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Rhythm and Dance
Rhythm Testing
 All four rhythm tests used the same system for stimulus
presentation, collection of drumming data, and marking
of stimulus and drum onset times. Stimuli were stored and
presented on an IPod Nano and participants were asked to
drum with one hand on a conga drum. A vibration-
sensitive drum trigger pressed against the underside of
the head of the drum picked up the timing of the
participants drum hits.
Beat-Tapping: Metronome
 This test assessed participants to drum consistently along
to an isochronously presented stimulus. Six(6) trials were
presented. Each trial consisted of a snaired drum
stimulus (duration 1999 ms, acquired at free sound. Org)
Repeated fourty times with a constant inter-onset-
interval(IOI). In two of these trials the IOI was 667 ms
(1.5Hz presentation rate), in two the IOI was 500 ms
(2Hz), and in two the IOI was 333 ms (3Hz). These trials
were always presented in this order. Participants were
asked to drum along to the metronome such that there
drum hits occurred at the exact same time as the sounds
they were hearing.
Beat-Tapping: Tempo Adaptation
 This test assessed how quickly participants could adapt
the tempo. 55 trials were presented each trial consisted
of a conga drum sound (duration 150 ms, acquired at
freesound.org) Repeated isochronously between 6 and 10
times with a 500 ms IOI, followed by 5 more
presentations. In 5 of the trials the last 5 sounds were
presented with a shorter IOI (faster tempo), with 5 trials
each using IOIs of 450, 460 ,470,480 and 490 ms. In the
remaining twenty-five trials the last five sounds were
presented with a longer IOI(slower tempo), with 5 trials
each using IOIs of 510, 520, 530, 540, and 550 ms.
Memory/ Sequencing: Drumming along
to a rhythmic sequences
 This test assessed participants’ ability to rapidly perceive
and drum along to a temporal sequence. 4 trials
presented. In each trial, a 3.2-second four- measure
sequence taken from a povel and Essens. Was repeated
ten times, for a total of forty measures. Each 4 measure
sequence consisted of the conga sound presented 9 times.
Every sequence used the same set of IOIs: five 200 ms,
two 400 ms, one 600 ms, and one 800 ms.
Memory/Sequencing: Remembering
temporal sequences
 This test assessed participants’ ability to remember and
repeat back a temporal sequence. Thirty trial were
presented. During each trial a 3.2 second four-measure
sequence from Povel and Essens was repeated follow by a
pause equal in length to the duration of the sequence.
During this pause the participant attempted to repeat the
sequence exactly when it would have occurred had it
repeated a fourth time. The first 15 trials consisted of
strongly metrical sequences while the second 15 trials
consisted of weekly metrical sequences.
Tempo
Adaptation
Metronome
Tapping
Beat
Tapping
Drumming
along to
rhythms
Memory/
Sequencing
Remembe-
ring rhythms

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Rhythm and-dance

  • 2. Rhythm Testing  All four rhythm tests used the same system for stimulus presentation, collection of drumming data, and marking of stimulus and drum onset times. Stimuli were stored and presented on an IPod Nano and participants were asked to drum with one hand on a conga drum. A vibration- sensitive drum trigger pressed against the underside of the head of the drum picked up the timing of the participants drum hits.
  • 3. Beat-Tapping: Metronome  This test assessed participants to drum consistently along to an isochronously presented stimulus. Six(6) trials were presented. Each trial consisted of a snaired drum stimulus (duration 1999 ms, acquired at free sound. Org) Repeated fourty times with a constant inter-onset- interval(IOI). In two of these trials the IOI was 667 ms (1.5Hz presentation rate), in two the IOI was 500 ms (2Hz), and in two the IOI was 333 ms (3Hz). These trials were always presented in this order. Participants were asked to drum along to the metronome such that there drum hits occurred at the exact same time as the sounds they were hearing.
  • 4. Beat-Tapping: Tempo Adaptation  This test assessed how quickly participants could adapt the tempo. 55 trials were presented each trial consisted of a conga drum sound (duration 150 ms, acquired at freesound.org) Repeated isochronously between 6 and 10 times with a 500 ms IOI, followed by 5 more presentations. In 5 of the trials the last 5 sounds were presented with a shorter IOI (faster tempo), with 5 trials each using IOIs of 450, 460 ,470,480 and 490 ms. In the remaining twenty-five trials the last five sounds were presented with a longer IOI(slower tempo), with 5 trials each using IOIs of 510, 520, 530, 540, and 550 ms.
  • 5. Memory/ Sequencing: Drumming along to a rhythmic sequences  This test assessed participants’ ability to rapidly perceive and drum along to a temporal sequence. 4 trials presented. In each trial, a 3.2-second four- measure sequence taken from a povel and Essens. Was repeated ten times, for a total of forty measures. Each 4 measure sequence consisted of the conga sound presented 9 times. Every sequence used the same set of IOIs: five 200 ms, two 400 ms, one 600 ms, and one 800 ms.
  • 6. Memory/Sequencing: Remembering temporal sequences  This test assessed participants’ ability to remember and repeat back a temporal sequence. Thirty trial were presented. During each trial a 3.2 second four-measure sequence from Povel and Essens was repeated follow by a pause equal in length to the duration of the sequence. During this pause the participant attempted to repeat the sequence exactly when it would have occurred had it repeated a fourth time. The first 15 trials consisted of strongly metrical sequences while the second 15 trials consisted of weekly metrical sequences.