Presentation1
•Download as PPTX, PDF•
0 likes•200 views
We are MA Contemporary Art Theory students giving a talk on public art projects. Some topics that will be discussed include the differences between public and community art, the level of collaboration artists should have with communities, and whether public art needs to be socially engaged and accessible. Examples that will be discussed include Robert Smithson's Spiral Jetty, works by John Ahearn, Suzanne Lacy, Anish Kapoor, and Jaume Plensa. Feedback may also be given on the recipient's own work.
Report
Share
Report
Share
Recommended
Art 271 Pop Art
This document provides an overview of several post-World War II art movements including Assemblage, Happenings, and Pop Art from the 1950s-1960s. It discusses key artists and concepts for each movement. Assemblage involved gathering everyday objects to create new meanings. Happenings were ephemeral theatrical works meant to integrate art and life. Pop Art emerged from consumer culture and mass media, with American pop artists like Andy Warhol, Roy Lichtenstein, and Claes Oldenburg borrowing images from popular culture and mass production.
Guerrilla art framing2012a
Guerrilla art, also known as street art, involves artists anonymously leaving art pieces in public places without permission. It allows artists to express views to a large audience anonymously. Examples shown include inflatable animals tied to subway grates in New York, pieces of paper attached to walls in Madrid, and yarn bombing of structures in Seattle. The goal of Urban Curators is to engage the public by recognizing the aesthetic qualities of decaying urban environments and elevating common city objects to the status of art.
Pop art slideshow
Pop Art was an art movement that emerged in the late 1950s and 1960s. [1] It reflected popular culture and everyday objects through images from advertisements, consumer goods, celebrities and more. [2] Pop artists like Andy Warhol used techniques like repetition, silkscreening and mass production to critique cultural ideas. [3] Pop Art challenged definitions of art and its role in society.
Visual style
The document discusses four visual art styles - Minimalism, Geometric art, Art Deco, and Psychedelic art. For each style, it provides a brief history and influential figures. It then discusses how each style has been used within media products like album covers. For Minimalism, it discusses Pink Floyd's Dark Side of the Moon album cover. For Geometric art, it analyzes the album cover for Seekae's +DOME. It suggests Led Zeppelin's Mothership album cover uses elements of Art Deco. Finally, it analyzes The Zombies' Odessey Oracle album cover as an example of Psychedelic art usage in media.
Pop Art Presentation
Pop art developed in the 1950s and originated from post-impressionism, fauvism, dadaism, and abstract expressionism. It featured imagery from popular culture and mass media in an emotionally detached style using bright colors and new technologies like silkscreening. Key figures included Richard Hamilton, Andy Warhol, and Roy Lichtenstein, who are known for works depicting celebrities, brand logos, and comic strips in a pop aesthetic.
Pop artistsblakely2
Pop Art was a visual art movement that emerged in the 1950s in Britain and the United States, characterized by themes and techniques drawn from popular mass culture such as television, movies, advertising, and comic books. Andy Warhol is considered the "Father of Pop Art" and became famous for his avant-garde Pop Art paintings and screen printings using images from tabloids and movie posters. Pop artists also liked to satirize and enlarge everyday objects to gigantic proportions, with food and household items being common themes. Pop Art coincided with the youth and pop music phenomenon of the 1950s and 1960s, frequently appearing in advertisements for musical bands and on record covers.
Public art
Public art can take many forms, including sculptures, murals, and graffiti. It is often funded by governments and created by artists to be displayed in public spaces for educational purposes or to beautify an area. However, public art can also be controversial as not all viewers may appreciate or understand the artwork. It sometimes faces issues regarding its funding source or potential to cause disruption. While temporary or permanent, public art aims to expose more people to art outside of traditional galleries or museums.
Pop Art
Pop Art was an art movement in the 1950s and 1960s that depicted popular culture and mass media like television, magazines, and consumer goods in paintings and sculptures. Artists like Andy Warhol, Wayne Thiebaud, and Claes Oldenburg focused on mass production, celebrity icons, stereotypical American foods, and everyday objects to comment on the effects of popular culture on society. Warhol used mass production techniques to create paintings of celebrities and consumer products, while Thiebaud painted realistic depictions of cakes and food. Oldenburg sculpted everyday objects and places like spoons, ice cream cones, and stores in large scale public art installations.
Recommended
Art 271 Pop Art
This document provides an overview of several post-World War II art movements including Assemblage, Happenings, and Pop Art from the 1950s-1960s. It discusses key artists and concepts for each movement. Assemblage involved gathering everyday objects to create new meanings. Happenings were ephemeral theatrical works meant to integrate art and life. Pop Art emerged from consumer culture and mass media, with American pop artists like Andy Warhol, Roy Lichtenstein, and Claes Oldenburg borrowing images from popular culture and mass production.
Guerrilla art framing2012a
Guerrilla art, also known as street art, involves artists anonymously leaving art pieces in public places without permission. It allows artists to express views to a large audience anonymously. Examples shown include inflatable animals tied to subway grates in New York, pieces of paper attached to walls in Madrid, and yarn bombing of structures in Seattle. The goal of Urban Curators is to engage the public by recognizing the aesthetic qualities of decaying urban environments and elevating common city objects to the status of art.
Pop art slideshow
Pop Art was an art movement that emerged in the late 1950s and 1960s. [1] It reflected popular culture and everyday objects through images from advertisements, consumer goods, celebrities and more. [2] Pop artists like Andy Warhol used techniques like repetition, silkscreening and mass production to critique cultural ideas. [3] Pop Art challenged definitions of art and its role in society.
Visual style
The document discusses four visual art styles - Minimalism, Geometric art, Art Deco, and Psychedelic art. For each style, it provides a brief history and influential figures. It then discusses how each style has been used within media products like album covers. For Minimalism, it discusses Pink Floyd's Dark Side of the Moon album cover. For Geometric art, it analyzes the album cover for Seekae's +DOME. It suggests Led Zeppelin's Mothership album cover uses elements of Art Deco. Finally, it analyzes The Zombies' Odessey Oracle album cover as an example of Psychedelic art usage in media.
Pop Art Presentation
Pop art developed in the 1950s and originated from post-impressionism, fauvism, dadaism, and abstract expressionism. It featured imagery from popular culture and mass media in an emotionally detached style using bright colors and new technologies like silkscreening. Key figures included Richard Hamilton, Andy Warhol, and Roy Lichtenstein, who are known for works depicting celebrities, brand logos, and comic strips in a pop aesthetic.
Pop artistsblakely2
Pop Art was a visual art movement that emerged in the 1950s in Britain and the United States, characterized by themes and techniques drawn from popular mass culture such as television, movies, advertising, and comic books. Andy Warhol is considered the "Father of Pop Art" and became famous for his avant-garde Pop Art paintings and screen printings using images from tabloids and movie posters. Pop artists also liked to satirize and enlarge everyday objects to gigantic proportions, with food and household items being common themes. Pop Art coincided with the youth and pop music phenomenon of the 1950s and 1960s, frequently appearing in advertisements for musical bands and on record covers.
Public art
Public art can take many forms, including sculptures, murals, and graffiti. It is often funded by governments and created by artists to be displayed in public spaces for educational purposes or to beautify an area. However, public art can also be controversial as not all viewers may appreciate or understand the artwork. It sometimes faces issues regarding its funding source or potential to cause disruption. While temporary or permanent, public art aims to expose more people to art outside of traditional galleries or museums.
Pop Art
Pop Art was an art movement in the 1950s and 1960s that depicted popular culture and mass media like television, magazines, and consumer goods in paintings and sculptures. Artists like Andy Warhol, Wayne Thiebaud, and Claes Oldenburg focused on mass production, celebrity icons, stereotypical American foods, and everyday objects to comment on the effects of popular culture on society. Warhol used mass production techniques to create paintings of celebrities and consumer products, while Thiebaud painted realistic depictions of cakes and food. Oldenburg sculpted everyday objects and places like spoons, ice cream cones, and stores in large scale public art installations.
Pop artistsblakely2
Pop Art emerged in the 1950s in Britain and the United States as a visual art movement that drew from popular mass culture such as television, movies, advertising and comics. Andy Warhol is considered the father of Pop Art, as he used images from popular culture like tabloids and movie posters in his avant-garde paintings and screen prints. Roy Lichtenstein and Claes Oldenburg also produced large-scale reproductions of everyday objects in their distinctive Pop Art styles. Keith Haring created bold graphic pieces with messages of unity that had a lasting impact on late 20th century art.
Public space and public art: e100 lesson plan
The document discusses public space and different types of art in public spaces including street art, graffiti, and vandalism. It includes opinions from students that street art can enhance public spaces when done appropriately but can also cause problems if unwanted. Students discuss how the line between street art and vandalism is blurry and depends on the viewer's perspective and location of the art. They also debate how public spaces are meant for everyone to enjoy and some feel street art allows for free expression, while others associate it more with graffiti and feel it can make some users of public spaces feel unsafe or left out.
Career Highlights 2014
John Ross Palmer had a successful career year in 2014. His Escapist Mentorship Program expanded and three new artists graduated. He released two new publications and films. Palmer won two prestigious awards for his volunteer work and art. He traveled to Greece to create art and took commissions for the first time. His online store and weekly painting project were very profitable. Palmer also increased his recognition as an artist and donated money to charity. He completed several large art projects, including a mural and new studio space.
Conceptual art
Conceptual art emerged in the 1960s as an art movement focused on conveying ideas rather than creating traditional art objects. It was influenced by Marcel Duchamp's "readymades" and intended to challenge notions of what art could be. Key aspects of conceptual art include prioritizing concepts over physical works and questioning relationships between art, artists, and audiences. Pioneering conceptual artists included Joseph Kosuth, Sol LeWitt, Lawrence Weiner, and members of the influential Art & Language group.
Pop Art
Pop Art was an art movement that began in the late 1950s and used imagery from popular culture and everyday life. Pop artists blurred the lines between fine art and commercial art by using images and styles from advertisements, consumer goods, celebrities and other mass media sources. Andy Warhol was one of the most famous Pop Artists, known for works like Campbell's Soup Cans that used repetition and appropriated popular images. Pop Art challenged definitions of art by treating popular objects as art and reflecting the culture of 1960s America through use of new materials, technologies and methods of production.
Jumex collection 2010
The document introduces the La Colección Jumex art collection located in Mexico City. It contains around 2,000 pieces from the 1960s to present by international and Mexican artists. The title "WHERE DO WE GO FROM HERE?" questions the future of artistic materials, styles, ideas and topics as well as globalization. It also outlines four subject categories - Art about Art, Urban Anthropology, Text in Art, and Artists' Profiles - to think about when viewing the artworks.
Pop art for kids
Lilcreativekids visited pop art and artists from different parts of the world and from different periods. Pop art is meant for kids as the art is colorful and bold and it is simple paintings of objects that we see around.
Role of Public Art in Environmental movements
The document describes several public art installations created around the world as part of the 350 Earth campaign to raise awareness about climate change. Some key installations mentioned include a giant blue "scarab" holding the number 350, formed by students in Egypt; people standing in formations of the number 350 in locations like New Delhi, Santo Domingo, and Iceland; and images formed by people in dry riverbeds in Santa Fe to call attention to drought caused by climate change. The artworks were created collaboratively with local communities in over a dozen cities on multiple continents and photographed by satellite to be seen from space.
Music genre - pop
Pop artists aim to look bright, playful and non-offensive to appeal to younger audiences. They often wear popular brands and use props like lasers and glitter to stand out. Pop music originated in the 1950s from rock n' roll and represents being popular. Pop artists act as role models who inspire people with their fashionable image and huge cultural influence.
Installation art
This document provides an overview of installation art, including its definition, history, and important figures. Installation art creates an immersive environment for viewing that aims to evoke emotions or thoughts in participants. It began in the 1970s with artists questioning boundaries and using everyday objects as art. Three influential artists discussed are Kara Walker, known for her large silhouettes addressing race and history; Judy Pfaff, who creates colorful mixed-media pieces; and Félix Gonzáles-Torres, whose minimalist works reflected his experience with AIDS. The document also explores connections between installation art and past movements as well as other cultures.
Psychedelic music
Psychedelic music originated in the 1960s and was influenced by psychedelic drugs like LSD and psilocybin mushrooms. It began with psychedelic rock artists like Jimi Hendrix seeking to replicate the psychedelic drug experience through their music, and included genres like psychedelic folk and glam rock. Over time, psychedelic music blended with other styles and is still being produced today in genres like psychedelic pop.
Scottish Public Art
I will be examining the nature and role of artworks sited in the public domain
Exploring different categories of public art: monumental sculpture; building features including murals and light projections; natural artworks such as land-form artworks and temporary public works including events
I will be touching on the political argument that art is force for economic and social regeneration
I will look at a genre of public art that as a result of such policies was parachuted into public space and that was sometimes no more than a token gesture, somewhat dumped in an uncongenial setting
I will consider vandalism as a manifestation of public criticism, or a spirited guerrila art intervention by the public
Furthermore I will consider definitions of public art as the site, that is rather than the current make up of the public which it invariably outlasts, and how this new genre public art aims to resolve the contradiction of public art by determining public as the space or time
Art1204 pop art
Pop art emerged in the mid-1950s in England and spread to New York in the early 1960s. It reflected popular culture and everyday objects rather than traditional fine art themes. Pop artists like Andy Warhol, Roy Lichtenstein, and David Hockney appropriated images from advertisements, comics, and consumer goods to blur lines between high and low art. Their use of techniques like silkscreening and repetition challenged notions of what art could be. Pop art's legacy lives on in contemporary artists who reference mass media and question societal values.
Public Art Presentation-Secondary Education PowerPoint
This document provides information about public art, including what public art is, lesson objectives, examples of public art and artists, and a discussion and task related to designing public art. Specifically, it defines public art as accessible artwork in public spaces using various mediums. It lists objectives of learning about public art and artists and designing a public art piece. Examples given include the Angel of the North sculpture and Spoonbridge Cherry installation, describing their materials and meanings. A proposed task asks students to design their own public art concept.
Pop art food
This document provides an overview of the pop art movement in America during the 1950s and 1960s. It summarizes key pop art styles and techniques like clear lines, bright colors, and representations of popular culture symbols. Several prominent pop artists are discussed, including Andy Warhol, Roy Lichtenstein, Claes Oldenburg, and their works featuring everyday objects depicted at a large scale or in multiple pieces. The document concludes by outlining a ceramics assignment asking students to create a realistic life-sized sculpture of a food container using pop art techniques.
Pop art
Pop Art was an art movement in the late 1950s and 1960s that used imagery and objects from popular culture and everyday life. Pop artists blurred the line between fine art and commercial art by using images and styles from advertisements, consumer goods, celebrities and other mass media sources. Andy Warhol was one of the most famous Pop Artists, known for his silkscreen paintings of Campbell's Soup cans and celebrities. Warhol used repetition and appropriation to critique and comment on cultural ideas through his artwork. Pop art stretched definitions of what art could be and how it was made and continues to influence artists today.
Pop art
Pop Art was an art movement that began in the late 1950s and used imagery from popular culture and everyday life. Pop artists blurred the lines between fine art and commercial art by using images and styles from advertisements, consumer goods, celebrities and other mass media sources. Andy Warhol was one of the most famous Pop Artists, known for works like Campbell's Soup Cans that used repetition and references to popular culture to critique and comment on society. Pop Art challenged definitions of art by appropriating common objects and images and using new technologies like silkscreening. It reflected 1960s culture and had a lasting influence on contemporary art.
Chapter4
This document provides information on various artists and artworks including Diane Arbus photographs from the 1960s, Ray Johnson's mail art from the 1920s-1990s, Robert Rauschenberg's erased de Kooning drawing from 1963 and other works, Joseph Cornell boxes from the 1930s-1950s, Sol LeWitt wall drawings from the 1970s-2008, Dan Flavin light installations from the 1960s, Yoko Ono's Box of Smile from 1971, John Cage scores and music from the 1950s-1970s, the definition of relational aesthetics from 1998, and works by Rirkrit Tiravanija from 1992 and Carsten Höller from 2008. The reader is asked
Herb lubalin
Herb Lubalin was a graphic designer, typographer, and type designer born in 1918 in New York. He studied design at Cooper Union and had a long career working in advertising agencies and publishing his own magazines. Lubalin was a pioneer in graphic design who developed the idea of the designer as an author. He designed several innovative typefaces, including ITC Avant Garde Gothic, and worked on publications such as Eros magazine. Lubalin made major contributions to graphic design and typography through his unconventional style and inventive work.
Pop art
Pop Art was an art movement that began in the late 1950s and used imagery from popular culture and everyday life. Pop artists blurred the lines between fine art and commercial art by using things like advertisements, consumer goods, celebrities and common objects as subject matter. They used techniques like silkscreening, mass production and photography. One of the most famous Pop artists was Andy Warhol, who appropriated images from popular culture and used repetition to critique and comment on society and culture. Pop art challenged definitions of art by raising questions about what makes one work better than another and what art should represent. It stretched concepts of art-making and reflected ideas still seen in art today.
Article commercialising trade marks
1) There are a number of challenges to investing in sub-Saharan Africa, including cultural and economic uncertainties, corruption, and lack of local resources and knowledge. Protecting intellectual property is important for business deals and activity in the region.
2) Assigning and licensing trademark rights in major sub-Saharan countries requires navigating various country-specific rules and regulations. These include requirements for exchange control approval, recordal of licenses and assignments, and taxes on transfers.
3) Properly protecting trademark rights in sub-Saharan Africa requires engaging local counsel and complying with country-specific intellectual property laws and regulations to ensure rights are legally enforceable and protected.
More Related Content
What's hot
Pop artistsblakely2
Pop Art emerged in the 1950s in Britain and the United States as a visual art movement that drew from popular mass culture such as television, movies, advertising and comics. Andy Warhol is considered the father of Pop Art, as he used images from popular culture like tabloids and movie posters in his avant-garde paintings and screen prints. Roy Lichtenstein and Claes Oldenburg also produced large-scale reproductions of everyday objects in their distinctive Pop Art styles. Keith Haring created bold graphic pieces with messages of unity that had a lasting impact on late 20th century art.
Public space and public art: e100 lesson plan
The document discusses public space and different types of art in public spaces including street art, graffiti, and vandalism. It includes opinions from students that street art can enhance public spaces when done appropriately but can also cause problems if unwanted. Students discuss how the line between street art and vandalism is blurry and depends on the viewer's perspective and location of the art. They also debate how public spaces are meant for everyone to enjoy and some feel street art allows for free expression, while others associate it more with graffiti and feel it can make some users of public spaces feel unsafe or left out.
Career Highlights 2014
John Ross Palmer had a successful career year in 2014. His Escapist Mentorship Program expanded and three new artists graduated. He released two new publications and films. Palmer won two prestigious awards for his volunteer work and art. He traveled to Greece to create art and took commissions for the first time. His online store and weekly painting project were very profitable. Palmer also increased his recognition as an artist and donated money to charity. He completed several large art projects, including a mural and new studio space.
Conceptual art
Conceptual art emerged in the 1960s as an art movement focused on conveying ideas rather than creating traditional art objects. It was influenced by Marcel Duchamp's "readymades" and intended to challenge notions of what art could be. Key aspects of conceptual art include prioritizing concepts over physical works and questioning relationships between art, artists, and audiences. Pioneering conceptual artists included Joseph Kosuth, Sol LeWitt, Lawrence Weiner, and members of the influential Art & Language group.
Pop Art
Pop Art was an art movement that began in the late 1950s and used imagery from popular culture and everyday life. Pop artists blurred the lines between fine art and commercial art by using images and styles from advertisements, consumer goods, celebrities and other mass media sources. Andy Warhol was one of the most famous Pop Artists, known for works like Campbell's Soup Cans that used repetition and appropriated popular images. Pop Art challenged definitions of art by treating popular objects as art and reflecting the culture of 1960s America through use of new materials, technologies and methods of production.
Jumex collection 2010
The document introduces the La Colección Jumex art collection located in Mexico City. It contains around 2,000 pieces from the 1960s to present by international and Mexican artists. The title "WHERE DO WE GO FROM HERE?" questions the future of artistic materials, styles, ideas and topics as well as globalization. It also outlines four subject categories - Art about Art, Urban Anthropology, Text in Art, and Artists' Profiles - to think about when viewing the artworks.
Pop art for kids
Lilcreativekids visited pop art and artists from different parts of the world and from different periods. Pop art is meant for kids as the art is colorful and bold and it is simple paintings of objects that we see around.
Role of Public Art in Environmental movements
The document describes several public art installations created around the world as part of the 350 Earth campaign to raise awareness about climate change. Some key installations mentioned include a giant blue "scarab" holding the number 350, formed by students in Egypt; people standing in formations of the number 350 in locations like New Delhi, Santo Domingo, and Iceland; and images formed by people in dry riverbeds in Santa Fe to call attention to drought caused by climate change. The artworks were created collaboratively with local communities in over a dozen cities on multiple continents and photographed by satellite to be seen from space.
Music genre - pop
Pop artists aim to look bright, playful and non-offensive to appeal to younger audiences. They often wear popular brands and use props like lasers and glitter to stand out. Pop music originated in the 1950s from rock n' roll and represents being popular. Pop artists act as role models who inspire people with their fashionable image and huge cultural influence.
Installation art
This document provides an overview of installation art, including its definition, history, and important figures. Installation art creates an immersive environment for viewing that aims to evoke emotions or thoughts in participants. It began in the 1970s with artists questioning boundaries and using everyday objects as art. Three influential artists discussed are Kara Walker, known for her large silhouettes addressing race and history; Judy Pfaff, who creates colorful mixed-media pieces; and Félix Gonzáles-Torres, whose minimalist works reflected his experience with AIDS. The document also explores connections between installation art and past movements as well as other cultures.
Psychedelic music
Psychedelic music originated in the 1960s and was influenced by psychedelic drugs like LSD and psilocybin mushrooms. It began with psychedelic rock artists like Jimi Hendrix seeking to replicate the psychedelic drug experience through their music, and included genres like psychedelic folk and glam rock. Over time, psychedelic music blended with other styles and is still being produced today in genres like psychedelic pop.
Scottish Public Art
I will be examining the nature and role of artworks sited in the public domain
Exploring different categories of public art: monumental sculpture; building features including murals and light projections; natural artworks such as land-form artworks and temporary public works including events
I will be touching on the political argument that art is force for economic and social regeneration
I will look at a genre of public art that as a result of such policies was parachuted into public space and that was sometimes no more than a token gesture, somewhat dumped in an uncongenial setting
I will consider vandalism as a manifestation of public criticism, or a spirited guerrila art intervention by the public
Furthermore I will consider definitions of public art as the site, that is rather than the current make up of the public which it invariably outlasts, and how this new genre public art aims to resolve the contradiction of public art by determining public as the space or time
Art1204 pop art
Pop art emerged in the mid-1950s in England and spread to New York in the early 1960s. It reflected popular culture and everyday objects rather than traditional fine art themes. Pop artists like Andy Warhol, Roy Lichtenstein, and David Hockney appropriated images from advertisements, comics, and consumer goods to blur lines between high and low art. Their use of techniques like silkscreening and repetition challenged notions of what art could be. Pop art's legacy lives on in contemporary artists who reference mass media and question societal values.
Public Art Presentation-Secondary Education PowerPoint
This document provides information about public art, including what public art is, lesson objectives, examples of public art and artists, and a discussion and task related to designing public art. Specifically, it defines public art as accessible artwork in public spaces using various mediums. It lists objectives of learning about public art and artists and designing a public art piece. Examples given include the Angel of the North sculpture and Spoonbridge Cherry installation, describing their materials and meanings. A proposed task asks students to design their own public art concept.
Pop art food
This document provides an overview of the pop art movement in America during the 1950s and 1960s. It summarizes key pop art styles and techniques like clear lines, bright colors, and representations of popular culture symbols. Several prominent pop artists are discussed, including Andy Warhol, Roy Lichtenstein, Claes Oldenburg, and their works featuring everyday objects depicted at a large scale or in multiple pieces. The document concludes by outlining a ceramics assignment asking students to create a realistic life-sized sculpture of a food container using pop art techniques.
Pop art
Pop Art was an art movement in the late 1950s and 1960s that used imagery and objects from popular culture and everyday life. Pop artists blurred the line between fine art and commercial art by using images and styles from advertisements, consumer goods, celebrities and other mass media sources. Andy Warhol was one of the most famous Pop Artists, known for his silkscreen paintings of Campbell's Soup cans and celebrities. Warhol used repetition and appropriation to critique and comment on cultural ideas through his artwork. Pop art stretched definitions of what art could be and how it was made and continues to influence artists today.
Pop art
Pop Art was an art movement that began in the late 1950s and used imagery from popular culture and everyday life. Pop artists blurred the lines between fine art and commercial art by using images and styles from advertisements, consumer goods, celebrities and other mass media sources. Andy Warhol was one of the most famous Pop Artists, known for works like Campbell's Soup Cans that used repetition and references to popular culture to critique and comment on society. Pop Art challenged definitions of art by appropriating common objects and images and using new technologies like silkscreening. It reflected 1960s culture and had a lasting influence on contemporary art.
Chapter4
This document provides information on various artists and artworks including Diane Arbus photographs from the 1960s, Ray Johnson's mail art from the 1920s-1990s, Robert Rauschenberg's erased de Kooning drawing from 1963 and other works, Joseph Cornell boxes from the 1930s-1950s, Sol LeWitt wall drawings from the 1970s-2008, Dan Flavin light installations from the 1960s, Yoko Ono's Box of Smile from 1971, John Cage scores and music from the 1950s-1970s, the definition of relational aesthetics from 1998, and works by Rirkrit Tiravanija from 1992 and Carsten Höller from 2008. The reader is asked
Herb lubalin
Herb Lubalin was a graphic designer, typographer, and type designer born in 1918 in New York. He studied design at Cooper Union and had a long career working in advertising agencies and publishing his own magazines. Lubalin was a pioneer in graphic design who developed the idea of the designer as an author. He designed several innovative typefaces, including ITC Avant Garde Gothic, and worked on publications such as Eros magazine. Lubalin made major contributions to graphic design and typography through his unconventional style and inventive work.
Pop art
Pop Art was an art movement that began in the late 1950s and used imagery from popular culture and everyday life. Pop artists blurred the lines between fine art and commercial art by using things like advertisements, consumer goods, celebrities and common objects as subject matter. They used techniques like silkscreening, mass production and photography. One of the most famous Pop artists was Andy Warhol, who appropriated images from popular culture and used repetition to critique and comment on society and culture. Pop art challenged definitions of art by raising questions about what makes one work better than another and what art should represent. It stretched concepts of art-making and reflected ideas still seen in art today.
What's hot (20)
Public Art Presentation-Secondary Education PowerPoint
Public Art Presentation-Secondary Education PowerPoint
Viewers also liked
Article commercialising trade marks
1) There are a number of challenges to investing in sub-Saharan Africa, including cultural and economic uncertainties, corruption, and lack of local resources and knowledge. Protecting intellectual property is important for business deals and activity in the region.
2) Assigning and licensing trademark rights in major sub-Saharan countries requires navigating various country-specific rules and regulations. These include requirements for exchange control approval, recordal of licenses and assignments, and taxes on transfers.
3) Properly protecting trademark rights in sub-Saharan Africa requires engaging local counsel and complying with country-specific intellectual property laws and regulations to ensure rights are legally enforceable and protected.
West university kansas city new employee manuel
This document summarizes the key policies in the West University employee handbook. It addresses diversity and equal employment, including anti-harassment. It prohibits discrimination and harassment based on protected characteristics. It also defines sexual harassment and encourages reporting any perceived incidents. The handbook covers various employment topics such as classifications, discipline, safety, expectations, compensation, time off, benefits and more. It is intended to serve as a guide for employees but does not constitute an employment contract.
Personality Project
This document outlines the key aspects that make up human personality: family background, physical appearance, social behaviors, talents and skills, future goals, preferences in food and entertainment, fears and irritations, emotional experiences, and life events that have helped shape the individual. The document categorizes the different factors that define personality.
Car art
The document discusses the benefits of exercise for mental health. Regular physical activity can help reduce anxiety and depression and improve mood and cognitive functioning. Exercise stimulates the production of endorphins in the brain which elevate mood and reduce stress levels.
Visual vocabulary assignment
The document defines several political and social concepts including ideology, individualism, collectivism, liberalism, self-interest, competition, freedom, rule of law, private property, collective responsibility, collective interest, cooperation, economic equality, collective norms, public property, belief, value, individual identity, and collective identity. Examples are provided for each concept to illustrate how it applies in practice.
Fantastic photos
This document is about Fantastic Photos but provides no other details. It contains no text beyond the title "Fantastic Photos". There is no information to summarize from the given document.
Viewers also liked (20)
Similar to Presentation1
AS Exam 2015- Relationships
This document discusses relationships between artists through several examples:
- Philip Glass met painter Chuck Close when working as a plumber for him in NYC in 1967. Close painted many portraits of Glass using the same photo in different styles. In 2005, Glass wrote a musical portrait of Close.
- British sculptors Gilbert Proesch and George Passmore met in 1967 as students and have worked together as a couple and collaboratively ever since.
- Christo and Jeanne-Claude were a married couple who created environmental artworks together, such as wrapping the Reichstag in Berlin. They took separate planes in case one crashed.
- Several assignments are provided for students focusing on relationships between artists, viewers, and different cultures through interventions
Public Art Dublin 2009
The document outlines an agenda for a public art practice workshop held in Dublin. It includes sessions on current commissioning approaches, case studies, and proposals. Artists will present on considering audience and context in proposals. There will be discussions on realizing commissions and navigating organizational relationships. The workshop aims to explore public art practices and challenges in Ireland.
Art in the public realm.pptx
Everything you want to know about the role of art in public space, including what is public space. The lineage to the present.
MVA Presentation 2
The document discusses urban intervention and tactical media art. It provides examples of artists who use public spaces and media to raise awareness of social and political issues. These include the Red Ball Project, which placed giant red balls in cities, and The Yes Men, who create fake news stories to draw attention to important topics. The document also discusses influential groups like the Situationists who created experimental art experiences in public settings and the rise of tactical media in the 1990s which allowed users to more easily spread messages through mainstream outlets.
Savona Bailey McClain Curator
Savona Bailey-McClain is an independent curator and executive director of The West Harlem Art Fund in New York City. She curates public art installations in many NYC neighborhoods, including Times Square, Harlem, DUMBO, and the Bronx. Her practice includes sculpture, drawings, performance art, and mixed media. McClain strives to make art approachable and connect meaningfully with the public. She has a liberal arts degree from the University of Pittsburgh.
Chapter 22 conceptual and activist art
Joseph Kosuth's conceptual artwork One and Three Chairs from 1965 consisted of a real chair with a photo of the chair and the dictionary definition, exemplifying the emerging Conceptual art movement that valued an artwork's concept over physical properties. Lawrence Weiner, Douglas Huebler, and Robert Barry were influential early Conceptual artists who created text-based works or documented everyday activities. Hans Haacke and Michael Asher practiced institutional critique, questioning how art was valued and presented in society. Bruce Nauman worked across mediums like video and neon to blend Conceptualism with performance and language-based works. The feminist art movement, led by Judy Chicago and Miriam Schapiro at CalArts, encouraged female artists to address
Unis Flyer
The Bogside Artists are three renowned muralists from Derry, Northern Ireland who have created a series of famous murals called The Peoples' Gallery. They have toured universities in Australia, the US, and elsewhere, giving lectures about their work commemorating 30 years of conflict in Northern Ireland. Their murals have become iconic symbols and are among the most photographed artworks in the world. During their campus visits, the artists offer students an engaging presentation and Q&A, followed by an opportunity to purchase their artwork and books. They sometimes paint a mural on site, allowing students to observe and participate.
Time in place: New genre public art a decade later
The document summarizes a reading about how public art has evolved from earlier forms to new genre public art, which focuses on community engagement and social issues. It discusses key terms like dialogic art, civic art, and relation aesthetics. Case studies of public art projects are presented that highlight history, engage communities, and tackle social issues. The reading argues new genre public art is process-based and dependent on audience interaction over long periods. This relates to the Botanica project, which aims to engage communities through interactive art and raise awareness of social issues.
Collaborative Commissions
This document discusses Southbank Centre's approach to collaborative commissions. It provides examples of commissions that involved extensive collaboration between artists, communities, and participants. The commissioner's role is to facilitate relationships and negotiate expectations between artists and participants. Workshops are used to develop ideas from the beginning, with participants involved as collaborators. The goal is for commissions to create new experiences through dialogue and skill-sharing between professionals and non-professionals.
KVB127 07 Place 2020
This document discusses the theme of place in contemporary visual art. It provides examples of artists who address place in their work in different ways:
- Some artists respond to specific environments, scenes, or ecosystems to capture the appearance or feeling of real places through memory or imagination.
- Others grapple with ideas of place in a more conceptual manner.
- The document lists several artists who explore place in their work, such as Mark DION, Robert SMITHSON, Michael ASHER, Julie MEHRETU, and Doris SALCEDO.
- It also presents questions for reflection on how place informs artistic approaches and how artworks can reflect multiple places.
Contemporary Art Essay
Modern art emerged in the late 1800s as artists broke from traditional styles and subjects to experiment. Two influential modern works were Jay DeFeo's giant painting "The Jewel" from 1958-1959 and Frantisek Kupka's "Irregular Forms: Creation." While using the same medium of oil paint on canvas, the works conveyed very different feelings. DeFeo's piece was lush and organic, while Kupka's had a sense of movement and energy. Contemporary art continued experimenting with new styles, subjects, and mediums in the 20th century while also addressing social and political issues of the time.
West harlem-art-fund (1)
This document provides biographical information about Savona Bailey-McClain, the Executive Director and Chief Curator of The West Harlem Art Fund. It discusses her background working as an independent curator across various mediums. It also outlines several public art projects and installations McClain has organized through The West Harlem Art Fund in neighborhoods across New York City from 2011 to 2016, working with over 30 artists on locations like Harlem, Times Square, the Bronx, and Governor's Island. The document concludes with definitions of key terms related to public art.
KVB127 07 Place
Contemporary artists address the theme of place in their work in several ways: by responding to specific environments, trying to capture the feeling of remembered places, inventing imaginary places, or conceptualizing ideas of place. Examples include Mark DION's work with the Chicago Urban Ecology Action Group documenting real environments, Julie MEHRETU's ink painting "Black City" representing an imaginary place, and Emily Kame KNGWARREYE's acrylic painting "Big Yam" of her Anmatyerre homeland. Artists represent place through various mediums and consider the relationships between real and imagined places and how human actions inform our experiences of places.
Art Saves Lives
Details multiple arts-based social justice projects in which students can participate. Great especially for choice-based art rooms.
Abstract Expressionism, Pop Art, Op Art.pptx
This document provides an overview of installation art and performance art. It defines installation art as using sculptural materials and other media to modify how viewers experience space. Installation art is not confined to galleries and can be constructed publicly. Performance art uses the human body and actions in a particular time and place as the artwork. It may involve theater, dance or unexpected activities. The performer is the artist, and performances can vary in venue, duration, and level of improvisation. Examples of influential installation and performance artists from the Philippines are provided.
Collaboration 2013 final
This document discusses collaboration in art and provides several examples. It notes that artists have long collaborated in various ways, such as with studios, other artists, technicians, and the public. Collaboration can take hidden or visible forms and be acknowledged or unacknowledged. The document then provides examples of collaborative artworks and collectives, including works by Damien Hirst, WochenKlausur, Fluxus, CoLab, Tim Rollins + K.O.S., and many artist duos and groups. It discusses strategies for collaboration, such as using instructions or gradually blending approaches. Collaboration is presented as a way to gain critical feedback and broaden skills.
[CCKOREA 국제컨퍼런스] "Remix & Share" 전시프로젝트
The document discusses remix and sharing in Chinese contemporary art and Creative Commons licensing. It provides examples of remix art projects including one by artist Cao Fei using virtual worlds. It also outlines Creative Commons China's art promotion programs, which have included photography contests and an exhibition on remix and share art at the 798 Art Zone in Beijing.
Lezing Leeke Reinders: over de harde stad, de zachte stad en alledaagse ruimtes
Voor de GRAS kennisboo(s)t deelden deskundigen uit allerhande disciplines hun visie. Een schilderij kun je verhangen, een muziekstuk uitzetten, maar om architectuur kun je in de regel, tenzij het wordt opgeblazen of afgebroken, niet heen. Stadsantropoloog Leeke Reinders vertelde hoe mensen met dat gegeven omgaan.
From Object to concept: environment, performance, and installation art
This document provides an overview of postmodern art movements that emerged in response to modernism, including minimalism, conceptual art, performance art, body art, earthworks, and installation art. It discusses how these genres emphasized ideas over visual forms, incorporated elements of theatre and audience participation, and challenged definitions of art. Key artists mentioned include Robert Morris, Joseph Kosuth, Vito Acconci, Chris Burden, Richard Serra, Michael Heizer, Robert Smithson, and Bruce Nauman. It also summarizes Michael Fried's criticism of minimalism and Rosalind Krauss' theory of sculpture's "expanded field."
Similar to Presentation1 (20)
Time in place: New genre public art a decade later
Time in place: New genre public art a decade later
Lezing Leeke Reinders: over de harde stad, de zachte stad en alledaagse ruimtes
Lezing Leeke Reinders: over de harde stad, de zachte stad en alledaagse ruimtes
From Object to concept: environment, performance, and installation art
From Object to concept: environment, performance, and installation art
Presentation1
- 1. Hello, We are MA Contemporary Art Theory students from Edinburgh College of Art. We are going to give you a short talk on public art, projects that we are currently engaged in a maybe even feedback on your own work.
- 2. Robert Smithson’s Spiral Jetty, Rozel Point, 1970 ‘Site and non-site’ Robert Smithson’s Corner Mirror with Coral, 1969
- 3. Public and Community Art What is the difference? How much collaboration should the artist have with the community? What is the main purpose of public art?
- 4. John Ahearn, Percent for Art projects, Bronx, New York, 1992 Suzanne Lacy’s and A Coalition of Chicago Women, Full Circle, 1993 “Ahearn’s effort was meant to function as art that is of the people,” Kwon, 2002
- 5. Anish Kapoor’s The Farm, 2009, New Zealand Anish Kapoor’s Cloud Gate, 2006, Chicago Does public art have to be socially engaged and accessible to the public?
- 6. Jaume Plensa's Dream, St Helens Should the public choose public art? Rafael Lozano-Hemmer's Turbulence, Cardigan, Wales
- 7. In the Place of the Public Sphere, Simon Sheikh (Ed.) (b_books, 2005) Mapping the Terrain; New genre public art , Suzanne Lacy (Bay Press, 1995) One Place After Another: Site-Specific Art and Locational Identity, Miwon Kwon, (MIT Press, 2002)