Question 2
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The document discusses how different social groups are represented in the media product. It describes the representation of gender and ethnicity. For gender, it describes the male protagonist as portraying an "action man" stereotype, while the genderless character obscures their gender through clothing. The female character initially conforms to stereotypes of weakness but also shows strength. For ethnicity, both main characters are portrayed as white British, reflecting the filmmaker's own ethnicity and representing it in a negative but accurate way, showing confrontation and aggression alongside carefreeness.
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Question 2
The document discusses how different social groups are represented in the media producer's thriller film opening. The male protagonist is presented as weak and victimized by the female antagonist, challenging gender stereotypes. The female character is portrayed as powerful and confident, fitting a common thriller trope of using a frightening little girl. All characters are white British, allowing stereotypes around Britishness to be both challenged and portrayed. The ages of the characters, ranging from 13 to 30 years old, are dressed and presented in ways that fit both their age groups and the professional roles of two adult characters. However, the 13-year-old female character subverts expectations by having more power and confidence than the male protagonist.
Evaluation question 2
The document discusses how the media product represents social groups through the characters in its opening scene. There is a male and female protagonist that are both teenagers. The female is shown asleep in bed, representing stereotypes that girls are well-behaved and go to bed early, though her bedding has flowers challenging the idea that she is not typically girly. The male is shown holding a knife, suggesting recklessness, and looking in the mirror with distress, challenging stereotypes that boys do not care about appearance. Both characters conform and challenge stereotypes about teenagers - the female could be seen as lazy but also hard-working, the male challenges the stereotype that only females commit suicide but confirms stereotypes that teenagers can be over
Evaluation- Question 2
The document discusses how the media product represents social groups through the characters in the film opening. There is a female protagonist who is asleep in bed, representing feminine stereotypes of being well-behaved. There is also a male antagonist who is holding a knife and looking distressed in the mirror, challenging stereotypes that males don't care about appearance but conforming to ideas of being more reckless. Both teenage characters are presented differently, with the female seen as sensible but also potentially lazy, while the male challenges stereotypes of suicidal individuals usually being female but also represents stereotypes of depressed gothic teenagers.
Evaluation - Question 2
The document discusses how the media product represents social groups through the characters in the film opening. There is a male and female teenager portrayed in different ways. The female protagonist is asleep in bed, representing teenagers as lazy but also possibly hard-working. The male protagonist is shown holding a knife and looking distressed in the mirror, challenging stereotypes of male teenagers as careless and not caring about appearance, but conforming to the stereotype of suicidal teenagers being overemotional. Both characters represent contemporary issues around gender and mental illness in teenagers.
Question two
Katie Jackson and Michael Shelton are portrayed as stereotypical characters for the thriller genre through their use of stereotypes, costumes, makeup, and props. Katie, the female protagonist, is portrayed as vulnerable and weak through her blonde hair, minimal makeup, and use of a dog prop. Michael, the male antagonist, is portrayed as mysterious and strange through his use of a hat and dark clothing. Overall, the characters conform to stereotypes about gender roles expected in the thriller genre.
2.how does your media product represent particular social
The document discusses representations of social groups, particularly gender, in horror movies and the author's own media product. It notes that males are typically portrayed heroically or villainously while females are usually victims or "final girls." It then analyzes the representations in its opening sequence, finding that one female character conforms to tropes as a vulnerable victim while the other subverts expectations as the aggressive villain. While intending to challenge norms, the narrative remains centered on resolving conflict between the male and female exes. It concludes by acknowledging other excluded social groups.
How does your media production represent particular social groups?
The document analyzes how two characters from a student's thriller opening represent particular social groups.
The main character, a schoolgirl victim, and the serial killer character are both compared to characters from the films It Follows and Orphan. Both the student's characters and the film characters could be placed in the social groups of young teenagers/girls based on their innocent appearances. However, the serial killer character subverts expectations by taking on the unexpected role of the predator/killer rather than the victim. Meanwhile, the Orphan character is even more surprising given her portrayal as an innocent young child before being revealed as the killer.
Evaluation 2
The document discusses how the media product represents a young character who is bullied for his sexuality but is strong and proud. He searches for similar film characters and chooses Marty McFly from Back to the Future. Both characters are similar in that they do not let bullying affect them and continue with their lives unaffected. They are also the main characters whose movements drive the story, though the films are in different genres. Their similar hair color and style make them appear approachable.
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Question 2
The document discusses how different social groups are represented in the media producer's thriller film opening. The male protagonist is presented as weak and victimized by the female antagonist, challenging gender stereotypes. The female character is portrayed as powerful and confident, fitting a common thriller trope of using a frightening little girl. All characters are white British, allowing stereotypes around Britishness to be both challenged and portrayed. The ages of the characters, ranging from 13 to 30 years old, are dressed and presented in ways that fit both their age groups and the professional roles of two adult characters. However, the 13-year-old female character subverts expectations by having more power and confidence than the male protagonist.
Evaluation question 2
The document discusses how the media product represents social groups through the characters in its opening scene. There is a male and female protagonist that are both teenagers. The female is shown asleep in bed, representing stereotypes that girls are well-behaved and go to bed early, though her bedding has flowers challenging the idea that she is not typically girly. The male is shown holding a knife, suggesting recklessness, and looking in the mirror with distress, challenging stereotypes that boys do not care about appearance. Both characters conform and challenge stereotypes about teenagers - the female could be seen as lazy but also hard-working, the male challenges the stereotype that only females commit suicide but confirms stereotypes that teenagers can be over
Evaluation- Question 2
The document discusses how the media product represents social groups through the characters in the film opening. There is a female protagonist who is asleep in bed, representing feminine stereotypes of being well-behaved. There is also a male antagonist who is holding a knife and looking distressed in the mirror, challenging stereotypes that males don't care about appearance but conforming to ideas of being more reckless. Both teenage characters are presented differently, with the female seen as sensible but also potentially lazy, while the male challenges stereotypes of suicidal individuals usually being female but also represents stereotypes of depressed gothic teenagers.
Evaluation - Question 2
The document discusses how the media product represents social groups through the characters in the film opening. There is a male and female teenager portrayed in different ways. The female protagonist is asleep in bed, representing teenagers as lazy but also possibly hard-working. The male protagonist is shown holding a knife and looking distressed in the mirror, challenging stereotypes of male teenagers as careless and not caring about appearance, but conforming to the stereotype of suicidal teenagers being overemotional. Both characters represent contemporary issues around gender and mental illness in teenagers.
Question two
Katie Jackson and Michael Shelton are portrayed as stereotypical characters for the thriller genre through their use of stereotypes, costumes, makeup, and props. Katie, the female protagonist, is portrayed as vulnerable and weak through her blonde hair, minimal makeup, and use of a dog prop. Michael, the male antagonist, is portrayed as mysterious and strange through his use of a hat and dark clothing. Overall, the characters conform to stereotypes about gender roles expected in the thriller genre.
2.how does your media product represent particular social
The document discusses representations of social groups, particularly gender, in horror movies and the author's own media product. It notes that males are typically portrayed heroically or villainously while females are usually victims or "final girls." It then analyzes the representations in its opening sequence, finding that one female character conforms to tropes as a vulnerable victim while the other subverts expectations as the aggressive villain. While intending to challenge norms, the narrative remains centered on resolving conflict between the male and female exes. It concludes by acknowledging other excluded social groups.
How does your media production represent particular social groups?
The document analyzes how two characters from a student's thriller opening represent particular social groups.
The main character, a schoolgirl victim, and the serial killer character are both compared to characters from the films It Follows and Orphan. Both the student's characters and the film characters could be placed in the social groups of young teenagers/girls based on their innocent appearances. However, the serial killer character subverts expectations by taking on the unexpected role of the predator/killer rather than the victim. Meanwhile, the Orphan character is even more surprising given her portrayal as an innocent young child before being revealed as the killer.
Evaluation 2
The document discusses how the media product represents a young character who is bullied for his sexuality but is strong and proud. He searches for similar film characters and chooses Marty McFly from Back to the Future. Both characters are similar in that they do not let bullying affect them and continue with their lives unaffected. They are also the main characters whose movements drive the story, though the films are in different genres. Their similar hair color and style make them appear approachable.
G321 evaluation questions
The document discusses how the media product challenges conventions of real media products through its location, characters, and costumes.
Specifically, it summarizes:
1) The location of an upper-class 1950s British schoolroom was chosen to fit the noir thriller genre but challenges conventions by depicting the female character gaining independence when the male is distracted.
2) The character Eve challenges conventions by betraying the male character against expectations and dressing in a seductive, convention-challenging style to represent her defiance.
3) The male character Frank's name was chosen to fit the 1950s thriller genre theme.
Luara mulvey
The document summarizes Laura Mulvey's Male Gaze theory, which argues that in film, the camera lens represents a masculine perspective that objectifies female characters. According to the theory, women are portrayed as passive objects for the male characters and audience to admire based on their physical appearance rather than as active subjects. This denies women their humanity and restricts them to stereotypical roles like victims. The male gaze asserts control over the female form and pushes the narrative forward, while women slow it down as inspirations for men to act.
PRICE-nprkroc-sample
The document provides an analysis of two selfies posted on Tumblr by a user named unicornjezus. The selfies show a beautiful man posing in a vulnerable way. The caption asks "Does my dark skin offend you?". The author notes how the poses are traditionally feminine but the male subject challenges viewers to find the images distasteful due to his skin color. The selfies invite viewers to look while simultaneously confronting them to consider if they find the dark skin offensive, referencing systemic racism. They analyze how such selfies on Tumblr function to celebrate minoritarian subjects while daring viewers to feel empathy and confront their own biases.
Question 2 media evaluation
The document discusses how different social groups are represented in the film. Teenagers are shown as the main victims, presented as ordinary but mysterious to add intrigue. The disabled killer is initially portrayed violently but hints are given of his gentler side and mental illness to encourage understanding over harsh judgment. Males are typically strong villains, but the killer uses stealth over strength, and his disability and lack of dialogue make his motives less clear-cut. The goal is to subvert stereotypes through more complex and humanized portrayals.
Narrative
This document discusses several narrative theories and how they apply to teen slasher films. It analyzes Todorov's narrative structure of equilibrium, disruption, recognition, and new equilibrium. While most films follow this structure, teen slashers are more irregular in their ordering. It also examines Propp's character types and narrative functions, noting teen slashers don't always have clear heroes and have multiple "princess" characters. Finally, it applies Levi-Strauss' concept of binary oppositions and Barthes' "enigma code" to teen slasher conventions like revealing the killer's identity.
How does your media product represent particular social
This document discusses how the author's media product, a film called "In the Shadows", represents social groups in counter-stereotypical ways. Specifically, it portrays the well-dressed female character as a murderer and the scruffy male character as her innocent victim. This challenges stereotypes of posh girls as innocent and "chavs" as troublemakers. It also shows the female character as strong and fearless, challenging gender stereotypes of women as weak. The author aims to represent the experiences of different social groups of teenagers through these counter-stereotypical portrayals.
Q2 evaluation
This document discusses how the media product represents various social groups. It focuses on the characters in the thriller "Deaden Hikes". The two main characters, Iyra and the Runner, are both 17-year-old white British females to target an audience aged 15-24. While the characters are teenagers portrayed as "normal", the thriller may be seen as disturbing for younger viewers. Later scenes could explore Iyra's background in a mental asylum more sensitively after initial plans drifted from being sensitive to mental illness issues. Overall, the film aims to represent ordinary working class people while also challenging stereotypes by having a female character as the villain.
Question 2
The media product represents several social groups through its characters:
1) Detective Crawford represents detectives and police workers, shown to be independent, strong-willed, caring, and dominant through shots and actions.
2) Jane Crawford represents vulnerable female victims, shown to be vulnerable, weak, and powerless through high-angle shots that emphasize her lack of power.
3) Roman Mortem represents criminals, shown to be intimidating and dominant through low-angle shots that emphasize his power over others.
4) The detective's worker represents police and detective workers, shown to be independent yet following orders through a two-shot with his superior detective.
Character profiles
The document provides character profiles for the main characters in a horror film:
Charlie is described as the "final girl" who is not overtly feminine and survives through her smart and sensible nature. Michael is the villain, inspired by films like "Peeping Tom" and "Scream" who stalks and films his victims. Sophie is the promiscuous first character to die, who is feminine and ditsy. Henry is the jock who tries to seem brave but isn't very smart and also meets an early death. Mr. Sharp is the benefactor teacher who tries to protect the students after discovering an essay detailing Sophie's murder.
Character,plot and setting
This document outlines the plot, characters, and setting for a trailer containing three storylines: drugs, murder, and an affair. The plot involves three main characters - Character A deals drugs without friends/family knowing, Character B has an affair behind her boyfriend's back, and Character C pushes someone down the stairs, resulting in death. Each storyline will be shown through quick clips and linked together at the end. The setting is a school, with scenes filmed in various areas like the cafe, toilets, hallway, common room, and theater hall.
Question 2 (media)
The document analyzes how the media product represents social groups through its antagonist and protagonist characters. Specifically:
- The antagonist is portrayed as a typical intimidating male like Hannibal Lecter, though he differs in having no dialogue or backstory revealed.
- The female protagonist is intended to appear vulnerable as a stereotypical victim who is easier to manipulate. Her vulnerability increases throughout the opening as she receives a threatening text message while alone.
- Both characters are compared to those in the film Copycat, with the protagonist mirroring the initial confidence and later vulnerability of Helen Hudson's character in that film.
Evaluation question2 pp
The document discusses how various social groups are represented in thriller films. It notes that females are often portrayed as damsels in distress requiring male rescue, though some films subvert this by showing powerful female survivors. It analyzes the portrayal of gender in the described film opening. It also discusses how thrillers often depict males as both protagonists and antagonists. Ethnic minorities are frequently represented as threats or criminals. Disabilities are sometimes used to increase victim vulnerability in thrillers. The film opening in the document does not include physical disabilities so as not to challenge thriller conventions.
Evaluation Question 2
The document discusses how the media product represents particular social groups. Specifically, it only includes female characters to challenge stereotypes. The main character is represented as naive and distressed, fitting a feminine stereotype. The children characters are also female and portrayed as evil to subvert expectations. Cinematography like dolly shots depict the female characters as vulnerable and isolated. By having most of the film set in the main character's bedroom, it allows the target 15-24 age group to relate to spending time there. The younger girls are given higher status than the main character by disturbing her sleep, challenging the usual stereotype of older generations having more power. Costuming also depicts some stereotypical feminine traits through items like pink pajamas
Our Pitch
This document discusses plans for a low-budget horror film targeting 15-25 year olds. It will feature typical horror characters like the victim, villain, and hysterical character. The villain's identity will be unknown to build suspense. Scenes will take place in ominous locations like a dark alleyway and graveyard that conjure horror connotations. Market research found unpredictability and the unknown are scariest aspects of horror for the target audience.
Media Evaluation Question 2
The document discusses how the media product represents various social groups through its characters. It includes 4 characters of different ethnicities with more females than males. It aims to appeal to a similar aged and ethnically diverse audience as the actors. Some stereotypes portrayed include teenagers rebelling through underage drinking. While most characters conform to stereotypes, one male portrays responsibility challenging age stereotypes. It aims to challenge gender stereotypes by having a female lead but still depicts women as vulnerable at times. The main character is mixed race, challenging expectations for the lead to be white. It potentially reinforces some stereotypes around mixed race people and location.
Media Evaluation Question 2
The document discusses how the media product represents various social groups through its characters. It includes 4 characters of different ethnicities with more females than males. It aims to appeal to a similar aged and ethnically diverse audience as the actors. Some stereotypes portrayed include teenagers rebelling through underage drinking. While most characters conform to stereotypes, one male portrays responsibility challenging age stereotypes. It aims to challenge gender stereotypes by having a female lead but still depicts women as vulnerable at times. The main character is mixed race, challenging expectations for the lead to be white. It risks portraying mixed race characters negatively or as criminals at times. Location may appeal more to white than black audiences.
Mulvey
The document analyzes how women are represented in the horror movie trailer "Filth To Ashes Flesh To Dust" according to Laura Mulvey's "male gaze" theory. It finds that most shots adhere to stereotypical representations of women as objects of desire, and as vulnerable and subordinate to men. However, a few shots challenge these stereotypes by showing women as powerful and dominant. Overall, while the trailer mostly reinforces Mulvey's theory, it also provides some counter-examples, suggesting attitudes may be changing for 21st century audiences.
Story board
The document discusses several common conventions and tropes found in slasher films. It describes how there is usually a sole female survivor known as the "final girl" who is less promiscuous than her peers. It also notes that slasher films typically take place in suburban or isolated settings to heighten fear, and feature an ineffectual male authority figure and a monster that is eventually killed by the final girl.
Evaluation question2
The document discusses the main female character Raven in the opening sequence. Compared to typical thriller female characters who are damsels in distress, Raven defies stereotypes by being able to protect herself. While she shows some fear, a conventional female trait, she channels it into strength. Raven is also dressed in atypical "delinquent clothes" rather than the usual white worn by pure female characters. She challenges theories that women only exist for male amusement by not dressing in a sexually appealing way but to portray female strength. Overall Raven subverts expectations of weak, scared females needing rescue by being able to defend herself.
Eval qu 2
This document discusses how different social groups are represented in media. For gender, females are often portrayed stereotypically as caring/innocent or sexually alluring/dangerous. The document describes a film that initially frames a female character in pink clothing as wholesome but later reveals her to be manipulating the males and instigating an immoral encounter. For age, a male in his mid-50s is typically expected to be established, but the film portrays him as angry, discontented, living cigarette-to-cigarette, and intimidating others aggressively to assert his power despite being naive. Both characters subvert expectations for their social groups.
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Kevätkoulutus 2015: Testamenttilahjoitus
Suomen UNICEFin vapaaehtoisten kevätkoulutuksen materiaaleja 28.3.2015 tilaisuudesta.
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G321 evaluation questions
The document discusses how the media product challenges conventions of real media products through its location, characters, and costumes.
Specifically, it summarizes:
1) The location of an upper-class 1950s British schoolroom was chosen to fit the noir thriller genre but challenges conventions by depicting the female character gaining independence when the male is distracted.
2) The character Eve challenges conventions by betraying the male character against expectations and dressing in a seductive, convention-challenging style to represent her defiance.
3) The male character Frank's name was chosen to fit the 1950s thriller genre theme.
Luara mulvey
The document summarizes Laura Mulvey's Male Gaze theory, which argues that in film, the camera lens represents a masculine perspective that objectifies female characters. According to the theory, women are portrayed as passive objects for the male characters and audience to admire based on their physical appearance rather than as active subjects. This denies women their humanity and restricts them to stereotypical roles like victims. The male gaze asserts control over the female form and pushes the narrative forward, while women slow it down as inspirations for men to act.
PRICE-nprkroc-sample
The document provides an analysis of two selfies posted on Tumblr by a user named unicornjezus. The selfies show a beautiful man posing in a vulnerable way. The caption asks "Does my dark skin offend you?". The author notes how the poses are traditionally feminine but the male subject challenges viewers to find the images distasteful due to his skin color. The selfies invite viewers to look while simultaneously confronting them to consider if they find the dark skin offensive, referencing systemic racism. They analyze how such selfies on Tumblr function to celebrate minoritarian subjects while daring viewers to feel empathy and confront their own biases.
Question 2 media evaluation
The document discusses how different social groups are represented in the film. Teenagers are shown as the main victims, presented as ordinary but mysterious to add intrigue. The disabled killer is initially portrayed violently but hints are given of his gentler side and mental illness to encourage understanding over harsh judgment. Males are typically strong villains, but the killer uses stealth over strength, and his disability and lack of dialogue make his motives less clear-cut. The goal is to subvert stereotypes through more complex and humanized portrayals.
Narrative
This document discusses several narrative theories and how they apply to teen slasher films. It analyzes Todorov's narrative structure of equilibrium, disruption, recognition, and new equilibrium. While most films follow this structure, teen slashers are more irregular in their ordering. It also examines Propp's character types and narrative functions, noting teen slashers don't always have clear heroes and have multiple "princess" characters. Finally, it applies Levi-Strauss' concept of binary oppositions and Barthes' "enigma code" to teen slasher conventions like revealing the killer's identity.
How does your media product represent particular social
This document discusses how the author's media product, a film called "In the Shadows", represents social groups in counter-stereotypical ways. Specifically, it portrays the well-dressed female character as a murderer and the scruffy male character as her innocent victim. This challenges stereotypes of posh girls as innocent and "chavs" as troublemakers. It also shows the female character as strong and fearless, challenging gender stereotypes of women as weak. The author aims to represent the experiences of different social groups of teenagers through these counter-stereotypical portrayals.
Q2 evaluation
This document discusses how the media product represents various social groups. It focuses on the characters in the thriller "Deaden Hikes". The two main characters, Iyra and the Runner, are both 17-year-old white British females to target an audience aged 15-24. While the characters are teenagers portrayed as "normal", the thriller may be seen as disturbing for younger viewers. Later scenes could explore Iyra's background in a mental asylum more sensitively after initial plans drifted from being sensitive to mental illness issues. Overall, the film aims to represent ordinary working class people while also challenging stereotypes by having a female character as the villain.
Question 2
The media product represents several social groups through its characters:
1) Detective Crawford represents detectives and police workers, shown to be independent, strong-willed, caring, and dominant through shots and actions.
2) Jane Crawford represents vulnerable female victims, shown to be vulnerable, weak, and powerless through high-angle shots that emphasize her lack of power.
3) Roman Mortem represents criminals, shown to be intimidating and dominant through low-angle shots that emphasize his power over others.
4) The detective's worker represents police and detective workers, shown to be independent yet following orders through a two-shot with his superior detective.
Character profiles
The document provides character profiles for the main characters in a horror film:
Charlie is described as the "final girl" who is not overtly feminine and survives through her smart and sensible nature. Michael is the villain, inspired by films like "Peeping Tom" and "Scream" who stalks and films his victims. Sophie is the promiscuous first character to die, who is feminine and ditsy. Henry is the jock who tries to seem brave but isn't very smart and also meets an early death. Mr. Sharp is the benefactor teacher who tries to protect the students after discovering an essay detailing Sophie's murder.
Character,plot and setting
This document outlines the plot, characters, and setting for a trailer containing three storylines: drugs, murder, and an affair. The plot involves three main characters - Character A deals drugs without friends/family knowing, Character B has an affair behind her boyfriend's back, and Character C pushes someone down the stairs, resulting in death. Each storyline will be shown through quick clips and linked together at the end. The setting is a school, with scenes filmed in various areas like the cafe, toilets, hallway, common room, and theater hall.
Question 2 (media)
The document analyzes how the media product represents social groups through its antagonist and protagonist characters. Specifically:
- The antagonist is portrayed as a typical intimidating male like Hannibal Lecter, though he differs in having no dialogue or backstory revealed.
- The female protagonist is intended to appear vulnerable as a stereotypical victim who is easier to manipulate. Her vulnerability increases throughout the opening as she receives a threatening text message while alone.
- Both characters are compared to those in the film Copycat, with the protagonist mirroring the initial confidence and later vulnerability of Helen Hudson's character in that film.
Evaluation question2 pp
The document discusses how various social groups are represented in thriller films. It notes that females are often portrayed as damsels in distress requiring male rescue, though some films subvert this by showing powerful female survivors. It analyzes the portrayal of gender in the described film opening. It also discusses how thrillers often depict males as both protagonists and antagonists. Ethnic minorities are frequently represented as threats or criminals. Disabilities are sometimes used to increase victim vulnerability in thrillers. The film opening in the document does not include physical disabilities so as not to challenge thriller conventions.
Evaluation Question 2
The document discusses how the media product represents particular social groups. Specifically, it only includes female characters to challenge stereotypes. The main character is represented as naive and distressed, fitting a feminine stereotype. The children characters are also female and portrayed as evil to subvert expectations. Cinematography like dolly shots depict the female characters as vulnerable and isolated. By having most of the film set in the main character's bedroom, it allows the target 15-24 age group to relate to spending time there. The younger girls are given higher status than the main character by disturbing her sleep, challenging the usual stereotype of older generations having more power. Costuming also depicts some stereotypical feminine traits through items like pink pajamas
Our Pitch
This document discusses plans for a low-budget horror film targeting 15-25 year olds. It will feature typical horror characters like the victim, villain, and hysterical character. The villain's identity will be unknown to build suspense. Scenes will take place in ominous locations like a dark alleyway and graveyard that conjure horror connotations. Market research found unpredictability and the unknown are scariest aspects of horror for the target audience.
Media Evaluation Question 2
The document discusses how the media product represents various social groups through its characters. It includes 4 characters of different ethnicities with more females than males. It aims to appeal to a similar aged and ethnically diverse audience as the actors. Some stereotypes portrayed include teenagers rebelling through underage drinking. While most characters conform to stereotypes, one male portrays responsibility challenging age stereotypes. It aims to challenge gender stereotypes by having a female lead but still depicts women as vulnerable at times. The main character is mixed race, challenging expectations for the lead to be white. It potentially reinforces some stereotypes around mixed race people and location.
Media Evaluation Question 2
The document discusses how the media product represents various social groups through its characters. It includes 4 characters of different ethnicities with more females than males. It aims to appeal to a similar aged and ethnically diverse audience as the actors. Some stereotypes portrayed include teenagers rebelling through underage drinking. While most characters conform to stereotypes, one male portrays responsibility challenging age stereotypes. It aims to challenge gender stereotypes by having a female lead but still depicts women as vulnerable at times. The main character is mixed race, challenging expectations for the lead to be white. It risks portraying mixed race characters negatively or as criminals at times. Location may appeal more to white than black audiences.
Mulvey
The document analyzes how women are represented in the horror movie trailer "Filth To Ashes Flesh To Dust" according to Laura Mulvey's "male gaze" theory. It finds that most shots adhere to stereotypical representations of women as objects of desire, and as vulnerable and subordinate to men. However, a few shots challenge these stereotypes by showing women as powerful and dominant. Overall, while the trailer mostly reinforces Mulvey's theory, it also provides some counter-examples, suggesting attitudes may be changing for 21st century audiences.
Story board
The document discusses several common conventions and tropes found in slasher films. It describes how there is usually a sole female survivor known as the "final girl" who is less promiscuous than her peers. It also notes that slasher films typically take place in suburban or isolated settings to heighten fear, and feature an ineffectual male authority figure and a monster that is eventually killed by the final girl.
Evaluation question2
The document discusses the main female character Raven in the opening sequence. Compared to typical thriller female characters who are damsels in distress, Raven defies stereotypes by being able to protect herself. While she shows some fear, a conventional female trait, she channels it into strength. Raven is also dressed in atypical "delinquent clothes" rather than the usual white worn by pure female characters. She challenges theories that women only exist for male amusement by not dressing in a sexually appealing way but to portray female strength. Overall Raven subverts expectations of weak, scared females needing rescue by being able to defend herself.
Eval qu 2
This document discusses how different social groups are represented in media. For gender, females are often portrayed stereotypically as caring/innocent or sexually alluring/dangerous. The document describes a film that initially frames a female character in pink clothing as wholesome but later reveals her to be manipulating the males and instigating an immoral encounter. For age, a male in his mid-50s is typically expected to be established, but the film portrays him as angry, discontented, living cigarette-to-cigarette, and intimidating others aggressively to assert his power despite being naive. Both characters subvert expectations for their social groups.
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How does your media product represent particular social
How does your media product represent particular social
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Similar to Question 2
question 2 : How does your media product represent particular social groups?
- The protagonist in the film subverts typical representations of females in horror by portraying a strong, sporty teenage girl rather than the usual weak and feminine targets.
- The character also represents black women from London, differing from the typical American setting and characters.
- While challenging some conventions, the protagonist also fits others like being a teenager and ending up isolated with the killer, to still engage the target audience.
- The antagonist resembles typical horror villains through his masked appearance and determination to kill, but is also portrayed as a troubled teenage boy to provide psychological motivation for his actions.
Question 2
The document discusses how various social groups are represented in the filmmaker's media product. Male roles are portrayed as either heroes or villains, with the villain in this case representing stereotypes like physical strength and lack of emotion. The two female protagonists are portrayed as weaker and in need of rescue, adhering to common thriller tropes. All characters are white to follow conventions of the thriller genre, though including more diversity could have portrayed modern society. The young adult target audience is reflected in the main characters' same age group to facilitate identification and relation.
Question 2
The document discusses how various social groups are represented in the filmmaker's media product. Male roles are typically portrayed as either heroes or villains, with the villain in this case portrayed as physically strong but emotionally detached to justify his crimes. The two female leads are presented as weaker and in need of rescue. All characters are young white British individuals to fit thriller film conventions. Ages are also used to stereotypical ends, with teenagers depicted as mischievous and the older villain as stronger.
Question 2
The document discusses how the writer represents various social groups in the opening scene of their thriller film. For the female role, the character is portrayed as a stereotypical victim - a young, blonde woman meant to elicit an instant reaction from the audience. For the male role, the antagonist stalks a young girl and is intentionally portrayed as dangerous through his dark clothing and large physique. Both main characters are white to play on stereotypes. The target age range is teenagers to increase relatability, with the female protagonist at 17 and male villain older to fit common thriller tropes.
Evaluation 2
This document discusses how different social groups could potentially be represented in a thriller media product. Women could be represented as weak and reliant on men, or alternatively as strong and powerful. Men are initially represented ambiguously as either the one who imprisoned the protagonist or released her out of kindness. Teenagers/young adults may be seen as troublemakers or powerless victims of circumstances beyond their control. The document notes there are clues the protagonist is working class, such as her clothing and language, though the setting of a suburban house suggests she could also be middle class.
Media evaluation question 2
The document discusses how the media product represents various social groups through its characters. It includes 4 characters of different ethnicities with more females than males. It aims to appeal to a similar aged and ethnically diverse audience as the actors. Some stereotypes portrayed include teenagers rebelling through underage drinking. While most characters conform to stereotypes, one male portrays responsibility challenging age stereotypes. It aims to challenge gender stereotypes by having a female lead but still depicts women as vulnerable at times. The main character is mixed race, challenging expectations for the lead to be white. It risks portraying mixed race characters negatively or as criminals at times. Location may appeal more to white than black audiences.
Question 2 evaluation media
The document summarizes how different social groups are represented in the opening sequence of a media product. It represents the main character as working class based on her plain clothing. The antagonist is depicted as possibly upper class by her expensive coat. Both main characters are white to fit British horror conventions, though the antagonist has darker skin. The target age range is 16-25. Female characters only are included, with the protagonist and hero portrayed positively and the antagonist as powerful.
Question 2 evaluation. By Jumana Ismail
The document summarizes how different social groups are represented in the opening sequence of a media product. It represents the main character as working class based on her plain clothing. The antagonist is depicted as possibly upper class by her expensive coat. Both main characters are white to fit British horror conventions, though the antagonist has darker skin. The target age range is 16-25. Female characters only are included, with the protagonist and hero portrayed positively and the antagonist as powerful.
Gender representations Within Movies!
After analyzing many movie trailers and posters, the document finds that there are clear gender stereotypes in how women and men are portrayed in horror media. Women are often sexually objectified and depicted as emotional, while men are shown as tough and protective. Males usually take on active, leading roles, whereas females are usually part of a group and take passive, supporting roles. Additionally, women are often only young and white, while men can be depicted across ages, races and classes. However, the horror genre sometimes challenges these norms through characters like the "final girl", who can be more masculine and survive to the end.
Question 2
The document discusses how the media product represents social groups through its characters. It represents:
- Gender: The male is powerful/dominant while the female is vulnerable/distressed.
- Age: The youth are shown as lazy/rude while the old are wise/lonely.
The thriller opening shows the female character as stereotypically vulnerable by having her run away frightened from the male. Her emotions also align with stereotypes. The youthfulness of both characters is represented by their clothing and activities like playing. The storyline was chosen to raise awareness of serious crimes like kidnapping that disproportionately impact certain social groups.
Question 2
The document discusses how the media product represents various social groups. It represents young people of all races through the main characters used. Specifically, it portrays working and middle class individuals and their interests like socializing, movies, and sports. The female protagonist represents modern teenagers through her clothes. However, she also fits stereotypes of vulnerable women in thrillers who are stalked and need rescuing by men. Her character faces abuse, fear, and weakness when attacked.
Media evaluation question 2
The document discusses how the opening sequence of a media production represents various social groups through the use of stereotypes. It examines representations of class, race, age, gender, and sexuality. Some stereotypes are subverted, such as portraying males and the middle class in a vulnerable light. However, other stereotypes are supported, like showing the female protagonist as weak and distressed. The use of stereotypes and their challenges are analyzed through various theories on representation, gender, and hegemony. There is also a discussion of whether the representations suit the goals and audience of the independent production company.
Conventions of a thriller
The document discusses character archetypes in different thriller subgenres. In psychological thrillers, the main character is typically mentally unstable and searching for truth or identity. They are accompanied by a helper character who may have ulterior motives. A penny-dropper character holds knowledge that reveals secrets and resolutions. Crime thrillers feature powerful gangster bosses and their disposable underlings. Action thrillers center around a heroic, charming male lead and their beautiful female interest.
Question 2
The document discusses how different social groups are represented in media products. It analyzes the representation of the family, gender, and characters in the thriller film "Grounded". The family is portrayed as nuclear and middle-class. Gender stereotypes are both played on and subverted throughout the film. The mystery caller's identity is kept secret to drive the plot forward.
Hamfisted Women's Empowerment in Media Isn't It
This tackles the currently undermined problem in media which is toxic female representation and why we shouldn't settle for it.
Evalutation question
The document discusses how gender, class, status, and age are represented in the media product's opening title sequence. The sequence follows the life of Emily, a young female who is abandoned as a baby and grows up in an orphanage where she is tormented before becoming a serial killer. While the sequence lacks many human characters, it positively features a female in the leading role. However, Emily is initially victimized, a common negative female portrayal. The sequence hints that Emily comes from a lower-class background through her torn clothing but also shows her strength in trying to escape abuse. Younger characters are portrayed positively through Emily's hardship but overwhelmingly negatively as she becomes possessed.
HOW DOES YOUR MEDIA PRODUCT REPRESENT PARTICULAR SOCIAL GROUPS
This document provides an analysis of how a media product represents particular social groups through its portrayal of a character. It summarizes that the character is depicted in stereotypical ways associated with teenagers, including being lazy, unreliable, rebelling against society, and struggling with depression. Visual elements like low-angle shots, dark lighting, and an isolated setting are used to convey feelings of being watched, judged, and unable to cope. The analysis suggests this portrayal reinforces stereotypes about teenagers and females facing mental health issues.
Evaluation media
My film is a thriller defined by its dark poster and magazine cover featuring mysterious imagery. The trailer establishes the thriller genre through fast pacing, tension-building music and camerawork. It follows the protagonist Nina versus pursuing government forces. Nina disrupts the story's equilibrium and must establish a new one. Key themes include loss of childhood and portrayals of females. The target audience is young females who may connect with the young female protagonist, with young males also a potential audience.
Representation Research
This is my research into the representations of different groups in horror films. I have completed this as part of my A2 media coursework.
Question 2
The document discusses how the media product represents social groups. It focuses on the sole female character who is portrayed as weak when confronted with paranormal forces, reflecting common stereotypes. Additional characters introduced later would represent other groups like police officers, teenagers, and children. Police could be shown as helpful or useless, teenagers as adventurous but rebellious, and innocent children are included to make the story scarier for audiences.
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question 2 : How does your media product represent particular social groups?
question 2 : How does your media product represent particular social groups?
HOW DOES YOUR MEDIA PRODUCT REPRESENT PARTICULAR SOCIAL GROUPS
HOW DOES YOUR MEDIA PRODUCT REPRESENT PARTICULAR SOCIAL GROUPS
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Evaluation Question 3
Using a major distribution company like Paramount Pictures or one of its subsidiaries would allow the filmmaker to distribute their film "Last Man Standing" to a very large audience without significantly increasing production costs, potentially increasing profits. Major companies have experience promoting and distributing similar genre films effectively. Alternatively, a smaller UK company like Hammer Films could also distribute the film while still reaching a large audience and maximizing profits on a small budget, as demonstrated by the financial success of films they have distributed. The best distribution strategy may be to use online platforms like Netflix for broad digital release, as this approach helped the film "Ill Manors" attract a large audience.
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Question 2
- 1. By Luke Sams QUESTION 2) HOW DOES YOUR MEDIA PRODUCT REPRESENTS PARTICULAR SOCIAL GROUPS?
- 2. GENDER In my opening there is both a male and a female character as well as an effectively genderless person that I have portrayed in different ways. Male – One of the first characters that is shown is the male protagonist who gets the most screen time through the whole thing. His costume being full camouflage portrays him as a kind of ‘military/action man figure’ stereotype making him seem superior and dangerous, and like the usual for this type of character I have placed him within an unfamiliar setting where everything appears hostile which also follows the ‘action man’ stereotype. The fact that when he is first seen he is unconscious and being dragged by someone else, shows that he does have a weakness which challenges the ‘action man’ stereotype. From his actions the audience can infer that he has had a dark past as he is familiar with weapons and does not have a problem with killing.
- 3. GENDER Genderless – The second character within the first scene is essentially genderless, they are presented in full camouflage similar to the main protagonist, but appears to be against him. The camouflage that the character is wearing is fairly baggy and obscures their frame making it hard to distinguish a gender through body shape, they are also wearing a gas mask which prevents acquiring a gender through facial features. Despite the above stereotypically it could be inferred by the audience that they are male due to the fact that they have the body strength to drag an unconscious person without struggling, and females are stereotypically seen as being weak although this is not always the case.
- 4. GENDER Female – The final character seen within my opening is female she is shown in her normal everyday clothing which would imply that she has been ripped from a fairly normal life. She is portrayed as a stereotypical female being weak and feeble easily overpowered by the male protagonist without putting up much of a fight or visible struggling that much. On top of this most of her actions appear to be uncertain like she isn’t sure about what she is doing. Although overall she is shown as conforming to the stereotype the fact that she has a gun, knows how to use and has the guts to face up to another person especially one who looks fairly dangerous implies that to a certain extent she can look after herself.
- 5. ETHNICITY Both of the identifiable characters within my film opening are of a White British ethnic origin although I think that if I had/did create and develop more of this film I would include a range of different ethnic backgrounds but would probably retain a White British majority. I didn’t really put much thought into their ethnicity while I was planning or producing my opening it was more of a case of these are the people I have available to me so I’m going to use them, although I realise that I have still represented the White British ethnicity in the opening. I have unwittingly represented my own ethnicity that of White British in a fairly negative but also kind of accurate way, I have shown both of these character to be quite confrontational and aggressive while at the same time being fairly care free and cautious almost to the point of paranoia.