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GOT A MINUTE?
The power of immersive, short form video
Ravi Jain, Boston College
@ravidjain
OVERVIEW
• My evolution as an short form video producer
• Defining short form video: what and why
• The Boston College Minute
• Short form video (SFV)101
• Extreme short form video formats
• Q & A
http://youtu.be/fATuoSM5KvQ
A LITTLE BIT ABOUT ME
• Senior Associate Director,Web/Multimedia at Boston College
• Digital Media Faculty, Northeastern University
• MFA, Studio for Interrelated Media, MassArt
• BA, Modern ImagingTechniques, Oberlin College
• 20+ years digital filmmaking
MY ARC AS A
SHORT FORM PRODUCER
• Three Abreast web sitcom: conceived in the year 5 BYT
• Coffee break length = 8 minutes
• DriveTime video blog: social media element
• Engagement of audience = the hook
http://youtu.be/EaRPQwNzzZo
HOW DO WE DEFINE SHORT?
• Extreme short form: 6 secondVines, 15 second Instagrams
• Short form video: 30 seconds to 3 minutes
• Coffee break length: 5 to 8 minutes
• Extended online clip: 10 to 20 minutes
• “I wish I was onTV” clip: 30+ minutes
LENGTH ISN’T EVERYTHING (!)
• Ultimately the story you are telling will dictate the length
• If the length is (pre)determined, then you scale your story
• A poorly made short video can still be boring
• A well crafted longer piece can fly by
SO WHY SHORT FORMTHEN?
• Short attention spans?
• Forces you to cut out the cr*p and get to the point
• Hook your audience with immediate storytelling
• Same possibilities as with longer forms
http://youtu.be/IaS1RgsuLoY?t=43s
THE BOSTON COLLEGE MINUTE
• Episodic concept, conceived 2009
• Individual threads weaving together a tapestry
• Don’t try to do too much
• Pilot concept
DNA OFTHE BC MINUTE
• No “set pieces” : Fly on the wall observation
• No talking to the camera
• No lower thirds
• You are IN the story, experiencing the story
• Doesn’t overstay its welcome
http://youtu.be/vFvZjAp-vQ8
SFV 101: PREP PHASE
• The more you can plan ahead, the better the end result
• What is the story or message?
• Where will this take place? Who are the players?
• What equipment will you need?
• How many people do you need on your team?
• Can you scout the location ahead of time?
SFV 101: PRE-PRODUCTION
• Storyboard – even if it looks like a three year old did it
• Devise a shot list – may not match storyboard sequence
• What does Early Soviet Cinema have to do with any of this?!
• Check inventory (batteries, memory cards, gaffers tape)
• Talk with team – even if just yourself!
SFV 101: PRE-PRODUCTION
• Storyboard – even if it looks like a three year old did it
• Devise a shot list – may not match storyboard sequence
• What does Early Soviet Cinema have to do with any of this?!
• Check inventory (batteries, memory cards, gaffers tape)
• Talk with team – even if just yourself!
A + B = more than A + B
SFV 101: PRE-PRODUCTION
• Storyboard – even if it looks like a three year old did it
• Devise a shot list – may not match storyboard sequence
• What does Early Soviet Cinema have to do with any of this?!
• Check inventory (batteries, memory cards, gaffers tape)
• Talk with team – even if just yourself!
http://youtu.be/noJ4qy020Ug
SFV 101: PRODUCTION
• Think quickly but don’t shoot quickly
• Follow plan but don’t be tied to it – adapt if necessary
• Audio and video aren’t married yet
• Take advantage of repeated actions
• If scripted activity, find a way to make it seem unscripted
• Achieve level of comfort with players
SFV 101: POST-PRODUCTION
• Log, log, log
• Logging is the bane of video production, but it is oh so critical
• Get to your rough cut as quickly as possible
• Work with what you have
• Schedule will often dictate when something is done
SFV 101: POST-PRODUCTION
• Log, log, log
• Logging is the bane of video production, but it is oh so critical
• Get to your rough cut as quickly as possible
• Work with what you have
• Schedule will often dictate when something is done
SFV 101: SUMMARY
• Every video has its own voice
• Your job is to find that voice and bring it to fruition
• What is the tenor? Exuberant?Thoughtful? Lyrical?
• With SFV, you need to be in the zone in the first few seconds
• No time for course correction
EXTREME SHORT FORMVIDEO
• Instagram andVine
• Immediacy of production and distribution
• Near instantaneous
• Opportunities for “moment sharing”
• More than just stop motion
DO IT FORTHEVINE
• Elmo
• #OutRunTheT
• @kvsmusic
• #turnipforwhat
• Lowes
• Let’s make aVine!
SHORT FORMVIDEO
SUMMARY
• You are always one click away from losing a viewer
• SFV = a more immediate form of storytelling
• Break down a bigger message into bite-sized chunks
• On the whole, a more expedited production schedule
• ESFV even more immediate: hard-wired social media forms
• bc.edu/bcminute
WE DIDN’T ALL INVENTTHIS
• Let’s turn back the clock 30 years or so...
Q & A
THANKYOU
• Join the conversation @ravidjain onTwitter
• Find me on LinkedIn
• Email me at Boston College
• Don’t talk to me today (I have a plane to catch)
GOT A MINUTE?
The power of immersive, short form video
Ravi Jain, Boston College
@ravidjain

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Got A Minute? The power of immersive, short form video (Confab Higher Ed 2014 edition)

  • 1. GOT A MINUTE? The power of immersive, short form video Ravi Jain, Boston College @ravidjain
  • 2. OVERVIEW • My evolution as an short form video producer • Defining short form video: what and why • The Boston College Minute • Short form video (SFV)101 • Extreme short form video formats • Q & A
  • 4. A LITTLE BIT ABOUT ME • Senior Associate Director,Web/Multimedia at Boston College • Digital Media Faculty, Northeastern University • MFA, Studio for Interrelated Media, MassArt • BA, Modern ImagingTechniques, Oberlin College • 20+ years digital filmmaking
  • 5. MY ARC AS A SHORT FORM PRODUCER • Three Abreast web sitcom: conceived in the year 5 BYT • Coffee break length = 8 minutes • DriveTime video blog: social media element • Engagement of audience = the hook
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  • 9. HOW DO WE DEFINE SHORT? • Extreme short form: 6 secondVines, 15 second Instagrams • Short form video: 30 seconds to 3 minutes • Coffee break length: 5 to 8 minutes • Extended online clip: 10 to 20 minutes • “I wish I was onTV” clip: 30+ minutes
  • 10. LENGTH ISN’T EVERYTHING (!) • Ultimately the story you are telling will dictate the length • If the length is (pre)determined, then you scale your story • A poorly made short video can still be boring • A well crafted longer piece can fly by
  • 11. SO WHY SHORT FORMTHEN? • Short attention spans? • Forces you to cut out the cr*p and get to the point • Hook your audience with immediate storytelling • Same possibilities as with longer forms
  • 13. THE BOSTON COLLEGE MINUTE • Episodic concept, conceived 2009 • Individual threads weaving together a tapestry • Don’t try to do too much • Pilot concept
  • 14. DNA OFTHE BC MINUTE • No “set pieces” : Fly on the wall observation • No talking to the camera • No lower thirds • You are IN the story, experiencing the story • Doesn’t overstay its welcome
  • 16. SFV 101: PREP PHASE • The more you can plan ahead, the better the end result • What is the story or message? • Where will this take place? Who are the players? • What equipment will you need? • How many people do you need on your team? • Can you scout the location ahead of time?
  • 17. SFV 101: PRE-PRODUCTION • Storyboard – even if it looks like a three year old did it • Devise a shot list – may not match storyboard sequence • What does Early Soviet Cinema have to do with any of this?! • Check inventory (batteries, memory cards, gaffers tape) • Talk with team – even if just yourself!
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  • 19. SFV 101: PRE-PRODUCTION • Storyboard – even if it looks like a three year old did it • Devise a shot list – may not match storyboard sequence • What does Early Soviet Cinema have to do with any of this?! • Check inventory (batteries, memory cards, gaffers tape) • Talk with team – even if just yourself!
  • 20.
  • 21. A + B = more than A + B
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  • 23. SFV 101: PRE-PRODUCTION • Storyboard – even if it looks like a three year old did it • Devise a shot list – may not match storyboard sequence • What does Early Soviet Cinema have to do with any of this?! • Check inventory (batteries, memory cards, gaffers tape) • Talk with team – even if just yourself!
  • 25. SFV 101: PRODUCTION • Think quickly but don’t shoot quickly • Follow plan but don’t be tied to it – adapt if necessary • Audio and video aren’t married yet • Take advantage of repeated actions • If scripted activity, find a way to make it seem unscripted • Achieve level of comfort with players
  • 26. SFV 101: POST-PRODUCTION • Log, log, log • Logging is the bane of video production, but it is oh so critical • Get to your rough cut as quickly as possible • Work with what you have • Schedule will often dictate when something is done
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  • 29. SFV 101: POST-PRODUCTION • Log, log, log • Logging is the bane of video production, but it is oh so critical • Get to your rough cut as quickly as possible • Work with what you have • Schedule will often dictate when something is done
  • 30. SFV 101: SUMMARY • Every video has its own voice • Your job is to find that voice and bring it to fruition • What is the tenor? Exuberant?Thoughtful? Lyrical? • With SFV, you need to be in the zone in the first few seconds • No time for course correction
  • 31. EXTREME SHORT FORMVIDEO • Instagram andVine • Immediacy of production and distribution • Near instantaneous • Opportunities for “moment sharing” • More than just stop motion
  • 32. DO IT FORTHEVINE • Elmo • #OutRunTheT • @kvsmusic • #turnipforwhat • Lowes • Let’s make aVine!
  • 33. SHORT FORMVIDEO SUMMARY • You are always one click away from losing a viewer • SFV = a more immediate form of storytelling • Break down a bigger message into bite-sized chunks • On the whole, a more expedited production schedule • ESFV even more immediate: hard-wired social media forms • bc.edu/bcminute
  • 34. WE DIDN’T ALL INVENTTHIS • Let’s turn back the clock 30 years or so...
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  • 36. Q & A
  • 37. THANKYOU • Join the conversation @ravidjain onTwitter • Find me on LinkedIn • Email me at Boston College • Don’t talk to me today (I have a plane to catch)
  • 38. GOT A MINUTE? The power of immersive, short form video Ravi Jain, Boston College @ravidjain