Research task 1_Genre, industry and audience.pptx
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Empire Magazine is a print magazine, website, and events brand focused on film and entertainment. Its audience is primarily males aged 18-40 who are passionate about film. Empire features trendy and popular mainstream genres like action, adventure, horror, thriller, and comedy. Little White Lies Magazine aims to capture excitement about film through intelligent writing and striking illustrations. It is driven by creativity and originality rather than mainstream popularity. Little White Lies would be more inclined to feature artistic and original movies rather than just popular films.
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Secondary Research
The document provides information on several drama films as comparable profiles, including We Need To Talk About Kevin, Trust, The Big Picture, Beginners, and Black Swan. It then analyzes the target audiences for these films and discusses magazines Total Film and Empire as ways to reach movie enthusiasts. The analysis finds that drama film audiences tend to be older (45+), more female, and in higher socioeconomic demographics. It determines its own film would appeal most to those over 18 interested in complex themes and fast-paced editing.
Secondary Research
The document provides information on several films and film magazines to help determine the target audience for a new drama film. Key details include:
- The films appeal mainly to older (40+) audiences, especially those in the upper-middle class (AB demographic), due to complex subject matter.
- Film magazines Total Film and Empire largely attract educated, affluent males aged 18-39 who are passionate about film and new technology.
- This research indicates the new drama film should target 45+ audiences in the AB demographic, using sophisticated language and focusing on themes of obsession, addiction, and unpredictability.
Film magazine research
This document summarizes research done on various film magazines to choose one for advertising an upcoming film. It discusses magazines like Empire, Little White Lies, and Sight and Sound but finds they do not align well with the target audience of teens. Entertainment Weekly is selected as it has a large readership of young females aged 18-34, matching the intended viewers of the film. Its coverage of popular films like Twilight and The Hunger Games also suggests it can help publicize the film and attract the target demographic.
Film Magazine Research - Holly Taylor and Kainaat Mirza
Film Magazine Research; Little White Lies, Empire, Sight and Sound and Entertainment Weekly.
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This document discusses representation in media texts and how media representations are artificial versions of reality that are intentionally composed and framed by producers. It states that while media representations allow us to learn about realities we don't directly experience, our understanding is also restricted by what information producers choose to include or exclude. The document then examines how media representations of concepts like race, age, disability, and gender are analyzed and often rely on stereotypes. It stresses the influence media has on our perceptions of these groups and calls for more accurate and diverse portrayals.
Evaluation question 3
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Evaluation question 3
The document provides information on several film distribution companies including Artificial Eye, Verve Pictures, Vertigo Films, and Pathé Distribution. It outlines each company's values and target audiences as well as examples of films they have distributed. There are common themes across many of the films such as poverty, crime, and struggles with mental health or addiction. The document also includes information on a potential new film about agoraphobia that could be distributed by Vertigo Films.
Representation
The document discusses representations of various groups in media texts. It notes that all media is a representation, not reality, and shapes audience perceptions. Stereotypical representations of groups like teenagers, ethnic minorities, and Muslims are discussed. The importance of avoiding stereotypes and considering whether representations alter audience views of certain communities is highlighted.
Recommended
Secondary Research
The document provides information on several drama films as comparable profiles, including We Need To Talk About Kevin, Trust, The Big Picture, Beginners, and Black Swan. It then analyzes the target audiences for these films and discusses magazines Total Film and Empire as ways to reach movie enthusiasts. The analysis finds that drama film audiences tend to be older (45+), more female, and in higher socioeconomic demographics. It determines its own film would appeal most to those over 18 interested in complex themes and fast-paced editing.
Secondary Research
The document provides information on several films and film magazines to help determine the target audience for a new drama film. Key details include:
- The films appeal mainly to older (40+) audiences, especially those in the upper-middle class (AB demographic), due to complex subject matter.
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- This research indicates the new drama film should target 45+ audiences in the AB demographic, using sophisticated language and focusing on themes of obsession, addiction, and unpredictability.
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This document summarizes research done on various film magazines to choose one for advertising an upcoming film. It discusses magazines like Empire, Little White Lies, and Sight and Sound but finds they do not align well with the target audience of teens. Entertainment Weekly is selected as it has a large readership of young females aged 18-34, matching the intended viewers of the film. Its coverage of popular films like Twilight and The Hunger Games also suggests it can help publicize the film and attract the target demographic.
Film Magazine Research - Holly Taylor and Kainaat Mirza
Film Magazine Research; Little White Lies, Empire, Sight and Sound and Entertainment Weekly.
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This document discusses representation in media texts and how media representations are artificial versions of reality that are intentionally composed and framed by producers. It states that while media representations allow us to learn about realities we don't directly experience, our understanding is also restricted by what information producers choose to include or exclude. The document then examines how media representations of concepts like race, age, disability, and gender are analyzed and often rely on stereotypes. It stresses the influence media has on our perceptions of these groups and calls for more accurate and diverse portrayals.
Evaluation question 3
This document summarizes information about four film distribution companies - Artificial Eye, Verve Pictures, Vertigo Films, and Pathé Distribution. It provides details on the values, exhibition practices, target audiences, and representative films for each company. The common themes and representations across their films are noted. At the end, it proposes that the fictional film "The Woman Who Was Never Seen" would be a good fit for Vertigo Films due to its genre and lack of common themes with the other distributors' example films. The document analyzes the distributors' approaches to determine which would be most suitable.
Evaluation question 3
The document provides information on several film distribution companies including Artificial Eye, Verve Pictures, Vertigo Films, and Pathé Distribution. It outlines each company's values and target audiences as well as examples of films they have distributed. There are common themes across many of the films such as poverty, crime, and struggles with mental health or addiction. The document also includes information on a potential new film about agoraphobia that could be distributed by Vertigo Films.
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Evaluation question 3
Here are the key points of similarity and difference between your film and the example films from Vertigo Films:
- Similarities in representation of age as films focus on adult characters dealing with traumatic issues rather than teenagers.
- Similar use of real locations and untrained actors to achieve a sense of realism and verisimilitude. Low budgets necessitate minimal props, costumes and actors.
- Intros both set the scene through characters' actions rather than dialogue, to communicate their mental state/personality.
- Themes of fear and trauma from past events limiting characters' lives fit better with Vertigo films than other distributors focused on issues like immigration or police brutality.
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Evaluation question 4 who would be the audience for your media
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The document discusses a student's short thriller film project. It uses conventions like red herrings and cliffhangers to create suspense. The film represents lower class youth dealing drugs, using stereotypes to make the plot relatable. It would be distributed online and to younger audiences through sites like YouTube and social media due to its low budget. Surveys showed the target audience is males aged 16-19 interested in crime genres.
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Question 4
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Audience research powerpoint
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Similar to Research task 1_Genre, industry and audience.pptx
Evaluation question 3
Here are the key points of similarity and difference between your film and the example films from Vertigo Films:
- Similarities in representation of age as films focus on adult characters dealing with traumatic issues rather than teenagers.
- Similar use of real locations and untrained actors to achieve a sense of realism and verisimilitude. Low budgets necessitate minimal props, costumes and actors.
- Intros both set the scene through characters' actions rather than dialogue, to communicate their mental state/personality.
- Themes of fear and trauma from past events limiting characters' lives fit better with Vertigo films than other distributors focused on issues like immigration or police brutality.
- Difference that your intro
Evaluation question 4 who would be the audience for your media
This document discusses the genre of social realism and targeting audiences for a media product in this genre. Social realism aims to depict everyday life realistically and address issues like relationships and substance abuse. The document examines different distribution platforms and their suitability for a social realism film, concluding that BBC 4 and specialized film magazines would be most appropriate given their focus on arts and educated audiences. Primary research found that social realism films dealing with relationships appealed most to young adults and older viewers.
Evaluation question 4 who would be the audience for your media
This document discusses the genre of social realism and targeting audiences for a media product in this genre. Social realism aims to depict everyday life realistically and address issues like relationships and substance abuse. The document examines different platforms and their suitability for exhibiting a social realism film, including streaming services, TV channels like BBC2 and BBC4, radio stations, and film magazines. BBC4 is identified as an ideal audience because it features arts programming for an educated audience, in line with the sophisticated themes of social realism. Primary research found that young adults and older people relate most to social realism films dealing with relationship issues.
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Age REpresentation YOUNG
The document discusses stereotypical representations of young people and older adults in media. It notes that young people are often represented negatively as immature, stupid, greedy, lazy, etc. while older adults are depicted as grumpy, outdated, slow, unable to use technology, and more. The document then analyzes how these stereotypes can be reinforced or challenged through different types of media representations. It also examines the purpose and potential effects of common stereotypes of both youth and older age in media.
Media AS Thriller Evaluation
The document discusses a student's short thriller film project. It uses conventions like red herrings and cliffhangers to create suspense. The film represents lower class youth dealing drugs, using stereotypes to make the plot relatable. It would be distributed online and to younger audiences through sites like YouTube and social media due to its low budget. Surveys showed the target audience is males aged 16-19 interested in crime genres.
Question 4
The document discusses the target audience for a horror film. The core audience is males ages 18-25, as horror films generally make most money from this demographic. Research shows males prefer horror more due to themes of masculinity and sexualization of female characters. The audience would fit socio-economic categories of middle/lower class workers and students. Data on audience preferences illustrate horror audiences are majority male and prefer supernatural/slasher subgenres. The target age range is also 19-24 years old, allowing adult themes.
Question 4
The document discusses the target audience for a horror film opening sequence. The primary audience is males ages 18-25, as horror films tend to be most successful with and make the most money from this demographic. Research shows males prefer horror genres more than females due to themes of masculinity and sexualization of female characters. The target audience would fall into socioeconomic categories C1, C2, or D in the UK, which are middle to lower-middle class. Examples of potential audience members are provided, generally being university students and young professionals who enjoy socializing with friends. Charts show most horror audiences are male, prefer supernatural subgenres, and are primarily ages 19-24.
Question 4
The document discusses the target audience for a horror film opening sequence. The primary audience is males ages 18-25, as horror films tend to be most successful with and make the most money from this demographic. Research shows males prefer horror genres more than females due to themes of masculinity and sexualization of female characters. The target audience would fall into socioeconomic categories C1, C2, or D in the UK, which are middle to lower-middle class. Examples of potential audience members are provided, generally being university students and young professionals who enjoy socializing with friends. Charts show most horror audiences are male, prefer supernatural subgenres, and are primarily ages 19-24.
EA4 - Who would be the audience for your media product?
This document discusses the target audience for a media product. The target audience is young females ages 16-24, living in urban areas, who enjoy shopping, social media, reality television shows, dining at affordable restaurants, and films based on young adult novels. They have interests in music, spending time with friends, and brands like Topshop, H&M, and Apple. The psychographic profile provided describes them as passionate, sociable, and opinionated with values of relationships and loyalty. In summary, the target audience is young urban females interested in pop culture, socializing, and entertainment.
Evaluation q4
This document discusses the potential audience for a film categorized as social realism. Social realism caters to a more niche audience than mainstream genres like sci-fi and horror. The audience would likely be found at specialized cinemas and through online streaming/TV services that focus on independent and intellectual films. Research indicated that younger people are less familiar with and engaged by social realism, while older, more educated audiences have a greater interest and awareness of the genre and independent films.
Audience research powerpoint
Our target audience for the short film ranges from all races and genders between the ages of 15+ due to the dark and sinister tone. The audience will likely be fans of the psychological thriller genre as the film uses common elements of that genre like violence and symbolism. Most audiences generally enjoy big-budget Hollywood action and sci-fi films, though thrillers and horrors perform less well. However, as a genre-hybrid film, it could attract a larger, more varied audience. Both male and female protagonists are portrayed equally in hopes of attracting a mix of both genders, though research shows men typically watch more thrillers.
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Evaluation question 4
The audience for the media product would primarily be males over 18 years old due to the graphic and violent nature of the film's content about serial killer Jeffrey Dahmer. Specifically, the audience would consist of educated professionals such as doctors, psychologists, and lawyers from category A demographics who could appreciate the thriller genre and subject matter. Additionally, some local audiences in Milwaukee may find the film sensitive due to its portrayal of real events in their city. The film aims to be distributed globally but especially in the United States due to its subject matter being inspired by an American crime.
Evaluation q4
The document discusses potential audiences for a media product in the genre of social realism. It finds that social realism has a more niche audience than mainstream genres like comedy and romance. The target audience would be older, more educated people who frequent specialized cinemas and streaming services showing independent films, listen to radio stations featuring arts and culture, and read intellectual film magazines. Younger audiences are more attracted to mainstream Hollywood films shown in multiplex theaters.
Audience profile 2
The target audience for disaster movies is 18-25 year olds, who are legally allowed to view the content and understand what happens. Males are more common viewers due to stereotypes, though this may be changing. They enjoy socializing, exploring new things, spending time at home watching movies on social media. They want disaster movies to have a good plot, dark themes, twists, interesting characters and a main catastrophic event, while disliking predictable stories, boring characters and unrealistic situations. As many are students, they have free time to watch movies and analyze them, and live in urban university areas surrounded by media.
Audience profile 2
The document profiles the target audience for a disaster movie as 18-25 year old males who enjoy socializing and outdoor activities. A questionnaire is provided to gather information about audiences' preferences, including their favorite movie genres, aspects they enjoy and fear in post-apocalyptic movies, and demographic information to help tailor the film. Feedback from the questionnaire will illustrate what audiences want to see in a trailer for the disaster movie.
Media Codes and Conventions: Audience
This document discusses key concepts related to science fiction film audiences:
1) Films can target different audience segments defined by demographics (age, gender, etc.) or psychographics (attitudes and values). The "target audience" is the intended segment.
2) Some films appeal broadly ("mainstream") while others attract a smaller group ("niche").
3) Audience research involves understanding demographics and psychographics to design films that fulfill audiences' needs for entertainment, information, identity, and companionship (uses and gratifications theory).
4) Films offer "utopian solutions" that compensate for real-life lacks like intensity, energy, transparency, community, and abundance.
Science fiction audiences
This document discusses key concepts related to science fiction film audiences:
1) Films can target different audience segments defined by demographics (age, gender, etc.) or psychographics (attitudes and values). The "target audience" is the intended segment.
2) Some films appeal broadly ("mainstream") while others attract a smaller group ("niche").
3) Audience research involves understanding demographics and psychographics to design films that fulfill viewers' needs like entertainment, information, identity, and companionship (uses and gratifications theory).
4) Films offer "utopian solutions" that compensate for real-life lacks like intensity, energy, transparency, community, and abundance.
Thriller evaluation
The document summarizes the learning and progress of a student who created a thriller film opening as a class project. In the preliminary task of remaking Napoleon Dynamite, the student gained experience using camera equipment but lacked organization. For the thriller opening, the student planned ahead, used more advanced cameras and lighting, and learned audio/editing skills. The process taught the importance of preparation and allowed the student to produce a higher quality final product compared to the preliminary task.
Similar to Research task 1_Genre, industry and audience.pptx (20)
Evaluation question 4 who would be the audience for your media
Evaluation question 4 who would be the audience for your media
Evaluation question 4 who would be the audience for your media
Evaluation question 4 who would be the audience for your media
EA4 - Who would be the audience for your media product?
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Research task 1_Genre, industry and audience.pptx
- 1. Research task 1: Genre, industry, audience Fipa Nindi
- 2. Empire Magazine “EMPIRE IS, WITHOUT question, the world’s most influential film and entertainment brand. Encompassing a print magazine, podcast, website, digital edition and live events strand, nobody speaks to more film fans across the world with more authority. And within the industry, Empire really matters to people. We collaborate with the biggest film studios and distributors and world-class filmmakers and actors The Empire readership is three quarters male and aged 18-40, employed, in a relationship (although not necessarily married), University educated and time poor. Empire’s audience is passionate about film – they use cinema as escapism or insight into other worlds. They area also key influencers in their group of friends and within their family.” Due to the fact that empire primarily focuses on featuring trendy and popular content it would be safe to assume that the genres of the films featured in their magazines are most likely going to be Action, Adventure, Horror, Thriller, Comedy and anything else that is considered mainstream.
- 3. Psychological Thriller Gender: Male Age: 18-34 Geo-Demographics: USA (Primary), English speaking countries Class/Incomes: Group E and D (Primary)
- 4. Action Adventure Gender: Male Age: 18-35 (Primary) Geo-Demographics: UK (Primary), English speaking countries (Secondary) Class/Incomes: Groups E, D, C2 (Primary), Any (Secondary)
- 5. Little White Lies Magazine “Little White Lies is an arbiter of taste when it comes to the world of film. We’re wholly independent – driven by creativity and originality. We publish news, reviews, profiles, feature stories and interviews across digital and print. We also commission original video works, short documentaries and essay films. Little White Lies launched in 2005 with the sole aim of creating a magazine that captures the excitement of talking about movies with good friends by bringing together impassioned, intelligent writing with striking illustration. The magazine has since become renowned for its independent ethos and iconic covers. Each issue of the magazine dedicates its entire front section to an upcoming theatrical release, drawing inspiration from the themes and visual tone of the carefully selected film. The back section features essential reviews of the latest movie releases, plus exclusive interviews, festival reports and more.” Due to the fact Little White Lies claim to be driven by creativity and originality it would be safe to assume that they would be more inclined to have more artistic and original movies as opposed to more mainstream films.
- 6. Action Gender: Male Age: 16+ (Primary) Geo-Demographics: UK (Primary), English speaking countries (Secondary) Class/Incomes: Groups E, D, C2 (Primary), Any (Secondary)
- 7. Sources Empire Magazine - https://www.bauermedia.co.uk/media-packs/empire/ https://en.wikipedia.org/wiki/Empire_(magazine) Total Film - https://en.wikipedia.org/wiki/Total_Film Little White Lies - https://lwlies.com/magazine/ https://en.wikipedia.org/wiki/Little_White_Lies_(magazine)