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The document discusses images taken for a magazine using a Canon camera in a studio, an iPhone outside with natural lighting, and 3 different models. While images of 2 models were used successfully, a 3rd model could not be placed well on the contents page. Not all images were used but the available equipment was utilized to select the best images to enhance the genre and placement in the magazine.
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Contents powerpoint
Janet created her first contents page for a magazine but realized the main image was too big, so she made it smaller to fit more pages. She also made the font smaller. After some changes like moving the image and adding social media details, she added an editor's note as is common in music magazines. She included a photo of herself as the editor. Further edits included adjusting a subscription box and adding more pages to end with an improved contents page that used colors well.
Contact sheets
The document contains contact sheets from photo shoots for a music magazine. The first contact sheet is from studio photos of Tyler wearing plain black and jeans under good lighting. The next is from photos taken of Tyler at a gig with existing stage lighting. Only 4 could be taken due to short sets. The third is from photos around Chester where the band The Jigsaws is from at their request. Earlier photos had lighting issues but improved. The band wore normal clothes. The fourth focuses on edited photos from the Jigsaws shoot, adjusted in Photoshop, with the first chosen as the magazine cover photo. The last contact sheet shows Polaroid-style edited images for variety on the contents page.
Thumbnail images
This photo shoot produced several potential images for use as a magazine cover or thumbnail. The photographer was able to capture a close-up shot of a character appearing to die that will work well as a thumbnail. They also got a full-body shot of the actress in the desired pose for the magazine cover quickly and efficiently in only a few takes. While two location shots may need to be re-taken, overall the shoot was successful in obtaining the needed cover and thumbnail images.
[Music] Magazine: Unused Images
The document discusses reasons for not using various photos in a magazine project. Photos were rejected for having cut-off areas, being too dark or light, having distracting or confusing elements in the background, not fitting the intended edgy style, and not clearly showing the intended subject due to angles or other issues. Alternative photos were chosen that better portrayed the intended mood, subjects, and flow of the magazine without these problems.
Original photographs
The document contains evaluations of multiple original photographs for use in a magazine. Several photos of a female subject are considered for the front cover and contents page, with one praised for its interesting composition but noted facial expression could be a problem. Other photos of a guitarist are reviewed, with one favored for its clear background suitable for additional images and text. A final photo of a smiling male subject is selected for a double page spread based on direct eye contact, appropriate prop, and resemblance to professional band photos.
Main Task Pictures
The document discusses four photos selected from a photo shoot for a music magazine. The first photo was chosen for the contents page due to the piano drawing readers in and fitting the black and white color scheme. The second photo was manipulated in Photoshop to remove the background around the hands on the piano to create a mystical feel. The third photo was selected for the cover due to tying into the main story and showing the model smiling and relaxed. The fourth photo was chosen for the double page spread because the models appeared more involved in the music compared to the alternative.
Task 3 portrait photo shoot proposal form
This document is a project proposal by Emma Upton for a photography photo shoot aimed at producing portraits of a band suitable for publication in music magazines. The proposal outlines Emma's goals to shoot a minimum of 50 portraits and select the 10 highest quality images to edit in Photoshop. Inspiration is drawn from portraits in Kerrang! and Rocksound magazines. A Canon 7D DSLR is selected for its high ISO and megapixels. Framing and depth of field techniques will be used to focus on the band and blur backgrounds. Locations will include against plain backgrounds as well as outdoors. Health and safety will be considered.
Media magazine analysis
- The document discusses the design choices made for a media magazine focused on alternative/indie rock music. This includes selecting a "Desolation" logo in a broken font to fit the theme, using photos of people with serious expressions holding props like guitars, and editing photos in black and white or high contrast to match the genre. QuarkXPress was used to lay out the front cover, contents page, and double page spread, applying these visual style elements across the magazine design.
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Contents powerpoint
Janet created her first contents page for a magazine but realized the main image was too big, so she made it smaller to fit more pages. She also made the font smaller. After some changes like moving the image and adding social media details, she added an editor's note as is common in music magazines. She included a photo of herself as the editor. Further edits included adjusting a subscription box and adding more pages to end with an improved contents page that used colors well.
Contact sheets
The document contains contact sheets from photo shoots for a music magazine. The first contact sheet is from studio photos of Tyler wearing plain black and jeans under good lighting. The next is from photos taken of Tyler at a gig with existing stage lighting. Only 4 could be taken due to short sets. The third is from photos around Chester where the band The Jigsaws is from at their request. Earlier photos had lighting issues but improved. The band wore normal clothes. The fourth focuses on edited photos from the Jigsaws shoot, adjusted in Photoshop, with the first chosen as the magazine cover photo. The last contact sheet shows Polaroid-style edited images for variety on the contents page.
Thumbnail images
This photo shoot produced several potential images for use as a magazine cover or thumbnail. The photographer was able to capture a close-up shot of a character appearing to die that will work well as a thumbnail. They also got a full-body shot of the actress in the desired pose for the magazine cover quickly and efficiently in only a few takes. While two location shots may need to be re-taken, overall the shoot was successful in obtaining the needed cover and thumbnail images.
[Music] Magazine: Unused Images
The document discusses reasons for not using various photos in a magazine project. Photos were rejected for having cut-off areas, being too dark or light, having distracting or confusing elements in the background, not fitting the intended edgy style, and not clearly showing the intended subject due to angles or other issues. Alternative photos were chosen that better portrayed the intended mood, subjects, and flow of the magazine without these problems.
Original photographs
The document contains evaluations of multiple original photographs for use in a magazine. Several photos of a female subject are considered for the front cover and contents page, with one praised for its interesting composition but noted facial expression could be a problem. Other photos of a guitarist are reviewed, with one favored for its clear background suitable for additional images and text. A final photo of a smiling male subject is selected for a double page spread based on direct eye contact, appropriate prop, and resemblance to professional band photos.
Main Task Pictures
The document discusses four photos selected from a photo shoot for a music magazine. The first photo was chosen for the contents page due to the piano drawing readers in and fitting the black and white color scheme. The second photo was manipulated in Photoshop to remove the background around the hands on the piano to create a mystical feel. The third photo was selected for the cover due to tying into the main story and showing the model smiling and relaxed. The fourth photo was chosen for the double page spread because the models appeared more involved in the music compared to the alternative.
Task 3 portrait photo shoot proposal form
This document is a project proposal by Emma Upton for a photography photo shoot aimed at producing portraits of a band suitable for publication in music magazines. The proposal outlines Emma's goals to shoot a minimum of 50 portraits and select the 10 highest quality images to edit in Photoshop. Inspiration is drawn from portraits in Kerrang! and Rocksound magazines. A Canon 7D DSLR is selected for its high ISO and megapixels. Framing and depth of field techniques will be used to focus on the band and blur backgrounds. Locations will include against plain backgrounds as well as outdoors. Health and safety will be considered.
Media magazine analysis
- The document discusses the design choices made for a media magazine focused on alternative/indie rock music. This includes selecting a "Desolation" logo in a broken font to fit the theme, using photos of people with serious expressions holding props like guitars, and editing photos in black and white or high contrast to match the genre. QuarkXPress was used to lay out the front cover, contents page, and double page spread, applying these visual style elements across the magazine design.
Justification of image choices
Katrina Morton conducted a photo shoot for a music magazine. She aimed to capture images that represented music creatively while seeming candid. The shoot took place in a graffiti-covered area and music studio. Morton chose shots that highlighted the models and background elements like equipment to portray the magazine's focus on music. She selected images that told a story and drew attention without looking overly staged. Morton provided justification for her selected shots and why others were excluded from the magazine.
Pictures
Sophie Manley took many photos for her music magazine but could not use them all due to too many photos and some not showing well. She experimented with different poses, people, and places in her photos to make them look professional. Some photos needed editing to improve the background and fit the magazine genre. The photos chosen suited the magazine well by having rock/punk clothing, appropriate makeup, and plain backgrounds for easy editing.
Presentation feature article
The document summarizes the process of creating a feature article for a magazine. The author selected a long shot photograph using the rule of thirds that shows the subject's full body and simple background. For the article layout, the author used a title font consistent with the magazine cover and in colors that match the edition. The article is an interview formatted with orange text for questions and black for answers to make it easy to read. In the final version, a quotation from the interview is placed over the full-page photograph to pique reader interest. Alternate versions tested different photographs or graphic elements but the author preferred the simplicity of the original design.
Process- Front Cover
The document describes the process taken to design the front cover of a magazine. Pictures were selected and edited using tools in Photoshop to correct errors and smooth edges. Text elements like the masthead and date were also designed, with fonts selected and backgrounds removed. Colors were chosen and elements were arranged and rearranged on the cover until the designer was satisfied with the overall layout and design.
Portrait review
The photographer took 28 images of models for their music magazine cover, contents page, and double page spread using a borrowed camera. They selected 6 images that they edited and used in the magazine. The photographer wishes they had taken more photos to provide more options to choose from, as most of the 28 images were similar or unusable. They ended up using a spontaneously captured image for the cover rather than their original planned pose.
Portrait evaluation
The student photographer produced 10 images for a music magazine profile of an indie/pop artist. Most images featured the model against graffiti-covered walls or in nature to suit the genre. Close-ups aimed to create an intimate portrayal for the article. Composition and clarity were strengths, but more variety in shots, instruments, and editing could improve the images to clearly convey their purpose. Manual mode was used to control settings.
Photo shoot plans
The photographer plans to take photos of a band for the cover and inside pages of a music magazine. They will take a variety of shots including long shots, mid shots, and close-ups from different angles and distances to portray the band's indie rock style. Photos will be taken against plain, white backgrounds under natural and artificial lighting. The photos will be edited in Photoshop to look professionally suited for a music magazine, with blemishes removed and cropping adjusted for page layouts. The goal is for the finished magazine to resemble popular music publications.
Contact sheets
The document discusses contact sheets from photo shoots for a music magazine. It describes shoots with a musician named Tyler, where images were taken against a plain backdrop in a media studio and at one of Tyler's gigs using the stage lighting. Additional shoots were done in various locations around Chester with the band The Jigsaws, whose members wore clothes they normally practice in. The contact sheets show the photographer improved at lighting and placement over multiple shots in Chester. Selected edited images from the The Jigsaws shoot will be featured, including one as the magazine's front cover photo capturing aspects of Chester and the soft rock theme.
Photo shoot contact sheets
The document discusses contact sheets from photo shoots for a music magazine. It describes shoots with a musician named Tyler, where some images were taken at his gig with existing lighting, and others in Chester city center locations chosen by their band The Jigsaws. For the Jigsaws shoot, the early images had lighting issues but improved, and the subjects wore clothes they would normally wear. Selected images from the Jigsaws shoot were edited in Photoshop and one image incorporating Chester and the soft rock theme was chosen for the magazine cover.
Photoshop Experiment and Photo Shoot Images
The document describes the process of designing and creating a magazine mock-up using Photoshop. Key elements include:
- Designing the front cover by adding effects to an image and words in Photoshop.
- Creating a masthead using the DaFont website and layer styles in Photoshop.
- Designing the contents page with multiple small images and using Photoshop tools to add a white background and crop images.
- Designing a double page spread using an image from DaFont, layer styles in Photoshop, and adding a review box for visual appeal.
My magazine recreation
The student recreated the cover of a magazine called TOTAL FILM using Photoshop and InDesign, which they were familiar with Photoshop but had to learn how to use InDesign. They imported images and used cutting tools to recreate elements from the original cover. They also recreated the text. Though new to InDesign, they felt they did an okay job recreating the overall look and key elements of the original cover.
Script
1) The music video tells a narrative story through shots filmed in and around Manchester, UK. It follows a young female character and her relationship with her boyfriend.
2) In the beginning, their relationship seems happy when out with friends, but shots become more disjointed and intimate, revealing the emotional and physical abuse the female character suffers in private.
3) By the end, close-up shots show the bruises and tears on the female character, revealing the true nature of her relationship and the domestic violence she endures from her boyfriend.
Contact Sheet/Image Manipulation
Estelle Naughton used Adobe Photoshop to manipulate images for her CD digipak and poster to create a consistent style across her ancillary materials and music video. She took a photo of two characters holding hands and cropped it for the digipak cover. In Photoshop, she adjusted brightness, contrast, and color levels and added text to the digipak cover. For the poster, she blurred the same holding hands photo as a background and overlaid the digipak cover for consistency. Through these image manipulations, she created synergy between her materials to convey the relationship theme of her music video to audiences.
Focus Group Feedback
Estelle Naughton conducted market research to gain feedback on her music video. She created a private Facebook group and asked 4 people in her target audience 5 questions about the strengths, weaknesses, narrative, genre, and whether performance elements should be added. She received feedback that the transitions, tempo enhancement, iconography, black and white style, and effortless demeanour were strong points, but the continuity of black and white made distinguishing emotions difficult and establishing shots could be smoother. The narrative was deemed easy to follow and black and white was effective at conveying the genre, though it caused some confusion between happy and sad shots.
Advanced Portfolio Weekly Log
This document outlines the production diary and progress plan for a group of 4 students working on a music video project over several months. It details the weekly tasks completed such as researching genres, choosing a song, storyboarding ideas, filming test footage and the main video, and editing drafts. It also lists contingency plans like scheduling additional filming if needed to complete the project on time. The overall plan is to finish editing the final video, related promotional materials, and complete evaluations responding to feedback by the deadlines.
Music Video Script
The music video script describes scenes from a video for the song "So Far (It's Alright)" that tell a story. It includes shots of a female character in Manchester with friends and ice skating with her boyfriend initially. Later scenes show her crying with bruises revealed, implying an abusive relationship. The final scenes show her alone looking in a mirror at her bruises. Overall it depicts a woman's experience with an initially happy but later abusive relationship through a series of shots set to the song.
Evaluation Question 2
The combination of the student's main music video product and ancillary texts like a CD digipack and poster are effective.
All the products aim to portray the same narrative and genre. Black and white is used consistently to represent the indie genre. Imagery and camera shots are also reused across products.
The digipack hints at the music video's narrative by showing bruises. The poster continues the black and white theme but adds blurred color to the background, hinting that not all is as it seems and referencing the abusive relationship theme.
Technical elements like shots are also mirrored between the products, with close-ups used prominently. There is a clear synergy and relationship between the products that
Evaluation Question 1
The music video challenges conventions of the genre in several ways:
1) It includes titles at the end rather than the beginning and concludes with a choreographed title sequence.
2) It has no single setting but rather takes place in various locations around Manchester.
3) It aims for realism by not establishing specific costumes and using casual, everyday clothing to represent the characters.
4) It was filmed with a handheld HD video camera rather than professional equipment in order to seem less static.
Editing screenshots
Estelle Naughton edited a music video in Adobe Premier, which she was new to using. She imported clips into the timeline to build the narrative. Throughout the editing process, she used tools like the razor tool to cut and rearrange clips to correspond with the song. A consistent piece of editing was applying a black and white effect to indicate the genre. She also used effects like slow motion and speed changes to add depth and diversity corresponding to the tempo of the song. Credits were included at the end as still titles to represent the narrative within the beats of the song.
Contacting THe 1975
One of the team members emailed The 1975's manager with help from the others to request permission to use footage from a Manchester gig in their music video. They searched the band's website to find the manager's contact information and composed an email explaining that their video is for one of The 1975's songs and includes footage from the gig. They sent the email on January 19th, 2015 but have not received a response, though no response also indicates they properly requested permission due to copyright concerns.
Questionnaire Analysis
The document summarizes the results of a survey about music preferences and music video viewing habits. Some key findings:
- The majority of respondents were female aged 16-25 who listen mostly to pop music.
- All respondents watch music videos, with 85% watching regularly and 15% occasionally.
- Favorite music videos listed were mostly mainstream pop artists like Take That.
- Respondents preferred narrative and performance-style music videos over conceptual.
- YouTube was the most popular way to watch music videos, followed by TV music channels.
- Twitter was the most used social media, but not for watching videos due to buffering or scams. Word of mouth was the most common way to share music videos.
Idea generation
The proposed music video will tell the story of a girl dealing with a broken heart after losing her boyfriend to drugs. It will be shot in black and white to emphasize her pain. The video will include flashbacks to happier times with her boyfriend through photos and memories to show their deteriorating relationship over time as drug use increased. In the present, she will be alone in her bedroom crying while looking at track marks on her arms in the mirror, contemplating her life choices. The flashbacks will take the viewer around iconic locations in Manchester to depict their bond deteriorating as their relationship became defined by drugs.
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Justification of image choices
Katrina Morton conducted a photo shoot for a music magazine. She aimed to capture images that represented music creatively while seeming candid. The shoot took place in a graffiti-covered area and music studio. Morton chose shots that highlighted the models and background elements like equipment to portray the magazine's focus on music. She selected images that told a story and drew attention without looking overly staged. Morton provided justification for her selected shots and why others were excluded from the magazine.
Pictures
Sophie Manley took many photos for her music magazine but could not use them all due to too many photos and some not showing well. She experimented with different poses, people, and places in her photos to make them look professional. Some photos needed editing to improve the background and fit the magazine genre. The photos chosen suited the magazine well by having rock/punk clothing, appropriate makeup, and plain backgrounds for easy editing.
Presentation feature article
The document summarizes the process of creating a feature article for a magazine. The author selected a long shot photograph using the rule of thirds that shows the subject's full body and simple background. For the article layout, the author used a title font consistent with the magazine cover and in colors that match the edition. The article is an interview formatted with orange text for questions and black for answers to make it easy to read. In the final version, a quotation from the interview is placed over the full-page photograph to pique reader interest. Alternate versions tested different photographs or graphic elements but the author preferred the simplicity of the original design.
Process- Front Cover
The document describes the process taken to design the front cover of a magazine. Pictures were selected and edited using tools in Photoshop to correct errors and smooth edges. Text elements like the masthead and date were also designed, with fonts selected and backgrounds removed. Colors were chosen and elements were arranged and rearranged on the cover until the designer was satisfied with the overall layout and design.
Portrait review
The photographer took 28 images of models for their music magazine cover, contents page, and double page spread using a borrowed camera. They selected 6 images that they edited and used in the magazine. The photographer wishes they had taken more photos to provide more options to choose from, as most of the 28 images were similar or unusable. They ended up using a spontaneously captured image for the cover rather than their original planned pose.
Portrait evaluation
The student photographer produced 10 images for a music magazine profile of an indie/pop artist. Most images featured the model against graffiti-covered walls or in nature to suit the genre. Close-ups aimed to create an intimate portrayal for the article. Composition and clarity were strengths, but more variety in shots, instruments, and editing could improve the images to clearly convey their purpose. Manual mode was used to control settings.
Photo shoot plans
The photographer plans to take photos of a band for the cover and inside pages of a music magazine. They will take a variety of shots including long shots, mid shots, and close-ups from different angles and distances to portray the band's indie rock style. Photos will be taken against plain, white backgrounds under natural and artificial lighting. The photos will be edited in Photoshop to look professionally suited for a music magazine, with blemishes removed and cropping adjusted for page layouts. The goal is for the finished magazine to resemble popular music publications.
Contact sheets
The document discusses contact sheets from photo shoots for a music magazine. It describes shoots with a musician named Tyler, where images were taken against a plain backdrop in a media studio and at one of Tyler's gigs using the stage lighting. Additional shoots were done in various locations around Chester with the band The Jigsaws, whose members wore clothes they normally practice in. The contact sheets show the photographer improved at lighting and placement over multiple shots in Chester. Selected edited images from the The Jigsaws shoot will be featured, including one as the magazine's front cover photo capturing aspects of Chester and the soft rock theme.
Photo shoot contact sheets
The document discusses contact sheets from photo shoots for a music magazine. It describes shoots with a musician named Tyler, where some images were taken at his gig with existing lighting, and others in Chester city center locations chosen by their band The Jigsaws. For the Jigsaws shoot, the early images had lighting issues but improved, and the subjects wore clothes they would normally wear. Selected images from the Jigsaws shoot were edited in Photoshop and one image incorporating Chester and the soft rock theme was chosen for the magazine cover.
Photoshop Experiment and Photo Shoot Images
The document describes the process of designing and creating a magazine mock-up using Photoshop. Key elements include:
- Designing the front cover by adding effects to an image and words in Photoshop.
- Creating a masthead using the DaFont website and layer styles in Photoshop.
- Designing the contents page with multiple small images and using Photoshop tools to add a white background and crop images.
- Designing a double page spread using an image from DaFont, layer styles in Photoshop, and adding a review box for visual appeal.
My magazine recreation
The student recreated the cover of a magazine called TOTAL FILM using Photoshop and InDesign, which they were familiar with Photoshop but had to learn how to use InDesign. They imported images and used cutting tools to recreate elements from the original cover. They also recreated the text. Though new to InDesign, they felt they did an okay job recreating the overall look and key elements of the original cover.
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Script
1) The music video tells a narrative story through shots filmed in and around Manchester, UK. It follows a young female character and her relationship with her boyfriend.
2) In the beginning, their relationship seems happy when out with friends, but shots become more disjointed and intimate, revealing the emotional and physical abuse the female character suffers in private.
3) By the end, close-up shots show the bruises and tears on the female character, revealing the true nature of her relationship and the domestic violence she endures from her boyfriend.
Contact Sheet/Image Manipulation
Estelle Naughton used Adobe Photoshop to manipulate images for her CD digipak and poster to create a consistent style across her ancillary materials and music video. She took a photo of two characters holding hands and cropped it for the digipak cover. In Photoshop, she adjusted brightness, contrast, and color levels and added text to the digipak cover. For the poster, she blurred the same holding hands photo as a background and overlaid the digipak cover for consistency. Through these image manipulations, she created synergy between her materials to convey the relationship theme of her music video to audiences.
Focus Group Feedback
Estelle Naughton conducted market research to gain feedback on her music video. She created a private Facebook group and asked 4 people in her target audience 5 questions about the strengths, weaknesses, narrative, genre, and whether performance elements should be added. She received feedback that the transitions, tempo enhancement, iconography, black and white style, and effortless demeanour were strong points, but the continuity of black and white made distinguishing emotions difficult and establishing shots could be smoother. The narrative was deemed easy to follow and black and white was effective at conveying the genre, though it caused some confusion between happy and sad shots.
Advanced Portfolio Weekly Log
This document outlines the production diary and progress plan for a group of 4 students working on a music video project over several months. It details the weekly tasks completed such as researching genres, choosing a song, storyboarding ideas, filming test footage and the main video, and editing drafts. It also lists contingency plans like scheduling additional filming if needed to complete the project on time. The overall plan is to finish editing the final video, related promotional materials, and complete evaluations responding to feedback by the deadlines.
Music Video Script
The music video script describes scenes from a video for the song "So Far (It's Alright)" that tell a story. It includes shots of a female character in Manchester with friends and ice skating with her boyfriend initially. Later scenes show her crying with bruises revealed, implying an abusive relationship. The final scenes show her alone looking in a mirror at her bruises. Overall it depicts a woman's experience with an initially happy but later abusive relationship through a series of shots set to the song.
Evaluation Question 2
The combination of the student's main music video product and ancillary texts like a CD digipack and poster are effective.
All the products aim to portray the same narrative and genre. Black and white is used consistently to represent the indie genre. Imagery and camera shots are also reused across products.
The digipack hints at the music video's narrative by showing bruises. The poster continues the black and white theme but adds blurred color to the background, hinting that not all is as it seems and referencing the abusive relationship theme.
Technical elements like shots are also mirrored between the products, with close-ups used prominently. There is a clear synergy and relationship between the products that
Evaluation Question 1
The music video challenges conventions of the genre in several ways:
1) It includes titles at the end rather than the beginning and concludes with a choreographed title sequence.
2) It has no single setting but rather takes place in various locations around Manchester.
3) It aims for realism by not establishing specific costumes and using casual, everyday clothing to represent the characters.
4) It was filmed with a handheld HD video camera rather than professional equipment in order to seem less static.
Editing screenshots
Estelle Naughton edited a music video in Adobe Premier, which she was new to using. She imported clips into the timeline to build the narrative. Throughout the editing process, she used tools like the razor tool to cut and rearrange clips to correspond with the song. A consistent piece of editing was applying a black and white effect to indicate the genre. She also used effects like slow motion and speed changes to add depth and diversity corresponding to the tempo of the song. Credits were included at the end as still titles to represent the narrative within the beats of the song.
Contacting THe 1975
One of the team members emailed The 1975's manager with help from the others to request permission to use footage from a Manchester gig in their music video. They searched the band's website to find the manager's contact information and composed an email explaining that their video is for one of The 1975's songs and includes footage from the gig. They sent the email on January 19th, 2015 but have not received a response, though no response also indicates they properly requested permission due to copyright concerns.
Questionnaire Analysis
The document summarizes the results of a survey about music preferences and music video viewing habits. Some key findings:
- The majority of respondents were female aged 16-25 who listen mostly to pop music.
- All respondents watch music videos, with 85% watching regularly and 15% occasionally.
- Favorite music videos listed were mostly mainstream pop artists like Take That.
- Respondents preferred narrative and performance-style music videos over conceptual.
- YouTube was the most popular way to watch music videos, followed by TV music channels.
- Twitter was the most used social media, but not for watching videos due to buffering or scams. Word of mouth was the most common way to share music videos.
Idea generation
The proposed music video will tell the story of a girl dealing with a broken heart after losing her boyfriend to drugs. It will be shot in black and white to emphasize her pain. The video will include flashbacks to happier times with her boyfriend through photos and memories to show their deteriorating relationship over time as drug use increased. In the present, she will be alone in her bedroom crying while looking at track marks on her arms in the mirror, contemplating her life choices. The flashbacks will take the viewer around iconic locations in Manchester to depict their bond deteriorating as their relationship became defined by drugs.
Poster analysis olly murs
This poster advertises Olly Murs' new album. The color scheme of burgundy text and braces matching the album title establish the poster's iconography. Olly is the sole character, appearing relaxed to indicate his natural musical talent. The studio setting features high key lighting on Olly against a blue sky background, suggesting his career is ascending. Technical elements include consistent colors and informal text styles to catch viewers' attention. Placement of Olly's image and name follow design principles to maximize recognition of the artist and his new album.
Poster analysis kings of leon
The poster analyzes various design elements used to promote a band's new album. It discusses the use of night vision effects on the CD cover to obscure the true meaning of the song. The band's name is prominently displayed in the center of the poster according to the Guttenberg principle. An iconic eagle outline represents the band's American roots and qualities of masculinity, freedom, skill, vision, and power. The poster is well-balanced with symmetrical text and a divided CD cover image in different sections and colors.
'Budapest' music video analysis
The document analyzes George Ezra's music video for the song "Budapest" using genre theorist Lacey's framework of elements. It discusses two versions of the music video - an official narrative video and a simpler alternative. Both feature George Ezra playing guitar and portray him as the main character and focus. The analysis covers characters, narrative, iconography, setting, and technical elements of the videos based on Lacey's repertoire.
'I'm not the only one' music video analysis
The document provides an analysis of the music video for "I'm Not the Only One" by Sam Smith according to genre theorist Lacey's framework of elements. It examines the characters, narrative, iconography, setting, and audio/technical elements. The main characters are the wife, husband, and other woman. The wife is depicted in a 1950s style and discovers her husband's infidelity. Scenes alternate between the happy family home and dark bar where the husband cheats. Elements like clothing, cars, and gender roles reference 1950s culture and society.
Alicia keys digipak analysis
The front cover image depicts Alicia Keys being partially obscured by a piano, indicating she has secrets expressed through her music. Her makeup and style connect to the piano keys and background, showing how she leaves her mark. The back cover shows a piano missing its top, suggesting her music has depth not initially apparent. Both covers reference Keys' focus on the piano and raw talent over superficial qualities.
Lana del rey digipak analysis
Lana del Rey's album cover for "Born to Die" features only her image, giving her a powerful and stern presence. Her classic yet simple style suggests she is an indie artist rather than a typical pop star. The vintage car in the background and her retro-inspired appearance establish her distinct aesthetic. The blue sky setting continues the album's color scheme and could represent the destiny of the working class. Overall, the cover presents Lana del Rey as a unique artist who blends vintage and modern influences.
Bastille digipak analysis
The document analyzes and summarizes the cover art, layout, and symbolism of the Bastille album "Bad Blood". Some key points:
- The front cover features the lead singer running away at night, suggesting he is trying to avoid fame or the mainstream music industry.
- Iconic elements on the cover include the lead singer's distinctive hair and the use of a triangle symbol in place of the letter "A", which represents both the band and indie music genre.
- The nighttime setting on an empty road could indicate the unknown direction of the band's career or that they focus on their music over visuals.
- Technical elements like fonts, lighting effects, and color contrasts are used
Lana Del Rey Digipak Analysis
The document analyzes the album cover and packaging of Lana Del Rey's "Born to Die" album through the lenses of narrative, setting, technical codes, and iconography. It notes that the album cover features only Lana Del Rey with a vintage, classy appearance. The setting is plain to draw attention to Lana and a vintage car in the background. Technical elements include large bold text and primary colors of red, white, and blue evoking the American flag. Iconography includes roses representing love and the vintage style connecting to Lana's genre blending modern pop with retro influences.
Bastille digipak analysis
The CD cover features the lead singer running away from the camera's headlights at night, suggesting he is running from fame. By running away, the band seems to want to avoid the mainstream while still having chart success. The blurred shoes show movement and imply the band is less polished than others.
The country road setting under the headlights could represent the band focusing on their music rather than image. The nighttime shooting adds a sense of uncertainty about where their career may go.
Iconic elements are used, like the lead singer's hairstyle identifying him and the triangle replacing the "A" symbolizing the band's indie genre. Technical aspects unify the design with a black and white color scheme, informal
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