For next time (4/12): View Chicago




Monday, April 5, 2010
Psycho- 1960




Monday, April 5, 2010
Psycho- 1960                                    Joseph Stefano
                                                     Screenwriter
                        Alfred Hitchcock
                        Director


                                                    Bernard
                                                    Herrmann
                                                    Composer
                             Robert Bloch
                             Novelist



                                            John L. Russell
                                            Cinematographer


Monday, April 5, 2010
Good V. Evil and its dichotomy

                        Audience relating to and
                        sympathizing with one character,
                        then another.


                             Audience as voyeurs


                               Audience identifying with the
                               danger

Monday, April 5, 2010
Rationale for this opening?

                                    Specific place
                                      and time

                                   Random selection
                                      of people

                                     This situation
                                   could be anyone’s

                                   Establishes “us” as
                                        voyeurs



Monday, April 5, 2010
Narrative,
       character,
      theme and
         motif
       elements
      established
         here



      Food as a motif                Reference to a cheap hotel

  Establishment of character dilemma and
  perhaps making a case for our sympathy.         lingerie
Monday, April 5, 2010
Foreshadow

                                                 Reference to her mother.
                                                 Also establishes sister as a
                                                           factor
                                                     Character motivations




                          Marion- wants to get married

                             Sam- money problems
Monday, April 5, 2010
Marion’s headache + thematic,
         charater & motivational references

                                              Famous cameo.


                                              Reference to her
                                                  wedding

                                              Reference to her
                                                  mother
                                               Reference to
                                               Marion’s sister

Monday, April 5, 2010
Cassidy...motivations in the scene

                                                     “...oh, not you.”

                                                        Another
                                                        wedding
                                                       reference



                                                     “Happiness” in
                                                     its association
                                                       with money

Monday, April 5, 2010
Marion’s dilemma...non-verbal
             suggestion
                                    Camera tells the
                                        story
                                       Lingerie
                                    Self-reflection--
                                         mirror

                                     Her dichotomy

                                    As the audience,
                                       what is our
                                    relationship with
                                    her at this point?
Monday, April 5, 2010
Mise-en-scène                is a French
                        term and originates in the theater. It
                        means, literally, "put in the scene." For
                        film, it has a broader meaning, and
                        refers to almost everything that goes
                        into the composition of the shot,
                        including the composition itself:
                        framing, movement of the camera and
                        characters, lighting, set design and gen-
                        eral visual environment, even sound as
                        it helps elaborate the composition.

Monday, April 5, 2010
2:00- 8:49




           What contributes to the Mise-en-scène in this clip?
            Also what do we learn from character interaction
             As an audience how do we feel about Marion...Norman as the result
             of this scene
                 Discuss the parallels between Marion and Norman
Monday, April 5, 2010
Shower Scene

             90 + shot sequence

               --Regarded as a defining cinematic moment--

          Horrifically brings us, as audience members, into the
                                  scene.

       Maybe not what we saw, but what we thought we saw.



Monday, April 5, 2010
Saul Bass's
       storyboard
         s for the
          Psycho
          shower
           scene




Monday, April 5, 2010
Monday, April 5, 2010
Monday, April 5, 2010
Shower Scene
Monday, April 5, 2010
Following the murder..... the remaining characters try to
                         solve the mystery.
                        Sam & Lila


                                                 Arbogast




Monday, April 5, 2010
A professional’s explanation......




Monday, April 5, 2010
Final

Monday, April 5, 2010
4:21
                        Trailer

Monday, April 5, 2010

Psycho Postview Copy2

  • 1.
    For next time(4/12): View Chicago Monday, April 5, 2010
  • 2.
  • 3.
    Psycho- 1960 Joseph Stefano Screenwriter Alfred Hitchcock Director Bernard Herrmann Composer Robert Bloch Novelist John L. Russell Cinematographer Monday, April 5, 2010
  • 4.
    Good V. Eviland its dichotomy Audience relating to and sympathizing with one character, then another. Audience as voyeurs Audience identifying with the danger Monday, April 5, 2010
  • 5.
    Rationale for thisopening? Specific place and time Random selection of people This situation could be anyone’s Establishes “us” as voyeurs Monday, April 5, 2010
  • 6.
    Narrative, character, theme and motif elements established here Food as a motif Reference to a cheap hotel Establishment of character dilemma and perhaps making a case for our sympathy. lingerie Monday, April 5, 2010
  • 7.
    Foreshadow Reference to her mother. Also establishes sister as a factor Character motivations Marion- wants to get married Sam- money problems Monday, April 5, 2010
  • 8.
    Marion’s headache +thematic, charater & motivational references Famous cameo. Reference to her wedding Reference to her mother Reference to Marion’s sister Monday, April 5, 2010
  • 9.
    Cassidy...motivations in thescene “...oh, not you.” Another wedding reference “Happiness” in its association with money Monday, April 5, 2010
  • 10.
    Marion’s dilemma...non-verbal suggestion Camera tells the story Lingerie Self-reflection-- mirror Her dichotomy As the audience, what is our relationship with her at this point? Monday, April 5, 2010
  • 11.
    Mise-en-scène is a French term and originates in the theater. It means, literally, "put in the scene." For film, it has a broader meaning, and refers to almost everything that goes into the composition of the shot, including the composition itself: framing, movement of the camera and characters, lighting, set design and gen- eral visual environment, even sound as it helps elaborate the composition. Monday, April 5, 2010
  • 12.
    2:00- 8:49 What contributes to the Mise-en-scène in this clip? Also what do we learn from character interaction As an audience how do we feel about Marion...Norman as the result of this scene Discuss the parallels between Marion and Norman Monday, April 5, 2010
  • 13.
    Shower Scene 90 + shot sequence --Regarded as a defining cinematic moment-- Horrifically brings us, as audience members, into the scene. Maybe not what we saw, but what we thought we saw. Monday, April 5, 2010
  • 14.
    Saul Bass's storyboard s for the Psycho shower scene Monday, April 5, 2010
  • 15.
  • 16.
  • 17.
  • 18.
    Following the murder.....the remaining characters try to solve the mystery. Sam & Lila Arbogast Monday, April 5, 2010
  • 19.
  • 20.
  • 21.
    4:21 Trailer Monday, April 5, 2010