The document provides research and planning information for producing the opening two minutes of a thriller film. It discusses thriller conventions, target audiences, analysis of similar films, narrative and character theories, camera shots, sound, actors, and other production elements. It proposes a title and synopsis for the short film called "Number Five" about a teenager seeking revenge after his parents are killed. Finally, it analyzes conventions commonly used in thriller films like tension, lighting, shots, and Propp's character archetypes.
Meaning of research - Research Methodology - Manu Melwin Joymanumelwin
Research in common parlance refers to a search for knowledge. Once can also define research as a scientific and systematic search for pertinent information on a specific topic. In fact, research is an art of scientific investigation.
Skeem Saam in June 2024 available on ForumIsaac More
Monday, June 3, 2024 - Episode 241: Sergeant Rathebe nabs a top scammer in Turfloop. Meikie is furious at her uncle's reaction to the truth about Ntswaki.
Tuesday, June 4, 2024 - Episode 242: Babeile uncovers the truth behind Rathebe’s latest actions. Leeto's announcement shocks his employees, and Ntswaki’s ordeal haunts her family.
Wednesday, June 5, 2024 - Episode 243: Rathebe blocks Babeile from investigating further. Melita warns Eunice to stay clear of Mr. Kgomo.
Thursday, June 6, 2024 - Episode 244: Tbose surrenders to the police while an intruder meddles in his affairs. Rathebe's secret mission faces a setback.
Friday, June 7, 2024 - Episode 245: Rathebe’s antics reach Kganyago. Tbose dodges a bullet, but a nightmare looms. Mr. Kgomo accuses Melita of witchcraft.
Monday, June 10, 2024 - Episode 246: Ntswaki struggles on her first day back at school. Babeile is stunned by Rathebe’s romance with Bullet Mabuza.
Tuesday, June 11, 2024 - Episode 247: An unexpected turn halts Rathebe’s investigation. The press discovers Mr. Kgomo’s affair with a young employee.
Wednesday, June 12, 2024 - Episode 248: Rathebe chases a criminal, resorting to gunfire. Turf High is rife with tension and transfer threats.
Thursday, June 13, 2024 - Episode 249: Rathebe traps Kganyago. John warns Toby to stop harassing Ntswaki.
Friday, June 14, 2024 - Episode 250: Babeile is cleared to investigate Rathebe. Melita gains Mr. Kgomo’s trust, and Jacobeth devises a financial solution.
Monday, June 17, 2024 - Episode 251: Rathebe feels the pressure as Babeile closes in. Mr. Kgomo and Eunice clash. Jacobeth risks her safety in pursuit of Kganyago.
Tuesday, June 18, 2024 - Episode 252: Bullet Mabuza retaliates against Jacobeth. Pitsi inadvertently reveals his parents’ plans. Nkosi is shocked by Khwezi’s decision on LJ’s future.
Wednesday, June 19, 2024 - Episode 253: Jacobeth is ensnared in deceit. Evelyn is stressed over Toby’s case, and Letetswe reveals shocking academic results.
Thursday, June 20, 2024 - Episode 254: Elizabeth learns Jacobeth is in Mpumalanga. Kganyago's past is exposed, and Lehasa discovers his son is in KZN.
Friday, June 21, 2024 - Episode 255: Elizabeth confirms Jacobeth’s dubious activities in Mpumalanga. Rathebe lies about her relationship with Bullet, and Jacobeth faces theft accusations.
Monday, June 24, 2024 - Episode 256: Rathebe spies on Kganyago. Lehasa plans to retrieve his son from KZN, fearing what awaits.
Tuesday, June 25, 2024 - Episode 257: MaNtuli fears for Kwaito’s safety in Mpumalanga. Mr. Kgomo and Melita reconcile.
Wednesday, June 26, 2024 - Episode 258: Kganyago makes a bold escape. Elizabeth receives a shocking message from Kwaito. Mrs. Khoza defends her husband against scam accusations.
Thursday, June 27, 2024 - Episode 259: Babeile's skillful arrest changes the game. Tbose and Kwaito face a hostage crisis.
Friday, June 28, 2024 - Episode 260: Two women face the reality of being scammed. Turf is rocked by breaking
Are the X-Men Marvel or DC An In-Depth Exploration.pdfXtreame HDTV
The world of comic books is vast and filled with iconic characters, gripping storylines, and legendary rivalries. Among the most famous groups of superheroes are the X-Men. Created in the early 1960s, the X-Men have become a cultural phenomenon, featuring in comics, animated series, and blockbuster movies. A common question among newcomers to the comic book world is: Are the X-Men Marvel or DC? This article delves into the history, creators, and significant moments of the X-Men to provide a comprehensive answer.
From the Editor's Desk: 115th Father's day Celebration - When we see Father's day in Hindu context, Nanda Baba is the most vivid figure which comes to the mind. Nanda Baba who was the foster father of Lord Krishna is known to provide love, care and affection to Lord Krishna and Balarama along with his wife Yashoda; Letter’s to the Editor: Mother's Day - Mother is a precious life for their children. Mother is life breath for her children. Mother's lap is the world happiness whose debt can never be paid.
Maximizing Your Streaming Experience with XCIPTV- Tips for 2024.pdfXtreame HDTV
In today’s digital age, streaming services have become an integral part of our entertainment lives. Among the myriad of options available, XCIPTV stands out as a premier choice for those seeking seamless, high-quality streaming. This comprehensive guide will delve into the features, benefits, and user experience of XCIPTV, illustrating why it is a top contender in the IPTV industry.
From Slave to Scourge: The Existential Choice of Django Unchained. The Philos...Rodney Thomas Jr
#SSAPhilosophy #DjangoUnchained #DjangoFreeman #ExistentialPhilosophy #Freedom #Identity #Justice #Courage #Rebellion #Transformation
Welcome to SSA Philosophy, your ultimate destination for diving deep into the profound philosophies of iconic characters from video games, movies, and TV shows. In this episode, we explore the powerful journey and existential philosophy of Django Freeman from Quentin Tarantino’s masterful film, "Django Unchained," in our video titled, "From Slave to Scourge: The Existential Choice of Django Unchained. The Philosophy of Django Freeman!"
From Slave to Scourge: The Existential Choice of Django Unchained – The Philosophy of Django Freeman!
Join me as we delve into the existential philosophy of Django Freeman, uncovering the profound lessons and timeless wisdom his character offers. Through his story, we find inspiration in the power of choice, the quest for justice, and the courage to defy oppression. Django Freeman’s philosophy is a testament to the human spirit’s unyielding drive for freedom and justice.
Don’t forget to like, comment, and subscribe to SSA Philosophy for more in-depth explorations of the philosophies behind your favorite characters. Hit the notification bell to stay updated on our latest videos. Let’s discover the principles that shape these icons and the profound lessons they offer.
Django Freeman’s story is one of the most compelling narratives of transformation and empowerment in cinema. A former slave turned relentless bounty hunter, Django’s journey is not just a physical liberation but an existential quest for identity, justice, and retribution. This video delves into the core philosophical elements that define Django’s character and the profound choices he makes throughout his journey.
Link to video: https://youtu.be/GszqrXk38qk
Panchayat Season 3 - Official Trailer.pdfSuleman Rana
The dearest series "Panchayat" is set to make a victorious return with its third season, and the fervor is discernible. The authority trailer, delivered on May 28, guarantees one more enamoring venture through the country heartland of India.
Jitendra Kumar keeps on sparkling as Abhishek Tripathi, the city-reared engineer who ends up functioning as the secretary of the Panchayat office in the curious town of Phulera. His nuanced depiction of a young fellow exploring the difficulties of country life while endeavoring to adjust to his new environmental factors has earned far and wide recognition.
Neena Gupta and Raghubir Yadav return as Manju Devi and Brij Bhushan Dubey, separately. Their dynamic science and immaculate acting rejuvenate the hardships of town administration. Gupta's depiction of the town Pradhan with an ever-evolving outlook, matched with Yadav's carefully prepared exhibition, adds profundity and credibility to the story.
New Difficulties and Experiences
The trailer indicates new difficulties anticipating the characters, as Abhishek keeps on wrestling with his part in the town and his yearnings for a superior future. The series has reliably offset humor with social editorial, and Season 3 looks ready to dig much more profound into the intricacies of rustic organization and self-awareness.
Watchers can hope to see a greater amount of the enchanting and particular residents who have become fan top picks. Their connections and the one of a kind cut of-life situations give a reviving and interesting portrayal of provincial India, featuring the two its appeal and its difficulties.
A Mix of Humor and Heart
One of the signs of "Panchayat" is its capacity to mix humor with sincere narrating. The trailer features minutes that guarantee to convey giggles, as well as scenes that pull at the heartstrings. This equilibrium has been a critical calculate the show's prosperity, resounding with crowds across different socioeconomics.
Creation Greatness
The creation quality remaining parts first rate, with the beautiful setting of Phulera town filling in as a scenery that upgrades the narrating. The meticulousness in portraying provincial life, joined with sharp composition and solid exhibitions, guarantees that "Panchayat" keeps on hanging out in the packed web series scene.
Expectation and Delivery
As the delivery date draws near, expectation for "Panchayat" Season 3 is at a record-breaking high. The authority trailer has previously created critical buzz, with fans enthusiastically anticipating the continuation of Abhishek Tripathi's excursion and the new undertakings that lie ahead in Phulera.
All in all, the authority trailer for "Panchayat" Season 3 recommends that watchers are in for another drawing in and engaging ride. Yet again with its charming characters, convincing story, and ideal mix of humor and show, the new season is set to enamor crowds. Write in your schedules and prepare to get back to the endearing universe of "Panchayat."
Meet Crazyjamjam - A TikTok Sensation | Blog EternalBlog Eternal
Crazyjamjam, the TikTok star everyone's talking about! Uncover her secrets to success, viral trends, and more in this exclusive feature on Blog Eternal.
Source: https://blogeternal.com/celebrity/crazyjamjam-leaks/
In the vast landscape of cinema, stories have been told, retold, and reimagined in countless ways. At the heart of this narrative evolution lies the concept of a "remake". A successful remake allows us to revisit cherished tales through a fresh lens, often reflecting a different era's perspective or harnessing the power of advanced technology. Yet, the question remains, what makes a remake successful? Today, we will delve deeper into this subject, identifying the key ingredients that contribute to the success of a remake.
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Monday, 3 June 2024
Episode 47
A friend is compelled to expose a manipulative scheme to prevent another from making a grave mistake. In a frantic bid to save Jojo, Phakamile agrees to a meeting that unbeknownst to her, will seal her fate.
Tuesday, 4 June 2024
Episode 48
A mother, with her son's best interests at heart, finds him unready to heed her advice. Motshabi finds herself in an unmanageable situation, sinking fast like in quicksand.
Wednesday, 5 June 2024
Episode 49
A woman fabricates a diabolical lie to cover up an indiscretion. Overwhelmed by guilt, she makes a spontaneous confession that could be devastating to another heart.
Thursday, 6 June 2024
Episode 50
Linda unwittingly discloses damning information. Nhlamulo and Vuvu try to guide their friend towards the right decision.
Friday, 7 June 2024
Episode 51
Jojo's life continues to spiral out of control. Dintle weaves a web of lies to conceal that she is not as successful as everyone believes.
Monday, 10 June 2024
Episode 52
A heated confrontation between lovers leads to a devastating admission of guilt. Dintle's desperation takes a new turn, leaving her with dwindling options.
Tuesday, 11 June 2024
Episode 53
Unable to resort to violence, Taps issues a verbal threat, leaving Mdala unsettled. A sister must explain her life choices to regain her brother's trust.
Wednesday, 12 June 2024
Episode 54
Winnie makes a very troubling discovery. Taps follows through on his threat, leaving a woman reeling. Layla, oblivious to the truth, offers an incentive.
Thursday, 13 June 2024
Episode 55
A nosy relative arrives just in time to thwart a man's fatal decision. Dintle manipulates Khanyi to tug at Mo's heartstrings and get what she wants.
Friday, 14 June 2024
Episode 56
Tlhogi is shocked by Mdala's reaction following the revelation of their indiscretion. Jojo is in disbelief when the punishment for his crime is revealed.
Monday, 17 June 2024
Episode 57
A woman reprimands another to stay in her lane, leading to a damning revelation. A man decides to leave his broken life behind.
Tuesday, 18 June 2024
Episode 58
Nhlamulo learns that due to his actions, his worst fears have come true. Caiphus' extravagant promises to suppliers get him into trouble with Ndu.
Wednesday, 19 June 2024
Episode 59
A woman manages to kill two birds with one stone. Business doom looms over Chillax. A sobering incident makes a woman realize how far she's fallen.
Thursday, 20 June 2024
Episode 60
Taps' offer to help Nhlamulo comes with hidden motives. Caiphus' new ideas for Chillax have MaHilda excited. A blast from the past recognizes Dintle, not for her newfound fame.
Friday, 21 June 2024
Episode 61
Taps is hungry for revenge and finds a rope to hang Mdala with. Chillax's new job opportunity elicits mixed reactions from the public. Roommates' initial meeting starts off on the wrong foot.
Monday, 24 June 2024
Episode 62
Taps seizes new information and recruits someone on the inside. Mary's new job
As a film director, I have always been awestruck by the magic of animation. Animation, a medium once considered solely for the amusement of children, has undergone a significant transformation over the years. Its evolution from a rudimentary form of entertainment to a sophisticated form of storytelling has stirred my creativity and expanded my vision, offering limitless possibilities in the realm of cinematic storytelling.
Tom Selleck Net Worth: A Comprehensive Analysisgreendigital
Over several decades, Tom Selleck, a name synonymous with charisma. From his iconic role as Thomas Magnum in the television series "Magnum, P.I." to his enduring presence in "Blue Bloods," Selleck has captivated audiences with his versatility and charm. As a result, "Tom Selleck net worth" has become a topic of great interest among fans. and financial enthusiasts alike. This article delves deep into Tom Selleck's wealth, exploring his career, assets, endorsements. and business ventures that contribute to his impressive economic standing.
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Early Life and Career Beginnings
The Foundation of Tom Selleck's Wealth
Born on January 29, 1945, in Detroit, Michigan, Tom Selleck grew up in Sherman Oaks, California. His journey towards building a large net worth began with humble origins. , Selleck pursued a business administration degree at the University of Southern California (USC) on a basketball scholarship. But, his interest shifted towards acting. leading him to study at the Hills Playhouse under Milton Katselas.
Minor roles in television and films marked Selleck's early career. He appeared in commercials and took on small parts in T.V. series such as "The Dating Game" and "Lancer." These initial steps, although modest. laid the groundwork for his future success and the growth of Tom Selleck net worth. Breakthrough with "Magnum, P.I."
The Role that Defined Tom Selleck's Career
Tom Selleck's breakthrough came with the role of Thomas Magnum in the CBS television series "Magnum, P.I." (1980-1988). This role made him a household name and boosted his net worth. The series' popularity resulted in Selleck earning large salaries. leading to financial stability and increased recognition in Hollywood.
"Magnum P.I." garnered high ratings and critical acclaim during its run. Selleck's portrayal of the charming and resourceful private investigator resonated with audiences. making him one of the most beloved television actors of the 1980s. The success of "Magnum P.I." played a pivotal role in shaping Tom Selleck net worth, establishing him as a major star.
Film Career and Diversification
Expanding Tom Selleck's Financial Portfolio
While "Magnum, P.I." was a cornerstone of Selleck's career, he did not limit himself to television. He ventured into films, further enhancing Tom Selleck net worth. His filmography includes notable movies such as "Three Men and a Baby" (1987). which became the highest-grossing film of the year, and its sequel, "Three Men and a Little Lady" (1990). These box office successes contributed to his wealth.
Selleck's versatility allowed him to transition between genres. from comedies like "Mr. Baseball" (1992) to westerns such as "Quigley Down Under" (1990). This diversification showcased his acting range. and provided many income streams, reinforcing Tom Selleck net worth.
Television Resurgence with "Blue Bloods"
Sustaining Wealth through Consistent Success
In 2010, Tom Selleck began starring as Frank Reagan i
5. Synopsis
Number five is a story about a teenager who wants to get
revenge for his dead parents. One day a mysterious masked
man comes to his house and kills his parents and then gives the
protagonist a gun an and directions to find him so he can try and
get revenge. In the end he fails but he get’s so close to his goal.
6. Thriller genres
The purpose of a thriller is to build up tension and keep the viewer in a state of
suspense, they also try keeping the view intrigue and wondering. Thrillers also
incorporate smaller factors to make them good thrillers, things like cliff hangers help to
distinguish the a sense of suspense leaving the view to ponder what they think is going
to happen next. Thrillers are usually defined by the mood they portray . “Sensational and
suspenseful” stories and stories creating “fearful excitement” are two definitions
commonly used.
Subgenres Of Thriller
Action Thriller
Focus on the action, and you have an action-thriller. This is more common in movies
than novels because of the visual appeal of explosions and violence.
Conspiracy Thriller
In this subgenre the protagonist must confront a large, powerful organization or
group that is seen as a teats to him. Usually he must stop the organization alone or with
his own group of people who have similar belief's.
Crime Thriller
Focuses on crime, and is usually from the criminal’s view point. Physical action and
eluding the police take the place of gathering evidence and trying to discover
the criminal. they usually end with the criminal being or the criminal escaping to an
island where law doesn't effect them.
7. Disaster Thriller
In this subgenre a (usually) natural disaster is taking place, and the antagonist is either
trying to stop the disaster, the extent of the disaster, or just save themselves before time
runs out and the disaster has run its course.
Forensic Thriller
In this subgenre the protagonist(s) are forensic scientists whose involvement in an unsolved
crime threatens their lives.
Legal Thriller
This subgenre takes place in and around the courtroom. Usually the protagonist is a lawyer
who has found their case threatening death for either them or their client.
Mystery Thriller
This is a subgenre of both mysteries and thrillers. It differs from a regular mystery by being
much more fast-paced, with the protagonist on the run and the threat of another crime
serving as the “ticking clock.”
Psychological Thriller
A personal favorite. In this subgenre a lot of the conflict is mental, rather than physical. The
protagonist has become involved in a dangerous situation which literally threatens their
sanity. They must use mental prowess to overcome their opponent, whether the battle is
inside their own head or it a battle of wits.
Supernatural Thriller
In this subgenre otherworldy elements are introduced, usually as an antagonistic force, but
just as in the romantic thriller, the plot line and feel or distinctly that of thrillers. Some
characters may have psychic abilities and other supernatural novel elements may be
present.
8. Camera shots/ Cinematography
Deep Focus-it involves staging an event on film such that
significant elements occupy widely separated planes in the
image. Deep focus draws the viewers eye to what ever is
the foci is, it also adds a since of depth, this shot is also used
to show the emotion of the foci giving the viewer the viewer a
look into their soul.
Close up-the close up allows the viewer to identify what the
foci is it also has the same affect as a deep focus shot as it
shows emotion or importance .
Colour- black and white adds a since of drama it also is
commonly used for flash back or when explaining something or
in older films.
RGB colour is used to show realism unlike black and white as
the world is in colour it allow the viewer to relate with the film.
extreme close up-Using extreme close-ups allows you to focus
on only certain body parts. A common use for this shot often
includes walking feet, eyes, ears, the mouth or possibly even
hands. The foci is emphasized to show emotion or even show
the situation for example an eye can be shown to show emotion
whereas moving legs can show movement.
9. extreme long-shot is used to show a large amount of landscape
around the characters. This is also known as an establishing
shot. It is when the camera is at its furthest distance from the
subject. Are used to shots are used show the size of a situation
or to show how beautiful the scene is
Long Shot -showing the entire human body, with the head near
the top of the frame and the feet near the bottom. While the
focus is on characters, plenty of background detail still emerges:
we can tell the coffins on the right are in a Western-style
setting, for instance.
Medium shot-Contains a figure from the knees/waist up and is
normally used for dialogue scenes, or to show some detail of
action. Background detail is minimal, probably because location
has been established earlier in the scene - the audience already
know where they are and now want to focus on dialogue and
character integration.
Shallow focus- cinematographic technique incorporating a
small depth of field. In shallow focus one plane of the image is
in focus while the rest is out of focus. Shallow focus is typically
used to emphasize one part of the image over another while
also show something less important.
10. The lighting in several conventional thriller films is dark
or has a blue tint, we are going to use this convention as
these dark colours represent the mystery and tense
events that usually occur in these types of films, setting
the target audience on the edge. Since most thriller
films tend to have this dark lighting with a blue tinted
effect, we are going to use the blue effect lighting to
represent coldness which gives a negative feeling while
It helps to build tension the same way the dark lighting
will do.
The dramatic content of the scene dictates its
brightness. Generally, you will find that high-key lighting
is favored for upbeat scenes, and low-key lighting is the
choice for slow or taut dramatic action.
Although high-key and low-key refer to a picture's
overall brightness, parts of the frame can be illuminated
differently to affect attention or composition. For
example, parts of a low-key image can be brightened to
facilitate perception, while parts of a high-key image
can be darkened to create a more interesting
composition.
11. Focus is the overall sharpness of the image. It can range
from very soft to very sharp. The following photos show
two different levels of focus:
Depth of field is the amount of acceptable focus behind
and in front of the subject. Short focal lenses tend to
produce a wide depth of field, where everything on the
set appears in focus ("deep focus"). Long focal lenses
produce a shallow depth of field, where only the subject
area is in focus.
12. Pan
How: Move the camera horizontally left or right. Ideally, you should use a tripod for a smooth effect.
To be a great "panner", practice the shot several times at several speeds before you feel comfortable
with it.
Why: To follow a subject or show the distance between two objects. Pan shots also work great for
panoramic views such as a shot from a mountaintop to the valley below.
Handheld
How: You hold the camera without tripod, monopod or other device. Professional cameras are large
and rest on the user's shoulders. This balances the camera and keeps shaking to a minimum.
Because of their size, most consumer cameras can't rest on your shoulder, so you'll need a few tips
to shoot steady well-executed handheld shots.
Why: Due to the spontaneity of the action, many news crews and most documentaries use hand-
held shooting techniques. Sometimes, it is used in TV shows and movies. Notice that in horror or
action movies they often use hand held shots when something bad is about to happen.
13. Analysis of a similar product
Review
Shooter is great film, Mark Wahlberg bought Bob Lee Swagger to life with his amazing acting. Although the plot
may have been a bit far fetched the special effects and the story telling was enough to keep me entertained
throughout the film. It helps that the ending made me jump out of my chair with joy making me enjoy the film allot
more although it was slightly generic it was still pleasing after all Bob swagger had been through. Colonel Isaac
Johnson played by Danny Glover was able to completely make me believe that he was a good guy and when his
persona changed I was completely shocked that I didn't pick up his dark intention. Jack Payne played by Elias Koteas
was obviously a crooked agent and that should have be enough to tell me that him and the Colonel where the bad
guys but the caliber of the acting was enough to fool me. Nick Memphis played by Michael Peña didn't strike me as
a amazing character at the beginning but as the story progressed he became a better roll and allot more
interesting. Sarah Fenn played by Kate Mara struck me as being a generic female role other than her amazing aim
with a shotgun, she didn't really do anything to different in my opinion.
Synopsis
Bob Lee Swagger, one of the world's great marksmen and the son of a Congressional Medal of Honoree, is a loner
living in the Rockies. He's left the military, having been hung out to dry in a secret Ethiopian mission a few years
before, when he's recruited by a lisping colonel to help find a way that the President of the US might be
assassinated in one of three cities in the next two weeks. He does his work, but the shot is fired notwithstanding
and Bob Lee is quickly the fall guy: wounded and hunted by thousands, he goes to ground and, aided by two
unlikely allies, searches for the truth and for those who double-crossed him. All roads lead back to Ethiopia.
Shooter
14. Sound in the movie
Sound in this movie is used to build up tension holding the audience in a sense of suspense. in the opening
sequence there is a mixture of diegetic and non-diegetic sound which stays at the same level until the characters
and their weapons are shown and at this point the score becomes feint as if it needs to become as quiet as the
characters and is eventually over powered by the terrain and can no longer be heard. When the camera becomes
the scope of the sniper and all the people and animals can be heard better as if the sniper bought physically them
closer.
As the scene progresses the score kicks in as soon as the location changes. When the shot returns to the main two
characters the volume lowers this is important as they want to show how silent the snipers are and also show
their skill, but as soon as the gun fires the score jumps for a second to show.
Cinematography
The first shot used is a track shot that slowly move to the protagonist. While the shot is searching for him it allows
the credits to fade in and out. The shot leaves the view wondering what is actually happening and why they would
take such a long time to introduce the situation and characters. When they do introduce the situation the long
journey the camera took is makes sense. The length of the shoot represents the distances the sniper has to shoot.
When the camera shot gets to the protagonist it somehow gets from a longshot showing the size of the mountains
to a close up on the two characters on top of a mountain, this shot is the filmic metaphor to say they are the size
of a mountain.
Analysis of a similar product
15. Being a film about a former sniper you would expect
allot of long shot to show the distance he is shooting
and emperies how good a sniper Bob Swagger is. The
long shot are used mostly as perspective. near the end
of the film their is a long shot of a mountain that
shows how good a sniper Bob Swagger is.
Analysis of a similar product
This shot is a longshot that is scene through the scope
of the sniper this is a POV shot of the sniper looking in
the scope which explains why there is a pin hole like
effect you can also see the sights which add a since of
realism.
Close up shots are used to build tension, it holds the
viewer in a since of wonder (will he make the
shot). close ups are also used to show emotion in facial
expressions. from his face you can tell that he is thinking
of what he can do.
16. Target audience
Target audience changes depending on the type of thriller is
being shown. Thrillers are usually for older ages usually giving
them a rating of 12,15 or 18. This narrows the audience down
to pre-teens, teenagers and adults.
Active audience :an active audience are people who will
actually watch a film and also share it with others, they will
also criticize a film constructively and most of the time will
give you good feed back on how they think the film could be
better
17. Conventions of a thriller
12 rated films are usually Acton or have some content
younger views may be affected by. Containing mild violence ,
some bad language and references to smoking and drinking
and sometimes sexual scenes.
15 rated films are usually more mature with violent concepts, a
lot of vulgar language. Note uncensored drug use and sexual
content. generally for adults or more mature teens.
This rating is the highest in the open media industry, the
category allows for bad language, drugs, sex and violence
which some comedy horror. These films focus more on the
gore and the darkness and turn the conventions into subtle
jokes or mocking by placing them in unusual scenes. Also the
films show a strong sexual appeal which can be used the widen
the target market to include more females and couples.
18. Non-diegetic sound - other than dialogue , throughout most of the film, non- diegetic
sound this is done as there is more action and music add a sense of thrill. This also
increases tension in film and can also show that the character is showing emotion.
Tension – is the main objective of all conventions of a thriller is to create tension.
Tension is very important for a thriller as it helps make the view more intrigued and also
helps them enjoy the thriller.
Diegetic sound and editing, Mise en scene
Tilt- Like panning, to follow a subject or to show the top and bottom of a stationary
object. With a tilt, you can also show how high something is. This is used to gain a
prospective in thriller movies.
Low key lighting- low key light is the best kind of lighting in a film as with low key lighting
you can create a dark and vague atmosphere, a slight lack of vision makes the film seem
more mysterious. It also so creates a sense of fear for the viewer as they don’t know
what is happening.
High camera angles- are used to show the dominate character or the character in the
powerful position. The shot points down at an object or person in thriller movies.
male/female character - stereotypically, there are rarely female protagonists the
females are usually the princess in props character theory and the protagonist is male
and the villain is usually male a good example of this is taken.
Conventions of a thriller
19. Propp’s Character theory
Propp’s theory states that most fairy tales have similar characters, it also works for other genres of film.
• The Hero – a character that seeks something
•
• The Villain – who opposes or actively blocks the hero’s quest
•
• The Donor – who provides an object with magical properties
•
• The Dispatcher – who sends the hero on his/her quest via a message
•
• The False Hero – who disrupts the hero’s success by making false claims
•
• The Helper – who aids the hero
•
• The Princess – acts as the reward for the hero and the object of the villain’s plots
•
• Her Father – who acts to reward the hero for his effort
•
20. Propp’s Character theory
The princess
She need to be saved
or need help.
The donor- provides
the hero with and
item.
The dispatcher-
sends hero onto a
quest.
The villain- tries to
stop the hero from
completing the
quest
The false hero –
believe he is the
hero.
The helper- helps
the hero in the
quest.
The hero- sent to
solve the
problem o r save
the princess
Character theory in Hellboy the golden army
Hellboy is shown as the hero in Hellboy the golden army , his job is to stop evil creates which would
imply that he is some sort of hero, although he start to feel conflicted towards the end. Abe sapien
is the helper or the side kick helping Hellboy fight evil but ends p with the princess in a change of
conventions. Princess Nuala is the princess in this film she need to be saved from her brother and
also needs help stopping her brother from unleashing the golden army. Prince Nuada is the villain
and the false hero, he is the villain because he is trying to destroy all humans and he is the false
hero because he thinks he is righteous in his action and that he is doing the world some good.
Johann Krauss he is the donor and the dispatcher he give Hellboy the means to stop prince Nuada
and he also gives Hellboy quests that lead to him saving the world.
21. Todorov’s narrative theory
• The theory is simply this:
• The fictional environment begins with a state of equilibrium as very thing is as it
should be
• It then suffers some disruption (disequilibrium)
• New equilibrium is produced at the end of the narrative
• alternative would be the world is in disequilibrium and is searching for the new
equilibrium.
•
There are five stages the narrative can progress through:
• A state of equilibrium (all is as it should be)
• A disruption of that order by an event
• A recognition that the disorder has occurred
• An attempt to repair the damage of the disruption
•
• A return or restoration of a NEW equilibrium
22. Todorov’s narrative theory
in Hellboy
Equilibrium- Hellboy completing missions as usual
Disequilibrium- prince Nuada comes along and tries to
kill Hellboy and his group destroying a city in the process.
Attempt to repair the damage- Hellboy tries to stop him
form awakening the golden army.
New equilibrium- the golden army was stopped and
prince nuada was killed and Hellboy went back to his
normal missions
25. Evaluation of the continuity
For the continuity task we had to create a short video that did
not breach any of the rules of continuity.
It took us about three days to complete the filming about one
lesson per day or 50 minutes but we only actually used about to
lessons. We could not film all of the continuity on the first day
because the actor was wearing something different with would
create a continuity error. We did not organize and were a bit all
over the place because we did not plan to be a two person
group. That fact there was only two of us meant on the day of
filming we had to find and extra actor which ate up our filming
time.
When we finish filming the continuity I choose to edit as I knew
how to edit and had good editing software at hand, after it was
edited, it look just how we wanted it to and it did not break any
rule for continuity.
26. Locations
I choose this gravestone as it was a joint grave for both a
mother and a father there were no other graves that worked
as well as this one and because it was a joint gravestone it
Was also easier to frame in a shot. The grave also represents
The bond the protagonist and his parents had and will also
Help show emotion without speech.
I choose to film here as the bright colours break the
conventions of a normal of a thriller. Using bright clolours
in a dark story will give the viewer insight into the mind
of the villain and it also makes a seemingly ordinary place
become a danger zone.
27. Locations
I choose this location because it is a very dark location,.
There is a curtain that can cover the entire room and
create a dark and isolate feeling . I also choose this
location because there are lights which will make it feel
like a stage for the final battle and the spot light can look
allot more dramatic than lighting the entire room. The
room also has a project which could be used as a prop for
the villain and give him a reason to be in a room like this
as if it were his theater room
I choose this to be Fives house as it was easy to get to
and was available when we needed to film. The house
is dark and seems a bit gloomy and the mess worked to
our advantage as it looks like it could have been ran
sacked.
29. Digital story board
none
Es posthumus
I killed your parents
Is you want revenge
use this to find me
Es posthumus
none
sadness and sorrow
none
none
sadness and sorrow
none
none
none
Dubstep BF remix
laugh
Blood hit
Dubstep BF remix
none
none transition to gray scale
Dubstep BF remix Es posthumus
Did you hear that
Yeah ill go check that outnone
Number five
Ryan brand
30. Digital story board
Blood hit
Es posthumus
none
Es posthumus Es posthumus
Es posthumus Es posthumus Es posthumus Es posthumus
none
none
none
Refer to script Refer to script none
none
none
none
none none none
Number five
Ryan brand
31. Digital story board
Transition to colour
Sadness and sorrow part 2
Refer to script Refer to script
Number five
Ryan brand
Sadness and sorrow part 2
32. Group name
This is the group name for our film company. We went
with four³ or fourcube as there are four members and we have
our box's or cubes open, by that i mean that we are letting the
ideas flow or even thinking outside the our box. Four is also
an acromion for future of unbelievable releases. I choose the
background because it is dark and grungy and my choose of
colours was because we want to change the conventions of the
dark films with our own colours. When the letters start
dropping of it represents our group allowing the ideas to flow
and the box's all joining represents ours group joining together
to create one product from all of our ideas. The reflected letters
represent the fact that this film is a reflection of all of our group.
33. Film names
Remorseless
Since the protagonist is taking
revenge for his pedants
murder and Remorseless Is a
synonym
Oakwood
This name came for the
fact that the protagonists
live on Oakwood road.
Amnesty
Our film is about revenge, and
amnesty will make it and
oxymoron, as amnesty means
forgiving
The unseen
Since the villain in our film was
never seen as he committed an
crime
We went with Number five as
It is the only name that the protagonist
Is ever known by. The name number five
also leave the audience wondering is the
villain has more victims that he toys with
then destroys.
34. Main Character Names
Hiro- goes with our original idea and was scarped when we
change the ethnic origin of the protagonist
No name- an idea we kind of used but then scraped as it did not
create the right type of character.
Ryan- at some point we were thinking of using my name but we
scarped it as it was not adventurous and did not have any use in
the story.
Number five-we used number five because giving him a number
adds to the story creating a longer story, it also mean that he is
not significant as he is the highest number up and the villain
does not really care for him giving him a lower number number
one being the highest.
35. Inspirations
Shooter- the gun tooting protagonist
The dark night- the cocky villain
Law abiding citizen- dead family member
The strangers- breaking into someone's
house.
36. Target audience
The audience of this project would most likely be male gender, working /
middle class, as the main characters and the villain are both male and the male
gender can relate with themselves. This can appeal to the some female
audiences as there is some emotions show and that makes the protagonist
more relatable to but the project won’t appeal top most females.
The age of this project is a 12A. I compared the film to the BBFC guide lines
because there is injury and pain.
37. Final decisions and ideas
Film title:
Number five as It is the only name that the protagonist
Is ever known by. The name number five
also leave the audience wondering is the
villain has more victims that he toys with then destroys.
Name.
Production name:
four³ or fourcube as there are four members and we have our box's or cubes open,
by that i mean that we are letting the ideas flow or even thinking outside
the our box. four is also an acromion for future of unbelievable releases.
Main Character name:
Number five-we used number five because giving him a number adds to the story
creating a longer story.
Target audience:
• Social class- working/ middle class
• Teenagers
• Gender –more for males but some females could enjoy it
• Age- 12- fits with BBFC guidelines
38. Script for Number Five
Scene one:
Masked man- hey kid guess what.. I killed your parents. Oow don’t give me that look. If you
want revenge use this to find me… This is the gun I used to kill your parents (throws gun at
protagonist ) Enjoy.
Scene two:
(Protagonist crying)
Scene three:
(video noise)
Scene four:
Masked man-Did you hear that?
Masked henchman- Yeah ill go check that out.
Masked man- are you going to face me like a man or kill me like a coward?
Masked man-are you going to shot and unarmed man (protagonist cocks gun.)
Masked man-ooh its you number five.
Masked man-looks like were in quite a predicament.
Masked man-if you drop your gun I will to.
Masked man-its not all fun and games is it?
Masked man- your probably not going to die but this time your going to have to find me
yourself.
39. Todorov’s narrative theory
The film begins in disequilibrium as right at the beginning the
protagonist finds out that his mother and father have been
killed.
The protagonist recognizes that he must kill the person how
killed his parents and begins he journey.
In an attempt to repair the damage the protagonist fails and
loses to the villain meaning the film has not ended as there has
been no new equilibrium leaving the film on a cliff hanger.
40. Propp’s Character Theory
The villain: tries to stop the hero from
completing the quest.
In our thriller ‘Number Five’ the villain is a
masked man wearing smart clothing which
could mean he is educated, he also shows
that he is good at messing with people’s
emotions as he has the protagonist in the
palm of his hand. The villain does succeed in
stopping the hero from completing his
quest, making him an anti-villain as villain
don’t win in most movies, he is subverting
conventions.
The hero- solve the problem and
complete his quest.
His is the mask hero that is supposed
to defeat the villain but he is more of
an anti hero as he does not
acknowledge himself as a hero
instead he is just a boy seeking
revenge for parents who ultimately
fails.
41. Credits
The credits are going too be very non-intrusive coming in at the
beginning and leaving as fast as they arrive I decided this would
be better are you can get into the story better with out jumpy
credits
42. Characters
Name: Number 5
Role: Protagonist
Gender: Male
Acted by: Ryan Brand
Clothing: Black hoodie, black jeans, black boots, black half face mask.
Representations: His dark clothing represents an anti-hero role and his anti-social
nature. The clothing he wears is not typical for a middle-class citizen as it is less formal.
Name: The Masked man
Role: Villian
Gender: Male
Acted by: Black gas mask, white shirt, black waistcoat, red tie, black skinny
trousers/jeans, black boots, black trench coat.
Representations: The black gas mask can connote him hiding a burn on his face or hiding
away from society. He wears smart clothes which conflicts with where he lives because
working class citizens aren't portrayed as intelligent and fashionable. With The Masked
mans henchman wearing more working class style clothes like tracksuit bottoms and
hoodies The Masked man is made to look like a leader of the broken group by his clothes
being more formal.
43. Name: Fives mum and dad (deceased)
Role: The dispatcher-(deceased)
Gender: Male
Acted by: Tafadzwa Hove
Clothing: Shirt, black trousers, black tie, black shoes.
Representations: A grave stone.
Name: Henchman 1
Role: Protect and serve Mr. Smith
Gender: Male
Acted by: Dale Stow
Clothing: Black jeans, black combat boots, black hoodie, grey trench coat.
Representations: Mix of smart and casual clothes shows him being a higher form of power in the group
but still beneath Mr. Smith, or some form of right hand man.
Name: Henchman 2
Role: Protect and serve The Masked man
Gender: Male
Acted by: Cameron Malone
Clothing: Black jeans, black hoodie, black boots, balaclava (possibility)
Representations: The characters dark clothes represents his nature and actions and also his social class as
most working class citizens are portrayed to wear casual clothes. Again this shows a sense of equalize to
the other henchmen wearing the same clothes but not a sense of diversity.
Characters
44. Music and sound
Es posthumus- action music create suspense and add depth into
the story.
BF Dubstep mix-action build tension in a short period of time.
Sadness and sorrow- this is used to create a sense of sadness
and emotion in the scene the piano creates a peaceful melody
which will be used to represent death.
Cocking gun- makes guns seem allot more realistic .
Blood hits- makes the blood effects seem more realistic.
45. Role and responsibilities
Ryan brand
Locations organizer
Camera owner
Main cameraman
Main editor
Main Director
Co producer
Equipment
Music
Actor
Tafadzwa hove
Assistant
producer
Co-cameraman
Will Willis
Actor
Co producer
Dale stow
Transport
Co-cameraman
Actor
46. Filming Day 1 (Call Sheet)
Call Sheet
Ø Filming Day: 1
Ø Date: 07/03/13
Ø Time: 14:05 till 15:00
Ø Location: Sixth Form Drama Studio
Ø Transport: car
Ø Actor: Cameron (Henchman 1)
Ø Props: Gun and Phone
Ø Equipment: Camera, Light and Tripod
Ø Weather Outlook: Fairly Cloudy
Ø Roles and Responsibilities: Ryan (Main Director, filming and Equipment location organizer ). Tafadzwa
(Assistant director and equipment).Will (assistant director) Dale (transport)
Ø Shots Used: Mid shot, medium close up
Ø Health and Safety:
· Checked whether we weren’t surrounded with any obstacles that could had tripped anyone
· Made sure those handling equipment knew how to handle it to prevent self-harm
· Since we were using an electrical light we checked if they were no electrical wires coming out from
the electrical cable, to prevent anyone from being from getting an electrical shock.
47. Call Sheet
Ø Filming Days: 2
Ø Date: 08/03/13
Ø Time: 09:00 till 15:10
Ø Location: Sixth Form Drama Studio
Ø Transport: car
Ø Actor: Cameron, Will, Dale and Ryan
Ø Props: Gun, masks
Ø Equipment: Camera, Light and Tripod
Ø Weather Outlook: Fairly Cloudy
Roles and Responsibilities: Ryan (Main Director, filming and Equipment location organizer
). Tafadzwa (Assistant director and equipment).Will (assistant director) Dale (transport)
Ø Shots Used: Mid shot, medium close up
Ø Shots Used: Mid shot, medium close up
Ø Health and Safety:
· Checked whether we weren’t surrounded with any obstacles that could had tripped anyone
· Made sure those handling equipment knew how to handle it to prevent self-harm
· As were using a long board for the camera panning after we were done using it, we made sure
it was out of sight to prevent anyone from having an accident
48. Call Sheet
Ø Filming Days 3
Ø Date: 12/03/13
Ø Time: 09:00 till 11:30
Ø Locations: Will’s house, Wimbledon grave yard
Ø Transport: car
Ø Actor: Cameron, Will and Ryan
Ø Props: replica gun and gasmask
Ø Equipment: Camera and Tripod
Ø Weather Outlook: Cloudy
Ø Roles and Responsibilities: Ryan (Main Director and actor location organizer ,co
camera). Tafadzwa (call sheets, equipment and assistant director).Will (assistant
director) Dale (camera work, transport organizer)
Ø Shots Used: Mid shot, medium close up, POV, wide shot, Over-the-Shoulder Shot
Ø Health and Safety:
· Checked whether we weren’t surrounded with any obstacles that could had tripped
anyone
· Made sure those handling equipment knew how to handle it to prevent self-harm
· While we were in house to do the first to scene, we made sure the house everyone
knew what they were meant to do, to prevent individuals from wondering around the
house.