This is the theory revision I created for my A2 Media group a couple of years ago. There is some general narrative theory, Media theory Laura Mulvey etc and Racial Representation theory, Stuart Hall, Paul Gilroy, bell hooks etc. This was based on Media and Collective Identity focusing on the representation of black culture in British Film and American Music Videos.
Is a picture worth 1,000 words? Textual AnalysisDeborahJ
This lecture will introduce semiotics or the semiology of art, a mechanism for deriving meaning that is considered to a more inclusive development of Panofsky’s Iconography
Maximizing Your Streaming Experience with XCIPTV- Tips for 2024.pdfXtreame HDTV
In today’s digital age, streaming services have become an integral part of our entertainment lives. Among the myriad of options available, XCIPTV stands out as a premier choice for those seeking seamless, high-quality streaming. This comprehensive guide will delve into the features, benefits, and user experience of XCIPTV, illustrating why it is a top contender in the IPTV industry.
From the Editor's Desk: 115th Father's day Celebration - When we see Father's day in Hindu context, Nanda Baba is the most vivid figure which comes to the mind. Nanda Baba who was the foster father of Lord Krishna is known to provide love, care and affection to Lord Krishna and Balarama along with his wife Yashoda; Letter’s to the Editor: Mother's Day - Mother is a precious life for their children. Mother is life breath for her children. Mother's lap is the world happiness whose debt can never be paid.
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Matt Rife Cancels Shows Due to Health Concerns, Reschedules Tour Dates.pdfAzura Everhart
Matt Rife's comedy tour took an unexpected turn. He had to cancel his Bloomington show due to a last-minute medical emergency. Fans in Chicago will also have to wait a bit longer for their laughs, as his shows there are postponed. Rife apologized and assured fans he'd be back on stage soon.
https://www.theurbancrews.com/celeb/matt-rife-cancels-bloomington-show/
Young Tom Selleck: A Journey Through His Early Years and Rise to Stardomgreendigital
Introduction
When one thinks of Hollywood legends, Tom Selleck is a name that comes to mind. Known for his charming smile, rugged good looks. and the iconic mustache that has become synonymous with his persona. Tom Selleck has had a prolific career spanning decades. But, the journey of young Tom Selleck, from his early years to becoming a household name. is a story filled with determination, talent, and a touch of luck. This article delves into young Tom Selleck's life, background, early struggles. and pivotal moments that led to his rise in Hollywood.
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Early Life and Background
Family Roots and Childhood
Thomas William Selleck was born in Detroit, Michigan, on January 29, 1945. He was the second of four children in a close-knit family. His father, Robert Dean Selleck, was a real estate investor and executive. while his mother, Martha Selleck, was a homemaker. The Selleck family relocated to Sherman Oaks, California. when Tom was a child, setting the stage for his future in the entertainment industry.
Education and Early Interests
Growing up, young Tom Selleck was an active and athletic child. He attended Grant High School in Van Nuys, California. where he excelled in sports, particularly basketball. His tall and athletic build made him a standout player, and he earned a basketball scholarship to the University of Southern California (U.S.C.). While at U.S.C., Selleck studied business administration. but his interests shifted toward acting.
Discovery of Acting Passion
Tom Selleck's journey into acting was serendipitous. During his time at U.S.C., a drama coach encouraged him to try acting. This nudge led him to join the Hills Playhouse, where he began honing his craft. Transitioning from an aspiring athlete to an actor took time. but young Tom Selleck became drawn to the performance world.
Early Career Struggles
Breaking Into the Industry
The path to stardom was a challenging one for young Tom Selleck. Like many aspiring actors, he faced many rejections and struggled to find steady work. A series of minor roles and guest appearances on television shows marked his early career. In 1965, he debuted on the syndicated show "The Dating Game." which gave him some exposure but did not lead to immediate success.
The Commercial Breakthrough
During the late 1960s and early 1970s, Selleck began appearing in television commercials. His rugged good looks and charismatic presence made him a popular brand choice. He starred in advertisements for Pepsi-Cola, Revlon, and Close-Up toothpaste. These commercials provided financial stability and helped him gain visibility in the industry.
Struggling Actor in Hollywood
Despite his success in commercials. breaking into large acting roles remained a challenge for young Tom Selleck. He auditioned and took on small parts in T.V. shows and movies. Some of his early television appearances included roles in popular series like Lancer, The F.B.I., and Bracken's World. But, it would take a
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Tom Selleck Net Worth: A Comprehensive Analysisgreendigital
Over several decades, Tom Selleck, a name synonymous with charisma. From his iconic role as Thomas Magnum in the television series "Magnum, P.I." to his enduring presence in "Blue Bloods," Selleck has captivated audiences with his versatility and charm. As a result, "Tom Selleck net worth" has become a topic of great interest among fans. and financial enthusiasts alike. This article delves deep into Tom Selleck's wealth, exploring his career, assets, endorsements. and business ventures that contribute to his impressive economic standing.
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Early Life and Career Beginnings
The Foundation of Tom Selleck's Wealth
Born on January 29, 1945, in Detroit, Michigan, Tom Selleck grew up in Sherman Oaks, California. His journey towards building a large net worth began with humble origins. , Selleck pursued a business administration degree at the University of Southern California (USC) on a basketball scholarship. But, his interest shifted towards acting. leading him to study at the Hills Playhouse under Milton Katselas.
Minor roles in television and films marked Selleck's early career. He appeared in commercials and took on small parts in T.V. series such as "The Dating Game" and "Lancer." These initial steps, although modest. laid the groundwork for his future success and the growth of Tom Selleck net worth. Breakthrough with "Magnum, P.I."
The Role that Defined Tom Selleck's Career
Tom Selleck's breakthrough came with the role of Thomas Magnum in the CBS television series "Magnum, P.I." (1980-1988). This role made him a household name and boosted his net worth. The series' popularity resulted in Selleck earning large salaries. leading to financial stability and increased recognition in Hollywood.
"Magnum P.I." garnered high ratings and critical acclaim during its run. Selleck's portrayal of the charming and resourceful private investigator resonated with audiences. making him one of the most beloved television actors of the 1980s. The success of "Magnum P.I." played a pivotal role in shaping Tom Selleck net worth, establishing him as a major star.
Film Career and Diversification
Expanding Tom Selleck's Financial Portfolio
While "Magnum, P.I." was a cornerstone of Selleck's career, he did not limit himself to television. He ventured into films, further enhancing Tom Selleck net worth. His filmography includes notable movies such as "Three Men and a Baby" (1987). which became the highest-grossing film of the year, and its sequel, "Three Men and a Little Lady" (1990). These box office successes contributed to his wealth.
Selleck's versatility allowed him to transition between genres. from comedies like "Mr. Baseball" (1992) to westerns such as "Quigley Down Under" (1990). This diversification showcased his acting range. and provided many income streams, reinforcing Tom Selleck net worth.
Television Resurgence with "Blue Bloods"
Sustaining Wealth through Consistent Success
In 2010, Tom Selleck began starring as Frank Reagan i
240529_Teleprotection Global Market Report 2024.pdfMadhura TBRC
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Scandal! Teasers June 2024 on etv Forum.co.zaIsaac More
Monday, 3 June 2024
Episode 47
A friend is compelled to expose a manipulative scheme to prevent another from making a grave mistake. In a frantic bid to save Jojo, Phakamile agrees to a meeting that unbeknownst to her, will seal her fate.
Tuesday, 4 June 2024
Episode 48
A mother, with her son's best interests at heart, finds him unready to heed her advice. Motshabi finds herself in an unmanageable situation, sinking fast like in quicksand.
Wednesday, 5 June 2024
Episode 49
A woman fabricates a diabolical lie to cover up an indiscretion. Overwhelmed by guilt, she makes a spontaneous confession that could be devastating to another heart.
Thursday, 6 June 2024
Episode 50
Linda unwittingly discloses damning information. Nhlamulo and Vuvu try to guide their friend towards the right decision.
Friday, 7 June 2024
Episode 51
Jojo's life continues to spiral out of control. Dintle weaves a web of lies to conceal that she is not as successful as everyone believes.
Monday, 10 June 2024
Episode 52
A heated confrontation between lovers leads to a devastating admission of guilt. Dintle's desperation takes a new turn, leaving her with dwindling options.
Tuesday, 11 June 2024
Episode 53
Unable to resort to violence, Taps issues a verbal threat, leaving Mdala unsettled. A sister must explain her life choices to regain her brother's trust.
Wednesday, 12 June 2024
Episode 54
Winnie makes a very troubling discovery. Taps follows through on his threat, leaving a woman reeling. Layla, oblivious to the truth, offers an incentive.
Thursday, 13 June 2024
Episode 55
A nosy relative arrives just in time to thwart a man's fatal decision. Dintle manipulates Khanyi to tug at Mo's heartstrings and get what she wants.
Friday, 14 June 2024
Episode 56
Tlhogi is shocked by Mdala's reaction following the revelation of their indiscretion. Jojo is in disbelief when the punishment for his crime is revealed.
Monday, 17 June 2024
Episode 57
A woman reprimands another to stay in her lane, leading to a damning revelation. A man decides to leave his broken life behind.
Tuesday, 18 June 2024
Episode 58
Nhlamulo learns that due to his actions, his worst fears have come true. Caiphus' extravagant promises to suppliers get him into trouble with Ndu.
Wednesday, 19 June 2024
Episode 59
A woman manages to kill two birds with one stone. Business doom looms over Chillax. A sobering incident makes a woman realize how far she's fallen.
Thursday, 20 June 2024
Episode 60
Taps' offer to help Nhlamulo comes with hidden motives. Caiphus' new ideas for Chillax have MaHilda excited. A blast from the past recognizes Dintle, not for her newfound fame.
Friday, 21 June 2024
Episode 61
Taps is hungry for revenge and finds a rope to hang Mdala with. Chillax's new job opportunity elicits mixed reactions from the public. Roommates' initial meeting starts off on the wrong foot.
Monday, 24 June 2024
Episode 62
Taps seizes new information and recruits someone on the inside. Mary's new job
Skeem Saam in June 2024 available on ForumIsaac More
Monday, June 3, 2024 - Episode 241: Sergeant Rathebe nabs a top scammer in Turfloop. Meikie is furious at her uncle's reaction to the truth about Ntswaki.
Tuesday, June 4, 2024 - Episode 242: Babeile uncovers the truth behind Rathebe’s latest actions. Leeto's announcement shocks his employees, and Ntswaki’s ordeal haunts her family.
Wednesday, June 5, 2024 - Episode 243: Rathebe blocks Babeile from investigating further. Melita warns Eunice to stay clear of Mr. Kgomo.
Thursday, June 6, 2024 - Episode 244: Tbose surrenders to the police while an intruder meddles in his affairs. Rathebe's secret mission faces a setback.
Friday, June 7, 2024 - Episode 245: Rathebe’s antics reach Kganyago. Tbose dodges a bullet, but a nightmare looms. Mr. Kgomo accuses Melita of witchcraft.
Monday, June 10, 2024 - Episode 246: Ntswaki struggles on her first day back at school. Babeile is stunned by Rathebe’s romance with Bullet Mabuza.
Tuesday, June 11, 2024 - Episode 247: An unexpected turn halts Rathebe’s investigation. The press discovers Mr. Kgomo’s affair with a young employee.
Wednesday, June 12, 2024 - Episode 248: Rathebe chases a criminal, resorting to gunfire. Turf High is rife with tension and transfer threats.
Thursday, June 13, 2024 - Episode 249: Rathebe traps Kganyago. John warns Toby to stop harassing Ntswaki.
Friday, June 14, 2024 - Episode 250: Babeile is cleared to investigate Rathebe. Melita gains Mr. Kgomo’s trust, and Jacobeth devises a financial solution.
Monday, June 17, 2024 - Episode 251: Rathebe feels the pressure as Babeile closes in. Mr. Kgomo and Eunice clash. Jacobeth risks her safety in pursuit of Kganyago.
Tuesday, June 18, 2024 - Episode 252: Bullet Mabuza retaliates against Jacobeth. Pitsi inadvertently reveals his parents’ plans. Nkosi is shocked by Khwezi’s decision on LJ’s future.
Wednesday, June 19, 2024 - Episode 253: Jacobeth is ensnared in deceit. Evelyn is stressed over Toby’s case, and Letetswe reveals shocking academic results.
Thursday, June 20, 2024 - Episode 254: Elizabeth learns Jacobeth is in Mpumalanga. Kganyago's past is exposed, and Lehasa discovers his son is in KZN.
Friday, June 21, 2024 - Episode 255: Elizabeth confirms Jacobeth’s dubious activities in Mpumalanga. Rathebe lies about her relationship with Bullet, and Jacobeth faces theft accusations.
Monday, June 24, 2024 - Episode 256: Rathebe spies on Kganyago. Lehasa plans to retrieve his son from KZN, fearing what awaits.
Tuesday, June 25, 2024 - Episode 257: MaNtuli fears for Kwaito’s safety in Mpumalanga. Mr. Kgomo and Melita reconcile.
Wednesday, June 26, 2024 - Episode 258: Kganyago makes a bold escape. Elizabeth receives a shocking message from Kwaito. Mrs. Khoza defends her husband against scam accusations.
Thursday, June 27, 2024 - Episode 259: Babeile's skillful arrest changes the game. Tbose and Kwaito face a hostage crisis.
Friday, June 28, 2024 - Episode 260: Two women face the reality of being scammed. Turf is rocked by breaking
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1. Key Media Concept – Representation
Definition: Representation refers to the construction in any medium
(especially the mass media) of aspects of ‘reality’ such as people, places,
objects, events, cultural identities and other abstract concepts.
Key Points:
Representations become familiar through constant re-use and come to
feel 'natural' and unmediated. A key concern is the way in which
representations are made to seem ‘natural’, despite the fact that they
change over time.
Representation is unavoidably selective, foregrounding some things
and backgrounding others.
Representations require interpretation – meaning is often subject to
individual interpretation
Representation always involves 'the construction of reality' from a
particular point of view
Systems of representation are the means by which the concerns of
ideologies are framed to create ways of looking at texts; such value
systems ‘position’ their subjects.
Contemporary theories of representation stress the construction of particular
realities.
1
2. Stuart Hall – Reception Theory
He wrote a paper entitled ‘Encoding/Decoding’ (1981) in which he discussed
the three ways of reading a text.
Preferred reading – the reader experiences recognition of their own values
and interprets the text as the producer intended
Negotiated reading – the meaning of a text lies somewhere between the
producer and the reader. Even though the producer encodes the text in a
particular way, the reader will decode it in a slightly different manner
Oppositional reading – the reader interprets the text in a way that is totally
oppositional to the intended reading
Laura Mulvey - The Male Gaze
As Jonathan Schroeder notes, 'Film has been called an instrument of the
male gaze, producing representations of women, the good life, and sexual
fantasy from a male point of view' (Schroeder 1998, 208). The concept
derives from a very important article called ‘Visual Pleasure and Narrative
Cinema’ by Laura Mulvey, a feminist film theorist. It was published in 1975
and is one of the most widely cited articles in the whole of contemporary film
theory. It focuses on how 'subject positions' are constructed by media texts
rather than investigating the viewing practices of individuals in specific social
contexts.
It explores the idea of the power of gaze and sets up some of the basic
concepts behind the representation of gender.
Mulvey notes that Freud had referred to (infantile) scopophilia - the pleasure
involved in looking at other people’s bodies as (particularly, erotic) objects. In
the darkness of the cinema auditorium it is notable that one may look without
being seen either by those on screen by other members of the audience.
Mulvey argues that various features of cinema viewing conditions facilitate for
the viewer both the voyeuristic process of objectification of female characters
and also the narcissistic process of identification with an ‘ideal ego’ seen on
the screen. She declares that in patriarchal society ‘pleasure in looking has
been split between active/male and passive/female’ (Mulvey 1992, 27). This is
reflected in the dominant forms of cinema. Conventional narrative films in the
2
3. ‘classical’ Hollywood tradition not only typically focus on a male protagonist in
the narrative but also assume a male spectator.
Traditional films present men as active, controlling subjects and treat women
as passive objects of desire for men in both the story and in the audience, and
do not allow women to be desiring sexual subjects in their own right. Such
films objectify women in relation to ‘the controlling male gaze’ (ibid., 33),
presenting ‘woman as image’ (or ‘spectacle’) and man as ‘bearer of the look’
(ibid., 27). Men do the looking; women are there to be looked at.
It was Mulvey who coined the term 'the male gaze'.
Mulvey distinguishes between two modes of looking for the film spectator:
voyeuristic and fetishistic, which she presents in Freudian terms as responses
to male ‘castration anxiety’. Voyeuristic looking involves a controlling gaze
and Mulvey argues that this has has associations with sadism: ‘pleasure lies
in ascertaining guilt - asserting control and subjecting the guilty person
through punishment or forgiveness’ (Mulvey 1992, 29). Fetishistic looking, in
contrast, involves ‘the substitution of a fetish object or turning the represented
figure itself into a fetish so that it becomes reassuring rather than dangerous.
This builds up the physical beauty of the object, transforming it into something
satisfying in itself. The erotic instinct is focused on the look alone’. Fetishistic
looking, she suggests, leads to overvaluation of the female image and to the
cult of the female movie star. Mulvey argues that the film spectator oscillates
between these two forms of looking (ibid.; see also Neale 1992, 283ff; Ellis
1982, 45ff; Macdonald 1995, 26ff; Lapsley & Westlake 1988, 77-9).
Semiotics
The audience look for signs to help them interpret the narrative. These
deeply rooted signs are based on the expectations the audience has
due to their prior knowledge of old tales or myths.
The theory of how we interpret these signs are as follows:
o Sign = the total of the signifier and signified eg how we interpret
the combination of the signifier and the signified
o Signifier (the object)
o Signified (the meaning)
3
4. Roland Barthes – Denotation and Connotation
Meaning includes both denotation and connotation. 'Denotation' tends
to be described as the definitional, 'literal', 'obvious' or 'commonsense'
meaning of a sign. The term 'connotation' is used to refer to the socio-
cultural and 'personal' associations (ideological, emotional etc.) of the
sign. These are typically related to the interpreter's class, age, gender,
ethnicity and so on. Signs are more 'polysemic' - more open to
interpretation - in their connotations than their denotations.
In 'The Photographic Message' (1961) and 'The Rhetoric of the Image'
(1964), Barthes argued that in photography connotation can be
(analytically) distinguished from denotation (Barthes 1977, 15-31, 32-
51). As Fiske puts it 'denotation is what is photographed, connotation is
how it is photographed' (Fiske 1982, 91).
Related to connotation is what Roland Barthes refers to as myth. We
usually associate myths with classical fables about the exploits of gods
and heroes. But for Barthes myths were the dominant ideologies of our
time.
Like metaphors, myths help us to make sense of our experiences
within a culture (Lakoff & Johnson 1980, 185-6). They express and
serve to organize shared ways of conceptualizing something within a
culture. Their function is to naturalize the cultural - in other words, to
make dominant cultural and historical values, attitudes and beliefs
seem entirely 'natural', 'normal', self-evident, timeless, obvious
'common-sense' - and thus objective and 'true' reflections of 'the way
things are'.
It is possible to argue that all media representations relate to broader
cultural myths and belief systems.
4
5. TASK:
Pick one of your productions and answer the following questions on the blog:
1. What/who is being represented?
2. How is it being represented? (Use microelements)
3. How is the representation made to seem 'true', 'commonsense' or
'natural'?
4. What is foregrounded and what is backgrounded? Are there any
notable absences?
5. Whose representation is it? Whose interests does it reflect? How do
you know?
6. How do people make sense of the representation? According to what
codes? (Consider Mulvey’s theory and Barthes concept of myth –
make reference to both).
7. Apply the theory of semiotics to your production i.e. what are the signs
and their associated meanings?
5