Production diary 7
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The document discusses the crew assignments and plans for an upcoming film production. It notes that all crew members have been assigned different job roles to fairly distribute the workload. The assistant director will also take on camera, production design, and post-production roles. Locations being considered include Frinton-On-Sea, London, and a beach where filming will take place soon. Thorough planning is needed this week for the beach shoot, including risk assessment, costumes, weather, equipment, and crew roles.
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The document discusses the equipment that will be used to film a music video. A GoPro will be used for point-of-view shots to make the audience feel like they are experiencing what the characters see. Footage will also be captured using a Canon EOS 600D camera to get beautiful higher quality shots. A tripod will be used to keep the Canon footage steady. Additional equipment includes the filmmaker's GoPro Hero 3 for practical shots like skiing, scuba diving, and using an extendable stick to film themselves. A chest mount is also mentioned to securely attach a camera for activities like jet skiing.
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The shooting plan documents a film shoot taking place on September 22nd, 2017 at Redbridge train station between 10:30am and 12pm. The director, cinematographer, and actor will meet at 10:15am to set up equipment and discuss shots before filming begins. The shoot is intended to experiment with different shots and camera techniques in preparation for future filming. After the shoot, the director observed that the cinematographer effectively captured various shots that will aid the editing process and help depict the desired emotions for the genre.
Shooting Plan 1
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The group managed resources, equipment, deadlines, and collaboration well during their film project. They created detailed shot lists assigning locations, equipment, characters, and lighting. They met most interim deadlines, only missing the final cut deadline due to technical issues. During filming, they addressed a health and safety issue with loose camera wires by taping them down. Their storyboards and scripting went well, though they lacked time for polished storyboards. They effectively managed time using shot lists and interim deadlines to stay on track and focus on completing tasks.
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Untitled presentation task 5
The group chose the song "Whippin'" by Chris Brown featuring Section Boyz and Quavo (Migos) for their music video. They chose this song because Chris Brown is signed to Sony, which they had to use, and the song has a varying pace that will make the video more interesting. They will need to contribute around £15-20 each from part time jobs to pay for travel, costumes, makeup and other expenses for filming locations around London. They will use smartphones to take photos of locations for storyboards and planning, and a provided video camera to film the actual video, which they will edit together using Final Cut Pro on school computers.
Music video task 5 powerpoint
The group chose the song "Whippin'" by Chris Brown featuring Section Boyz and Quavo (Migos) for their music video. They selected this song because Chris Brown is signed to Sony, which they had to choose from, and the song has a fast pace and catchy chorus. It also features other artists, which will make their video more interesting. They will need to contribute around £15-20 each from part time jobs to fund costumes, makeup, and transportation for filming locations in London and their school. They will use smartphones to take photos of locations, a video camera for filming, and Final Cut Pro to edit the video together with the music.
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Production diary 21
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Production diary 20
1) The production diary details editing techniques learned throughout the process such as overlapping shots and changing opacity levels.
2) Group members each had their own editing tasks but learned from observing one another, such as how to place text over a shot or put video inside text.
3) After reviewing a first draft, the group agreed more lip syncing shots were needed to meet their aim of using varied shot types in the music video.
Production diary 19
The production diary discusses plans for creating an intro sequence for a music video. Shots of the artist walking along the beach will be used from unused footage. A simple background shot of the beach and sea will be included. A piano karaoke version of the original song will introduce the remixed song in the style of Lady Gaga's "Telephone" music video, using location shots and typography to introduce the production company, artist, and song name. Feedback on an early draft posted to a new Facebook page for the artist was mostly positive, with one comment suggesting adding more filters.
Production diary 17
The document analyzes digipaks and adverts from various dance and pop artists. It notes that Hed Kandi and Calvin Harris' digipaks used bright colors that portrayed a summer theme, while Ella Eyre's used darker colors for her individual image rather than the genre. The document also analyzes adverts from Katy Perry, Beyonce, and Lady Gaga, noting they portrayed seductive looks due to being women in the pop genre. Lady Gaga's advert used a dark color scheme, which the document suggests could look more professional than bright colors. Katy Perry's advert portrayed her as young and playful using props like fake ice cream.
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Production diary 16
The document summarizes the British Film Institution workshop and additional filming in London. At the workshop, the group watched Whitney Houston's "I Want to Dance with Somebody" music video and discussed genre codes. They were encouraged to incorporate bright colors into their own video. The day ended with a talk from director Prano Bailey-Bond about her career path and editing techniques. After the workshop, the group did additional filming near the BFI, capturing their artist by London landmarks to help viewers recognize the location.
Production diary 12
The shooting schedule consists of filming dates in November at the beach and in London. The beach date of November 14th was chosen because the weather forecast predicts sunshine. It is important to have sunny weather for the beach scenes to represent summer. Additional filming in London on November 21st will allow the team to complete filming quickly. If all filming is finished in November, editing can begin immediately. So far the schedule is proceeding smoothly.
Production diary 11
The document discusses the production diary for a music video. It outlines codes and conventions that will be used to portray the dance genre, including camera shots, editing techniques, locations, costumes, and color. Typography will be used with lyrics popping up on screen. Binary oppositions of beach and London locations will show the artist having fun anywhere. Representation is important to portray the artist as fun, youthful, and outgoing, shown through locations, makeup, costumes, and potentially colorfully smoking cigarettes.
Production diary 10
The production team reviewed the weather forecast for Frinton-On-Sea in November to find a sunny day to film at the beach. They selected November 14th which was forecasted to be sunny. They also created an equipment list with justifications for each item to ensure they have the necessary gear and do not forget anything important for the beach filming.
Production diary 9
The document discusses planning for a beach production video. A risk assessment was conducted to identify and minimize risks like going into deep water or leaving equipment unattended. Key controls include not going past knee-deep in the sea, being careful with equipment near water, and having someone watch equipment at all times. Props like a speaker, sunglasses, balloons, inflatables, fruit, and colored cigarettes were selected to help set a summery beach theme and maintain consistent colors in the video.
Production diary 8
There are three types of music videos: narrative based, performance based, and concept based. The proposed video will have slight narrative and concept elements. It will show the artist having fun with friends to match the fast beat of the song. Intertextuality refers to references to other media in music videos, which can be effective at drawing attention, such as Iggy Azalea's "Fancy" video resembling the film "Clueless" to appeal to her target audience. Intertextuality will be considered for the video.
Production diary 6
Laura Mulvey's male gaze theory suggests that music videos often feature women in a provocative way to gain male attention. The document agrees with this to an extent, noting that some female artists like Rihanna and Beyoncé portray themselves in seductive ways in their videos. However, more recently some artists like Taylor Swift and Adele wear modest clothing in their videos and are still very successful, showing the theory is becoming less common. Andrew Goodwin's music video theory outlines six methods including demonstrating genre characteristics and relationships between lyrics, music and visuals that are often incorporated into music videos.
Production diary 5
The document discusses creating a public image for a new artist through makeup tutorials and lyric analysis. Two makeup tutorials were found that portray the fun, party side of the artist and her innocent side. A lyric analysis revealed the song is about not wanting to be taken advantage of by a boy and wanting to get to know him first, showing she is classy but just wants to have fun. This informs how the artist should be portrayed as classy, young and fun through her hair, makeup and costumes.
Production diary 4
The document discusses research conducted to identify the target audience for a music video, including creating a presentation on the audience's demographics and interests. A questionnaire was distributed to better understand the audience, gathering information on their music preferences and what they would like to see in a video. The responses were analyzed and provided insight into the audience. A focus group then provided feedback on initial video ideas, offering suggestions on locations and the artist's name. The focus group discussion helped refine the plans for the music video.
Production diary 3
The document summarizes the analysis of two music videos that were reviewed to help inform the production of the student's own music video. The Pharrell Williams "Happy" video was chosen because it is also in the dance genre. Key elements noted were bright colors, dancing, and smiling people. The Clean Bandit and Jess Glynne "Real Love" video featured a female artist, and the student wants to portray their artist similarly, showing her enjoying the music and looking nicely dressed with bold hair. These elements may be incorporated into their own music video to suit the genre and artist portrayal.
Production diary 2
The presentation included the group's choice of song out of three options and ideas for their music video, such as the theme and possible locations. Creating the presentation provided a starting point for the group to develop their music video concept. The document also notes that the group wrote a copyright permission letter to the song's holder to legally use the song in their video.
Beyonce poster analysis
Beyoncé wants to portray herself as powerful and glamorous in the image through various symbols and colors. The crown, scepter, red and gold colors symbolize features of a queen, fitting her "Queen B" reputation. Her large hair, open mouth, short outfit, and red lipstick are meant to appear seductive and provocative. The main purpose is for her fans, mostly girls, to aspire to her powerful and sexy image.
Analysis of digipak’s
The document analyzes and summarizes several music album digipaks. It begins by explaining what a digipak is and then examines specific digipaks in detail. For the Hed Kandi "Serve Chilled: Electronic Summer" digipak, it analyzes the colors, images, and text used and how they convey that the music is dance genre. It also summarizes the Ella Eyre "Feline" and "Comeback" digipaks and how the visual elements portray Ella Eyre as powerful. The Calvin Harris digipaks are summarized as using hints and visuals to indicate the dance music genre. In conclusion, analyzing these digipaks provided lessons for effectively designing a digipak to represent a
Representation
This document discusses representations in music videos and how different groups are portrayed. It notes that representations are not reality but rather re-presentations of reality meant to convey ideas to audiences. Key representational categories discussed include gender, age, class, ethnicity, and region/place. An example is given of how women and black men are sometimes represented in rap videos in ways that objectify women or portray black men as thugs. The document concludes by outlining how the artist in an upcoming music video will be represented as youthful, carefree, and having fun in different places and situations to appeal to a similar-aged target audience.
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Production diary 7
- 2. Crew list – We have come up with a crew list where everyone has been assigned to different job roles so the workload is spread out fairly. – I have been assigned to be the assistant director, cameraman, production and set designer and post production supervisor. – When it comes onto editing the final piece the whole group will be involved but we will all focus of a specific editing technique individually. – I am looking forward to filming some of the shots as filming is something I enjoy. I also think it is very important for everyone to have a go at this so we can get a variety of shot types and it also gets you really involved with the production process.
- 3. Locations – We came up with a list of locations that are possibilities for us to film at. – We are definitely going to film at Frinton-On-Sea and that it definite as we want to capture a summery vibe in parts of our video. – We know that we want to film in London however London is a very big place so we will have to choose what exact locations that we will film at accordingly. – Before we film in London we will need to decided exactly where we are going and why as the day will do really quickly with having to get trains on top of filming etc.
- 4. Beach – We know for sure that we are going to film at the beach, Frinton-On-Sea, soon. – This means we really need to get our planning going this week in order to have a successful day of filming. – The kind of things we need to plan are: • Hair, make-up and costume. • Risk assessment. • Weather. • Props and equipment. • Shooting schedule. • What roles everyone will have on the day.