance company.
The document outlines a group's pitch for a documentary about the rise in crime in Redbridge. It will include interviews with victims and residents, reconstructions of crimes, and interviews with police and analysts. It will last 8 minutes and target 15-19 year olds. The group will market it on social media and through teaser clips over 4 months before releasing it online and aiming to get it aired on television. Research shows crime, interviews, and true stories most interest audiences.
To make our pitch the best it could be, we created a script to enable our presentation to flow and for us to be able to explain our brief points presented on our slideshow effectively.
The group will create an 8-10 minute documentary about the rise in crime in Redbridge. It will include interviews with victims of crime, reconstructions of crimes, and interviews with citizens and police. The documentary aims to educate viewers on crime statistics and how to prevent crime. It will be distributed online and through screenings to target 15-19 year olds. The group conducted research on audience preferences to make an engaging documentary that raises awareness of crime in Redbridge.
Hollywood has a large studio system that allows it to control all aspects of film production, marketing, and distribution. Major studios like Warner Bros. and Disney produce around 120 films per year with large budgets that allow for special effects, famous actors, and other elements that appeal to mass audiences. Hollywood carefully considers the target audience for each film and spends money accordingly. For example, Toy Story 3 had a $200 million budget to appeal to both new and returning audiences through advanced CGI. Hollywood also relies heavily on strategic marketing that builds hype online, like the viral marketing for Cloverfield. This level of production and promotion allows Hollywood films to be very profitable.
Mosaic Films was chosen as the production company due to their experience producing creative documentaries and focus on cinematic style over television. Journeyman Productions was selected as the distributor for their documentary experience and platforms for wide distribution. Professionally, funding would be sought from organizations like NESTA, and more planning and production time would allow for improved securing of locations and music. Distribution would involve an extensive marketing campaign utilizing various online and offline platforms. Exhibition would include screenings at independent cinemas and film festivals in London as well as online platforms for broader reach. The 6 month process would follow the AIDA model moving from initial awareness activities to driving interest, desire, and ultimately action among audiences.
The film "Hoodz" portrays two groups of teenage boys from rival gangs. It was inspired by films like Kidulthood and Adulthood that depict urban youth culture. The film uses conventions like stereotypical costumes, locations, and behaviors to represent this culture. Through filming in dark areas at night and including intimidating and rebellious actions, the film aims to feel realistic while challenging some conventions by including a musical score. The filmmakers learned about technologies like cameras, editing software, and creating a musical score through making this film.
This year JWT Melbourne shifted its focus from pro-bono work to its biggest clients. It brought on new creative talent and integrated campaigns across channels. Recent wins include the TAC Safer P-Platers initiative and Beyond Blue's largest launch. The agency is halfway through a two-year strategy and its new approach is starting to succeed, as evidenced by integrated work on USB and printouts. More new work is planned for 2014.
The document discusses several topics related to advertising including:
1) How target audiences are classified using social grades from A to E based on occupation and socioeconomic status.
2) The importance of platforms and targeting ads to the appropriate demographic based on factors like age and interests.
3) Common codes and conventions used in different types of ads including TV, radio, and print. Techniques like camera angles, editing, music, graphics, logos and slogans are discussed.
4) Examples are provided of ads that effectively use these techniques including a Coca-Cola radio ad and a KFC print ad.
The document discusses how PR agency Connors Communications used the online photo sharing product Picasa to pitch media outlets. They realized reporters would only cover photo organizing software in roundups, not individual products. When Picasa launched a new photo chatting feature called Hello, the agency had reporters test the product firsthand by chatting with PR representatives. This allowed relationships to form and convinced reporters to include Picasa in roundups, leading to placements in major publications and Picasa's acquisition by Google. Analysis is presented as identifying opportunities, clarifying issues, and connecting different levels of information to make actions and efforts more effective.
Flavio Vidigal - Creative process and Creative TasksStas Kremnev
Absolutely superb presentation from Flavio Vidigal (Firstborn) about creativity and working on briefs. Chinese VW cases and especially Intel x Toshiba collaborative campaign are must.
The document discusses the filmmaker's stop motion media product and how it does or does not challenge conventions. It describes choosing ordinary-looking characters to challenge stereotypes about villains. It aims to relate to audiences by having characters meet online and show dangers of interacting with strangers. Scenes were designed to portray victims as innocent and show psychological impacts of confinement. The filmmakers did not have time to further develop the plot and challenge more conventions.
What significance does the continuing development of the digital media techno...Jess Prentice
The continuing development of digital media technology has significant implications for both media institutions and audiences. New technologies allow for improved special effects and production quality, which can impact a film's financial success. Technologies like viral marketing campaigns and social media help institutions better promote their films to targeted audiences. While more traditional promotion can still be effective, emerging distribution platforms like online streaming services and Blu-ray also influence profits by appealing to different audience preferences. Overall, advancing digital technologies enhance film production, marketing, and distribution in ways that benefit both the industry and viewers.
This document provides instructions for uploading videos to a platform by having users create an account, sign in, select and add a description to their video, then share it on their channel and with friends while also allowing them to favorite videos and write comments.
This document provides instructions for uploading videos to YouTube in 10 steps: create an account, sign in, select a video file, add a description, upload the file, go to your channel, share with friends and subscribers, favorite a video, and write comments. The steps guide the user through account setup, uploading a video file, and basic engagement options on their channel.
Solaris Group was established in 1983 in Izmir, Turkey and has diversified into areas such as tourism, maritime education, agriculture, and import/export. They export a variety of organic and conventional food products including olive oil, honey, spices, pulses, dried fruits and vegetables, frozen foods, and canned goods. The company aims to provide high quality products through experienced manufacturers and timely deliveries to satisfy customers.
The document provides an overview of the objectives and content to be covered in a math 7 tutoring session, including order of operations, solving equations, and calculating perimeter, area, and circumference. Key topics are powers, order of operations using PEMDAS, solving equations using mental math and word problems, finding perimeter of rectangles and squares, and calculating circumference using pi and diameter/radius. The conclusion restates that after the session, students will be able to solve problems involving equations, perimeters, and circumferences.
The document discusses the Parthenon temple in Athens constructed in the 5th century BC. It contains information about isosceles triangles, specifically one with a base of 12m and a height of 4m. It states that the goal is to calculate the area and perimeter of this triangle.
The document discusses a horror film called "Torment" about teenagers being killed by a mysterious being who contacts them via text message. It evaluates the film as targeting a mainstream audience aged 15-30 through its use of everyday locations. As an independent film with a small budget and unknown actors, it is suggested a viral marketing campaign would be most effective in gaining interest from production companies like Working Title to distribute the film more widely. Film competitions are also identified as beneficial for exposure, and creating social media profiles and teaser trailers without revealing details, as done successfully for Cloverfield, would help generate buzz from fans before the film's release.
How my film was distributed and engaged My audience CharlieSlorick
The document discusses strategies for engaging an audience and distributing an independent film. It identifies the target audience as males aged 15 and up who enjoy thought-provoking mystery films. To identify the target audience, questionnaires were used. Distribution strategies discussed include using social media platforms like Instagram, Twitter and Facebook to regularly provide behind-the-scenes content and updates. A website was also created to further engage the audience and provide professional information on the film.
This document discusses film distribution and strategies for distributing an independent film. It defines distribution as launching and supporting films in the marketplace. Distributors identify the target audience, consider revenue potential, and persuade cinemas to screen the film. The document analyzes several major distribution companies and recommends Metro-Goldwyn-Mayer as a match based on the genres of films they have successfully distributed in the past. It also discusses targeting the film towards a female audience aged 15-18 and using marketing strategies on social media platforms to raise awareness of the film for its target demographic.
The production company featured in the film titles was Candi Media Studios because it would be unrealistic to feature major Hollywood studios given the extremely low budget. They had no funds and only a couple weeks to film and edit, so using independent UK companies would have been more realistic but they wanted to be creative and stand out by creating their own distribution company called Stomp Out Camp Distributions. Their target audience was teenagers and young adults who would immediately recognize it as being made by similarly aged people. However, the document's author acknowledges that with such a low budget, appealing to a mass market of 15-30 year olds would be difficult and a niche market using social media would be more realistic. The homemade production and distribution companies were chosen
BBC Films would produce the film and Pathé would distribute it. This is because they have successfully worked together before on films dealing with social issues. The film would be a social realism drama focusing on overlooked social issues. It would be marketed using both traditional and online/social media methods to target both the main adult audience and secondary teenage audience. The film would have a limited theatrical release in urban areas before being distributed digitally on platforms like Netflix to appeal to different audience preferences.
1) The document summarizes a media studies evaluation of a horror/mystery film product created by the authors for their class.
2) It discusses how the product used conventions like dark atmosphere, eerie music, and death to resemble real horror films.
3) The intended audience was identified as teenagers aged 15+ based on feedback from classmates and the planned 15/18 age rating.
4) The product was shared on YouTube and social media to attract this target audience and get worldwide feedback on the project.
A distribution company would distribute the film to theaters and streaming services. A smaller but not major distributor like Icon Productions would be suitable, as they have experience with thriller films but aren't too large to work with on the planned $7 million budget. Marketing would be limited due to budget, focusing on magazines, trailers, and internet/social media to reach the target audience of those over 35 as well as expand the audience among younger internet users.
This digital marketing plan summary outlines Pixar's objectives over short, medium, and long term timeframes. In the short term, Pixar aims to produce more movies with unlimited budgets and increase sales and merchandise by 200% annually. Medium term objectives include limiting production costs/timeframes, boosting sales 300% per year, and promoting more on social media, theaters, and worldwide to gain loyal fans. Long term, Pixar wants to cut production time/costs further while maintaining high quality and box office success through strategic planning.
The document discusses strategies for distributing an independent film, including choosing an independent UK distributor and defining a target audience. It recommends distributing the film through Curzon Artificial Eye due to their reputation and appeal to young adults. The target audience is identified as British males and females aged 15-34 who enjoy drama films with romance and action elements and access information online. Various marketing strategies are described, including using Facebook, Instagram, Twitter and posters to promote the film and engage the target audience.
1. The document discusses how to engage an audience for media products and how they could be distributed as real texts. It focuses on identifying the target audience through research, including creating an audience questionnaire.
2. The results of the questionnaire showed that the majority of the target audience is influenced by cast and reviews when choosing films. They also prefer watching short films on platforms like Netflix and YouTube.
3. Distribution of the short film would involve identifying the target audience, building hype through social media platforms like Instagram and Twitter, and predicting revenue to determine profit margins. The distributor's role is to sell the film to exhibitors and cinemas.
1. Social media, especially YouTube, Facebook, and Twitter, were effectively used to promote the film by building an audience in advance and constantly updating followers on production progress.
2. Guerrilla marketing tactics like using drama and media students as extras helped promote the film through word of mouth, with more people involved meaning more potential viewers.
3. The film was also sent to local acting schools, a national media museum, and YouTube filmmakers to help get exposure in both the local area and more globally with no expectations of responses but nothing to lose.
The document discusses how a social realism film produced by BBC Films and distributed by Pathé would be marketed and released. It states that BBC Films and Pathé would be good choices as they have successfully worked together before on films about social issues. Marketing would primarily use below-the-line methods like social media targeting both the target and secondary audiences. The film would be released in urban cinemas, made available on DVD and digital platforms like Netflix to appeal to different audience preferences.
The document discusses how a social realism film produced by BBC Films and distributed by Pathé would be marketed and released. It states that BBC Films and Pathé would be good choices as they have successfully worked together before on films about social issues. Marketing would primarily use below-the-line methods like social media targeting both the target and secondary audiences. The film would be released in urban cinemas, made available on DVD and digital platforms like Netflix to appeal to different audience preferences.
The document summarizes the production and distribution plans for a thriller film called Eighteen. It states that the film will be produced by 20th Century Fox due to their ability to fund large budgets for mainstream thrillers. It details that Fox will vertically integrate production, distribution, and marketing to ensure the film reaches a wide audience. This includes a theatrical release, streaming on Netflix, and use of social media marketing.
The document discusses various strategies for distributing and marketing an independent film, including:
- Choosing an independent UK distributor like Curzon Artificial Eye that targets young adult audiences and shows diverse, conversation-sparking films.
- Defining the target audience through questionnaires and profiles them as British ages 15-34 who enjoy drama-action-romance films and learn about films on social media and streaming platforms.
- Creating marketing strategies like posting the film poster, clips and behind-the-scenes photos on Facebook, Instagram and Twitter to generate buzz and interest among the target audience.
- Designing a film poster with a title, release date, key positions and social media tags that hints at a
The document discusses distribution strategies for independent films. It suggests that an independent distributor would best suit the narrator's psychological thriller film. Independent distributors specialize in specific genres and have experience distributing low-budget films through film festivals and online marketing. While self-distribution is challenging, the narrator believes combining it with other strategies could work to reach their target audience. In conclusion, an independent distributor or a combination of self-distribution and online marketing are presented as viable options.
The document discusses distributing a media product created by the group's mainstream production company. It suggests distributing the urban drama film via YouTube and Vimeo to reach a wide audience, as those platforms are popular among their target viewers. Creating a professional production company establishes credibility and sets audience expectations for dramatic, tense scenes typical of the urban drama genre. Distributors like Focus Films and Revolver Entertainment would be good choices as they have experience in this genre and have successfully distributed similar films worldwide.
What kind of media institution might distribute your media product and why?CVSmediastudies
1. The document discusses various options for distributing a media product, including major studios like the "Big 6", independent film companies, subsidiary companies owned by major studios, and alternative online distribution methods like Netflix.
2. The author considers distributing their psychological thriller film through Relativity Media, an independent studio, Working Title Films, a subsidiary of Universal Studios, or directly to online streaming services.
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https://www.productmanagementtoday.com/frs/26903918/understanding-user-needs-and-satisfying-them
We know we want to create products which our customers find to be valuable. Whether we label it as customer-centric or product-led depends on how long we've been doing product management. There are three challenges we face when doing this. The obvious challenge is figuring out what our users need; the non-obvious challenges are in creating a shared understanding of those needs and in sensing if what we're doing is meeting those needs.
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1. Alexia Loukopoulos<br />Richlier Ad Campaign<br />For Jeff Boam, CEO<br />(570) 351-4050<br />jeffboam@aol.com<br />April 2011<br />Founded in 2004 by award-winning filmmaker Jeff Boam, the Richlier Moving Picture Company serves to produce and consult upon quality story-driven motion pictures for the global film marketplace.In 2007, Richlier premiered its first property, the award-winning short comedy Charlie Chaplin’s Body, at the Cannes International Film Festival’s Short Film Corner. Its latest property is STILL, a micro-budget psychological thriller, partially supported by the School of Communication at American University in Washington, DC. The film was shot on hi-def and written/directed by DIY independent filmmaker Kylos Brannon.<br />Richlier has so specific demographic other than people who enjoy movies or entertainment. It is innovative and creative as well as personal and professional. Richlier is unique because it is run by a small number of people who take the time to do a great job. It is constantly hard at work even when everyone else is closed. If anything, Richlier promises to deliver great entertainment via small productions that are successful and fun to watch. Since day one this company has kept these same ideals as it has developed in hopes that one day, it can entertain millions of people. Customer comes first without a doubt because it is the “customer” that is watching the film. The logo itself promotes fun anytime with its neon lights like Las Vegas and the loose font representing how easy it is to get along with the company.<br />The strengths of this company come from behind the scenes where Mr. Boam does all the work. Hours upon hours are out into making these films, and that is one of the biggest things taken for granted with moving picture companies such as Richlier. <br />The weaknesses include not enough knowledge of the existence of the company, and dedicating the time toward it that it needs. It’s amazing how much time Richlier requires to function, and, with this not being the only job for Mr. Boam, things get tough.<br />There are many opportunities, however, for Richlier to become widely known. Upon discovery or maybe even a producer with a lot of money and faith, Richlier could be a famous company that makes films for the big screen.<br />Threats Richlier face are not clear, at least for the moment because the company is not widely known. It is hard to tell what threats pose problems for Richlier at this time.<br />Communications Infrastructure<br />There are only a handful of people working for Richlier, but a small, talented staff is enough to get things done. The CEO, Jeff Boam does most of the work, and gives tasks to other employees when he can’t accomplish them. Jeff pays for most out of his pocket, and would get reimbursed from the company he makes the films for. Budget for advertising is limited to about $2500.<br />Goals<br />Richlier is launching communication efforts because with two productions on the way, word needs to spread faster since the first production received an award and is not widely recognized by the general public. Richlier wants people to recognize the name, and trust it. <br />Target/ Target Audience<br />Our audience has all the power in weather we are popular or not. Brand recognition and familiarity are very important. We can tell them over and over how good we are, but actions speak louder than words and we would rather, and have the capability, of showing rather than telling. <br />Our target audience is men and women, ages 18-49. If we achieve the attention of this demographic, we will easily catch the attention of everyone else. Their like in us would be a huge help in our ad campaign.<br />Research<br />First, we need to know if we can attract an audience without making it to the big screen. We can have free screenings of our finished production to get a feel of what people like, and advertise our upcoming productions along with the company name so they can attach our brand to the movie instead of just enjoying the movie.<br />Message<br />Richlier produces full length films for entertainment.<br />Problem<br />Time and money are an issue, soon to be fixed. Meanwhile the company is not widely known so we want to blow up in advertising before the next production goes viral.<br />Solution <br />This ad campaign.<br />Action<br />By developing a great ad campaign not time-sensitive, we can run it more than once and rate its effectiveness on the popularity of our movies.<br />Spokespeople<br />Jeff Boam, CEO of Richlier.<br />The best messengers to reach our target audience are digital media (TV and internet) and our actual target audience themselves. We have an advantage where the social mediums we work with are same mediums we use to promote ourselves.<br />Newshooks<br />The newshooks are teasers for now of new movies. Trailers like commercials that spark interest in the minds of our viewers. Social networking is important (Facebook and blog-heavy website) as is print (film launch postcards, etc.) but there are new creative avenues that we are particularly interested in: experimental multimedia marketing.<br />News Media <br />This part would be focused more on non-traditional media and the Internet, but if time permits, a quick news release explaining a little about the next production wouldn’t hurt.<br />We would pitch an exclusive release of our next production just like it was going to theaters.<br />Deliverables/ Collateral/ Event<br />In making the company more well-known, and keeping our time or lack there of in mind when it comes to reporters, we will have in company meetings about our website and blog. We can also do a news release, and temporarily hired someone to create a moving logo for us. We plan on using another non-traditional media source, in which case reporters can talk about it, not to us.<br />We shall offer personal attention to each reporter in the matter, since only our advertising agent is Alexia Loukopoulos.<br />Additional Deliverables<br />The fact that we will not speak with reporters from news stations or magazines will pique their interest and help make our case because we will keep showing them good things are coming, we will not have to tell them. Any information released also would hopefully be at our discretion. <br />Track Coverage<br />Ticket sales or youtube hits as of right now are the only way to track our media hits. This will remain this way for a very long time, it will only grow in intensity if we do everything right.<br />Evaluation<br />We will evaluate our efforts in company meetings and through sales. Tracking popularity on twitter, facebook and youtube is also simple, so checking in on how we’re doing will only be a click away. The more hits we get and the more times our name is mentioned, the more effective our advertising is paying off.<br />Creative brief Outline<br />Demographic: Men and women 24-54<br />Where are we in the minds of the audience? The back.<br />As a new company, doing advertising for the first time, we want to do a phenomenal job so next time, our audience will identify us quickly.<br />Where are our competitors? Subliminal.<br />They can be large or small, but not threatening to the point of putting Richlier out of business.<br />Where do we want to be? Extremely evident.<br />We want our demographic to look forward to our next production.<br />What is our promise? Entertainment; movies.<br />What is our supporting evidence? One finished product, which won an award, and two on the way.<br />What is the tone of voice for the ad? Lively, busy, fun, loud.<br />I. Goals<br />By conducting outreach to the media, we want Richlier to be extremely evident in the minds of our audience. We want the name of the production company to be as popular as the movies they produce. For example, when a movie comes out from Richlier, the product itself would of course have the name of the company in the credits, but like some other big name companies out there, we want the audience to know who did it before our name even appears on the screen,<br />Out goals are long term, as it is hard to calculate them, but knowing they will get stronger over time. The “deadline” for our goal is indefinable. Measuring success is not really something we can ask for, only something we can observe. Such as posts on popular social media websites, word of mouth, blogs, etc. Then we may estimate our impact on the public. Obviously, sitting back and watching is not what Richlier is going to be doing. While warming up to people, the company will simultaneously stay close with fans through several mediums of the Internet, interacting on almost a daily basis. Richlier’s popularity will grow each year.<br />II. Our Audiences <br />People we currently reach are friends and family of employees, and a small number of fans due to the first movie the company published. In reaching more people, our demographic is males and females, 24 to 54 primarily. We are starting in the hometown of the company itself, northeastern Pennsylvania. In the future, after we are a hot topic in this area, naturally we will expand to the whole east coast, then the rest of the United States, then hopefully the rest of the world. <br />For starters, our audience is pretty broad, but not out of the question considering what we do. <br />We want our product to one day appear in movie theaters, and people in out demographic would want to go see it, and bring friends and family they may even be out of our demographic to see it with them. More than once would be amazing also. But in being more specific, our movies are written and filmed more for the age range we stated before.<br />In reaching this audience, the way we would go about shooting scenes, writing dialogue, and casting members has a lot to do with it also. Whatever genre we produce, we need it to be up to date on the style and lingo of out age range today so that we immediately attract them with movie trailers just like the ones done by major companies in LA and NY.<br />III. Messages <br />The key points we would like to communicate to the media would be that even though there are numerous businesses and agencies doing the same exact thing we are, Richlier is more personal than everyone else. We do the same work, but are on a scale closer to that of the public, so they feel they can communicate with us and give us feedback. We don’t want to seem like the incredibly conceited, untouchable company that is way above everyone. We are friendly and professional. Our audience should know that we work for THEM and any/ all comments are appreciated, weather positive or negative. They should feel a part of our work because in reality, without them we’d have no work.<br />The company’s motto is “Always on the eve of something big” and we want out fans to be there every time.<br /> <br />IV. Media Tactics<br />Internet<br />Richlier will begin advertising over the Internet because it is fast, easy, free and effective. Through sites such as twitter, Fabecook, blog pages, YouTube etc, the company can easily get the word out of upcoming productions, progress, behind the scenes podcasts, etc.<br />STRENGHTS: interaction one on one with our audience, quick updates, easy publication of our work<br />WEAKNESSES: cyber bullies, slow connections, spam<br />TV<br />In addition, using the digital airwaves of television channels will help increase publicity for new products. Just as you would see a movie trailer or commercial for one coming soon, we would do the same thing. Each movie would get anywhere between 1 or 3 different commercials, and would be aired like any other movie, including our contact information at the end in regards to the internet sites we have already/ will set up.<br />STRENGHTS: similar interest, visual aspect, inexpensive production costs<br />WEAKNESSES: TVO, no viewers, wrong channels/times, competition<br />Outdoor Ads<br />A little farther down the road, when our name gets a little more attention, we want to have a unique outdoor ad new to the public, something that stands out and no one has seen before. This way, there will already be hype about Richlier but when they see this, it will be a reminder as well as an attention getter. <br />STRENGHTS: attention getter, unique, newsworthy<br />WEAKNESSES: offensive, destruction via weather<br />V. Budget<br />The budget for this ad campaign is $2500, and because we are using many free sources over the Internet to connect with fans, we are able to use the money on TV ads and more creative outdoor tactics.<br />Ad TypeMedia OutletAd SizeCost Per RunFrequencyCampaign ScheduleTotalInternetFacebookYouTubeTwitterBlogsvaries $0Daily, more when new material is near Strong in the first year, and continuously for as long as possible $0TVComcast30 second spots$24About 2 x per year,5x per week3 weeks per run (6 weeks total throughout year)$1440OutdoorCreativeLife-size$10001x per year6 months$1000<br /> TOTAL SPEND: $2440 <br />Production Costs<br />This is in our favor because we are producers, so production would only cost us anything extra we would need. The time is our, the space/ studio is ours, the cameras and crew is ours, the footage is ours. This will cost a maximum of about $100 per commercial, most of the time less. <br />Finding Out Rates<br />We found out the cost for 30-second commercials for cable TV through Comcast; which is where we would advertise movie trailers. They are listed above and the total cost is estimated. As for the outdoor advertising, it is a rough estimate because there are many factors and different things to consider when deciding how much it will cost.<br />VI. Media List <br />We will dominantly use Facebook and Twitter to get through to our audience, and also use Comcast for movie releases and exclusive trailers. Specifically Bravo and Spike. There we believe the majority of our target demographic will be. Our third tactic will be in downtown Scranton, where most of the population will notice, and so commuters can talk about it to those living outside of the area. <br />Our site is not in Scranton, but by reaching out to the more heavily populated areas near surrounding cities, and us we can achieve word of mouth advertising on levels exceeding our expectations.<br />VII. Evaluation<br />We will easily be able to monitor sales/success by ticket sales and Internet views/clicks. <br />