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PRINCIPLES
OF
DESIGN
CLARINA ALVIZ BERGANTE
PRINCIPLES
OF
DESIGN
CLARINA ALVIZ BERGANTE
The personality of the
wearer shows the kind
of image he/she
projects.
INTROVERT PERSONS
-prefer clothes of simple
yet classical cut with
pastel or light colors.
EXTROVERT PERSONS
- are creative, artistic,
expressive and energetic.
- prefer clothing that is
comfortable, attractive and
fashionable.
Principles of Design
Good outfit should have
• Proportion
• Balance
• Harmony
• Emphasis
• Rhythm
to express art principles
1. Proportion
• In design involves the relationship
in size between various parts and
the whole. Uneven space
relationships are more interesting
than even ones.
r i g h t
How to dress your proportion?
2. Balance
•is the feeling of rest and equilibrium.
This is essential to the total
design of a costume.
•The garment must be just as
interesting on one side as it is on the
other.
THREE Kinds of Balance
A. Formal or Symmetrical
Balance
•Is achieved when two sides of
a design are SAME on either
side of its vertical center.
Balance in the use of color is
essential for a pleasing effect.
r i g h t
How to dress your proportion?
B. Informal or Asymmetrical
Balance
• is achieved by using space,
color, and the varying
importance of objects to
produce a feeling of rest.
• creates a feeling of equal weight
on both sides, even though the
sides do not look the same.
C. Radial Balance
is when major parts
of the garment
design radiate from
the central part of
the garment,
creating a sunburst.
Radial Balance
3. Emphasis
•to create a center of interest to a
specific area of a garment or
body part.
•means that one part of a design
must be more important than the
other parts.
Emphasis
4. Rhythm
• is the movement of the eye from one
part of the design to other parts.
Repetition of a line or shape is one of
the most common ways of attaining
rhythm.
C o c o Stripe W r a p Dress Llin o s Illusion Tunic
Portofino Str ipe M a x i
Dress
Z e e n o Striped Dress
There are several ways of producing
rhythm in a design.
A. Repetition
B. Progression
C. Transition
D. radiation
E. continuous line movement
Rhythm could be depicted to:
A. Repetition- Rhythm could be
achieved by repetition or regular
recurrence of motifs of design, shapes,
buttons, tucks, pleats, laces, edgings,
color, textures, fabric designs etc.
Repetition
B. PROGRESSION
• Rhythm is also created by progression or by
gradation.
• Gradation implies a gradual increase or
decrease of similar designs elements.
Progression
C. TRANSITION
• Is a fluid rhythm created when a
curved line leads the eye over an
angle.
Transition
D. RADIATION
• Rhythm by radiation creates a
feeling of movement in different
directions.
Radiation
E. Continuous line movement-This
rhythm is obtained by flowing
trims, bands of color, fabric
type of
lines of
designs etc, which make the eye
move in a continuous line.
Continuous line movement
5. Harmony
•is created when things look
right together.
5. Harmony
• It is the blending of all components
of design. When the structural lines,
decorative lines, colors and
accessories all relate to each other
comfortably, harmony results.
Harmony
Q1-L1-PRINCIPLES-OF-DESIGN - G9 TLE.pptx

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Q1-L1-PRINCIPLES-OF-DESIGN - G9 TLE.pptx

  • 3. The personality of the wearer shows the kind of image he/she projects.
  • 4. INTROVERT PERSONS -prefer clothes of simple yet classical cut with pastel or light colors.
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  • 7. EXTROVERT PERSONS - are creative, artistic, expressive and energetic. - prefer clothing that is comfortable, attractive and fashionable.
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  • 11. Principles of Design Good outfit should have • Proportion • Balance • Harmony • Emphasis • Rhythm to express art principles
  • 12. 1. Proportion • In design involves the relationship in size between various parts and the whole. Uneven space relationships are more interesting than even ones.
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  • 15. r i g h t How to dress your proportion?
  • 16. 2. Balance •is the feeling of rest and equilibrium. This is essential to the total design of a costume. •The garment must be just as interesting on one side as it is on the other.
  • 17. THREE Kinds of Balance A. Formal or Symmetrical Balance •Is achieved when two sides of a design are SAME on either side of its vertical center. Balance in the use of color is essential for a pleasing effect.
  • 18. r i g h t How to dress your proportion?
  • 19. B. Informal or Asymmetrical Balance • is achieved by using space, color, and the varying importance of objects to produce a feeling of rest. • creates a feeling of equal weight on both sides, even though the sides do not look the same.
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  • 22. C. Radial Balance is when major parts of the garment design radiate from the central part of the garment, creating a sunburst.
  • 24. 3. Emphasis •to create a center of interest to a specific area of a garment or body part. •means that one part of a design must be more important than the other parts.
  • 26. 4. Rhythm • is the movement of the eye from one part of the design to other parts. Repetition of a line or shape is one of the most common ways of attaining rhythm.
  • 27. C o c o Stripe W r a p Dress Llin o s Illusion Tunic Portofino Str ipe M a x i Dress Z e e n o Striped Dress
  • 28. There are several ways of producing rhythm in a design. A. Repetition B. Progression C. Transition D. radiation E. continuous line movement
  • 29. Rhythm could be depicted to: A. Repetition- Rhythm could be achieved by repetition or regular recurrence of motifs of design, shapes, buttons, tucks, pleats, laces, edgings, color, textures, fabric designs etc.
  • 31. B. PROGRESSION • Rhythm is also created by progression or by gradation. • Gradation implies a gradual increase or decrease of similar designs elements.
  • 33. C. TRANSITION • Is a fluid rhythm created when a curved line leads the eye over an angle.
  • 35. D. RADIATION • Rhythm by radiation creates a feeling of movement in different directions.
  • 37. E. Continuous line movement-This rhythm is obtained by flowing trims, bands of color, fabric type of lines of designs etc, which make the eye move in a continuous line.
  • 39. 5. Harmony •is created when things look right together.
  • 40. 5. Harmony • It is the blending of all components of design. When the structural lines, decorative lines, colors and accessories all relate to each other comfortably, harmony results.