SlideShare a Scribd company logo
1 of 13
PRODUCTION
MANAGEMENT
EVALUATION
ROBERT-RYAN
YOU SHOULD USE THIS TO EVALUATE YOUR FINAL FILM
PROJECT. EACH QUESTION SHOULD BE ANSWERED FULLY,
USE SPECIFIC EXAMPLES FROM YOUR PROJECT WHERE
NECESSARY AND EXPAND ON THE POINTS TO FULLY
EXPLAIN AND JUSTIFY YOUR ANSWERS. YOU MAY ADD
ILLUSTRATIONS AND ADD EXTRA SLIDE WHERE
NECESSARY, BUT YOU MUST ANSWER EACH QUESTION.
PRE-PRODUCTION
Broadly explain your pre-production process. What went well, what could be
improved? How did you organise and plan your film.
Pre-production went mostly well in that I was able to plan out the structure and
the order of shots I would shoot the film in by making a shot list and storyboard.
Because I was able to plan out the look and how the film would play out in my
head it made planning a more smooth process for me. While planning for the
look/structure went well I was not able to get the equipment and people that I
wanted. I planned out the equipment and who I would get to help me shoot the
film but something personal came up with my friend who would be the DP that
would prevented him from making it on the day of the shoot so I ended up
shooting and directing the film by myself which made the shoot a little harder
then expected. I think the failure here is that I should have prepared and make
sure for certain that my camera man would be there and let him know of the
changed dates for when to film. I just assumed that he would be here regardless
so I should have contacted him before I confirmed on the evaluation power point
that he would be there to help me shoot. I also ended up writing that I would use a
stedicam and shoulder mount but when it came to get the equipment they where
the gone and the only things left where the camera and tripod. So while the visual
and structural planning went well. I should have made sure I would have had
access to the right people and equipment before writing it down.
PRODUCTION
Broadly explain your production process. What went well, what could be
improved? How did your filming go?
Production went mostly smoothly despite having to work on the camera
equipment by myself and equipment being limited to a camera and tripod which
did make the shoot more of a challenge but we pulled through. The only problems
that came up that did lead to me reshooting the film is that I shot the first couple
shots in the wrong frame rate and I only corrected the frame rate when I noticed
that the shots looked off. Because I forgot to reshoot them during the shoot I
ended up re shooting those shots 2 weeks later because I had to wait for my turn
to get the equipment again. Other problems that came up where fixed by a few
tweaks in post. For example my thumb that appeared in the shot at one point is
not where to be seen because I used premiere pro to make the image bigger so
that my thumb would be out of frame. In certain shots before the editing process
you could hear people in the background talking but thanks to editing including
composing some ambient music as well as recording and downloading pre
recorded background noise, I was able to drown that out. The only other problem
that could not be fixed through post was the tripod I booked was hard to use and
very clunky. I ended up using a old one I had saved up on my wardrobe. I only
booked one from college as I think I would have been able to utilize more
complicated angles but the tripod was too hard to master and making the shots
still and achieving panning shots so I replaced the tripod because it was easier to
achieve both those things with the old tripod I had.
POST-PRODUCTION
Broadly explain your post-production process. What went well, what could be
improved? How did you edit and produce your final piece?
Post production went smoothly and I did not face any deadlines or went above
schedule and I was able to put all of the pieces together and tell a complete story
simply because compared to everyone who made a film the editing process for
me was very minimal because the story to my film is very small scaled, simple
and would not require any after effects and complex editing techniques to tell the
story. Even when I did face any problems they did not effect the schedule and
they could have been delt with very easily. The only things that could have been
improved in my opinion is that there was one continuity issue in the kitchen
scene where a box of Weatabix appears on one side of the shot but then in the
next shot off the kitchen it is in a different place to where it was before. I should
have been more careful to make sure it wasn’t moved in between shots and
chosen the right piece of footage that would have made continuity more
consistent. There is also the issue when it comes to sound. When it shows the
protagonist bashing the criminal’s head in, I wasn’t able to get the right sound
effects I wanted and instead have the music be the only thing you hear in that
sequence. The reason being is that any noise I could find online to download or
could create at home would sound really comical and fake and the sound that you
could hear on the original footage was the sound of a hammer bashing through a
pillow that I set up for my actor to bash against. Because that became noticeable
when showing it to others it became necessary to tweak this part of the film.
SCHEDULING
How did you plan the different parts of your production? Did you use any
specialist software or techniques? What problems did you have?
I planed out the visual atheistic and structure of the film by making a shot list and
a mood board. A shot list was very useful because it allows you to write about the
film bit by bit from the length of each shot, what angle are you shooting from and
what is the context of each shot and in the end you get to pin point how many
shots there are in total. Because of this it made the shoot a lot easier because I
printed out my shot list was able to give directions of the shot and camera
placement and to my actor of the emotions he should be feeling in each scene
because I had all of my ideas written down to give me guidance for how each
scene should be according to the shot list when it came to the shoot. The
storyboard was helpful for similar reasons as the shot list but was also able to
give me a idea of what the final product would look like visually. The problem with
the shot list website was that it was very limited to how many slides it would let
me make and I would have to pay in order to continue so I ended up sticking to
the shot list which I created using Microsoft word. I made sure I was in close
contact with anyone who would even slightly be involved in the making of the
film. Most of which consisted of my own family including my main actor. Even
with my camera man who dropped out due to scheduling conflicts so that when
any change would pop up they would know immediately.
INDIVIDUAL
PERFORMANCE
Assess your performance in your chosen roles. What did you do? How do
you think performed in this role? Can you think of any areas where you
could have improved your performance?
Because my DP wasn’t able to make it on the day of the shoot I had to take
over as both director and DP which was a very stressful task to preform but I
managed to pull through. I believed I preformed the camera work well
despite having to deal with the clunky tripod and the occasional camera. The
only aspects of the camerawork that I could not deal with was the one shot
where the camera was out of focus the one shot involving a pan that was
slightly out of time with the actors movements. Aside from those issues I
feel I have the look of the film down to how I planned it out with my shot list
and I still managed to make a visually interesting regardless of the minor
issues. As director I had my shot list to help me guide how each shot is set
up instead of remembering of by heart which made things a little more
easier for me and me and my actor got a long really well mainly due to the
fact that we are brothers, making teamwork more easier and I almost faced
no problems because of that but I have a feeling that I would be facing a
greater challenge if I was working with someone who wasn’t a family
member. Because I can be socially awkward and because I’m a student my
language when it comes to directing a project is kind of limited
TEAM PERFORMANCE
Assess how your team performed, did you have any problems? Did they
undertake their roles effectively? Could you have improved performance? How?
Because I collaborated with family members to help me make the film team work
and team performance was very efficient and consistent. My brother preformed
the role as the main actor for the film and is the one the audience follows every
step of the way. He preformed each step and direction I gave him and even when
he did something wrong he was quick to learn and pick up tips in order to
improve his performance. When it came to me portraying the criminal I had my
mum be the camera operator and because she has no experience in anything that
I’m doing at the moment I had to teach her how to operate the camera and how to
press record as well as hold the camera with her hands and do a tracking shot.
While it took a while she eventually got the hand of it and managed to shoot some
competent shots that worked well in the final product. Overall we worked well
together because we know each other so well and simply because my cast and
crew consisted of 3 people at the most, If there is more then 3 people in my crew
then it would have been more of a challenge but because of those 2 aspects. It
made the shoot more of a success. I could have improved by researching
directing a film independently online and shooting with the cameras at the same
time instead of starting fresh cause that way it would have made the start of the
shoot more of a fluent and smooth experience for me and my actor.
TROUBLESHOOTING
Think about the problems you had in your production [consider technical,
logistical, organisational and personnel related issues]. How did you resolve
them? Did your contingency plan work? How could you have improved this?
I ended up changing the intended shooting days because things kept popping up
concerning my brother where he had to be somewhere on the day I planned to
shoot so because of this I had to push back the shoot to another week which then
lead to my cameraman dropping out because he was to busy and could not make
it on the changed date. This lead to me working by myself as both director and
cameraman which added a layer of difficulty because I had to do two things at
once which is both direct my actor in each scene as well as work on the blocking
on the camera within those scenes. I resolved that issue by just working at it as
hard as I can. It made the shooting process longer and I made a few mistakes with
the camera which I resolved by reshoots but it worked in the end. Other problems
where either fixed by changing features in the camera or in post production. For
example on the day shoot it was really hot and bright and I ended up changing the
exposure on the camera a few times when ever we had to change angles when
ever the sun would be shining bright on a shot. There was also some neighbours
who you could hear in the raw unfiltered versions of what I filmed so I got rid of
the audio in the shot and add in some pre recorded background noise which
blends well with the footage I recorded. I used that same background noise to
block out the camera noise and the voices you could hear in the background. I
even use the edit to change the lighting to match continuity with in the scene. The
lighting issues could have been improved if I had some lighting panels at my
disposal but there where non available when I booked my equipment.
RESOURCES
You may have mentioned your acquisition and usage of resources in your
broad overviews above, however, are there any specific issues you
encountered [getting equipment, props, costumes, etc] that can discuss?
The tripod I booked from the college was probably the most complicated and
expensive one that I have ever used so because of this I had a hard time
trying to get the hang of it. The head of the tripod would slowly move on its
own and the head would ether be too hard to do a panning shot or it would
move by its self when I finally figured out how to loosen it. This lead to me
using an old tripod that I had in my wardrobe that I’m more used to using. I
ended up using the booked tripod for panning shots because the other
tripod I had in my wardrobe is a lot harder to do a pan because it’s a lot
tough and you can’t keep up with people running. So I ended up using the
booked tripod for one shot and at that point I kind of got the hang of it and
we where able to shoot an efficient shot. Another issue I had was with the
camera. Because I had not used a DSLR for a while I forgot to work on the
frame rate and finding the right settings in order to change it to how I want
it. I had to watch a tutorial video during the shoot in order to get the hang of
it again.
PRODUCTION
TECHNIQUES
Did you have to learn or develop new skills are part of your production? How did
this change or influence your choice of production techniques? Of the techniques
used which did you rate as the most successful and why? Which techniques were
not as you had expected? Why?
I didn't really learn much new skills that I didn’t already know before the shoot
and felt like I didn’t need to because of the limited recourses at my disposal. Now
after the shoot, the only skill I feel that I needed to develop even more in the
future is that I needed to work both as director and DP which is a common thing
in independent filmmaking. It’s a more complicated skill with a bigger budget and
more recourses and If that ever happens again I will need to expand that skill in
order to improve. However I did learn to be patient with my actor as it takes time
for any actor to get into the mood and feel of a scene and that taught me to not
rush and take your time. Its important that you keep it smooth as possible instead
of rushing because otherwise you might end up overlooking as aspect of your
shoot that you where not aware with before, such as continuity some of the
technical aspects including keeping the camera in focus and making sure there is
nothing in the frame like a pedestrian or your face or finger/thumbs are in shot.
By working at it slowly it allows you to concentrate on little details like that so
everything is efficient. This is a skill that I’m definitely going to apply if I ever do
this again.
MONITORING AND
REVIEW
How did you monitor and review the progress of your project? Essentially,
how did you track the project to keep it on deadline?
I tracked the editing process by screenshoting every new change I made to
the film and wrote about the new changes and why they where made. As for
keeping track and making sure that I was on time, it was very easy for me
because my film was a lot more small scaled and less flashy then you
would expect from any student film so because there wouldn’t be any
effects work or green screen involved combined with the short length of 3
minutes I had plenty of time to get my project done and was able to stay on
time and even when I finished on combining all of the footage together and
adding some music and sound effects I still had some spare time to make
some small and subtle changes to my project. So me getting the project
done on time was more down to the fact that it did not involve any effects
and wasn’t a big scale film. Otherwise there would be more time dedicated
and I probably wouldn’t finish on time. It probably would be a more stressful
and time-consuming process as well. That is the main reason for my project
being done on time.
EARLY VERSIONS OF
YOUR FILM
Explain the process that you went through in order to complete your final
film. This should consider your choice of interim screenings and what
feedback you received, how you used this feedback and whether it affected
your final film.
The earliest version of the film that I screened was complete by 90 % so
there where a couple of sound issues such as camera noise and adding in
sound effects that needed to be tweaked. Response was mostly positive
with the only critiques being on the sound especially on the opening on
which they wanted music in the begging. I was able to add in some music in
the opening however they wanted some had bashing sound effects which
was very hard to do because the sound of the head bashing open sounded
goofy and fake and would not match the atmospheric tone that I’m going for.
So because of this I ended up removing all of the background noise for that
scene with the only noise being the music so that no one will be distracted
by the background noise. I hope that by doing this I still will be able to
create the same effect that I am aiming for and that I don’t loose something
that I already had before.
FINAL FILM
Assess your final film in the following areas; technical qualities, creative qualities and whether it fit
your plan. Discuss the strengths and weaknesses of each area and suggest how you could improve it
further…
The strength of my film is that the look of the film and the structure is how envisioned it from the start
Despite the limitations and not everything in pre production going according to plan I still managed to
make something that I’m proud of and I had full creative control making it. The visual look of the film
is somewhat cinematic, the lighting is eerie and effective and I feel like I have utilized the black and
white to create the sense of panic and dread that is going through the protagonist’s head pretty well,
and the reactions from the people who I screened it to where pretty positive and their criticisms where
very minimal. My only weaknesses for my final film is that one there is one shot that is out of focus
and one I should have been aware of during production. The sound can be a little inconsistent with
the background noise cutting out with only the music playing in certain sections. While its not as
distracting as other student films that face the same issues but you can partially tell when the
background noise has stopped playing and it might ruin the tension for some people. Another thing I
feel I should have done stylistically and something that would have improved the quality of the final
product is that I should have made sure that my main actor should be in every frame of the film which
is a subtle stylistic choice that is made by a few indie directors when they are making a character
study and they want the audiences to feel like they are in their shoes and they are completely
watching events of the film from their perspective and no one else. It’s a very easy way for audiences
to feel attached to a protagonist feeling everything they feel. I feel that this would have made the film
more effective as a character study as well as a thriller because you are completely in his foot steps
for the entire run time with no change of perspective or focus and I think that makes for a more
powerful and intimate viewing rather then changing perspective by adding in some establishing
shots. Even if you have to change angles having him still appear in the bottom or the corner of the
frame will still have the same effect. If I ever decide to do a film like this again this is something that
I’m definitely going to apply to in and future projects.

More Related Content

What's hot

4. Production Experiments
4. Production Experiments4. Production Experiments
4. Production ExperimentsGeorgia Brown
 
6. evaluation sf 2017
6. evaluation sf 20176. evaluation sf 2017
6. evaluation sf 2017Leah Ellis
 
FMP: Unfinished evaluation
FMP: Unfinished evaluationFMP: Unfinished evaluation
FMP: Unfinished evaluationEwanWild
 
FMP: Actually finished evaluation
FMP: Actually finished evaluation FMP: Actually finished evaluation
FMP: Actually finished evaluation EwanWild
 
Mv production assignment evaluation form 2020
Mv production assignment evaluation form 2020Mv production assignment evaluation form 2020
Mv production assignment evaluation form 2020matthewturley1
 
Evaluation copy
Evaluation copyEvaluation copy
Evaluation copyArchieBradley
 
6. Evaluation sf 2017
6. Evaluation sf 20176. Evaluation sf 2017
6. Evaluation sf 2017Sumiah Rose
 
UnfinishedProblemSolving
UnfinishedProblemSolvingUnfinishedProblemSolving
UnfinishedProblemSolvinglukeh01
 
FMP: Updated Evaluation
FMP: Updated EvaluationFMP: Updated Evaluation
FMP: Updated EvaluationEwanWild
 
Production management evaluation 2015
Production management evaluation 2015Production management evaluation 2015
Production management evaluation 2015Katie Hair - Morse
 
5. production reflection sf 2017 (1)
5. production reflection sf 2017 (1)5. production reflection sf 2017 (1)
5. production reflection sf 2017 (1)fin sedgwick
 
Production management evaluation 2015 2
Production management evaluation 2015 2Production management evaluation 2015 2
Production management evaluation 2015 2harvey hinchliffe
 
Evaluation FMP
Evaluation FMPEvaluation FMP
Evaluation FMPChristianO96
 
Evaluation
EvaluationEvaluation
EvaluationAdam Grundy
 
FMP pre production
FMP  pre productionFMP  pre production
FMP pre productionAdamLepard
 
6. production reflection
6. production reflection6. production reflection
6. production reflectionJack Hickman
 
Evaluation
EvaluationEvaluation
Evaluationhannahmorse
 
Evaluation
EvaluationEvaluation
EvaluationMel Nuttall
 

What's hot (20)

4. Production Experiments
4. Production Experiments4. Production Experiments
4. Production Experiments
 
6. evaluation sf 2017
6. evaluation sf 20176. evaluation sf 2017
6. evaluation sf 2017
 
Fmp evaluation
Fmp evaluationFmp evaluation
Fmp evaluation
 
Fmp evaluation
Fmp evaluationFmp evaluation
Fmp evaluation
 
FMP: Unfinished evaluation
FMP: Unfinished evaluationFMP: Unfinished evaluation
FMP: Unfinished evaluation
 
FMP: Actually finished evaluation
FMP: Actually finished evaluation FMP: Actually finished evaluation
FMP: Actually finished evaluation
 
Mv production assignment evaluation form 2020
Mv production assignment evaluation form 2020Mv production assignment evaluation form 2020
Mv production assignment evaluation form 2020
 
Evaluation copy
Evaluation copyEvaluation copy
Evaluation copy
 
6. Evaluation sf 2017
6. Evaluation sf 20176. Evaluation sf 2017
6. Evaluation sf 2017
 
UnfinishedProblemSolving
UnfinishedProblemSolvingUnfinishedProblemSolving
UnfinishedProblemSolving
 
FMP: Updated Evaluation
FMP: Updated EvaluationFMP: Updated Evaluation
FMP: Updated Evaluation
 
Production management evaluation 2015
Production management evaluation 2015Production management evaluation 2015
Production management evaluation 2015
 
5. production reflection sf 2017 (1)
5. production reflection sf 2017 (1)5. production reflection sf 2017 (1)
5. production reflection sf 2017 (1)
 
Production management evaluation 2015 2
Production management evaluation 2015 2Production management evaluation 2015 2
Production management evaluation 2015 2
 
Evaluation FMP
Evaluation FMPEvaluation FMP
Evaluation FMP
 
Evaluation
EvaluationEvaluation
Evaluation
 
FMP pre production
FMP  pre productionFMP  pre production
FMP pre production
 
6. production reflection
6. production reflection6. production reflection
6. production reflection
 
Evaluation
EvaluationEvaluation
Evaluation
 
Evaluation
EvaluationEvaluation
Evaluation
 

Similar to Production management evaluation 2015

Evaluation
EvaluationEvaluation
EvaluationAdam Grundy
 
short film evaluation
short film evaluationshort film evaluation
short film evaluationkieran Beal
 
completed short film evaluation
completed short film evaluation completed short film evaluation
completed short film evaluation kieran Beal
 
Short film evaluation 2
Short film evaluation 2Short film evaluation 2
Short film evaluation 2kieran Beal
 
Evaluation
EvaluationEvaluation
Evaluationlukeh01
 
Evaluation (1)
Evaluation (1)Evaluation (1)
Evaluation (1)lukeh01
 
Evaluation (2)
Evaluation (2)Evaluation (2)
Evaluation (2)lukeh01
 
6. evaluation sf 2017
6. evaluation sf 20176. evaluation sf 2017
6. evaluation sf 2017kieran Beal
 
6. evaluation sf 2017
6. evaluation sf 20176. evaluation sf 2017
6. evaluation sf 2017Luke Simpson
 
Music video evaluation
Music video evaluationMusic video evaluation
Music video evaluationaasiyahchopdat
 
6. evaluation sf 2017
6. evaluation sf 20176. evaluation sf 2017
6. evaluation sf 2017Thomas Haase
 
6. evaluation sf 2017
6. evaluation sf 20176. evaluation sf 2017
6. evaluation sf 2017Tom Batty
 
Untitleddocument (1)
Untitleddocument (1)Untitleddocument (1)
Untitleddocument (1)Adam Grundy
 
Untitleddocument
UntitleddocumentUntitleddocument
UntitleddocumentAdam Grundy
 
evaluation sf 2017
 evaluation sf 2017 evaluation sf 2017
evaluation sf 2017Emma Garthwaite
 
6. evaluation sf 2017 done
6. evaluation sf 2017 done6. evaluation sf 2017 done
6. evaluation sf 2017 donelouis harman
 
6. evaluation sf 2017
6. evaluation sf 2017 6. evaluation sf 2017
6. evaluation sf 2017 Jack Henderson
 
Video: evaluation
Video: evaluationVideo: evaluation
Video: evaluationEwanWild
 
5. production reflection sf 2017
5. production reflection sf 20175. production reflection sf 2017
5. production reflection sf 2017jay birkin
 
6. evaluation
6. evaluation6. evaluation
6. evaluationApril Wimmer
 

Similar to Production management evaluation 2015 (20)

Evaluation
EvaluationEvaluation
Evaluation
 
short film evaluation
short film evaluationshort film evaluation
short film evaluation
 
completed short film evaluation
completed short film evaluation completed short film evaluation
completed short film evaluation
 
Short film evaluation 2
Short film evaluation 2Short film evaluation 2
Short film evaluation 2
 
Evaluation
EvaluationEvaluation
Evaluation
 
Evaluation (1)
Evaluation (1)Evaluation (1)
Evaluation (1)
 
Evaluation (2)
Evaluation (2)Evaluation (2)
Evaluation (2)
 
6. evaluation sf 2017
6. evaluation sf 20176. evaluation sf 2017
6. evaluation sf 2017
 
6. evaluation sf 2017
6. evaluation sf 20176. evaluation sf 2017
6. evaluation sf 2017
 
Music video evaluation
Music video evaluationMusic video evaluation
Music video evaluation
 
6. evaluation sf 2017
6. evaluation sf 20176. evaluation sf 2017
6. evaluation sf 2017
 
6. evaluation sf 2017
6. evaluation sf 20176. evaluation sf 2017
6. evaluation sf 2017
 
Untitleddocument (1)
Untitleddocument (1)Untitleddocument (1)
Untitleddocument (1)
 
Untitleddocument
UntitleddocumentUntitleddocument
Untitleddocument
 
evaluation sf 2017
 evaluation sf 2017 evaluation sf 2017
evaluation sf 2017
 
6. evaluation sf 2017 done
6. evaluation sf 2017 done6. evaluation sf 2017 done
6. evaluation sf 2017 done
 
6. evaluation sf 2017
6. evaluation sf 2017 6. evaluation sf 2017
6. evaluation sf 2017
 
Video: evaluation
Video: evaluationVideo: evaluation
Video: evaluation
 
5. production reflection sf 2017
5. production reflection sf 20175. production reflection sf 2017
5. production reflection sf 2017
 
6. evaluation
6. evaluation6. evaluation
6. evaluation
 

More from Robert Ryan

End of the year highlights slideshow
End of the year highlights slideshowEnd of the year highlights slideshow
End of the year highlights slideshowRobert Ryan
 
End of the year highlights slideshow
End of the year highlights slideshowEnd of the year highlights slideshow
End of the year highlights slideshowRobert Ryan
 
Production management stage 2 2015
Production management stage 2 2015Production management stage 2 2015
Production management stage 2 2015Robert Ryan
 
Prod management production template stage 3 2015
Prod management production template  stage 3 2015Prod management production template  stage 3 2015
Prod management production template stage 3 2015Robert Ryan
 
Film theory pan's labryinth
Film theory pan's labryinthFilm theory pan's labryinth
Film theory pan's labryinthRobert Ryan
 
Production management stage 1
Production management stage 1Production management stage 1
Production management stage 1Robert Ryan
 
Week 12 pro-forma audiences & products
Week 12  pro-forma audiences & productsWeek 12  pro-forma audiences & products
Week 12 pro-forma audiences & productsRobert Ryan
 
Production management stage 1
Production management stage 1Production management stage 1
Production management stage 1Robert Ryan
 
Week 12 pro-forma audiences & products
Week 12  pro-forma audiences & productsWeek 12  pro-forma audiences & products
Week 12 pro-forma audiences & productsRobert Ryan
 
[Pro forma] corporate - live project evaluation2
[Pro forma] corporate - live project evaluation2[Pro forma] corporate - live project evaluation2
[Pro forma] corporate - live project evaluation2Robert Ryan
 
[Pro forma] corporate - live project
[Pro forma] corporate - live project[Pro forma] corporate - live project
[Pro forma] corporate - live projectRobert Ryan
 
[Pro forma] wtab theory lo1(1000)
[Pro forma] wtab theory lo1(1000) [Pro forma] wtab theory lo1(1000)
[Pro forma] wtab theory lo1(1000) Robert Ryan
 
Ident mogra comp assignment 2
Ident mogra comp assignment 2Ident mogra comp assignment 2
Ident mogra comp assignment 2Robert Ryan
 
Assignment 3 pro forma
Assignment 3 pro formaAssignment 3 pro forma
Assignment 3 pro formaRobert Ryan
 
Unit 28 corporate and promotional programe production.
Unit 28 corporate and promotional programe production.Unit 28 corporate and promotional programe production.
Unit 28 corporate and promotional programe production.Robert Ryan
 
Ident mogra comp assignment 2
Ident mogra comp assignment 2Ident mogra comp assignment 2
Ident mogra comp assignment 2Robert Ryan
 
[Pro forma] corporate lo1-lo2 (1)
[Pro forma] corporate lo1-lo2 (1)[Pro forma] corporate lo1-lo2 (1)
[Pro forma] corporate lo1-lo2 (1)Robert Ryan
 
Film theory notes
Film theory notesFilm theory notes
Film theory notesRobert Ryan
 
Film studies assignment
Film studies assignmentFilm studies assignment
Film studies assignmentRobert Ryan
 
[Pro forma] - motion graphics proposal docs1
[Pro forma] - motion graphics proposal  docs1[Pro forma] - motion graphics proposal  docs1
[Pro forma] - motion graphics proposal docs1Robert Ryan
 

More from Robert Ryan (20)

End of the year highlights slideshow
End of the year highlights slideshowEnd of the year highlights slideshow
End of the year highlights slideshow
 
End of the year highlights slideshow
End of the year highlights slideshowEnd of the year highlights slideshow
End of the year highlights slideshow
 
Production management stage 2 2015
Production management stage 2 2015Production management stage 2 2015
Production management stage 2 2015
 
Prod management production template stage 3 2015
Prod management production template  stage 3 2015Prod management production template  stage 3 2015
Prod management production template stage 3 2015
 
Film theory pan's labryinth
Film theory pan's labryinthFilm theory pan's labryinth
Film theory pan's labryinth
 
Production management stage 1
Production management stage 1Production management stage 1
Production management stage 1
 
Week 12 pro-forma audiences & products
Week 12  pro-forma audiences & productsWeek 12  pro-forma audiences & products
Week 12 pro-forma audiences & products
 
Production management stage 1
Production management stage 1Production management stage 1
Production management stage 1
 
Week 12 pro-forma audiences & products
Week 12  pro-forma audiences & productsWeek 12  pro-forma audiences & products
Week 12 pro-forma audiences & products
 
[Pro forma] corporate - live project evaluation2
[Pro forma] corporate - live project evaluation2[Pro forma] corporate - live project evaluation2
[Pro forma] corporate - live project evaluation2
 
[Pro forma] corporate - live project
[Pro forma] corporate - live project[Pro forma] corporate - live project
[Pro forma] corporate - live project
 
[Pro forma] wtab theory lo1(1000)
[Pro forma] wtab theory lo1(1000) [Pro forma] wtab theory lo1(1000)
[Pro forma] wtab theory lo1(1000)
 
Ident mogra comp assignment 2
Ident mogra comp assignment 2Ident mogra comp assignment 2
Ident mogra comp assignment 2
 
Assignment 3 pro forma
Assignment 3 pro formaAssignment 3 pro forma
Assignment 3 pro forma
 
Unit 28 corporate and promotional programe production.
Unit 28 corporate and promotional programe production.Unit 28 corporate and promotional programe production.
Unit 28 corporate and promotional programe production.
 
Ident mogra comp assignment 2
Ident mogra comp assignment 2Ident mogra comp assignment 2
Ident mogra comp assignment 2
 
[Pro forma] corporate lo1-lo2 (1)
[Pro forma] corporate lo1-lo2 (1)[Pro forma] corporate lo1-lo2 (1)
[Pro forma] corporate lo1-lo2 (1)
 
Film theory notes
Film theory notesFilm theory notes
Film theory notes
 
Film studies assignment
Film studies assignmentFilm studies assignment
Film studies assignment
 
[Pro forma] - motion graphics proposal docs1
[Pro forma] - motion graphics proposal  docs1[Pro forma] - motion graphics proposal  docs1
[Pro forma] - motion graphics proposal docs1
 

Recently uploaded

CCS355 Neural Network & Deep Learning Unit II Notes with Question bank .pdf
CCS355 Neural Network & Deep Learning Unit II Notes with Question bank .pdfCCS355 Neural Network & Deep Learning Unit II Notes with Question bank .pdf
CCS355 Neural Network & Deep Learning Unit II Notes with Question bank .pdfAsst.prof M.Gokilavani
 
Call Girls Delhi {Jodhpur} 9711199012 high profile service
Call Girls Delhi {Jodhpur} 9711199012 high profile serviceCall Girls Delhi {Jodhpur} 9711199012 high profile service
Call Girls Delhi {Jodhpur} 9711199012 high profile servicerehmti665
 
Past, Present and Future of Generative AI
Past, Present and Future of Generative AIPast, Present and Future of Generative AI
Past, Present and Future of Generative AIabhishek36461
 
Introduction to Microprocesso programming and interfacing.pptx
Introduction to Microprocesso programming and interfacing.pptxIntroduction to Microprocesso programming and interfacing.pptx
Introduction to Microprocesso programming and interfacing.pptxvipinkmenon1
 
Sheet Pile Wall Design and Construction: A Practical Guide for Civil Engineer...
Sheet Pile Wall Design and Construction: A Practical Guide for Civil Engineer...Sheet Pile Wall Design and Construction: A Practical Guide for Civil Engineer...
Sheet Pile Wall Design and Construction: A Practical Guide for Civil Engineer...Dr.Costas Sachpazis
 
Artificial-Intelligence-in-Electronics (K).pptx
Artificial-Intelligence-in-Electronics (K).pptxArtificial-Intelligence-in-Electronics (K).pptx
Artificial-Intelligence-in-Electronics (K).pptxbritheesh05
 
Gfe Mayur Vihar Call Girls Service WhatsApp -> 9999965857 Available 24x7 ^ De...
Gfe Mayur Vihar Call Girls Service WhatsApp -> 9999965857 Available 24x7 ^ De...Gfe Mayur Vihar Call Girls Service WhatsApp -> 9999965857 Available 24x7 ^ De...
Gfe Mayur Vihar Call Girls Service WhatsApp -> 9999965857 Available 24x7 ^ De...srsj9000
 
Architect Hassan Khalil Portfolio for 2024
Architect Hassan Khalil Portfolio for 2024Architect Hassan Khalil Portfolio for 2024
Architect Hassan Khalil Portfolio for 2024hassan khalil
 
Study on Air-Water & Water-Water Heat Exchange in a Finned ďťżTube Exchanger
Study on Air-Water & Water-Water Heat Exchange in a Finned ďťżTube ExchangerStudy on Air-Water & Water-Water Heat Exchange in a Finned ďťżTube Exchanger
Study on Air-Water & Water-Water Heat Exchange in a Finned ďťżTube ExchangerAnamika Sarkar
 
CCS355 Neural Network & Deep Learning UNIT III notes and Question bank .pdf
CCS355 Neural Network & Deep Learning UNIT III notes and Question bank .pdfCCS355 Neural Network & Deep Learning UNIT III notes and Question bank .pdf
CCS355 Neural Network & Deep Learning UNIT III notes and Question bank .pdfAsst.prof M.Gokilavani
 
IVE Industry Focused Event - Defence Sector 2024
IVE Industry Focused Event - Defence Sector 2024IVE Industry Focused Event - Defence Sector 2024
IVE Industry Focused Event - Defence Sector 2024Mark Billinghurst
 
Sachpazis Costas: Geotechnical Engineering: A student's Perspective Introduction
Sachpazis Costas: Geotechnical Engineering: A student's Perspective IntroductionSachpazis Costas: Geotechnical Engineering: A student's Perspective Introduction
Sachpazis Costas: Geotechnical Engineering: A student's Perspective IntroductionDr.Costas Sachpazis
 
Software and Systems Engineering Standards: Verification and Validation of Sy...
Software and Systems Engineering Standards: Verification and Validation of Sy...Software and Systems Engineering Standards: Verification and Validation of Sy...
Software and Systems Engineering Standards: Verification and Validation of Sy...VICTOR MAESTRE RAMIREZ
 
Gurgaon ✡️9711147426✨Call In girls Gurgaon Sector 51 escort service
Gurgaon ✡️9711147426✨Call In girls Gurgaon Sector 51 escort serviceGurgaon ✡️9711147426✨Call In girls Gurgaon Sector 51 escort service
Gurgaon ✡️9711147426✨Call In girls Gurgaon Sector 51 escort servicejennyeacort
 
power system scada applications and uses
power system scada applications and usespower system scada applications and uses
power system scada applications and usesDevarapalliHaritha
 
VIP Call Girls Service Hitech City Hyderabad Call +91-8250192130
VIP Call Girls Service Hitech City Hyderabad Call +91-8250192130VIP Call Girls Service Hitech City Hyderabad Call +91-8250192130
VIP Call Girls Service Hitech City Hyderabad Call +91-8250192130Suhani Kapoor
 
APPLICATIONS-AC/DC DRIVES-OPERATING CHARACTERISTICS
APPLICATIONS-AC/DC DRIVES-OPERATING CHARACTERISTICSAPPLICATIONS-AC/DC DRIVES-OPERATING CHARACTERISTICS
APPLICATIONS-AC/DC DRIVES-OPERATING CHARACTERISTICSKurinjimalarL3
 
High Profile Call Girls Nagpur Isha Call 7001035870 Meet With Nagpur Escorts
High Profile Call Girls Nagpur Isha Call 7001035870 Meet With Nagpur EscortsHigh Profile Call Girls Nagpur Isha Call 7001035870 Meet With Nagpur Escorts
High Profile Call Girls Nagpur Isha Call 7001035870 Meet With Nagpur Escortsranjana rawat
 

Recently uploaded (20)

CCS355 Neural Network & Deep Learning Unit II Notes with Question bank .pdf
CCS355 Neural Network & Deep Learning Unit II Notes with Question bank .pdfCCS355 Neural Network & Deep Learning Unit II Notes with Question bank .pdf
CCS355 Neural Network & Deep Learning Unit II Notes with Question bank .pdf
 
Call Girls Delhi {Jodhpur} 9711199012 high profile service
Call Girls Delhi {Jodhpur} 9711199012 high profile serviceCall Girls Delhi {Jodhpur} 9711199012 high profile service
Call Girls Delhi {Jodhpur} 9711199012 high profile service
 
young call girls in Rajiv Chowk🔝 9953056974 🔝 Delhi escort Service
young call girls in Rajiv Chowk🔝 9953056974 🔝 Delhi escort Serviceyoung call girls in Rajiv Chowk🔝 9953056974 🔝 Delhi escort Service
young call girls in Rajiv Chowk🔝 9953056974 🔝 Delhi escort Service
 
★ CALL US 9953330565 ( HOT Young Call Girls In Badarpur delhi NCR
★ CALL US 9953330565 ( HOT Young Call Girls In Badarpur delhi NCR★ CALL US 9953330565 ( HOT Young Call Girls In Badarpur delhi NCR
★ CALL US 9953330565 ( HOT Young Call Girls In Badarpur delhi NCR
 
Past, Present and Future of Generative AI
Past, Present and Future of Generative AIPast, Present and Future of Generative AI
Past, Present and Future of Generative AI
 
Introduction to Microprocesso programming and interfacing.pptx
Introduction to Microprocesso programming and interfacing.pptxIntroduction to Microprocesso programming and interfacing.pptx
Introduction to Microprocesso programming and interfacing.pptx
 
Sheet Pile Wall Design and Construction: A Practical Guide for Civil Engineer...
Sheet Pile Wall Design and Construction: A Practical Guide for Civil Engineer...Sheet Pile Wall Design and Construction: A Practical Guide for Civil Engineer...
Sheet Pile Wall Design and Construction: A Practical Guide for Civil Engineer...
 
Artificial-Intelligence-in-Electronics (K).pptx
Artificial-Intelligence-in-Electronics (K).pptxArtificial-Intelligence-in-Electronics (K).pptx
Artificial-Intelligence-in-Electronics (K).pptx
 
Gfe Mayur Vihar Call Girls Service WhatsApp -> 9999965857 Available 24x7 ^ De...
Gfe Mayur Vihar Call Girls Service WhatsApp -> 9999965857 Available 24x7 ^ De...Gfe Mayur Vihar Call Girls Service WhatsApp -> 9999965857 Available 24x7 ^ De...
Gfe Mayur Vihar Call Girls Service WhatsApp -> 9999965857 Available 24x7 ^ De...
 
Architect Hassan Khalil Portfolio for 2024
Architect Hassan Khalil Portfolio for 2024Architect Hassan Khalil Portfolio for 2024
Architect Hassan Khalil Portfolio for 2024
 
Study on Air-Water & Water-Water Heat Exchange in a Finned ďťżTube Exchanger
Study on Air-Water & Water-Water Heat Exchange in a Finned ďťżTube ExchangerStudy on Air-Water & Water-Water Heat Exchange in a Finned ďťżTube Exchanger
Study on Air-Water & Water-Water Heat Exchange in a Finned ďťżTube Exchanger
 
CCS355 Neural Network & Deep Learning UNIT III notes and Question bank .pdf
CCS355 Neural Network & Deep Learning UNIT III notes and Question bank .pdfCCS355 Neural Network & Deep Learning UNIT III notes and Question bank .pdf
CCS355 Neural Network & Deep Learning UNIT III notes and Question bank .pdf
 
IVE Industry Focused Event - Defence Sector 2024
IVE Industry Focused Event - Defence Sector 2024IVE Industry Focused Event - Defence Sector 2024
IVE Industry Focused Event - Defence Sector 2024
 
Sachpazis Costas: Geotechnical Engineering: A student's Perspective Introduction
Sachpazis Costas: Geotechnical Engineering: A student's Perspective IntroductionSachpazis Costas: Geotechnical Engineering: A student's Perspective Introduction
Sachpazis Costas: Geotechnical Engineering: A student's Perspective Introduction
 
Software and Systems Engineering Standards: Verification and Validation of Sy...
Software and Systems Engineering Standards: Verification and Validation of Sy...Software and Systems Engineering Standards: Verification and Validation of Sy...
Software and Systems Engineering Standards: Verification and Validation of Sy...
 
Gurgaon ✡️9711147426✨Call In girls Gurgaon Sector 51 escort service
Gurgaon ✡️9711147426✨Call In girls Gurgaon Sector 51 escort serviceGurgaon ✡️9711147426✨Call In girls Gurgaon Sector 51 escort service
Gurgaon ✡️9711147426✨Call In girls Gurgaon Sector 51 escort service
 
power system scada applications and uses
power system scada applications and usespower system scada applications and uses
power system scada applications and uses
 
VIP Call Girls Service Hitech City Hyderabad Call +91-8250192130
VIP Call Girls Service Hitech City Hyderabad Call +91-8250192130VIP Call Girls Service Hitech City Hyderabad Call +91-8250192130
VIP Call Girls Service Hitech City Hyderabad Call +91-8250192130
 
APPLICATIONS-AC/DC DRIVES-OPERATING CHARACTERISTICS
APPLICATIONS-AC/DC DRIVES-OPERATING CHARACTERISTICSAPPLICATIONS-AC/DC DRIVES-OPERATING CHARACTERISTICS
APPLICATIONS-AC/DC DRIVES-OPERATING CHARACTERISTICS
 
High Profile Call Girls Nagpur Isha Call 7001035870 Meet With Nagpur Escorts
High Profile Call Girls Nagpur Isha Call 7001035870 Meet With Nagpur EscortsHigh Profile Call Girls Nagpur Isha Call 7001035870 Meet With Nagpur Escorts
High Profile Call Girls Nagpur Isha Call 7001035870 Meet With Nagpur Escorts
 

Production management evaluation 2015

  • 1. PRODUCTION MANAGEMENT EVALUATION ROBERT-RYAN YOU SHOULD USE THIS TO EVALUATE YOUR FINAL FILM PROJECT. EACH QUESTION SHOULD BE ANSWERED FULLY, USE SPECIFIC EXAMPLES FROM YOUR PROJECT WHERE NECESSARY AND EXPAND ON THE POINTS TO FULLY EXPLAIN AND JUSTIFY YOUR ANSWERS. YOU MAY ADD ILLUSTRATIONS AND ADD EXTRA SLIDE WHERE NECESSARY, BUT YOU MUST ANSWER EACH QUESTION.
  • 2. PRE-PRODUCTION Broadly explain your pre-production process. What went well, what could be improved? How did you organise and plan your film. Pre-production went mostly well in that I was able to plan out the structure and the order of shots I would shoot the film in by making a shot list and storyboard. Because I was able to plan out the look and how the film would play out in my head it made planning a more smooth process for me. While planning for the look/structure went well I was not able to get the equipment and people that I wanted. I planned out the equipment and who I would get to help me shoot the film but something personal came up with my friend who would be the DP that would prevented him from making it on the day of the shoot so I ended up shooting and directing the film by myself which made the shoot a little harder then expected. I think the failure here is that I should have prepared and make sure for certain that my camera man would be there and let him know of the changed dates for when to film. I just assumed that he would be here regardless so I should have contacted him before I confirmed on the evaluation power point that he would be there to help me shoot. I also ended up writing that I would use a stedicam and shoulder mount but when it came to get the equipment they where the gone and the only things left where the camera and tripod. So while the visual and structural planning went well. I should have made sure I would have had access to the right people and equipment before writing it down.
  • 3. PRODUCTION Broadly explain your production process. What went well, what could be improved? How did your filming go? Production went mostly smoothly despite having to work on the camera equipment by myself and equipment being limited to a camera and tripod which did make the shoot more of a challenge but we pulled through. The only problems that came up that did lead to me reshooting the film is that I shot the first couple shots in the wrong frame rate and I only corrected the frame rate when I noticed that the shots looked off. Because I forgot to reshoot them during the shoot I ended up re shooting those shots 2 weeks later because I had to wait for my turn to get the equipment again. Other problems that came up where fixed by a few tweaks in post. For example my thumb that appeared in the shot at one point is not where to be seen because I used premiere pro to make the image bigger so that my thumb would be out of frame. In certain shots before the editing process you could hear people in the background talking but thanks to editing including composing some ambient music as well as recording and downloading pre recorded background noise, I was able to drown that out. The only other problem that could not be fixed through post was the tripod I booked was hard to use and very clunky. I ended up using a old one I had saved up on my wardrobe. I only booked one from college as I think I would have been able to utilize more complicated angles but the tripod was too hard to master and making the shots still and achieving panning shots so I replaced the tripod because it was easier to achieve both those things with the old tripod I had.
  • 4. POST-PRODUCTION Broadly explain your post-production process. What went well, what could be improved? How did you edit and produce your final piece? Post production went smoothly and I did not face any deadlines or went above schedule and I was able to put all of the pieces together and tell a complete story simply because compared to everyone who made a film the editing process for me was very minimal because the story to my film is very small scaled, simple and would not require any after effects and complex editing techniques to tell the story. Even when I did face any problems they did not effect the schedule and they could have been delt with very easily. The only things that could have been improved in my opinion is that there was one continuity issue in the kitchen scene where a box of Weatabix appears on one side of the shot but then in the next shot off the kitchen it is in a different place to where it was before. I should have been more careful to make sure it wasn’t moved in between shots and chosen the right piece of footage that would have made continuity more consistent. There is also the issue when it comes to sound. When it shows the protagonist bashing the criminal’s head in, I wasn’t able to get the right sound effects I wanted and instead have the music be the only thing you hear in that sequence. The reason being is that any noise I could find online to download or could create at home would sound really comical and fake and the sound that you could hear on the original footage was the sound of a hammer bashing through a pillow that I set up for my actor to bash against. Because that became noticeable when showing it to others it became necessary to tweak this part of the film.
  • 5. SCHEDULING How did you plan the different parts of your production? Did you use any specialist software or techniques? What problems did you have? I planed out the visual atheistic and structure of the film by making a shot list and a mood board. A shot list was very useful because it allows you to write about the film bit by bit from the length of each shot, what angle are you shooting from and what is the context of each shot and in the end you get to pin point how many shots there are in total. Because of this it made the shoot a lot easier because I printed out my shot list was able to give directions of the shot and camera placement and to my actor of the emotions he should be feeling in each scene because I had all of my ideas written down to give me guidance for how each scene should be according to the shot list when it came to the shoot. The storyboard was helpful for similar reasons as the shot list but was also able to give me a idea of what the final product would look like visually. The problem with the shot list website was that it was very limited to how many slides it would let me make and I would have to pay in order to continue so I ended up sticking to the shot list which I created using Microsoft word. I made sure I was in close contact with anyone who would even slightly be involved in the making of the film. Most of which consisted of my own family including my main actor. Even with my camera man who dropped out due to scheduling conflicts so that when any change would pop up they would know immediately.
  • 6. INDIVIDUAL PERFORMANCE Assess your performance in your chosen roles. What did you do? How do you think performed in this role? Can you think of any areas where you could have improved your performance? Because my DP wasn’t able to make it on the day of the shoot I had to take over as both director and DP which was a very stressful task to preform but I managed to pull through. I believed I preformed the camera work well despite having to deal with the clunky tripod and the occasional camera. The only aspects of the camerawork that I could not deal with was the one shot where the camera was out of focus the one shot involving a pan that was slightly out of time with the actors movements. Aside from those issues I feel I have the look of the film down to how I planned it out with my shot list and I still managed to make a visually interesting regardless of the minor issues. As director I had my shot list to help me guide how each shot is set up instead of remembering of by heart which made things a little more easier for me and me and my actor got a long really well mainly due to the fact that we are brothers, making teamwork more easier and I almost faced no problems because of that but I have a feeling that I would be facing a greater challenge if I was working with someone who wasn’t a family member. Because I can be socially awkward and because I’m a student my language when it comes to directing a project is kind of limited
  • 7. TEAM PERFORMANCE Assess how your team performed, did you have any problems? Did they undertake their roles effectively? Could you have improved performance? How? Because I collaborated with family members to help me make the film team work and team performance was very efficient and consistent. My brother preformed the role as the main actor for the film and is the one the audience follows every step of the way. He preformed each step and direction I gave him and even when he did something wrong he was quick to learn and pick up tips in order to improve his performance. When it came to me portraying the criminal I had my mum be the camera operator and because she has no experience in anything that I’m doing at the moment I had to teach her how to operate the camera and how to press record as well as hold the camera with her hands and do a tracking shot. While it took a while she eventually got the hand of it and managed to shoot some competent shots that worked well in the final product. Overall we worked well together because we know each other so well and simply because my cast and crew consisted of 3 people at the most, If there is more then 3 people in my crew then it would have been more of a challenge but because of those 2 aspects. It made the shoot more of a success. I could have improved by researching directing a film independently online and shooting with the cameras at the same time instead of starting fresh cause that way it would have made the start of the shoot more of a fluent and smooth experience for me and my actor.
  • 8. TROUBLESHOOTING Think about the problems you had in your production [consider technical, logistical, organisational and personnel related issues]. How did you resolve them? Did your contingency plan work? How could you have improved this? I ended up changing the intended shooting days because things kept popping up concerning my brother where he had to be somewhere on the day I planned to shoot so because of this I had to push back the shoot to another week which then lead to my cameraman dropping out because he was to busy and could not make it on the changed date. This lead to me working by myself as both director and cameraman which added a layer of difficulty because I had to do two things at once which is both direct my actor in each scene as well as work on the blocking on the camera within those scenes. I resolved that issue by just working at it as hard as I can. It made the shooting process longer and I made a few mistakes with the camera which I resolved by reshoots but it worked in the end. Other problems where either fixed by changing features in the camera or in post production. For example on the day shoot it was really hot and bright and I ended up changing the exposure on the camera a few times when ever we had to change angles when ever the sun would be shining bright on a shot. There was also some neighbours who you could hear in the raw unfiltered versions of what I filmed so I got rid of the audio in the shot and add in some pre recorded background noise which blends well with the footage I recorded. I used that same background noise to block out the camera noise and the voices you could hear in the background. I even use the edit to change the lighting to match continuity with in the scene. The lighting issues could have been improved if I had some lighting panels at my disposal but there where non available when I booked my equipment.
  • 9. RESOURCES You may have mentioned your acquisition and usage of resources in your broad overviews above, however, are there any specific issues you encountered [getting equipment, props, costumes, etc] that can discuss? The tripod I booked from the college was probably the most complicated and expensive one that I have ever used so because of this I had a hard time trying to get the hang of it. The head of the tripod would slowly move on its own and the head would ether be too hard to do a panning shot or it would move by its self when I finally figured out how to loosen it. This lead to me using an old tripod that I had in my wardrobe that I’m more used to using. I ended up using the booked tripod for panning shots because the other tripod I had in my wardrobe is a lot harder to do a pan because it’s a lot tough and you can’t keep up with people running. So I ended up using the booked tripod for one shot and at that point I kind of got the hang of it and we where able to shoot an efficient shot. Another issue I had was with the camera. Because I had not used a DSLR for a while I forgot to work on the frame rate and finding the right settings in order to change it to how I want it. I had to watch a tutorial video during the shoot in order to get the hang of it again.
  • 10. PRODUCTION TECHNIQUES Did you have to learn or develop new skills are part of your production? How did this change or influence your choice of production techniques? Of the techniques used which did you rate as the most successful and why? Which techniques were not as you had expected? Why? I didn't really learn much new skills that I didn’t already know before the shoot and felt like I didn’t need to because of the limited recourses at my disposal. Now after the shoot, the only skill I feel that I needed to develop even more in the future is that I needed to work both as director and DP which is a common thing in independent filmmaking. It’s a more complicated skill with a bigger budget and more recourses and If that ever happens again I will need to expand that skill in order to improve. However I did learn to be patient with my actor as it takes time for any actor to get into the mood and feel of a scene and that taught me to not rush and take your time. Its important that you keep it smooth as possible instead of rushing because otherwise you might end up overlooking as aspect of your shoot that you where not aware with before, such as continuity some of the technical aspects including keeping the camera in focus and making sure there is nothing in the frame like a pedestrian or your face or finger/thumbs are in shot. By working at it slowly it allows you to concentrate on little details like that so everything is efficient. This is a skill that I’m definitely going to apply if I ever do this again.
  • 11. MONITORING AND REVIEW How did you monitor and review the progress of your project? Essentially, how did you track the project to keep it on deadline? I tracked the editing process by screenshoting every new change I made to the film and wrote about the new changes and why they where made. As for keeping track and making sure that I was on time, it was very easy for me because my film was a lot more small scaled and less flashy then you would expect from any student film so because there wouldn’t be any effects work or green screen involved combined with the short length of 3 minutes I had plenty of time to get my project done and was able to stay on time and even when I finished on combining all of the footage together and adding some music and sound effects I still had some spare time to make some small and subtle changes to my project. So me getting the project done on time was more down to the fact that it did not involve any effects and wasn’t a big scale film. Otherwise there would be more time dedicated and I probably wouldn’t finish on time. It probably would be a more stressful and time-consuming process as well. That is the main reason for my project being done on time.
  • 12. EARLY VERSIONS OF YOUR FILM Explain the process that you went through in order to complete your final film. This should consider your choice of interim screenings and what feedback you received, how you used this feedback and whether it affected your final film. The earliest version of the film that I screened was complete by 90 % so there where a couple of sound issues such as camera noise and adding in sound effects that needed to be tweaked. Response was mostly positive with the only critiques being on the sound especially on the opening on which they wanted music in the begging. I was able to add in some music in the opening however they wanted some had bashing sound effects which was very hard to do because the sound of the head bashing open sounded goofy and fake and would not match the atmospheric tone that I’m going for. So because of this I ended up removing all of the background noise for that scene with the only noise being the music so that no one will be distracted by the background noise. I hope that by doing this I still will be able to create the same effect that I am aiming for and that I don’t loose something that I already had before.
  • 13. FINAL FILM Assess your final film in the following areas; technical qualities, creative qualities and whether it fit your plan. Discuss the strengths and weaknesses of each area and suggest how you could improve it further… The strength of my film is that the look of the film and the structure is how envisioned it from the start Despite the limitations and not everything in pre production going according to plan I still managed to make something that I’m proud of and I had full creative control making it. The visual look of the film is somewhat cinematic, the lighting is eerie and effective and I feel like I have utilized the black and white to create the sense of panic and dread that is going through the protagonist’s head pretty well, and the reactions from the people who I screened it to where pretty positive and their criticisms where very minimal. My only weaknesses for my final film is that one there is one shot that is out of focus and one I should have been aware of during production. The sound can be a little inconsistent with the background noise cutting out with only the music playing in certain sections. While its not as distracting as other student films that face the same issues but you can partially tell when the background noise has stopped playing and it might ruin the tension for some people. Another thing I feel I should have done stylistically and something that would have improved the quality of the final product is that I should have made sure that my main actor should be in every frame of the film which is a subtle stylistic choice that is made by a few indie directors when they are making a character study and they want the audiences to feel like they are in their shoes and they are completely watching events of the film from their perspective and no one else. It’s a very easy way for audiences to feel attached to a protagonist feeling everything they feel. I feel that this would have made the film more effective as a character study as well as a thriller because you are completely in his foot steps for the entire run time with no change of perspective or focus and I think that makes for a more powerful and intimate viewing rather then changing perspective by adding in some establishing shots. Even if you have to change angles having him still appear in the bottom or the corner of the frame will still have the same effect. If I ever decide to do a film like this again this is something that I’m definitely going to apply to in and future projects.