Question 2
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The document compares the creator's digipak, poster, and music video for a reggae artist to examples from Bob Marley and another reggae artist, analyzing how they do and do not conform to conventions of the genre. The digipak, poster, and music video were designed to have similarities like bright colors and busy elements to match the intended happy feeling of the music, while also incorporating conventions like references to Rastafarian culture. Overall the creator feels their works challenge conventions of the genre but still work well as a cohesive package representing reggae music.
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digipak Analysis
This document provides an analysis of the album artwork and design for Chris Brown's 2009 album "Graffiti Deluxe". It summarizes the key elements of the front cover, back cover, CD, inside, and inlay of the digipak packaging. The front cover depicts Chris Brown in a stylish black outfit with graphical elements in the background creating a solar eclipse effect. The back cover shows Brown in a different outfit holding a guitar. The CD and inside artwork maintain consistency with the front cover imagery and color scheme while breaking conventions in other ways.
Media digipak
The document discusses the themes and designs of various music artists' album packaging. Katy Perry's packaging focuses on sweets and conveys sweetness. Korn uses dark colors like black and red to represent their dark, grunge genre. Black Sabbath's packaging is plain and ordinary with a retro CD design, reflecting the band's lack of distinguishing features. Stone Sour's packaging unfolds into a cabin scene with dark colors and blurred images, meant to depict a grungy, depressive style of music.
Q2. How effective is the combination of your main product and ancillary products
The document analyzes the effectiveness of combining a rap artist's music video, digipak, and website.
The music video uses black and white to depict past events and color to depict the present. The digipak and website feature the artist's reflective style through plain fonts and serious photos. London landmarks represent the artist's roots while atypical elements subvert rap conventions.
Consistency across the ancillary texts and music video effectively portray the artist's inner conflict between fame and authenticity through recurring themes like buildings and mise-en-scene. Minor changes could further explore the artist's urban background.
2
The document discusses how a digipak and magazine advert effectively capture the essence of Florence and the Machine while also being individual pieces. Both the music video and ancillary texts feature similar imagery and convey a theme of escapism. Overall, the designs are seen as very feminine with a dark side that would appeal to the band's target audience, while consistently displaying the band's identity. Minor adjustments are suggested to make the ancillary texts conform slightly more to album conventions.
DigiPak Analysis
The document discusses several CD and album covers, analyzing their visual design elements and artistic styles:
- The Tame Impala cover features psychedelic artwork in a cream palette with minimalist text, allowing the art to be the focus.
- The XX cover depicts an iridescent oil spill in the shape of an X, reflecting their minimalist electronic style. Their consistent use of a limited black/white/pastel color palette and the X logo builds recognition.
- The Alt-J cover has no text, relying on intriguing pastel artwork to attract listeners without identifying the band. In contrast to The XX's consistency, Alt-J's covers have not followed a single approach.
-
Analysis of genre thing2
The student created a digipack for a pop album that included both conventional and unconventional genre features. Conventionally, it featured a young female artist on the front cover, a sans serif font for the artist and album name, and a track list on the back cover. Unconventionally, it used a black and white, manipulated close-up portrait of the artist and red and black colors, which are not typical for pop albums. The design choices were meant to both anchor the audience with familiar elements while also adding differences to disorient them initially.
Planning cd & poster
The document discusses the design choices for the cover of a CD and poster for an album. Key elements include using imagery from the artist's music video to create recognition. The front cover will feature the artist's name prominently. The back cover will show the forest setting without the artist. The CD cover and poster interior will continue the forest theme symbolically with poison ivy to represent the artist's emotions. Font and positioning choices are meant to highlight the artist and song title effectively.
1. fmp initial plans
The document describes Christopher Law's initial plans for a product design project, including three potential ideas: 1) A fictional pop/rock band called "Blue Lava" with merchandise like a CD cover and poster, 2) A podcast similar to "The Ricky Gervais Show", and 3) A poster for a fictional horror movie. Christopher Law chooses to move forward with the "Blue Lava" band idea, as he enjoys creating CD covers and posters, and believes the skills learned in prior course units will help him create great products. The products will feature a retro 80s theme with neon colors and depict the band's name formed from blue lava.
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digipak Analysis
This document provides an analysis of the album artwork and design for Chris Brown's 2009 album "Graffiti Deluxe". It summarizes the key elements of the front cover, back cover, CD, inside, and inlay of the digipak packaging. The front cover depicts Chris Brown in a stylish black outfit with graphical elements in the background creating a solar eclipse effect. The back cover shows Brown in a different outfit holding a guitar. The CD and inside artwork maintain consistency with the front cover imagery and color scheme while breaking conventions in other ways.
Media digipak
The document discusses the themes and designs of various music artists' album packaging. Katy Perry's packaging focuses on sweets and conveys sweetness. Korn uses dark colors like black and red to represent their dark, grunge genre. Black Sabbath's packaging is plain and ordinary with a retro CD design, reflecting the band's lack of distinguishing features. Stone Sour's packaging unfolds into a cabin scene with dark colors and blurred images, meant to depict a grungy, depressive style of music.
Q2. How effective is the combination of your main product and ancillary products
The document analyzes the effectiveness of combining a rap artist's music video, digipak, and website.
The music video uses black and white to depict past events and color to depict the present. The digipak and website feature the artist's reflective style through plain fonts and serious photos. London landmarks represent the artist's roots while atypical elements subvert rap conventions.
Consistency across the ancillary texts and music video effectively portray the artist's inner conflict between fame and authenticity through recurring themes like buildings and mise-en-scene. Minor changes could further explore the artist's urban background.
2
The document discusses how a digipak and magazine advert effectively capture the essence of Florence and the Machine while also being individual pieces. Both the music video and ancillary texts feature similar imagery and convey a theme of escapism. Overall, the designs are seen as very feminine with a dark side that would appeal to the band's target audience, while consistently displaying the band's identity. Minor adjustments are suggested to make the ancillary texts conform slightly more to album conventions.
DigiPak Analysis
The document discusses several CD and album covers, analyzing their visual design elements and artistic styles:
- The Tame Impala cover features psychedelic artwork in a cream palette with minimalist text, allowing the art to be the focus.
- The XX cover depicts an iridescent oil spill in the shape of an X, reflecting their minimalist electronic style. Their consistent use of a limited black/white/pastel color palette and the X logo builds recognition.
- The Alt-J cover has no text, relying on intriguing pastel artwork to attract listeners without identifying the band. In contrast to The XX's consistency, Alt-J's covers have not followed a single approach.
-
Analysis of genre thing2
The student created a digipack for a pop album that included both conventional and unconventional genre features. Conventionally, it featured a young female artist on the front cover, a sans serif font for the artist and album name, and a track list on the back cover. Unconventionally, it used a black and white, manipulated close-up portrait of the artist and red and black colors, which are not typical for pop albums. The design choices were meant to both anchor the audience with familiar elements while also adding differences to disorient them initially.
Planning cd & poster
The document discusses the design choices for the cover of a CD and poster for an album. Key elements include using imagery from the artist's music video to create recognition. The front cover will feature the artist's name prominently. The back cover will show the forest setting without the artist. The CD cover and poster interior will continue the forest theme symbolically with poison ivy to represent the artist's emotions. Font and positioning choices are meant to highlight the artist and song title effectively.
1. fmp initial plans
The document describes Christopher Law's initial plans for a product design project, including three potential ideas: 1) A fictional pop/rock band called "Blue Lava" with merchandise like a CD cover and poster, 2) A podcast similar to "The Ricky Gervais Show", and 3) A poster for a fictional horror movie. Christopher Law chooses to move forward with the "Blue Lava" band idea, as he enjoys creating CD covers and posters, and believes the skills learned in prior course units will help him create great products. The products will feature a retro 80s theme with neon colors and depict the band's name formed from blue lava.
Question 3
The group created two digipaks and a website for a soft pop duo called Agape. The concept for the music video and digipaks centered around the theme of waiting and being alone versus togetherness. Colors like black and white, orange, purple and yellow were used to represent feelings of sadness, longing and spring. The digipaks featured silhouettes of the couple at dusk to match the theme of one of their songs, "Dusk Till Dawn." The website flowed the color scheme and peaceful, spring-like imagery to provide information on the artists, their music and tour while maintaining a sense of mystery around who Agape is.
Song selection
This document discusses potential song selections, artists, titles, genres, and concepts for four music videos. For each song, it provides a brief narrative/performance summary and concept summary, considers how the ideas could be improved, celebrates strong elements, asks clarifying questions, and suggests similar existing music videos that use comparable approaches. The document aims to select songs and develop concepts that fit the genres and convey the messages of lyrics in an impactful way for audiences.
Digipack Analysis
The document discusses and analyzes several album covers, noting elements like:
- How album titles relate to the cover art (e.g. an animated robot on "Reanimation" and a cat wearing a deadmau5 mask)
- Artistic choices like backgrounds that draw the eye, symmetrical designs, and low camera angles
- Intertextual references (e.g. a robot resembling Transformers)
- Symbolic meanings (e.g. a devil on a motorcycle suggesting 70s rock culture)
- Contrasts/contradictions between cover art and music styles
It examines visual storytelling and themes across a variety of genres.
Digipack Analysis
The document discusses and analyzes several album covers, noting elements like:
- How album titles relate to cover art (animated robot, reanimation, bringing something back)
- Artistic choices (broken band name, low camera angle, dark backgrounds)
- Intertextual references (robot relates to Transformers, deadmau5 mask is iconic)
- Imagery relating to album themes or genres (rock music, electronic touch, rap culture)
- Symbolic elements (warning labels, money imagery, devil on motorcycle)
Brief
The document proposes ideas for a music video for the song "The Last Of The Real Ones" by Fall-Out Boy. It would tell the story of a man pining after a unique girl who doesn't conform to societal norms. Scenes of the girl contrasting with "basic" people in the background would show the man following and singing to her. Their story culminates when the girl drops her bags, the man helps her, and they get coffee, with a message on her cup confirming she is "the last of the real ones."
Digipak progression and final product
The document describes the process of designing a digipak album cover for a fictional Avenged Sevenfold album. It discusses editing the album art image in Photoshop, choosing fonts and colors, adding elements like the parental advisory logo and Warner Brothers logo, and designing the front, back and inside layout. The goal was to create a design matching Avenged Sevenfold's style while also conveying the dark, nightmare theme of the fictional album.
Fall Out Boy's Digipak Analysis for Infinity On High
The document discusses the design of a digipak for a Fall Out Boy album. The digipak has a black or dark blue color scheme to create a nighttime illusion. The front and back feature images of the band members at night. The band name uses a calligraphy-like lowercase font in a light, star-like color. The contents include tarot card-like inserts that feature different elements from the digipak design. The digipak has Fall Out Boy's recognizable abstract style but is similar in color and style to Panic! At The Disco's "Death of a Bachelor" album.
Treatment sheet simon
The concept video focuses on the story of two lovers drifting apart told through flashbacks and differing perspectives of the male and female. It will start with the male drinking alone and seeing flashbacks of their relationship. Throughout the song, it will change perspectives to show how he loses his temper and throws a bottle in anger over losing her as she moves on, while he still wants her back. The video aims to convey the themes of love and loss. It will be shot in black and white to give a retro feel matching the indie genre and leave emotions to be interpreted without color cues.
*** Question 2 ***
The music video, magazine advert, and album digipack were effectively combined to promote the artist Jessie J. The magazine advert used a still photo from the music video in the same pink hue. Both the advert and album cover used a simple pink, grey, black, and white color scheme. Images from the music video were also used on the digipack. Additionally, the same distinctive font was used throughout the music video, advert, and digipack to consistently brand the artist. The combination of shared visual elements across the materials helped link them together and increase awareness of the artist and album sales.
Synopsis
The music video will feature a female main character whose face is not revealed until the end to build mystery and tension. Various shots from her point of view will be used to make the viewer feel like they are experiencing her journey. Scenes will be filmed in several London locations, including a train station, Hyde Park, and streets, to showcase ordinary lives and link to the song's lyrics. The narrative aims to tell a story about people's lives through the main character's eyes and show the highs and lows, building to a revelation of her story at the end when her face is shown as she finds her "one," connecting to the religious theme of finding God.
Mood board
The document outlines plans for filming a music video in London. Scenes will include shots of Liverpool Street station from various angles, two people walking away to represent a relationship falling apart, and using software to show the lingering of a relationship. Additional scenes will feature a woman checking her watch while waiting for "God" at a coffee shop, locations around London to expose the surroundings, and a woman lying on the floor to literally represent lyrics. Effects like time lapse will be used to convey themes of people rushing through life without noticing God.
Everyday Robots analysis
The digipak design for Damon Albarn's 2014 solo album "Everyday Robots" is minimalistic and sparse, featuring only simple photographs and illustrations throughout. This matches the more subdued and personal tone of Albarn's music on this album compared to his previous work fronting bands like Blur and Gorillaz. The designer, Aitor Throup, intended the simple design to represent Albarn "going solo" and focusing on an autobiographical album free from his previous iconic styles and band affiliations. Throup incorporated themes from the album's lyrics and music into subtle elements of the design to unify it while still keeping the overall aesthetic low-key.
Analysis of digipaks relating to dubstep
This document analyzes the design of three dubstep album digipaks. All three relate to dubstep's young target audience through their imagery and use of color. They make statements either through bold colors, themes that symbolize youth culture, or by prominently featuring the artist's name. Key conventions taken from the analysis are that dubstep digipaks can be plain or colorful as long as they make a strong statement, and should feature imagery that can be interpreted as relating to young audiences through symbols of youth culture.
Indie digipaks
The document analyzes conventions seen in the digipak designs of two indie albums: The Killers' "Sam's Town" and Arctic Monkeys' "Whatever People Say I Am, That's What I'm Not". For both albums, the designs feature masculine, black and white photography with minimal text. Repeated imagery and an unusual animal symbol help build The Killers' brand identity. Arctic Monkeys' design emphasizes a close-up of the singer to generate hype, with simple imagery and minimal focus on visuals or text to give a homemade, rebellious feel. Both albums' designs portray conventions of the indie genre through their masculine, minimalist aesthetic styles.
A2 Media Coursework - Research - DigiPak Analysis 6X
This document analyzes and summarizes several music album digipaks. For one digipak, the summary notes that it lacks images and has a simple orange and yellow color scheme, with text in big letters to identify the artist and album title in a retro, 1970s style. A second digipak features a front cover image of meteors that could represent the album's impact and appeal more to an indie audience with its cosmic theme. A third colorful digipak uses images of instruments to indicate an upbeat, happy genre and brands the artist as retro and summer-focused in style.
Indie digipaks
The document discusses the design conventions used in the packaging of the indie rock band The Killers' album "Sam's Town". It notes that the digipak uses a black and white photographic style with only the album title in red. This creates high contrast and draws attention to the title. The font choices and use of different typefaces for the band name and album title are also described as conventional for indie music. Repeating the same image of a ram on the packaging multiple times helps create brand identity and signals that the band promotes an alternative style of music.
Digipak analysis
The document provides an analysis of several album digipaks and magazine advertisements. It summarizes key aspects of the designs that the author likes and wants to incorporate into their own digipak and advertisements. These include using colorful designs on the front with simpler designs on the back, including photos of the band, and ensuring track listings and release dates are prominently displayed. The author also notes preferences around font styles, color schemes, and inclusion of additional materials like posters or photos.
In what ways does your media product use, develop or challenge forms and conv...
The media package uses some conventional elements of real media products but challenges conventions through unconventional design choices. It links the digipak, music video, and poster with a cohesive color palette and iconography. However, it opens the digipak the wrong way, uses an unconventional landscape poster format, and presents a surreal music video narrative with dual characters representing good and bad personalities. Overall, the package balances conventions like a lyric booklet with boldly unconventional elements befitting the group's experimental style.
Digipak pres
The document provides an analysis of different album digipaks, including those by Kanye West, Rihanna, Florence and the Machine, Gorillaz, and Take That. Some key points summarized:
- Kanye West's Graduation digipak uses cartoon images that tell a story throughout, with the bear image printed on the CD. West is not pictured, showing his music is prioritized over his image.
- Rihanna's Talk That Talk digipak has a newspaper theme in black and white, with Rihanna pictured on almost every page, showing her look is important for selling the album.
- Florence and the Machine's digipak consistently features images of her, showing
Digipak Analysis
The document analyzes and summarizes the digipak designs of three albums: Bastille's "Bad Blood", Fall Out Boy's "Save Rock and Roll", and Foxes' "Glorious". For Bastille's album, the front cover features the lead singer running away from a car, implying a storyline. The design has a cinematic feel reflecting indie conventions. Fall Out Boy's cover shows a "punk and monk" holding hands, representing tradition and change clashing. The design appeals to alternative fans through its rough styling. Foxes' debut album focuses on her image on the front with a simple yet feminine design, implying vulnerability and relatability to target a female audience.
Analysing digipaks1
The document analyzes the promotional material for Sam Smith's album "In the Lonely Hour". It summarizes the design elements of the album digipak and tour poster. The digipak uses dark colors and images that reflect loneliness to represent the themes of the album. It also keeps a consistent font, layout, and focus on Smith's name throughout. The tour poster similarly uses the same dark color scheme, font, and image style as the digipak to maintain a connection to the album's themes and visual identity.
diiigii
The document discusses conventions for digipack album design. It provides details on elements that should be included, such as a recognizable font style and color scheme carried throughout advertising. The front panel should feature the artist image and title coordinated with their branding. The back panel typically includes the tracklist, bar code, and label logo. Elements like the spine contain condensed artist and album text. Effective digipacks represent the artist and music genre through visuals and colors to attract the intended audience. Examples of Nirvana's Nevermind and other albums illustrate these conventions.
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Question 3
The group created two digipaks and a website for a soft pop duo called Agape. The concept for the music video and digipaks centered around the theme of waiting and being alone versus togetherness. Colors like black and white, orange, purple and yellow were used to represent feelings of sadness, longing and spring. The digipaks featured silhouettes of the couple at dusk to match the theme of one of their songs, "Dusk Till Dawn." The website flowed the color scheme and peaceful, spring-like imagery to provide information on the artists, their music and tour while maintaining a sense of mystery around who Agape is.
Song selection
This document discusses potential song selections, artists, titles, genres, and concepts for four music videos. For each song, it provides a brief narrative/performance summary and concept summary, considers how the ideas could be improved, celebrates strong elements, asks clarifying questions, and suggests similar existing music videos that use comparable approaches. The document aims to select songs and develop concepts that fit the genres and convey the messages of lyrics in an impactful way for audiences.
Digipack Analysis
The document discusses and analyzes several album covers, noting elements like:
- How album titles relate to the cover art (e.g. an animated robot on "Reanimation" and a cat wearing a deadmau5 mask)
- Artistic choices like backgrounds that draw the eye, symmetrical designs, and low camera angles
- Intertextual references (e.g. a robot resembling Transformers)
- Symbolic meanings (e.g. a devil on a motorcycle suggesting 70s rock culture)
- Contrasts/contradictions between cover art and music styles
It examines visual storytelling and themes across a variety of genres.
Digipack Analysis
The document discusses and analyzes several album covers, noting elements like:
- How album titles relate to cover art (animated robot, reanimation, bringing something back)
- Artistic choices (broken band name, low camera angle, dark backgrounds)
- Intertextual references (robot relates to Transformers, deadmau5 mask is iconic)
- Imagery relating to album themes or genres (rock music, electronic touch, rap culture)
- Symbolic elements (warning labels, money imagery, devil on motorcycle)
Brief
The document proposes ideas for a music video for the song "The Last Of The Real Ones" by Fall-Out Boy. It would tell the story of a man pining after a unique girl who doesn't conform to societal norms. Scenes of the girl contrasting with "basic" people in the background would show the man following and singing to her. Their story culminates when the girl drops her bags, the man helps her, and they get coffee, with a message on her cup confirming she is "the last of the real ones."
Digipak progression and final product
The document describes the process of designing a digipak album cover for a fictional Avenged Sevenfold album. It discusses editing the album art image in Photoshop, choosing fonts and colors, adding elements like the parental advisory logo and Warner Brothers logo, and designing the front, back and inside layout. The goal was to create a design matching Avenged Sevenfold's style while also conveying the dark, nightmare theme of the fictional album.
Fall Out Boy's Digipak Analysis for Infinity On High
The document discusses the design of a digipak for a Fall Out Boy album. The digipak has a black or dark blue color scheme to create a nighttime illusion. The front and back feature images of the band members at night. The band name uses a calligraphy-like lowercase font in a light, star-like color. The contents include tarot card-like inserts that feature different elements from the digipak design. The digipak has Fall Out Boy's recognizable abstract style but is similar in color and style to Panic! At The Disco's "Death of a Bachelor" album.
Treatment sheet simon
The concept video focuses on the story of two lovers drifting apart told through flashbacks and differing perspectives of the male and female. It will start with the male drinking alone and seeing flashbacks of their relationship. Throughout the song, it will change perspectives to show how he loses his temper and throws a bottle in anger over losing her as she moves on, while he still wants her back. The video aims to convey the themes of love and loss. It will be shot in black and white to give a retro feel matching the indie genre and leave emotions to be interpreted without color cues.
*** Question 2 ***
The music video, magazine advert, and album digipack were effectively combined to promote the artist Jessie J. The magazine advert used a still photo from the music video in the same pink hue. Both the advert and album cover used a simple pink, grey, black, and white color scheme. Images from the music video were also used on the digipack. Additionally, the same distinctive font was used throughout the music video, advert, and digipack to consistently brand the artist. The combination of shared visual elements across the materials helped link them together and increase awareness of the artist and album sales.
Synopsis
The music video will feature a female main character whose face is not revealed until the end to build mystery and tension. Various shots from her point of view will be used to make the viewer feel like they are experiencing her journey. Scenes will be filmed in several London locations, including a train station, Hyde Park, and streets, to showcase ordinary lives and link to the song's lyrics. The narrative aims to tell a story about people's lives through the main character's eyes and show the highs and lows, building to a revelation of her story at the end when her face is shown as she finds her "one," connecting to the religious theme of finding God.
Mood board
The document outlines plans for filming a music video in London. Scenes will include shots of Liverpool Street station from various angles, two people walking away to represent a relationship falling apart, and using software to show the lingering of a relationship. Additional scenes will feature a woman checking her watch while waiting for "God" at a coffee shop, locations around London to expose the surroundings, and a woman lying on the floor to literally represent lyrics. Effects like time lapse will be used to convey themes of people rushing through life without noticing God.
Everyday Robots analysis
The digipak design for Damon Albarn's 2014 solo album "Everyday Robots" is minimalistic and sparse, featuring only simple photographs and illustrations throughout. This matches the more subdued and personal tone of Albarn's music on this album compared to his previous work fronting bands like Blur and Gorillaz. The designer, Aitor Throup, intended the simple design to represent Albarn "going solo" and focusing on an autobiographical album free from his previous iconic styles and band affiliations. Throup incorporated themes from the album's lyrics and music into subtle elements of the design to unify it while still keeping the overall aesthetic low-key.
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Fall Out Boy's Digipak Analysis for Infinity On High
Fall Out Boy's Digipak Analysis for Infinity On High
Similar to Question 2
Analysis of digipaks relating to dubstep
This document analyzes the design of three dubstep album digipaks. All three relate to dubstep's young target audience through their imagery and use of color. They make statements either through bold colors, themes that symbolize youth culture, or by prominently featuring the artist's name. Key conventions taken from the analysis are that dubstep digipaks can be plain or colorful as long as they make a strong statement, and should feature imagery that can be interpreted as relating to young audiences through symbols of youth culture.
Indie digipaks
The document analyzes conventions seen in the digipak designs of two indie albums: The Killers' "Sam's Town" and Arctic Monkeys' "Whatever People Say I Am, That's What I'm Not". For both albums, the designs feature masculine, black and white photography with minimal text. Repeated imagery and an unusual animal symbol help build The Killers' brand identity. Arctic Monkeys' design emphasizes a close-up of the singer to generate hype, with simple imagery and minimal focus on visuals or text to give a homemade, rebellious feel. Both albums' designs portray conventions of the indie genre through their masculine, minimalist aesthetic styles.
A2 Media Coursework - Research - DigiPak Analysis 6X
This document analyzes and summarizes several music album digipaks. For one digipak, the summary notes that it lacks images and has a simple orange and yellow color scheme, with text in big letters to identify the artist and album title in a retro, 1970s style. A second digipak features a front cover image of meteors that could represent the album's impact and appeal more to an indie audience with its cosmic theme. A third colorful digipak uses images of instruments to indicate an upbeat, happy genre and brands the artist as retro and summer-focused in style.
Indie digipaks
The document discusses the design conventions used in the packaging of the indie rock band The Killers' album "Sam's Town". It notes that the digipak uses a black and white photographic style with only the album title in red. This creates high contrast and draws attention to the title. The font choices and use of different typefaces for the band name and album title are also described as conventional for indie music. Repeating the same image of a ram on the packaging multiple times helps create brand identity and signals that the band promotes an alternative style of music.
Digipak analysis
The document provides an analysis of several album digipaks and magazine advertisements. It summarizes key aspects of the designs that the author likes and wants to incorporate into their own digipak and advertisements. These include using colorful designs on the front with simpler designs on the back, including photos of the band, and ensuring track listings and release dates are prominently displayed. The author also notes preferences around font styles, color schemes, and inclusion of additional materials like posters or photos.
In what ways does your media product use, develop or challenge forms and conv...
The media package uses some conventional elements of real media products but challenges conventions through unconventional design choices. It links the digipak, music video, and poster with a cohesive color palette and iconography. However, it opens the digipak the wrong way, uses an unconventional landscape poster format, and presents a surreal music video narrative with dual characters representing good and bad personalities. Overall, the package balances conventions like a lyric booklet with boldly unconventional elements befitting the group's experimental style.
Digipak pres
The document provides an analysis of different album digipaks, including those by Kanye West, Rihanna, Florence and the Machine, Gorillaz, and Take That. Some key points summarized:
- Kanye West's Graduation digipak uses cartoon images that tell a story throughout, with the bear image printed on the CD. West is not pictured, showing his music is prioritized over his image.
- Rihanna's Talk That Talk digipak has a newspaper theme in black and white, with Rihanna pictured on almost every page, showing her look is important for selling the album.
- Florence and the Machine's digipak consistently features images of her, showing
Digipak Analysis
The document analyzes and summarizes the digipak designs of three albums: Bastille's "Bad Blood", Fall Out Boy's "Save Rock and Roll", and Foxes' "Glorious". For Bastille's album, the front cover features the lead singer running away from a car, implying a storyline. The design has a cinematic feel reflecting indie conventions. Fall Out Boy's cover shows a "punk and monk" holding hands, representing tradition and change clashing. The design appeals to alternative fans through its rough styling. Foxes' debut album focuses on her image on the front with a simple yet feminine design, implying vulnerability and relatability to target a female audience.
Analysing digipaks1
The document analyzes the promotional material for Sam Smith's album "In the Lonely Hour". It summarizes the design elements of the album digipak and tour poster. The digipak uses dark colors and images that reflect loneliness to represent the themes of the album. It also keeps a consistent font, layout, and focus on Smith's name throughout. The tour poster similarly uses the same dark color scheme, font, and image style as the digipak to maintain a connection to the album's themes and visual identity.
diiigii
The document discusses conventions for digipack album design. It provides details on elements that should be included, such as a recognizable font style and color scheme carried throughout advertising. The front panel should feature the artist image and title coordinated with their branding. The back panel typically includes the tracklist, bar code, and label logo. Elements like the spine contain condensed artist and album text. Effective digipacks represent the artist and music genre through visuals and colors to attract the intended audience. Examples of Nirvana's Nevermind and other albums illustrate these conventions.
The digipack i have chosen to analyse is from the album
This digipack analysis summarizes the key design elements and narrative of the Imagine Dragons album "Night Vision":
1) The front cover features a figure staring into the distance surrounded by temple formations, with a purple glow and the band's name, conveying themes of contemplation and possible apocalyptic or religious meanings.
2) Imagery continues on the inside with cloud designs, keeping visual continuity.
3) The back lists the tracks in bold white font on a dark background, following standard conventions.
4) The CD features many tiny circles that may symbolize an endless void, representing the band's iconography. Font and styles are kept consistent throughout to unite the design.
Question1 - evaluation digipak
This document discusses the development and design choices made for a pop music digipak. Key points include:
- The barcode is typically placed on the bottom or side of the back cover, which is where the designer chose to put it for professionalism.
- Research showed pop back covers usually list songs on the left, which was implemented, and no picture was used to focus on the songs.
- Elements from Taylor Swift's album covers were adapted, such as using Polaroids, while adding new elements like multiple photos and doodled backgrounds for consistency.
- Doodles were extensively used on the digipak for visual interest and connection to the video's classroom theme. This challenged conventions
Digipak Analysis
The document analyzes the design elements of three different album digipaks: Birdy's "Fire Within", Lana Del Rey's "Born to Die", and Walk the Moon's "Talking is Hard". Some key points made:
- Birdy's digipak uses a monochrome color scheme of greys, blacks, and whites, with a close-up shot of Birdy on the front to create direct address.
- Lana Del Rey's uses pastel colors for a vintage feel, with her image on the front also creating direct address.
- Walk the Moon's uses bright colors like yellow for simplicity and minimalism, featuring the band members across the front with album name
Digipak Analysis
The document analyzes the design elements of three different album digipaks: Birdy's "Fire Within", Lana Del Rey's "Born to Die", and Walk the Moon's "Talking is Hard". Some key points made:
- Birdy's digipak uses a monochrome color scheme of greys, black, and white, with Birdy's close-up image on the front. This minimal design effectively portrays the indie genre.
- Lana Del Rey's uses a pastel color palette and vintage-inspired imagery and fonts. The artist's name is prominently displayed on the front in bold.
- Walk the Moon's features bright colors and a simple design with
digipak anlysis
The document discusses the design elements of several music album digipaks and promotional materials. It analyzes how bands like The 1975, CHVRCHES, and Twenty One Pilots use simple yet distinctive designs that establish recognizable branding across their different releases. Elements like consistent color schemes, fonts, and imagery help fans instantly identify the artists. The author indicates they will consider these design conventions when creating their own digipak.
Digipack Presentation
The document analyzes and summarizes the design elements of digipak album covers from four different artists: Red Hot Chili Peppers, AC/DC, Foo Fighters, and Emineh. For each album cover, key design elements like colors, images, text styles and placements are described. Comparisons are made between how the designs fit or diverge from conventions within their respective genres of rock or rap music. Overall impressions and opinions on what design aspects work well or could be improved are also provided.
Digipack analysis no1 improved
The document provides an analysis of two digipack album designs. For the first album, the summary is:
The design uses black and white with colored flowers to stand out. It has clear artist and album names on the front cover with a simple, effective design. The back cover continues the flower theme and features the track list. Minor issues include a lack of label on the spine.
The second album has a science fiction theme depicted through blue colors. The front cover features a character but lacks band identity. The back cover track list is hard to read and legal text is impossible to read. The inside continues the theme but the disc side is more plain. Overall it uses simplicity to create a rich perspective on the
Project pitch for digipak and magazine advert
Carl Ward proposes a magazine advertisement and digipak design for a folk band. He researches ads by Mumford and Sons and Noah and the Whale as examples for fitting the folk genre. For the magazine ad, Carl sketches layout ideas including the band name, digipak name/features, and release date. For the digipak design, Carl considers front cover images combining the band name with nature images relating to the album. The inside would include the CDs with tree tops, reviews, and band information. The back would list songs and continue the front image. Carl aims to practice filming techniques in addition to lip syncing for a required video task and seeks audience feedback through a survey.
A Level Digipak Research
A detailed insight into music artist's digipaks and an analysis of how I may utilise some of these ideas as inspiration for my own A Level piece of digipak artwork. This presentation focuses on the conventions of the reggae genre because the music video I am basing my product on is from this genre.
Digipak analaysis
The document analyzes and summarizes the cover art, packaging, and visual style of several albums. It discusses elements like the front and back covers, CD art, booklet images, and posters. Key points made include how various albums convey a casual, urban style through imagery of smoking and trash or use simplistic, minimalist design to reinforce the band's image. Color schemes, fonts, and photographic styles are also described as reflecting the mood or themes of the albums.
Similar to Question 2 (20)
A2 Media Coursework - Research - DigiPak Analysis 6X
A2 Media Coursework - Research - DigiPak Analysis 6X
In what ways does your media product use, develop or challenge forms and conv...
In what ways does your media product use, develop or challenge forms and conv...
The digipack i have chosen to analyse is from the album
The digipack i have chosen to analyse is from the album
More from GEccles
Carey sophie production feedback
The document provides a summary of a student's music video coursework project. It summarizes that the video demonstrates excellent use of technical skills like camerawork, framing, locations, and extras. The editing was done well to match the beat and music. Overall, the video maintained audience interest through strong visuals and narrative that captured the mood of the song. The student showed high proficiency in designing a digipak and poster for the artist that was aware of industry conventions through appropriate photos and design elements.
Carey sophie evaluation and overall feedback sheet
Sophie received excellent marks for her A2 coursework which included a music video, digipak, and poster for an artist. Her video showed great technical skills in camera work, framing, and editing to match the music and genre conventions. The digipak and poster also demonstrated strong design skills and awareness of industry conventions. In her evaluation, Sophie provided detailed answers explaining her creative choices, linking the projects' themes, and reflecting on feedback to identify strengths and areas for improvement. Overall her body of work was graded an A for excellent explanation of design choices, reflection, and use of technology.
Carey sophie pre production feedback ajo
Sophie completed excellent pre-production work for her music video project, including thorough research on similar music videos, the reggae genre, and the target audience. She provided annotated lyrics, clear storyboards, a detailed shotlist, excellent floor plans, well-planned locations and risks assessments, and descriptions of costumes, props, actors, and equipment. Her production schedule effectively laid out her plans. The teacher provided positive feedback and recommended adding labels to improve navigation of her blog. Overall, the teacher found Sophie's pre-production work to be of a high standard.
1.
The document discusses how the media product challenges conventions of the reggae music genre. It was created as a one-shot music video inspired by "Hideaway" and used three locations - beach, forest, and town. Costumes were normal clothing to fit in with the public. Props like a longboard and ball added activity. Though referencing reggae, stereotypes like Rasta colors were excluded to focus on the one-shot technique. Shooting in slow motion and editing was challenging but the brightening effect improved the happy feel.
Props
The document discusses props and costumes needed for a music video shoot. It lists a Canon camera for clear focus during shots with movement, roller skates and a longboard for beach scenes, a steadycam to keep the camera steady while following the singer, headphones for the singer, and cigarettes for a slow motion smoke scene. It describes everyday clothing for the cast including a coat, white top, jeans, and boat shoes for the main singer. It also discusses wanting extras in busy background scenes. Finally, it introduces the main singer Tom and explains he was chosen for being non-stereotypical and for his acting ability from drama experience to emote the lyrics through facial expressions.
1 music video analysis
The document discusses various characteristics and conventions of reggae music videos, noting that they typically feature references to Jamaica like the flag and Rastafarian colors and depictions of activities like smoking and playing bongos that are stereotypically associated with reggae. It also explains how effective music videos match the visual elements to the lyrics and mood of the song. The video being analyzed focuses on the Jamaican reggae artist Fantan Mojah and incorporates various visual cues intended to promote his music and connect it to the culture and history of reggae.
Location photos
This location is proposed to film Callum's character for a music video. It will provide a picturesque backdrop that contrasts Callum's depressed character. Scenery shots during the song's introduction will convey that the video has a conceptual idea, using atypical rural scenery for this genre of music which normally features urban environments. Risks include falling branches, muddy grounds causing slips, and interactions with wildlife like horses. Controls include tying branches, wearing sturdy boots, and avoiding animal areas.
Location photos
This location provides a picturesque backdrop that contrasts with Callum's depressed character and can be used for scenic shots during the song's introduction. The lush, rural scenery is atypical for this genre of music and will help convey that the video is conceptual. This house will suit Ed's comfortable lifestyle and provide the perfect environment for his character, though it is still unlikely for a conventional electropop music video.
Actors
The document assigns roles, costumes, and props for two characters - Ed and Callum - in a music production. Ed is chosen to play the fortunate young man based on his happy personality and secluded, splendid house. His costume of a smart shirt and jeans, along with keys and an iPhone 6+, are meant to convey his wealthy upbringing. Callum is chosen to play the depressed, unfortunate young man, fitting the depressing music. His worn joggers and hoodie, used phone, old bike, and hip flask are intended to portray his hard life and position behind his peers socially.
14 production schedule proforma
The document outlines a production schedule for a music video from November 2nd to January 31st. It details the pre-production tasks of analyzing other videos, drafting ideas, researching genre and target audience, and analyzing packaging from November 2nd to 15th. Filming will take place on December 22nd at Boscombe Beach, The New Forest, and Ringwood Town with a cast and crew of 30 people and equipment like cameras, a steady cam, and swimming gear. Post-production will include editing from January 4th-8th and rehearsals on the 12th, with finishing touches until the 15th and the video uploaded to YouTube by the 31st along with completed packaging.
Production schedule 1
This document outlines the production schedule for a music video from pre-production through post-production. It details the tasks, dates, locations, people involved, and equipment needed at each stage of production. Pre-production tasks include analyzing the music, researching genre and target audience, and storyboarding. Production tasks involve filming scenes with actors at various locations over multiple dates. Post-production includes editing the film, designing packaging, uploading the final video, and completing evaluation questions to analyze the project.
10. floor plans
Tom films himself walking backwards along the beach, capturing the sights of people enjoying activities like longboarding, rock climbing, swimming, and walking their dogs. The camera pans across the sand, sea, rocks, and pier, showing groups of friends, families with children, and older individuals sitting on benches or crossing the street near shops and pubs in the town located along the road by the beach.
Actors
This document discusses casting choices and costumes/props for two characters, Ed and Callum. Ed will play the fortunate young man and his costume of a smart shirt and jeans along with props of keys, a new phone, and bottle imply wealth. Callum will play the depressed, unfortunate man and his costume of joggers and hoodie along with props of an old phone, bike, and hip flask aim to show his hardship and depression.
Actors
This document assigns roles, costumes, and props for two characters - Ed, who will play a fortunate young man with a secluded, splendid house, and Callum, who will play a depressed, unfortunate young man. Ed's costume will be a smart casual shirt and skinny jeans to portray his well-off status, along with props of car keys, an iPhone 6+, and a bottle. Callum's costume of black joggers and hoodie aims to show his background of hard work for little reward, while his used phone, old bike, and hip flask are meant to establish his hardship and depression.
Feed back sheet
The document is a questionnaire given to peers to gather feedback on a song for a pre-production music video project. Responses were gathered on how the song makes them feel emotionally, what scenery they envision, ideas if it was their song, suggested effects for a video, and the appropriate pace for visuals. Most felt the song was melancholy and involved depression. Landscapes and nature scenes were commonly envisioned. Suggested video ideas involved documenting a trip, talent montage, or conceptualizing depression. Slow motion and black and white effects were proposed. Most agreed visuals should match the quick pace of the song.
Actors
This document outlines the roles, costumes, and props for two characters, Ed and Callum, in a play. Ed will play the fortunate young man and his costume of a smart shirt and jeans along with keys and an iPhone will portray his wealthy status. Callum will play the depressed and unfortunate young man, and his costume of joggers and a hoodie along with an old phone, bike, and hip flask will help establish his hardship and depression.
3. genre research pp.docx
Reggae originated in Jamaica in the late 1960s, developing from earlier genres like ska and rocksteady. It incorporates elements of rhythm and blues, African music, and Jamaican styles like mento and calypso. Reggae tempos are typically slower than ska but faster than rocksteady. It is known for its tradition of social commentary and religion in lyrics. Major artists like Bob Marley and Desmond Dekker helped popularize reggae globally in the 1970s. Reggae artists have been recognized by awards like the MOBO Awards and Grammys in categories like best reggae album. The style is often associated with Rastafarian culture and features references to its symbols and colors.
Floor plan one
The documents describe 3 floor plans for Ed's home, including his bedroom containing a bed, wardrobe, desk and bedside cabinet seen from 2 camera positions, his kitchen containing a table, sofa seen from 3 camera positions, and his front door area with stairs seen from 1 camera position.
Location photos
This location is proposed to film Callum's depressed character against a picturesque backdrop and include scenic shots, as well as film Ed's comfortable lifestyle in a house suiting his easygoing character.
Storyboards
The document discusses using storyboard templates to synchronize a video with music. The creator worked out that each shot should last four seconds after the intro phase of 56 seconds. At 2 minutes and 8 seconds, there is a 30 second slower section allowing longer shots, but shots return to 4 seconds when this section ends.
More from GEccles (20)
Carey sophie evaluation and overall feedback sheet
Carey sophie evaluation and overall feedback sheet
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Gen Z and the marketplaces - let's translate their needs
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The workshop was held on the DMA Conference in Vienna June 2024.
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留信网认证的作用:
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2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
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在线办理莫纳什大学毕业证【微信：176555708】(ANU毕业证书)成绩单学位证【微信：176555708】，留信认证（真实可查，永久存档）纸张工艺/offer、雅思、外壳等材料/诚信可靠,可直接看成品样本，帮您解决无法毕业带来的各种难题！外壳，原版制作，诚信可靠，可直接看成品样本。行业标杆！精益求精，诚心合作，真诚制作！多年品质 ,按需精细制作，24小时接单,全套进口原装设备。十五年致力于帮助留学生解决难题，包您满意。#一整套莫纳什大学文凭证件办理#—包含莫纳什大学莫纳什大学毕业证文凭证书学历认证|使馆认证|归国人员证明|教育部认证|留信网认证永远存档教育部学历学位认证查询办理国外文凭国外学历学位认证#我们提供全套办理服务。
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6快递给客户（国内顺丰国外DHLUPS等快读邮寄）。
教育部文凭学历认证认证的用途：
如果您计划在国内发展那么办理国内教育部认证是必不可少的。事业性用人单位如银行国企公务员在您应聘时都会需要您提供这个认证。其他私营 #外企企业无需提供！办理教育部认证所需资料众多且烦琐所有材料您都必须提供原件我们凭借丰富的经验帮您快速整合材料让您少走弯路。
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四.办理各国各大学文凭(一对一专业服务,可全程监控跟踪进度)
如果您处于以下几种情况：
◇在校期间，因各种原因未能顺利毕业……拿不到官方毕业证【微信：176555708】
◇面对父母的压力，希望尽快拿到；
◇不清楚认证流程以及材料该如何准备；
◇回国时间很长，忘记办理；
◇回国马上就要找工作，办给用人单位看；
◇企事业单位必须要求办理的
◇需要报考公务员、购买免税车、落转户口
◇申请留学生创业基金
留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分→ 【关于价格问题（保证一手价格）
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
选择实体注册公司办理，更放心，更安全！我们的承诺：可来公司面谈，可签订合同，会陪同客户一起到教育部认证窗口递交认证材料，客户在教育部官方认证查询网站查询到认证通过结果后付款，不成功不收费！
我们所定的价格是非常合理的，而且我们现在做得单子大多数都是代理和回头客户介绍的所以一般现在有新的单子 我给客户的都是第一手的代理价格，因为我想坦诚对待大家 不想跟大家在价格方面浪费时间
对于老客户或者被老客户介绍过来的朋友，我们都会适当给一些优惠。
学历顾问：微信：176555708
国外证书(Lincoln毕业证)新西兰林肯大学毕业证成绩单不能毕业办理
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2开始安排制作毕业证成绩单电子图；
3毕业证成绩单电子版做好以后发送给您确认；
4毕业证成绩单电子版您确认信息无误之后安排制作成品；
5成品做好拍照或者视频给您确认；
6快递给客户（国内顺丰国外DHLUPS等快读邮寄）。
7完成交易删除客户资料
高精端提供以下服务：
一：新西兰林肯大学新西兰林肯大学毕业证文凭证书全套材料从防伪到印刷水印底纹到钢印烫金
二：真实使馆认证（留学人员回国证明）使馆存档
三：真实教育部认证教育部存档教育部留服网站可查
四：留信认证留学生信息网站可查
五：与学校颁发的相关证件1:1纸质尺寸制定（定期向各大院校毕业生购买最新版本毕,业证成绩单保证您拿到的是鲁昂大学内部最新版本毕业证成绩单微信176555708）
A.为什么留学生需要操作留信认证?
留信认证全称全国留学生信息服务网认证,隶属于北京中科院。①留信认证门槛条件更低,费用更美丽,并且包过,完单周期短,效率高②留信认证虽然不能去国企,但是一般的公司都没有问题,因为国内很多公司连基本的留学生学历认证都不了解。这对于留学生来说,这就比自己光拿一个证书更有说服力,因为留学学历可以在留信网站上进行查询!
B.为什么我们提供的毕业证成绩单具有使用价值？
查询留服认证是国内鉴别留学生海外学历的唯一途径但认证只是个体行为不是所有留学生都操作所以没有办理认证的留学生的学历在国内也是查询不到的他们也仅仅只有一张文凭。所以这时候我们提供的和学校颁发的一模一样的毕业证成绩单就有了使用价值。
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假文凭国外(Adelaide毕业证)澳大利亚国立大学毕业证成绩单办理
购买澳大利亚国立大学毕业证>【微信176555708】办理澳大利亚国立大学毕业证成绩单【微信176555708】Adelaide毕业证成绩单Adelaide学历证书Adelaide文凭【Adelaide毕业套号文凭网认证澳大利亚国立大学毕业证成绩单】【哪里买澳大利亚国立大学毕业证文凭Adelaide成绩学校快递邮寄信封】【开版澳大利亚国立大学文凭】Adelaide留信认证本科硕士学历认证(诚招代理)微信：176555708办理国外高校毕业证成绩单文凭学位证,真实使馆公证（留学回国人员证明）真实留信网认证国外学历学位认证雅思代考国外学校代申请名校保录开请假条改GPA改成绩ID卡
1.高仿业务:【本科硕士】毕业证,成绩单（GPA修改）,学历认证（教育部认证）,大学Offer,,ID,留信认证,使馆认证,雅思,语言证书等高仿类证书；
2.认证服务: 学历认证（教育部认证）,大使馆认证（回国人员证明）,留信认证（可查有编号证书）,大学保录取,雅思保分成绩单。
3.技术服务：钢印水印烫金激光防伪凹凸版设计印刷激凸温感光标底纹镭射速度快。
办理澳大利亚国立大学澳大利亚国立大学毕业证成绩单流程：
1客户提供办理信息：姓名生日专业学位毕业时间等（如信息不确定可以咨询顾问：我们有专业老师帮你查询）；
2开始安排制作毕业证成绩单电子图；
3毕业证成绩单电子版做好以后发送给您确认；
4毕业证成绩单电子版您确认信息无误之后安排制作成品；
5成品做好拍照或者视频给您确认；
6快递给客户（国内顺丰国外DHLUPS等快读邮寄）
-办理真实使馆公证（即留学回国人员证明）
-办理各国各大学文凭（世界名校一对一专业服务,可全程监控跟踪进度）
-全套服务：毕业证成绩单真实使馆公证真实教育部认证。让您回国发展信心十足！
（详情请加一下 文凭顾问+微信:176555708）欢迎咨询！
留学挂科(UofM毕业证)明尼苏达大学毕业证成绩单复刻办理
精仿办理明尼苏达大学学历证书＜176555708微信＞【毕业证明信-推荐信做学费单＞【微信176555708】【制作UofM毕业证文凭认证明尼苏达大学毕业证成绩单购买】【UofM毕业证书】{明尼苏达大学文凭购买}】成绩单，录取通知书，Offer，在读证明，雅思托福成绩单，真实大使馆教育部认证，回国人员证明，＞【制作UofM毕业证文凭认证明尼苏达大学毕业证成绩单购买】【UofM毕业证书】{明尼苏达大学文凭购买}留信网认证。
明尼苏达大学学历证书＜微信176555708（一对一服务包括毕业院长签字,专业课程,学位类型,专业或教育领域,以及毕业日期.不要忽视这些细节.这两份文件同样重要!毕业证成绩单文凭留信网学历认证！）（留信学历认证永久存档查询）采用学校原版纸张、特殊工艺完全按照原版一比一制作（包括：隐形水印，阴影底纹，钢印LOGO烫金烫银，LOGO烫金烫银复合重叠，文字图案浮雕，激光镭射，紫外荧光，温感，复印防伪）行业标杆！精益求精，诚心合作，真诚制作！多年品质 ,按需精细制作，24小时接单,全套进口原装设备，十五年致力于帮助留学生解决难题，业务范围有加拿大、英国、澳洲、韩国、美国、新加坡，新西兰等学历材料，包您满意。
◆◆◆◆◆ — — — — — — — — 【留学教育】留学归国服务中心 — — — — — -◆◆◆◆◆
【主营项目】
一.毕业证【微信：176555708】成绩单、使馆认证、教育部认证、雅思托福成绩单、学生卡等！
二.真实使馆公证(即留学回国人员证明,不成功不收费)
三.真实教育部学历学位认证（教育部存档！教育部留服网站永久可查）
四.办理各国各大学文凭(一对一专业服务,可全程监控跟踪进度)
如果您处于以下几种情况：
◇在校期间，因各种原因未能顺利毕业……拿不到官方毕业证【微信：176555708】
◇面对父母的压力，希望尽快拿到；
◇不清楚认证流程以及材料该如何准备；
◇回国时间很长，忘记办理；
◇回国马上就要找工作，办给用人单位看；
◇企事业单位必须要求办理的
◇需要报考公务员、购买免税车、落转户口
◇申请留学生创业基金
留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分→ 【关于价格问题（保证一手价格）
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
选择实体注册公司办理，更放心，更安全！我们的承诺：可来公司面谈，可签订合同，会陪同客户一起到教育部认证窗口递交认证材料，客户在教育部官方认证查询网站查询到认证通过结果后付款，不成功不收费！
我们所定的价格是非常合理的，而且我们现在做得单子大多数都是代理和回头客户介绍的所以一般现在有新的单子 我给客户的都是第一手的代理价格，因为我想坦诚对待大家 不想跟大家在价格方面浪费时间
对于老客户或者被老客户介绍过来的朋友，我们都会适当给一些优惠。
学历顾问：微信：176555708
留学学历(UoA毕业证)奥克兰大学毕业证成绩单官方原版办理
制做办理奥克兰大学学历证书＜176555708微信＞【毕业证明信-推荐信做学费单＞【微信176555708】【制作UoA毕业证文凭认证奥克兰大学毕业证成绩单购买】【UoA毕业证书】{奥克兰大学文凭购买}】成绩单，录取通知书，Offer，在读证明，雅思托福成绩单，真实大使馆教育部认证，回国人员证明，＞【制作UoA毕业证文凭认证奥克兰大学毕业证成绩单购买】【UoA毕业证书】{奥克兰大学文凭购买}留信网认证。
奥克兰大学学历证书＜微信176555708（一对一服务包括毕业院长签字,专业课程,学位类型,专业或教育领域,以及毕业日期.不要忽视这些细节.这两份文件同样重要!毕业证成绩单文凭留信网学历认证！）[留学文凭学历认证(留信认证使馆认证)奥克兰大学毕业证成绩单毕业证证书大学Offer请假条成绩单语言证书国际回国人员证明高仿教育部认证申请学校等一切高仿或者真实可查认证服务。
多年留学服务公司,拥有海外样板无数能完美1:1还原海外各国大学degreeDiplomaTranscripts等毕业材料。海外大学毕业材料都有哪些工艺呢？工艺难度主要由：烫金.钢印.底纹.水印.防伪光标.热敏防伪等等组成。而且我们每天都在更新海外文凭的样板以求所有同学都能享受到完美的品质服务。
国外毕业证学位证成绩单办理方法：
1客户提供办理奥克兰大学奥克兰大学硕士毕业证成绩单信息：姓名生日专业学位毕业时间等（如信息不确定可以咨询顾问：我们有专业老师帮你查询）；
2开始安排制作毕业证成绩单电子图；
3毕业证成绩单电子版做好以后发送给您确认；
4毕业证成绩单电子版您确认信息无误之后安排制作成品；
5成品做好拍照或者视频给您确认；
6快递给客户（国内顺丰国外DHLUPS等快读邮寄）
— — — — 我们是挂科和未毕业同学们的福音我们是实体公司精益求精的工艺！ — — — -
一真实留信认证的作用(私企外企荣誉的见证):
1：该专业认证可证明留学生真实留学身份同时对留学生所学专业等级给予评定。
2：国家专业人才认证中心颁发入库证书这个入网证书并且可以归档到地方。
3：凡是获得留信网入网的信息将会逐步更新到个人身份内将在公安部网内查询个人身份证信息后同步读取人才网入库信息。
4：个人职称评审加20分个人信誉贷款加10分。
5：在国家人才网主办的全国网络招聘大会中纳入资料供国家500强等高端企业选择人才。
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Question 2
- 1. How effective is the combination of your main product and ancillary texts? Comparingmydigipaktoanotherreggae musicartist’s,Iam able to see that mine meetssome of the conventionswithinthisgenre.Firstlythe frontof BobMarley’sdigipak issimpleandjusthasa photographof him(The mainsinger) where italsohashisname and albumtitle clearly displayed. The front islegible andthe whole designissimple andminimalistic.Howeveronanother reggae albumitis colourful andisbusy, whichare alsoconventionsmydigipakphotosmeet.The backgroundof Bob Marley’salbumisunnoticeabledue tohisdreadlockssowiththe factthat Tom doesn’thave thisstereotypical Jamaicanstyledhair,Imade the backgroundbusyandcontainsthe Rasta colours,maintainingthe reggae feel. Istill wantedTomtostandout more comparedto the backgroundso thenitdoesrelate more tothe BobMarley and otherreggae albums.Ialsodidn’tfeel the needto have a lotof writingasTom (muchlike BobMarley) speaksforhimself. The rear of my digipakissimilartoBobMarley’sdue to the fact bothour songsare centrallyaligned and bothdemonstrate the copyrightinformationandbarcode atthe bottom.The colourshowever on Bob Marley’sbackcoverare simple andthe whole designisminimalistic,butmine isthe complete opposite.Idecidedtohave the tree theme sothenitrelatestothe mainsongand my musicvideo‘Time Will Tell’.Thisisrelevantasone of my locationswasinthe forest.Unlike Bob Marley’sgoldon purple font,Ichoose a lightpinkasI foundthiscolourstoodout againstthe busy/colourfulbackground. The spine of my Digipakcontainsthe iconicBobMarleysymbol of a lion.I wantedtouse thisso then people wouldnoticeitwas a reggae albumdue to the connotations.IalsorepeatedTomsname and the title of the albummuch like onthe front.I alsodecidedona lightgreycolouras thiscolour blendedthe frontandbackcoversnicely.Italsois similartoBobMarley’salbumspine.
- 2. I’mcomparingmy posterto anotherreggae posteritshowsthatboth are rathercolourful however mine ismore simplisticwithaclearwhite,boldfontwhereasthe otherposterisbusyandgotmuch more informationonitthenmine does.Bob Marley’sposterhasan actionshotof himand a lot of large boldtext.Ithas a black back groundhoweverthisisdistractedbythe colourful writing everywhere.Onthe otherhandmyposterhas a bright,eye-catchingbackground(whichIdrew) with the intentiontoaddstereotypical reggae/Rastacoloursin.Thisismuchlike the coloursusedinBob Marley’sposter.Asmyposteris more modernI decidedtoinclude social medialogos,clearlythis wouldn’thave beenathingin1963. Once againmy artistsname isin biglettersandso isthe title. Thisis muchlike the reggae posterasit evidentlyshowsMarley’sname. Ihave usedthe same font inmy digipaktokeepthe fluidityof myadvertsandalsousedone of the same digipakimagesin orderto create the poster.Ididhowevereditthe postertomake itbrighterandchangedit to portraitso it wasdifferentandmore like aposter.
- 3. Comparingmyvideotoanotherreggae musicvideofromEtana,titled‘Reggae’, I’ve foundthatmy musicvideodoesn’t reallyconformtothe genre conventions.Firstmymusicvideois performance,whichissimilarto ‘Reggae’howeverEtana’svideoismore narrative showingastory. She doesfilminthe ina forestandon a streetmuchlike more howeverminewasn’tanarrative. The example musicvideohasflashbacktoapreviouspartinthe two maincharacters relationships whichisverydifferenttomine.The pace of the example videoisquickerthanmine andhasmuch more cuts. There are also referencestothe Rasta coloursandstereotypical Jamaicanthingssuchas the style of hair andthe instrumentsused. The similaritiesof videosare thatinthe majorityof her musicvideoshe isperforming. Linkingmyvideotomy Digipak,PosterandMusicvideo,Ifeel theyworkwell togetherastheydo have some similarconventionstothe reggae genre.Ithinkthatthe musicvideomakespeople happy (whichwasmy aim) andI alsowantedthisto be the case inmy digipakandposter.ThisiswhyI decidedtomake thembothbright/colourful andhave busyelements. Iusedsimilarthemesforall three productsI withreference tosome locationsandusingthe same image forpartof the poster and digipak.Ifeel thatthe endresultwouldworkwellonthe openmarket,asall conformto the genre conventionsbutalsochallengesthem.