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By: Jaqueline Rosas
 Whitney Karow
        P.8
 It is the word order and sentence
 structure in a passage or poem.
 Designed to arrange words in a specific

  manner to create meaning.
 Poetry may use syntax to create emotional

  meaning or purpose.
 Shifts in the structure may also be altered to

  create an emphasis of a change.
 Sentence
fragments.

  Run on
Sentences.
Business: Syntax = as business makes up the
  economy, syntax structures the passage.
 The active voice in a passage is one that
  involves a subject acting (verb) upon the object.
Ex: The man feeds the dog.

 The passive voice is when the object becomes
  the subject.
Ex: The dog was fed by the man.
   The object in the active sentence switches as
    the subject of the passive sentence:

Active: The student read the book.

Passive: The book was read by the student.
   “You Act before you Pass the test”
   It is words or phrases used for repetition
    throughout a passage.
   Usually at the beginning of successive clauses,
    or multiple clauses after the other.
   Can be used to emphasize a point or add
    emotion in a passage.
    Example:
    “It was the best of times, it was the worst of times, it was the age of
    wisdom, it was the age of foolishness, it was the epoch of belief, it was
    the epoch of incredulity, it was the season of Light, it was the season of
    Darkness…”Tale of Two Cities.


    In this case, it emphasizes the past tense of “it was”, comparing
    and contrasting the atmosphere in the setting of the story.
   ANAPHORA

   In the word itself, the “A” is repeated between
    the letters, representing the clauses or phrases.
   It is the exchange of order between the noun
    and adjective in a sentence.
   It may be used to create dramatic focus, or
    emphasis on the content of the sentence.
   Used for euphony (Good sound) or rhythm.
   It is similar to inversion: change in the
    arrangement of words in a sentence.
 Example:
Original : “The tree is tall and old…”

Anastrophe: “Tall and old is the tree...”
    “ANASTROPHE is a CATASROPHE”
    Rearranges and causes dramatic effect
   It is the lack of conjunctions in a sentence or
    phrase.
   It is used to focus on the immediate message it
    tries to convey.

   Ex: “LIVE, LAUGH, LOVE”
   No “And, Or, But, As, However, Etc.”
   Straight-forward
ASYN/DETON[ATE]
       “As in/ Detonate”
*Creates a SUDDEN message
 It is when the first phrase is being reversed in
the second phrase of a sentence.

   It helps create a contradictory sentence to serve
    a new meaning.

   It rearranges the context of the sentence.
 Example:
 “Nations do not mistrust each other because
  they are armed, they are armed because they
  mistrust each other.”
Ronald Reagan
   CHIASMUS
   It is the reverse of words in the normal order,
    or syntax, of a sentence.
   The verb may come before the subject.
   It adds emphasis to the sentence.

   Ex: You will learn only when you study.
      Only when you study, will you learn.
INVERSION          INVERSE

       = REVERSE
   It is a sentence that contains additional
    information and may be long.
   Usually starts off with a predicate statement.
   May be used to create a narrative literature.
   Helps convey the main idea first.
  Example:
  "Halfway between West Egg and New York City
   sprawls a desolate plain, a gray valley where
   New York’s ashes are dumped." - The Great
   Gatsby
*It states what the story will be about, stating the
   setting and creating imagery.
   Loose sentence
   It flows freely, loose, not restrained.
   Technique in which words, phrases, or stanzas
    are used repeatedly.

   Causes emphasis to focus on the message.
   The tide rises, the tide falls,
    The twilight darkens, the curlew calls;
    Along the sea-sands damp and brown
    The traveler hastens toward the town,
    And the tide rises, the tide falls.
    Darkness settles on roofs and walls,
    But the sea, the sea in darkness calls;
    The little waves, with their soft, white hands
    Efface the footprints in the sands,
    And the tide rises, the tide falls.
    The morning breaks; the steeds in their stalls
    Stamp and neigh, as the hostler calls;
    The day returns, but nevermore
    Returns the traveler to the shore.
    And the tide rises, the tide falls.
   REPEAT
   The repetition of conjunctions in close
    succession.
   The opposite of asyndeton.

   Ex:   I said, "Who killed him?" and he said, "I don't know
          who killed him but he's dead all right," and it was
          dark and there was water standing in the
          street and no lights and windows broke and boats
          all up in the town and trees blown
          down and everything all blown and I got a
          skiff and went out and found my boat where I had
          her inside Mango Key and she was all right only she
          was full of water.
          —Ernest Hemingway, "After the Storm."
   POLY        MANY/MORE THAN ONE

   Syndeton        is a rhetorical term for a
    sentence style in which words, phrases, or
    clauses are joined by conjunctions.

   Which equals a repetition of conjunctions
   The running over of a sentence from one line,
    couplet, stanza to the next.

              Legend By GILLIAN CLARKE
                 The rooms were mirrors
                  for that luminous face,
               the morning windows ferned
                     with cold. Outside
                   a level world of snow.
                Voiceless birds in the trees
                  like notes in the books
                     in the piano stool.
              She let us suck top-of-the-milk
             burst from the bottles like corks.
   ENJAMBENT: “Overflowing”
   The words that end the same in lines, phrases,
    clauses, and sentences.

   EX: “We are born to sorrow,
      pass our time in sorrow,
       end our days in sorrow.
   EPISTROPHE
   A break or division in the middle of the line,
    phrase, or stanza.
   EXAMPLE:
   Sing a song of sixpence, || a pocket full of rye.
    Four and twenty blackbirds, || baked in a pie.
    When the pie was opened, || the birds began to sing;
    Wasn’t that a dainty dish, || to set before the king?
   The king was in his counting house, || counting out his money;
    The queen was in the parlour, || eating bread and honey.
    The maid was in the garden, || hanging out the clothes;
    When down came a blackbird || and pecked off her nose.
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Resources of language whitney karow and jackie rosas

  • 1. By: Jaqueline Rosas Whitney Karow P.8
  • 2.  It is the word order and sentence structure in a passage or poem.  Designed to arrange words in a specific manner to create meaning.  Poetry may use syntax to create emotional meaning or purpose.  Shifts in the structure may also be altered to create an emphasis of a change.
  • 3.  Sentence fragments.  Run on Sentences.
  • 4. Business: Syntax = as business makes up the economy, syntax structures the passage.
  • 5.  The active voice in a passage is one that involves a subject acting (verb) upon the object. Ex: The man feeds the dog.  The passive voice is when the object becomes the subject. Ex: The dog was fed by the man.
  • 6. The object in the active sentence switches as the subject of the passive sentence: Active: The student read the book. Passive: The book was read by the student.
  • 7. “You Act before you Pass the test”
  • 8. It is words or phrases used for repetition throughout a passage.  Usually at the beginning of successive clauses, or multiple clauses after the other.  Can be used to emphasize a point or add emotion in a passage.
  • 9. Example: “It was the best of times, it was the worst of times, it was the age of wisdom, it was the age of foolishness, it was the epoch of belief, it was the epoch of incredulity, it was the season of Light, it was the season of Darkness…”Tale of Two Cities. In this case, it emphasizes the past tense of “it was”, comparing and contrasting the atmosphere in the setting of the story.
  • 10. ANAPHORA  In the word itself, the “A” is repeated between the letters, representing the clauses or phrases.
  • 11. It is the exchange of order between the noun and adjective in a sentence.  It may be used to create dramatic focus, or emphasis on the content of the sentence.  Used for euphony (Good sound) or rhythm.  It is similar to inversion: change in the arrangement of words in a sentence.
  • 12.  Example: Original : “The tree is tall and old…” Anastrophe: “Tall and old is the tree...”
  • 13. “ANASTROPHE is a CATASROPHE” Rearranges and causes dramatic effect
  • 14. It is the lack of conjunctions in a sentence or phrase.  It is used to focus on the immediate message it tries to convey.  Ex: “LIVE, LAUGH, LOVE”  No “And, Or, But, As, However, Etc.”  Straight-forward
  • 15. ASYN/DETON[ATE] “As in/ Detonate” *Creates a SUDDEN message
  • 16.  It is when the first phrase is being reversed in the second phrase of a sentence.  It helps create a contradictory sentence to serve a new meaning.  It rearranges the context of the sentence.
  • 17.  Example: “Nations do not mistrust each other because they are armed, they are armed because they mistrust each other.” Ronald Reagan
  • 18. CHIASMUS
  • 19. It is the reverse of words in the normal order, or syntax, of a sentence.  The verb may come before the subject.  It adds emphasis to the sentence.  Ex: You will learn only when you study. Only when you study, will you learn.
  • 20. INVERSION INVERSE = REVERSE
  • 21. It is a sentence that contains additional information and may be long.  Usually starts off with a predicate statement.  May be used to create a narrative literature.  Helps convey the main idea first.
  • 22.  Example:  "Halfway between West Egg and New York City sprawls a desolate plain, a gray valley where New York’s ashes are dumped." - The Great Gatsby *It states what the story will be about, stating the setting and creating imagery.
  • 23. Loose sentence  It flows freely, loose, not restrained.
  • 24. Technique in which words, phrases, or stanzas are used repeatedly.  Causes emphasis to focus on the message.
  • 25. The tide rises, the tide falls, The twilight darkens, the curlew calls; Along the sea-sands damp and brown The traveler hastens toward the town, And the tide rises, the tide falls. Darkness settles on roofs and walls, But the sea, the sea in darkness calls; The little waves, with their soft, white hands Efface the footprints in the sands, And the tide rises, the tide falls. The morning breaks; the steeds in their stalls Stamp and neigh, as the hostler calls; The day returns, but nevermore Returns the traveler to the shore. And the tide rises, the tide falls.
  • 26. REPEAT
  • 27. The repetition of conjunctions in close succession.  The opposite of asyndeton.  Ex: I said, "Who killed him?" and he said, "I don't know who killed him but he's dead all right," and it was dark and there was water standing in the street and no lights and windows broke and boats all up in the town and trees blown down and everything all blown and I got a skiff and went out and found my boat where I had her inside Mango Key and she was all right only she was full of water. —Ernest Hemingway, "After the Storm."
  • 28. POLY MANY/MORE THAN ONE  Syndeton is a rhetorical term for a sentence style in which words, phrases, or clauses are joined by conjunctions.  Which equals a repetition of conjunctions
  • 29. The running over of a sentence from one line, couplet, stanza to the next. Legend By GILLIAN CLARKE The rooms were mirrors for that luminous face, the morning windows ferned with cold. Outside a level world of snow. Voiceless birds in the trees like notes in the books in the piano stool. She let us suck top-of-the-milk burst from the bottles like corks.
  • 30. ENJAMBENT: “Overflowing”
  • 31. The words that end the same in lines, phrases, clauses, and sentences.  EX: “We are born to sorrow, pass our time in sorrow, end our days in sorrow.
  • 32. EPISTROPHE
  • 33. A break or division in the middle of the line, phrase, or stanza.  EXAMPLE:  Sing a song of sixpence, || a pocket full of rye. Four and twenty blackbirds, || baked in a pie. When the pie was opened, || the birds began to sing; Wasn’t that a dainty dish, || to set before the king?  The king was in his counting house, || counting out his money; The queen was in the parlour, || eating bread and honey. The maid was in the garden, || hanging out the clothes; When down came a blackbird || and pecked off her nose.

Editor's Notes

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